{"title":"British Art","description":"","products":[{"product_id":"shakespeare","title":"Angelica Kauffman, after. Shakespeare. Two Gentlemen of Verona. Act V. Sc. III. Engraved by Luigi Schiavonetti. Hand-colored. 1792.","description":"\u003cp\u003e\u003cstrong\u003eMaria Anna Angelica Kauffman\u003c\/strong\u003e RA (1741 - 1807). A Swiss painter, the first female member of the Royal Academy of Arts, London. \u003cbr\u003e\u003cstrong\u003eLuigi Schiavonetti\u003c\/strong\u003e (1765 - 1810). An Italian engraver, since 1790 lived and worked in London. He also engraved the first British portrait of Napoleon.\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: Shakespeare. Two gentlemen of Verona. Act V. Sc. III. In the forest, the three outlaws have captured Silvia and plan to take her to their leader.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eLettered\u003c\/strong\u003e below image with \"Shakespeare\", the title and three lines from the play, with production detail: \"Painted by Anga. Kauffman Zucchi\", \"Engrav'd by L. Schiavonetti\" and publication line: \"Publish'd Augt. 1. 1792 by John \u0026amp; Josiah Boydell at the Shakespeare Gallery Pall Mall \u0026amp; No. 90 Cheapside London.\"\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e:\u003cstrong\u003e \u003c\/strong\u003eEtching and engraving, hand-colored. Printed on thick cream-colored paper.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDimension\u003c\/strong\u003e\u003cspan\u003e: \u003c\/span\u003eImage 19 2\/8\" x 25'' (49 x 63.5 cm). Sheet 24\" x 29 6\/8\" (61 x 76 cm).\u003cbr\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e: First published by J\u0026amp;J Boydell, London, 1792. Reissued by Shearjashub Spooner  in \u003cspan\u003e\"The American edition of Boydell's Illustrations of Shakespeare's dramatic works, by the most eminent artists of Great Britain.\"\u003c\/span\u003e #9. New York, 1852.     \u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: Tears to margins and small paper loss from the corners. A detailed condition report is available on demand.\u003cbr\u003e\u003cstrong\u003eMuseum\u003c\/strong\u003e: Hood Museum of Art. No. \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e2013.73.2\u003cbr\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: British School XVIII C.\u003c\/span\u003e \u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e: The original painting is kept in Davis Museum and Cultural Center, Wellesley College. Object No.: 1976.34.\u003cbr\u003e\u003c\/span\u003eMore about Shakespeare Gallery, John Boydell, and Sh. Spooner's edition read in our blog posts Shakespeare Gallery and John Boydell: The Enlightenment man.\u003c\/p\u003e\n\u003cdiv style=\"position: absolute; visibility: hidden; left: 8px; top: 47px; width: 115px; height: 17px;\" id=\"gtx-anchor\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"visibility: visible; left: 51px; top: 74px; opacity: 1;\" aria-describedby=\"bubble-3\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-3\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 57.5px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35088752836773,"sku":"WOP-004\/BF-2\/PS","price":500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_7985-2.jpg?v=1595460334"},{"product_id":"angelica-kauffman-after-engraved-by-luigi-schiavonetti-troilus-cressida-act-v-sc-ii","title":"Angelica Kauffman, after. Shakespeare. Troilus and Cressida. Act V. Sc. II. Engraved by Luigi Schiavonetti. 1792.","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaria Anna Angelica Kauffman\u003c\/strong\u003e RA (1741 - 1807). A Swiss painter, she was the first female member of the Royal Academy of Arts, London.\u003cbr\u003e\u003cstrong\u003eLuigi Schiavonetti\u003c\/strong\u003e (1765 - 1810). An Italian engraver, since 1790, lived and worked in London. He also engraved the first British portrait of Napoleon.\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: Shakespeare. Troilus and Cressida. Act V. Sc. II. At Calchas' tent, Cressida and Diomedes meet while Ulysses, Troilus, and Thersites watch.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, numbered, and titled on the plate.\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e:\u003cstrong\u003e \u003c\/strong\u003eStipple engraving. It was printed on thick cream-colored paper.\u003cbr\u003e\u003cstrong\u003eDimentios\u003c\/strong\u003e:\u003cstrong\u003e \u003c\/strong\u003eImage 19 1\/2\" x 25'' (50 x 63.5 cm). Sheet 24\" x 30\" (61 x 76 cm).\u003cbr\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e: First published by J\u0026amp;J Boydell, London, 1792. Reissued by Shearjashub Spooner in \"The American edition of Boydell's Illustrations of Shakespeare's dramatic works, by the most eminent artists of Great Britain.\" #89. New York, 1852.\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: Tears to margins. A detailed condition report is available on demand. \u003cbr\u003e\u003cstrong\u003eNote\u003c\/strong\u003e: More about Shakespeare Gallery, John Boydell, and Sh. Spooner's edition read \u003cem\u003eShakespeare Gallery\u003c\/em\u003e and \u003cem\u003eJohn Boydell: The Enlightenment man  \u003c\/em\u003ein our blog posts.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv id=\"gtx-anchor\" style=\"position: absolute; visibility: hidden; left: 123px; top: 237px; width: 331px; height: 17px;\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-3\" style=\"visibility: visible; left: 21px; top: 264px; opacity: 0; transition: opacity 0.218s ease-in 0s;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-3\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\" style=\"left: 280.5px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35139673030821,"sku":"WOP-003\/BF-2\/PS","price":400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8063-2-2.jpg?v=1595619190"},{"product_id":"tempest-act-v-scene-i","title":"Francis Wheatley, after. Shakespeare. Tempest. Act V. Scene I. Engraved by Caroline Watson. 1795.","description":"\u003cp\u003e\u003cstrong\u003eFrancis Wheatley\u003c\/strong\u003e RA (1747-1801). English painter contributed to John Boydell's Shakespeare Gallery.\u003cbr\u003e\u003cstrong\u003eCaroline Watson\u003c\/strong\u003e \u003cspan\u003e(1761? –1814).\u003c\/span\u003e The first independent woman engraver in Great Britain in the 18th century. \u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: Shakespeare. Tempest. Act V. Scene I. Ferdinand and Miranda playing chess.\u003cbr\u003e\u003cstrong\u003eSigned in the plate. \u003c\/strong\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques:\u003c\/strong\u003e Stipple and line engraving. Printed on thick cream-colored paper.\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003cspan data-mce-fragment=\"1\"\u003e: \u003c\/span\u003e\u003c\/strong\u003eImage 22 1\/2\" x 17'' (57 x 43 cm). Sheet 29 6\/8\"\" x 23 6\/8\" (76 x 61 cm).\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr\u003ePublication\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e First published by J\u0026amp;J Boydell, London, 1795. Reissued by  Shearjashub Spooner in \u003cspan\u003e\"The American edition of Boydell's Illustrations of Shakespeare's dramatic works, by the most eminent artists of Great Britain.\"\u003c\/span\u003e #8. New York, 1852.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e: Tears to margins.  A detailed condition report is available on demand.\u003cbr\u003e\u003cstrong\u003eMuseum\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHood Museum of Art. No. \u003cmeta charset=\"utf-8\"\u003e2013.73.1\u003cbr\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: More about Shakespeare Gallery, John Boydell, and Sh. Spooner's edition read in our blog posts \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eShakespeare Gallery\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eJohn Boydell: The Enlightenment man\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv id=\"gtx-anchor\" style=\"position: absolute; visibility: hidden; left: 74px; top: 241px; width: 214px; height: 17px;\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-7\" style=\"visibility: visible; left: 166px; top: 128px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-7\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowdown\" style=\"left: 173px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35140002349221,"sku":"WOP-045","price":350.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8098-2-2-2.jpg?v=1595621002"},{"product_id":"shakespeare-gallery-folio-much-ado-about-nothing-act-5-sc-4","title":"Matthew William Peters, after. Shakespeare. Much Ado About Nothing. Act III. Sc. I. Engraved by Peter Simon. Hand-colored. 1792","description":"\u003cp\u003e\u003cstrong\u003eRev. Matthew William Peters\u003c\/strong\u003e (1742–1814). An English painter, executed five works for John Boydell's Shakespeare Gallery.\u003cbr\u003e\u003cstrong\u003ePeter Simon the Younger\u003c\/strong\u003e (1750–c. 1810). This English engraver contributed to Boydell's Shakespeare Gallery.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e Shakespeare. Much ado about nothing. Act III. Sc. I. Hero, Ursula, and Beatrice in Leonato's Garden.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eLettered\u003c\/strong\u003e below the image with \"Shakspeare\", title and seven lines from the scene, production detail: \"Painted by the Revd. Wm. Peters\", \"Engraved by Peter Simon\" and publication line: \"Published June 4th 1790, by John \u0026amp; Josiah Boydell, at the Shakspeare Gallery, Pall Mall, \u0026amp; at No. 90 Cheapside\".\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Techniques:\u003c\/strong\u003e Etching and engraving, hand-colored. Printed on thick cream-colored paper.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e Image 25 1\/2\" x 18'' (65 x 46 cm). Sheet 32 6\/8\"\" x 23 6\/8\" (83 x 60 cm). \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e First published by J\u0026amp;J Boydell, London, 1792. Reissued by Shearjashub Spooner in \u003cspan\u003e\"The American edition of Boydell's Illustrations of the dramatic works of Shakespeare, by the most eminent artists of Great Britain.\"\u003c\/span\u003e #18. New York, 1852. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e Tears, creases, and restorations to margins. A detailed condition report is available on demand.\u003cbr\u003e\u003cstrong\u003eMuseums\u003c\/strong\u003e: The Metropolitan Museum of Art. \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"artwork-tombstone--label\"\u003eAccession Number:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"artwork-tombstone--value\"\u003e42.119.535.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: British School XVIII C.\u003c\/span\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/707909\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003cstrong\u003eNote\u003c\/strong\u003e: The original painting is kept in the Carnegie Museum of Art, Pittsburgh, PA. \u003cmeta charset=\"utf-8\"\u003eAccession number: 2002.77.\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eNote\u003c\/strong\u003e:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eMore about Shakespeare Gallery, John Boydell, and Sh. Spooner's edition read in our blog posts \u003c\/span\u003e\u003cem\u003eShakespeare Gallery\u003c\/em\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cem\u003eJohn Boydell: The Enlightenment man\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-6\" style=\"visibility: visible; left: 2px; top: 93px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-6\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\" style=\"left: 261.5px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35140200366245,"sku":"WOP-101\/BF-2\/PS","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8024-2-2_80639ad1-2cb9-4736-95a6-0d7b434ebcd4.jpg?v=1595628109"},{"product_id":"shakespeare-gallery-folio-king-henry-eight","title":"Matthew William Peters, after. Shakespeare. King Henry Eight. Act III. Sc. I. Engraved by Robert Thew. 1796.","description":"\u003cp\u003e\u003cstrong\u003eRev. Matthew William Peters\u003c\/strong\u003e (1742–1814). An English painter, executed five works for John Boydell's Shakespeare Gallery.\u003cbr\u003e\u003cstrong\u003eRobert Thew\u003c\/strong\u003e (1758-1802). An English engraver did 22 plates for Boydell's Shakespeare Gallery.\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: Shakespeare. King Henry Eight. Act III. Sc. I. Queen Catherine, Cardinal Wolsey, and Cardinal Campeius. A Room in the Queen's Apartments. \u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eLettered \u003c\/span\u003e\u003c\/strong\u003ebelow image with \"Shakspeare\", title, location, names of characters present and four lines from the scene; with production detail: \"Painted by the Revd. Willm. Peters\", \"Engraved by Robert Thew, Historical Painter to H.R.H. the Prince of Wales\" and publication line: \"Published June 4, 1796, by J \u0026amp; J Boydell, at the Shakespeare Gallery, Pall Mall, and at No. 90 Cheapside, London\"\u003cstrong\u003e. \u003cmeta charset=\"utf-8\"\u003e #80.\u003c\/strong\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Techniques:\u003c\/strong\u003e Stipple engraving. Printed on thick cream-colored paper.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e Image 19 3\/8\" x 25'' (50 x 63 cm). Sheet 24\" x 30\" (61 x 76 cm). \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e First published by J\u0026amp;J Boydell, London 1796. Reissued by Shearjashub Spooner in \u003cspan\u003e\"The American edition of Boydell's Illustrations of Shakespeare's dramatic works, by the most eminent artists of Great Britain.\"\u003c\/span\u003e #80. New York, 1852. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e The image surface is slightly damaged on the lower right. Corners are folded. A detailed condition report is available on request.\u003cbr\u003e\u003cstrong\u003eMuseum\u003c\/strong\u003e: The Metropolitan Museum of Art. \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"artwork-tombstone--label\"\u003eAccession Number:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"artwork-tombstone--value\"\u003e42.119.536.\u003c\/span\u003e \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: British School XVIII C.\u003c\/span\u003e \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003cspan\u003e: More about Shakespeare Gallery, John Boydell, and Sh. Spooner's edition read in our blog posts \u003c\/span\u003e\u003cem\u003eShakespeare Gallery\u003c\/em\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cem\u003eJohn Boydell: The Enlightenment man\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"position: absolute; visibility: hidden; left: 8px; top: 297px; width: 497.719px; height: 36px;\" id=\"gtx-anchor\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"visibility: visible; left: -18px; top: 184px; opacity: 1;\" aria-describedby=\"bubble-8\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-8\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 249px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowdown\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35140376789157,"sku":"WOP-100\/BF-2\/PS","price":400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8092-2.jpg?v=1595626713"},{"product_id":"shakespeare-gallery-folio-king-henry-6th-part-1-act-ii-sc-v","title":"James Northcote, after. Shakespeare. King Henry 6th, part 1. Act II. Sc. V. Engraved by Robert Thew. Hand-colored. 1792.","description":"\u003cp\u003e\u003cstrong\u003eJames Northcote\u003c\/strong\u003e RA (1746-1831). A British painter contributed to John Boydell's Shakespeare Gallery.\u003cbr\u003e\u003cstrong\u003eRobert Thew\u003c\/strong\u003e (1758-1802). An English engraver. He did 22 plates for Boydell's Shakespeare Gallery.\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: Shakespeare. King Henry 6th, part 1. Act II. Sc. V. Room in the Tower. Richard Plantagenet, Mortimer \u0026amp; jailor. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eLettered\u003c\/strong\u003e below image with \"Shakspeare\", title, lines from play, production detail: \"Painted by J. Northcote R.A.\", \"Engrav'd by R. Thew, Histl. Engr. to the P. of Wales\" and publication line: \"Publish'd Decr. 24 1793, by John \u0026amp; Josiah Boydell at the Shakspeare Gallery Pall Mall \u0026amp; No. 90 Cheapside\"\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Techniques: \u003c\/strong\u003eEtching and engraving, hand-colored. Printed on thick cream-colored paper.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: \u003c\/span\u003eImage 29 5\/8\" x 18'' (76 x 46 cm). Sheet 32 6\/8\"\" x 23 6\/8\" (83 x 61). \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003cspan\u003e: \u003c\/span\u003eFirst published by J\u0026amp;J Boydell, London, 1792. Reissued by Shearjashub Spooner in \u003cspan\u003e\"The American edition of Boydell's Illustrations of the dramatic works of Shakespeare, by the most eminent artists of Great Britain.\"\u003c\/span\u003e #69. New York, 1852. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: \u003c\/span\u003eTears to margins and a water stain to the right. A detailed condition report is available on demand.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: British School XVIII C.\u003c\/span\u003e \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003cspan\u003e: The original painting is kept in Davis Museum and Cultural Center, Wellesley College. \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eMore about Shakespeare Gallery, John Boydell, and Sh. Spooner's edition read in our blog posts \u003c\/span\u003e\u003cem\u003eShakespeare Gallery\u003c\/em\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cem\u003eJohn Boydell: The Enlightenment man\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv style=\"position: absolute; visibility: hidden; left: 40px; top: 368px; width: 214.844px; height: 17px;\" id=\"gtx-anchor\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"visibility: visible; left: 133px; top: 255px; opacity: 1;\" aria-describedby=\"bubble-8\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-8\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 139.5px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowdown\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35140513202341,"sku":"WOP-057\/BF-2\/PS","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_7992-3.jpg?v=1595627708"},{"product_id":"john-downman-after-engraving-by-william-satchwell-leney-shakspeare-sic-as-you-like-it-act-i-sc-ii","title":"John Downman, after. Shakespeare. As you like it. Act I. Sc. II. Engraved by William Satchwell Leney. Hand-colored. 1800.","description":"\u003cp\u003e\u003cstrong\u003eJohn Downman\u003c\/strong\u003e A.R.A. (1750–1824). English painter contributed to John Boydell's Shakespeare Gallery.\u003cbr\u003e\u003cstrong\u003eWilliam Satchwell Leney\u003c\/strong\u003e (1769 - 1831). American engraver born in London.\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: Shakespeare. As you like it. Act I. Sc. II. Rosalinda is giving Orlando a chain from her neck.\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eLettered \u003c\/span\u003e\u003c\/strong\u003ebelow the image with the title, reference 'Act I. Scene II. \/ Before the Duke's Palace - Rosalind, Celia, Orlando, Duke, \u0026amp; Attendants \u0026amp;c. - Charles carried off. \/ Ros. Gentleman, [Giving him a chain from her neck.] Wear this for me; one out of suits with fortune; That could give more, but that her hand lacks means. Shal we go, coz?' and 'Painted by Iohn Downman \/ Engraved by William Leney. \/ Pub June 4. 1800 by J. \u0026amp; J. Boydell, No. 90, Cheapside; \u0026amp; at the Shakspeare Gallery, Pall Mall, London.'.\u003cstrong\u003e \u003c\/strong\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Techniques: \u003c\/strong\u003eStipple engraving, hand-colored. Printed on thick cream-colored paper.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: \u003c\/span\u003eImage 19 2\/8\" x 25\" (49 x 63.5 cm). Sheet 23 7\/8\" x 29 6\/8\" (60 x 76 cm).\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003ePublication:\u003c\/strong\u003e First published by J\u0026amp;J Boydell, London, 1800. Reissued by Shearjashub Spooner in \u003cspan\u003e\"The American edition of Boydell's Illustrations of the dramatic works of Shakespeare, by the most eminent artists of Great Britain.\"\u003c\/span\u003e #26. New York, 1852.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: \u003c\/span\u003eSmall tears to margins. A detailed condition report is available on demand.\u003cbr\u003e\u003cstrong\u003eMuseum\u003c\/strong\u003e: The Metropolitan Museum of Art. Accession Number: 42.119.541.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: British School XVIII C.\u003c\/span\u003e \u003cbr\u003e\u003cstrong\u003eNote\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMore about Shakespeare Gallery, John Boydell, and Sh. Spooner's edition read in our blog posts Shakespeare Gallery and John Boydell: The Enlightenment man.\u003c\/span\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35161787629733,"sku":"WOP-071\/BF-2\/PS","price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/Boydell_sShakespeare.6-2copy-2.jpg?v=1595625680"},{"product_id":"josiah-boydell-after-engraving-by-john-ogborne-shakespeare-henry-vi-part-1-act-ii-sc-iv","title":"Josiah Boydell, arter. Shakespeare. Henry VI, Part 1. Act II. Sc. IV. Engraved by John Ogborne. Hand-colored. 1795.","description":"\u003cp\u003e\u003cstrong\u003eBoydell, Josiah\u003c\/strong\u003e (1752–1817). A British painter, one of the two publishers (together with his uncle, John Boydell) of the Shakespeare Gallery.\u003cbr\u003e\u003cstrong\u003eJohn Ogborne\u003c\/strong\u003e (1755 – 1837). An English engraver worked for Boydell's Shakespeare Gallery.\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: Shakespeare. Henry VI, Part 1. Act II. Sc. IV. Richard Plantagenet and Somerset, having quarreled over a case at law, withdraw into a garden, where the supporters of Plantagenet signal their commitment to him by plucking and wearing white roses, the supporters of Somerset red roses. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eLettered\u003c\/strong\u003e below the image with title: \"Shakspeare. First part of King Henry 6th. Act II. Scene IV.\", with nine lines of quotation in English: 'Plant. Since you are tongue ty'd, \u0026amp; so loth to speak [...] From of this briar pluck a white rose with me. \/ Som. Let him that is no coward, nor no flatterer [...] Pluck a red rose from off this thorn with me.' and \"Painted by Josiah Boydell. \/ Publish'd Jany. 1, 1795, by John \u0026amp; Josiah Boydell, at the Shakspeare Gallery Pall Mall, \u0026amp; No. 90, Cheapside. \/ Enrgrav'd by J. Ogborne\".\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eMaterials and Techniques: \u003c\/strong\u003eStipple engraving, hand-colored. Printed on thick cream-colored paper.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: \u003c\/span\u003eImage 19 6\/8\" x 25'' (50 x 63 cm). Sheet 23 6\/8\" x 29 6\/8\" (60 x 76 cm).\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003cspan\u003e: \u003c\/span\u003eFirst published by J\u0026amp;J Boydell, London, 1795. Reissued by Shearjashub Spooner in \u003cspan\u003e\"The American edition of Boydell's Illustrations of the dramatic works of Shakespeare, by the most eminent artists of Great Britain.\"\u003c\/span\u003e #68. New York, 1852.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e Loss of paper from l.l. corner. A detailed condition report is available on demand.\u003cbr\u003e\u003cstrong\u003eMuseum\u003c\/strong\u003e: The Metropolitan Museum of Art. \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"artwork-tombstone--label\"\u003eAccession Number:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"artwork-tombstone--value\"\u003e42.119.547.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: British School XVIII C.\u003c\/span\u003e \u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eNote\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMore about Shakespeare Gallery, John Boydell, and Sh. Spooner's edition read in our blog posts Shakespeare Gallery and John Boydell: The Enlightenment man.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"position: absolute; visibility: hidden; left: 396px; top: 446px; width: 44px; height: 17px;\" id=\"gtx-anchor\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"visibility: visible; left: -103px; top: 269px; opacity: 1;\" aria-describedby=\"bubble-2\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-2\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 410px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowdown\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35193267552421,"sku":"WOP-099\/BF-2\/PS","price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_7950-2.jpg?v=1595528291"},{"product_id":"francis-wheatley-after-engraving-by-georg-sigmund-facius-johann-gottlieb-facius-shakespeare-alls-well-that-ends-well-act-v-sc-iii","title":"Francis Wheatley, after. Shakespeare. All's well that ends well. Act V. Sc. III. Engraved by G.S. Facius \u0026 J.G. Facius. Hand-colored. 1792.","description":"\u003cp\u003e\u003cstrong\u003eFrancis Wheatley\u003c\/strong\u003e RA (1747-1801). English painter contributed several works for John Boydell's Shakespeare Gallery.\u003cbr\u003e\u003cstrong\u003eGeorg Sigmund Facius \u0026amp; Johann Gottlieb Facius\u003c\/strong\u003e. Brothers Facius were born in Germany. They moved to London and collaborated with John Boydell for many years.\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: Shakespeare. All's well that ends well. Act V. Sc. III. King, Countess, Lafeu, Lords, Attendants, \u0026amp;c. Bertram guarded. Diana \u0026amp; a Widow.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eLettered\u003c\/strong\u003e below the image with the title, reference and quotation over five lines \"Shakspeare. \/ King, Countess, Laseu, Lords, Attendants \u0026amp;c. Bertram guarded, Diana \u0026amp; a Widow \/ Hel. Oh, my good lord, when I was like this mair ... Will you be mine now you are doubly won?\", and \"Painted by F. Wheatley R. A. \/ Publish'd June. 4. 1794, by John \u0026amp; Josiah Boydell, Shakspeare Gallery Pall Mall, \u0026amp; No. 90, Cheapside. \/ Engrav'd by G.S. \u0026amp; J.G. Facius.\".\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Techniques:\u003c\/strong\u003e Etching and engraving, hand-colored. Printed on thick cream-colored paper.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e Image 19 1\/2\" x 25'' (50 x 63.5 cm). Sheet 24\" x 29 6\/8\" (61 x 76 cm). \u003cbr\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e: First published by J\u0026amp;J Boydell, London, 1792. Reissued by Shearjashub Spooner in \u003cspan\u003e\"The American edition of Boydell's Illustrations of the dramatic works of Shakespeare, by the most eminent artists of Great Britain.\"\u003c\/span\u003e. #32. New York, 1852.\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: Small water stains. A detailed condition report is available on demand.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: British School XVIII C.\u003c\/span\u003e \u003cbr\u003e\u003cb\u003eNote\u003c\/b\u003e: More about Shakespeare Gallery, John Boydell, and Sh. Spooner's edition read in our blog posts Shakespeare Gallery and John Boydell: The Enlightenment man.\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35204166779045,"sku":"WOP-044\/BF-2\/PS","price":500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8019-2-2.jpg?v=1595469124"},{"product_id":"william-hamilton-after-engraving-by-peter-simon","title":"William Hamilton. Shakespeare. As you like it. Act V. Sc. IV. Engraved by Peter Simon. 1792.","description":"\u003cp\u003e\u003cstrong\u003eWilliam  Hamilton\u003c\/strong\u003e RA (1751 - 1801). He was commissioned to create works for John Boydell's Shakespeare Gallery.\u003cbr\u003e\u003cstrong\u003ePeter Simon the Younger\u003c\/strong\u003e (1750–c. 1810). An English engraver contributed to Boydell's Shakespeare Gallery.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e Shakespeare. As you like it. Act V. Sc. IV. Rosalind assumes her true identity and presents herself to Orlando.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eLettered\u003c\/strong\u003e below the image with the title, reference, quotation\"Shakspeare \/ Ros. To you I give myself, for I am yours. \/ Orl. If there be truth in sight, you are my Rosalind.\", and \"Painted by Wm. Hamilton. \/ Publish'd Sepr. 29. 1791, by John. \u0026amp; Josiah Boydell, at the Shakspeare Gallery, Pall Mall, \u0026amp; No. 90. Cheapside. \/ Engraved by Peter Simon.\".\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Techniques:\u003c\/strong\u003e Etching and engraving. Printed on thick cream-colored paper.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e Image 19 1\/2\" x 25'' (50 x 63 cm). Sheet 24\" x 29 6\/8\" (61 x 76 cm).\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e First published by J\u0026amp;J Boydell, London, 1792. Reissued by Shearjashub Spooner in \u003cspan\u003e\"The American edition of Boydell's Illustrations of the dramatic works of Shakespeare, by the most eminent artists of Great Britain.\"\u003c\/span\u003e  #29. New York, 1852.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: \u003c\/span\u003eMinor tears to margins. Corners are slightly damaged. A detailed condition report is available on demand.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: British School XVIII C.\u003c\/span\u003e \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003cspan\u003e: More about Shakespeare Gallery, John Boydell, and Sh. Spooner's edition read in our blog posts \u003c\/span\u003e\u003cem\u003eShakespeare Gallery\u003c\/em\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cem\u003eJohn Boydell: The Enlightenment man\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv id=\"gtx-anchor\" style=\"position: absolute; visibility: hidden; left: 358px; top: 218px; width: 154.906px; height: 17px;\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-3\" style=\"visibility: visible; left: -100px; top: 105px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-3\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowdown\" style=\"left: 427.5px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35214124843173,"sku":"WOP-113\/BF-2\/PS","price":350.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8056-5-2.jpg?v=1595622620"},{"product_id":"david-young-cameron-the-chapel-and-founders-tomb-charterhouse-1894","title":"David Young Cameron. The Chapel and Founder's Tomb, Charterhouse. Etching. 1895.","description":"\u003cp\u003e\u003cstrong\u003eSir David Young Cameron\u003c\/strong\u003e RA (1865 – 1945) was a Scottish painter and etcher.\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: The Chapel and Founder's Tomb, Charterhouse.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e: Etching on laid paper.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: Image 5\" x 3 1\/4\". Sheet 9 1\/4\" x 7 1\/2\".\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cb\u003eInscriptions\u003c\/b\u003e:\u003c\/span\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLettered in plate, at center: \"THE CHAPEL AND FOUNDERS TOMB CHARTERHOUSE\". \u003c\/span\u003e\u003cspan\u003eSigned in plate, at lower right: \"DYC 1894\". \u003c\/span\u003eSigned in pencil with monogram lower margin.\u003cbr\u003e\u003cstrong\u003eCatalog Raisonne\u003c\/strong\u003e: Rinder 240.\u003cbr\u003e\u003cstrong\u003eReference\u003c\/strong\u003e: Rinder, Frank. D.Y. Cameron, an illustrated catalog of his etchings and drypoints, 1887-1932. Glasgow: Jackson, Wylie, and Company, 1932.\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: good. A detailed condition report is available on demand. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: British School XIX C. \u003cmeta charset=\"utf-8\"\u003eBritish School XX C. \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMuseums\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNational Gallery of Art. \u003cmeta charset=\"utf-8\"\u003e1943.3.2666. \u003cmeta charset=\"utf-8\"\u003eThe Metropolitan Museum of Art. \u003c\/span\u003e\u003cspan\u003e17.3.3063\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35298043199653,"sku":"WOP-043\/BB-1","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_2154.jpg?v=1595710711"},{"product_id":"david-young-cameron","title":"David Young Cameron. Tepidarium: Thermae of Caracalla. Drypoint. 1924.","description":"\u003cp\u003e\u003cstrong\u003eSir David Young Cameron\u003c\/strong\u003e RA (1865 – 1945) was a Scottish painter and etcher.\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: Tepidarium, Thermae of Caracalla. Bath of Caracalla is one of the most important buildings of Roman antiquity.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e: Drypoint on laid paper.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e Image 8\" x 7\". Sheet 12 1\/4 x 8\" \u003cbr\u003e\u003cstrong\u003eSigned in the plate\u003c\/strong\u003e and in pencil.\u003cbr\u003e\u003cstrong\u003eDated\u003c\/strong\u003e: 1924. \u003cspan\u003eDate from catalogue raisonné.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eCatalog Raisonne\u003c\/strong\u003e: Rinder, 474.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eReference\u003c\/strong\u003e: Rinder, Frank. D.Y. Cameron, an illustrated catalogue of his etchings and drypoints, 1887-1932. Glasgow: Jackson, Wylie, and Company, 1932.\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: good. A detailed condition report is available on demand. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: British School XIX C. \u003cmeta charset=\"utf-8\"\u003eBritish School XX C. \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMuseums\u003c\/strong\u003e: NGA \u003ca href=\"https:\/\/www.nga.gov\/collection\/art-object-page.5671.html\"\u003ehttps:\/\/www.nga.gov\/collection\/art-object-page.5671.html\u003cbr\u003e\u003c\/a\u003eThe Met \u003ca href=\"https:\/\/www.digitalcommonwealth.org\/search\/commonwealth:g732f524d\"\u003ehttps:\/\/www.digitalcommonwealth.org\/search\/commonwealth:g732f524d\u003c\/a\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35299772334245,"sku":"WOP-042","price":250.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_2147.jpg?v=1595717527"},{"product_id":"david-young-cameron-1","title":"David Young Cameron. Norman Village. Etching. 1904.","description":"\u003cp\u003e\u003cstrong\u003eSir David Young Cameron\u003c\/strong\u003e RA (1865 – 1945) was a Scottish painter and etcher.\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: Norman Village. The village is that of Le Grand Andely.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Techniques:\u003c\/strong\u003e Etching.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: Image 7\" x 5 1\/4\". Sheet 10 3\/4\" x 9 1\/4\"\u003cbr\u003e\u003cstrong\u003eSigned in the plate\u003c\/strong\u003e.\u003cbr\u003e\u003cstrong\u003eDated\u003c\/strong\u003e: 1904. Date from catalogue raisonné.\u003cbr\u003e\u003cstrong\u003eCatalog Raisonne\u003c\/strong\u003e: Rinder, 359.\u003cbr\u003e\u003cstrong\u003eReference\u003c\/strong\u003e: Rinder, Frank, \"D. Y. Cameron: An Illustrated Catalogue of his Etchings and Drypoints, 1887-1932\" (Jackson, Wylie \u0026amp; Company, 1932)\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: foxing, old mat. A detailed condition report is available on-demand.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: British School XIX C. \u003cmeta charset=\"utf-8\"\u003eBritish School XX C. \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMuseums\u003c\/strong\u003e: Boston Public Library:\u003cbr\u003e\u003ca href=\"https:\/\/www.digitalcommonwealth.org\/search\/commonwealth:g732f264r\"\u003ehttps:\/\/www.digitalcommonwealth.org\/search\/commonwealth:g732f264r\u003c\/a\u003e \u003cbr\u003eThe Met: \u003ca href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/708753\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/708753\u003c\/a\u003e\u003c\/p\u003e\n\u003cdiv style=\"position: absolute; visibility: hidden; left: 359px; top: 8px; width: 99px; height: 17px;\" id=\"gtx-anchor\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"visibility: visible; left: -127px; top: 35px; opacity: 1;\" aria-describedby=\"bubble-7\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-7\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 400.5px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35300423303333,"sku":"WOP-041\/BB-1","price":175.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_2161.jpg?v=1595764788"},{"product_id":"david-young-cameron-amboise-etching-1903","title":"David Young Cameron. Amboise. Etching. 1903.","description":"\u003cp\u003e\u003cstrong\u003eSir David Young Cameron\u003c\/strong\u003e RA (1865 – 1945) was a Scottish painter and etcher.\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: Amboise. Amboise is a town in central France.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e:\u003cstrong\u003e \u003c\/strong\u003e Etching on laid paper. \u003cbr\u003e\u003cstrong\u003eDimentions\u003c\/strong\u003e: Image 10 1\/2\" x 6\". Sheet 12\" x 7 3\/4\".\u003cbr\u003e\u003cstrong\u003eSigned in the plate\u003c\/strong\u003e in l.r. corner.\u003cbr\u003e\u003cstrong\u003ePublished\u003c\/strong\u003e in The Studio in Representative Art of Our Times Pt. IV, 1902-1903.\u003cbr\u003e\u003cstrong\u003eCatalog Raisonne\u003c\/strong\u003e: Rinder 352.\u003cbr\u003e\u003cstrong\u003eReference\u003c\/strong\u003e: Frank Rinder D.Y Cameron: An Illustrated Catalogue of His Etched Work. James MacLehose \u0026amp; Sons, Glasgow, 1912.\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: Good. The folder is torn at the fold. Holes from the binding cord. A detailed condition report is available on demand. \u003cbr\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: British School XIX C. \u003cmeta charset=\"utf-8\"\u003eBritish School XX C. \u003c\/span\u003e\u003cbr\u003eThe Met: \u003ca href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/708737\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/708737\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv style=\"position: absolute; visibility: hidden; left: 8px; top: 66px; width: 74px; height: 17px;\" id=\"gtx-anchor\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"visibility: visible; left: 30px; top: 93px; opacity: 1;\" aria-describedby=\"bubble-2\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-2\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 37px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35305240625317,"sku":"WOP-040\/BB-1","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_2158.jpg?v=1595772586"},{"product_id":"joseph-mallord-william-turner-after-engraved-by-robert-dunkarton-young-anglers-1811","title":"Joseph Mallord William Turner, after. Young Anglers. Engraved by Robert Dunkarton. 1811.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Joseph Mallord William Turner RA (1775 - 1851) was an English painter, printmaker, and watercolorist.\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eEngraver\u003c\/span\u003e\u003c\/strong\u003e: Robert Dunkarton was a British mezzotinter.\u003cbr\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e Young Anglers. Turner depicted boys playing waterside and fishing. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eSigned in the plate:\u003c\/strong\u003e Drawn \u0026amp; Etched by J. M. W. Turner.  Engraved by R. Dunkarton. Young Anglers. Published June 1. 1811 by J. M. W. Turner Queen Ann Street West. Letter P above the image stands for Pastoral. Turner studio blind stamp. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Techniques: \u003c\/strong\u003eEtching and mezzotint on paper. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Image 7\" x 11 1\/2\". Sheet 11 3\/4\" x 17 1\/4\".  \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: Good. Small loss to the upper right corner. A detailed condition report is available on demand. \u003cbr\u003e\u003cstrong\u003ePublication:\u003c\/strong\u003e\u003cem\u003e Liber Studiorum, part VII, plate 32. Studiorum\u003c\/em\u003e (Book of Studies) is a collection of 71 prints by J. M. W. Turner, published 1807 - 1819.\u003cbr\u003e\u003cstrong\u003eCatalog raisonne\u003c\/strong\u003e: Rawlinson, Pl. #32. p. 80. First Published State.\u003cbr\u003e\u003cstrong\u003eReference\u003c\/strong\u003e: William George Rawlinson Turner's Liber Studiorum: A Description and A Catalogue. Macmillan \u0026amp; Co., 2nd ed. London, 1906.\u003cbr\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e: \"JMWT monogram blind stamp. This mark was applied to every item sold from Turner's studio in the sales at Christie's of 1873 and 1874\". \u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eReference\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eProfessor David Hill.\u003c\/span\u003e\u003cspan\u003e\u003ca href=\"https:\/\/wp.me\/p418W4-I5\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cstrong\u003eMuseums\u003c\/strong\u003e: Tate: A00975.\u003ca title=\"Tate\" href=\"https:\/\/www.tate.org.uk\/art\/artworks\/turner-young-anglers-engraved-by-robert-dunkarton-a00975\"\u003e\u003cbr\u003e\u003c\/a\u003eThe British Museum: 1848-0708-151.\u003cbr\u003e\u003cspan\u003eThe Metropolitan Museum of Art: 382935\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: British School XIX C. \u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eNote: \u003c\/strong\u003e\u003cspan\u003eOf the 70 engravings that make up Turner's \u003c\/span\u003e\u003cem\u003eLiber Studiorum\u003c\/em\u003e\u003cspan\u003e, only 3 are devoted to the theme of childhood and are considered the rarest, namely, Marine Dabblers, Juvenile Tricks, and Young Anglers, all three are in the Goldin Fine Art collection.\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv style=\"position: absolute; visibility: hidden; left: 292px; top: 9px; width: 42px; height: 17px;\" id=\"gtx-anchor\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"visibility: visible; left: 38px; top: 36px; opacity: 1;\" aria-describedby=\"bubble-2\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-2\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 305px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35363538403493,"sku":"WOP-097","price":1200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8170.jpg?v=1596063058"},{"product_id":"joseph-mallord-william-turner-barnard-castle-engraved-by-willmore","title":"Joseph Mallord William Turner, after. Barnard Castle. Engraved by James Tibbits Willmore. 1831.","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e:\u003cstrong\u003e \u003c\/strong\u003eJoseph Mallord William Turner RA (1775 - 1851) was an English painter, printmaker, and watercolorist.\u003cbr\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e: James Tibbits Willmore was an English engraver.\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: Barnard Castle. This is the town, in the North of England, known as a historic and cultural attraction.\u003cbr\u003e\u003cstrong\u003eSigned in the plate:\u003c\/strong\u003e \u003cem\u003eJ. T. Willmore\u003c\/em\u003e. Wrong Rawlinson number in pencil, lower margin.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eMaterials and Techniques: \u003c\/strong\u003eLine engraving on India paper laid on wove paper.\u003cbr\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e  Image 3 1\/2\" x 4 3\/4\". Sheet 12\" x 17 1\/2\".  [Portfolio size].\u003cbr\u003e\u003cstrong\u003ePublisher\u003c\/strong\u003e: Whitaker. London, 1831.\u003cbr\u003e\u003cb\u003eEdition: \u003c\/b\u003e\u003c\/span\u003e\u003cem\u003eThe Talisman \u003c\/em\u003eis an annual of the time.\u003cspan\u003e\u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e: 1831.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003ecreases to the right margin. Foxings. A detailed condition report is available on demand.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eCatalog Raisonne\u003c\/strong\u003e: Rawlinson II, 1913. #341, p. 229, engraver's proof.\u003cbr\u003e\u003cstrong\u003eReference\u003c\/strong\u003e: William George Rawlinson. The engraved work of J. M. W. Turner, R. A. vol. I-II.  London, 1908-1913. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003ePart of\u003c\/strong\u003e: Probably, \u003cmeta charset=\"utf-8\"\u003eThe New Cabinet Album of Entertainment and Instruction. [n.d.] \u003cbr\u003e\u003cstrong\u003eMuseums\u003c\/strong\u003e: The British Museum. \u003cmeta charset=\"utf-8\"\u003e1851,0308.754. Tate \u003cmeta charset=\"utf-8\"\u003eT05112.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: British School XIX C. \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv style=\"position: absolute; visibility: hidden; left: 149.906px; top: 66px; width: 28.375px; height: 17px;\" id=\"gtx-anchor\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"visibility: visible; left: 149px; top: 93px; opacity: 1;\" aria-describedby=\"bubble-2\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-2\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 155.906px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35400860926117,"sku":"WOP-075","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8131-2.jpg?v=1596237464"},{"product_id":"joseph-mallord-william-turner-bridge-of-meulan-engraved-by-john-cousen","title":"Joseph Mallord William Turner, after. Bridge of Meulan. Engraved by John Cousen. 1835.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Joseph Mallord William Turner RA (1775 - 1851) was an English painter, printmaker, and watercolorist.\u003cbr\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e: John Cousen, (1804 -1880) was a landscape engraver.\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: Bridge of Meulan. (The bridge on the Seine river in Normandy, France). \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eSigned in the plate\u003c\/strong\u003e: Drawn by J. M. W. Turner. Engraved by J. Cousen. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Techniques:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eline engraving on India paper laid on wove paper. \u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eImage 3 3\/4\" x 5 1\/4\". Sheet 11 3\/4\" x 17 1\/2\".\u003cbr\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003cspan\u003e: \u003c\/span\u003eTurner's Annual Tour, 1835: Wanderings by the Seine. Turner made designs for three volumes of views of French rivers annually in 1833-5: 'Wandering by the Loire' in 1833, and two 'Wandering by the Seine' in 1834 and 1835. They are usually known as a series of 'Turner's Annual Tour'. \u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eReference:\u003c\/strong\u003e The British Museum: \u003cmeta charset=\"utf-8\"\u003e1868,0822.4191 different state.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: Good. \u003c\/span\u003e\u003cspan\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eCatalog raisonne\u003c\/strong\u003e: Rawlinson II, 1913. #479. p.272. First Pub. State.\u003cbr\u003e\u003cstrong\u003eReference\u003c\/strong\u003e\u003cspan\u003e: William George Rawlinson. The engraved work of J. M. W. Turner, R. A. vol. I-II.  London, 1908-1913. \u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eMuseum\u003c\/strong\u003e: Tate: T04713.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: British School XIX C. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv style=\"position: absolute; visibility: hidden; left: 8px; top: 161px; width: 386.484px; height: 17px;\" id=\"gtx-anchor\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"visibility: visible; left: 186px; top: 188px; opacity: 1;\" aria-describedby=\"bubble-7\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-7\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 193px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35410927091877,"sku":"WOP-078","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8181-2.jpg?v=1596296999"},{"product_id":"joseph-mallord-william-turner-caudebec","title":"Joseph Mallord William Turner, after. Caudebec. Engraved by James Baylis Allen. 1834","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Joseph Mallord William Turner RA (1775 - 1851) was an English painter, printmaker, and watercolorist.\u003cbr\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e: James Baylis Allen (1803–1876) was a British engraver.\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: Caudebec. Caudebec is a township located on the bank of the River Seine. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eSigned in the plate\u003c\/strong\u003e: Eng'd by James B Allen from a drawing by J M W Turner RA. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Techniques: \u003c\/strong\u003eLine engraving on India paper laid on wove paper. \u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eImage 3 3\/4\" x 5 1\/2\". Sheet 11 3\/4\" x 17 1\/4\". \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: Good. A detailed condition report is available on demand.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003ePublication:\u003c\/strong\u003e Turner's Annual Tour, 1834: Wanderings by the Seine.\u003cbr\u003e\u003cstrong\u003eCatalog Raisonne\u003c\/strong\u003e: Rawlinson II, 1913. #462. p. 267. Engraver's proofs.\u003cbr\u003e\u003cstrong\u003eReference\u003c\/strong\u003e: William George Rawlinson. The engraved work of J. M. W. Turner, R. A. vol. I-II. London, 1908-1913.\u003cbr\u003e\u003cstrong\u003eMuseum\u003c\/strong\u003e: Tate: T06231, T05601.\u003cbr\u003eTate described both T06231 and T05601 under different titles, though both have similar engraver's proofs \"First pub state\" (Rawlinson II, 1913. #454, p.265.): the artist's name to left, and the engraver's name to right. Our copy is considered to be \"completed\" (ibid). \"Art. names in the center in italic writing\". (Rawlinson II, 1913. p. 267.)\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: British School XIX C. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35423338201253,"sku":"WOP-081","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8259-2-3.jpg?v=1597805580"},{"product_id":"joseph-mallord-william-turner","title":"Joseph Mallord William Turner, after. Carlisle. Engraved by Edward Goodall. 1834.","description":"\u003cp\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eJoseph Mallord William Turner RA (1775 - 1851) was an English painter, printmaker, and watercolorist.\u003cbr\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e: Edward Goodall (1795 – 1870) was an English line engraver.\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: Carlisle. C. is the city in England. Sir Walter Scott was married in 1797 in St. Mary's Church, Carlisle. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eSigned in the plate\u003c\/strong\u003e: J. M. W. Turner, R.A. E. Goodall. Edinburgh; R. Cadell; Moon, Boys \u0026amp; Graves, London. R[awlinson]493 in pencil.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eImage 3 1\/4\" x 5 3\/4\". Sheet 12\" x 17 1\/4\".\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Techniques:\u003c\/strong\u003e Line engraving on India paper laid on wove paper.\u003cbr\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e F\u003cspan\u003erontispiece to 'Minstrelsy' in 'The Poetical Works of Walter Scott' (Edinburgh: Robert Cadell, 1833-4, vol.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eI); first published state. 1833\u003c\/span\u003e Poetical Works. (The British Museum). \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: Good. A detailed condition report is available on demand.\u003cbr\u003e\u003cstrong\u003eCatalog Raisonne\u003c\/strong\u003e\u003cspan\u003e: Rawlinson II, 1913. #493. p. 277. First Pub. State.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eReference\u003c\/strong\u003e: William George Rawlinson. The engraved work of J. M. W. Turner, R. A. vol. I-II. London, 1908-1913.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eMuseum:\u003c\/strong\u003e Tate: T05134. 1833.\u003ca href=\"https:\/\/www.tate.org.uk\/art\/artworks\/turner-carlisle-t05134\" title=\"Tate\"\u003e\u003cbr\u003e\u003c\/a\u003eThe British Museum: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e1853,0312.75.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: British School XIX C. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35439171403941,"sku":"WOP-080","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8276.jpg?v=1596476285"},{"product_id":"joseph-mallord-william-turner-caerlaverock-castle-engraved-by-edward-goodall-1834","title":"Joseph Mallord William Turner, after. Caerlaverock Castle. Engraved by Edward Goodall. 1834.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Joseph Mallord William Turner RA (1775 - 1851) was an English painter, printmaker, and watercolorist.\u003cbr\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e: Edward Goodall (1795 – 1870) was an English line engraver. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e\u003cspan\u003e: \u003c\/span\u003e Caerlaverock Castle. This historical monument was built in the 13th century\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eSigned in the plate\u003c\/strong\u003e: J. M. W. Turner, R.A.  E. Goodall. \u003cbr\u003e\u003cstrong\u003eMaterials and Techniques: \u003c\/strong\u003eLine engraving on India paper laid on wove paper.\u003cstrong\u003e \u003cbr\u003e\u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Image 3 1\/4\" x 5 3\/4\". Sheet 12\" x 17 1\/2\".\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e Frontispiece to 'Minstrelsy of the Scottish Border' in 'The Poetical Works of Walter Scott' (Edinburgh: Robert Cadell, 1833-4, vol. IV.) \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: Small losses of paper to the corners. Some minor marginal stains, surface dirt, and browning. \u003c\/span\u003e\u003cspan\u003eA detailed condition report is available on demand.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCatalog Raisonne\u003c\/strong\u003e\u003cspan\u003e: Rawlinson II, 1913. #499. p. 279. \u003c\/span\u003eEngraver's proof.\u003cbr\u003e\u003cstrong\u003eReference\u003c\/strong\u003e\u003cspan\u003e: William George Rawlinson. The engraved work of J. M. W. Turner, R. A. vol. I-II. London, 1908-1913.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eMuseum:\u003c\/strong\u003e Tate: T05139. F\u003cspan\u003eirst published state.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: British School XIX C. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35441935548581,"sku":"WOP-079","price":100.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8289.jpg?v=1596589335"},{"product_id":"joseph-mallord-william-turner-berwick-upon-tweed-engraved-by-william-miller-1834","title":"Joseph Mallord William Turner, after. Berwick-upon-Tweed. Engraved by William Miller. 1834.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Joseph Mallord William Turner RA (1775 - 1851) was an English painter, printmaker, and watercolorist.\u003cbr\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e: William Miller (1796 – 1882) was a Scottish line engraver and watercolorist.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e Berwick-upon-Tweed. B-u-T. is an ancient and the northernmost town in England. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eSigned in the plate\u003c\/strong\u003e: J. M. W. Turner, R.A. W. Miller. Edinburgh. Robert Cadell. Moon, Boys \u0026amp; Graves, London. B. (late Dixon). Different notes in pencil.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Techniques:\u003c\/strong\u003e Line engraving on India paper laid on wove paper.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Image 3 1\/2\" x 5 3\/4\". Sheet 12\" x 17 1\/4\". \u003cbr\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e Frontispiece to 'Dramatic Pieces' in 'The Poetical Works of Walter Scott' (Edinburgh: Robert Cadell, 1833-4, vol. XII); \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: Good. A detailed condition report is available on demand.\u003cbr\u003e\u003cstrong\u003eCatalog Raisonne\u003c\/strong\u003e\u003cspan\u003e: Rawlinson II, 1913. #515. p. 284. First Pub. State.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eReference\u003c\/strong\u003e: William George Rawlinson. The engraved work of J. M. W. Turner, R.A. vol. I-II.  London, 1908-1913.\u003cbr\u003e\u003cstrong\u003eMuseums\u003c\/strong\u003e: \u003cbr\u003eThe British Museum: Museum number 1853,0312.97.\u003cbr\u003eTate: T05145.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: British School XIX C.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.tate.org.uk\/art\/artworks\/turner-berwick-upon-tweed-t05145\" title=\"Tate\"\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv id=\"gtx-anchor\" style=\"position: absolute; visibility: hidden; left: 8px; top: 100px; width: 552px; height: 93px;\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-18\" style=\"visibility: visible; left: 9px; top: 203px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-18\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\" style=\"left: 276px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35446030401701,"sku":"WOP-077","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8294.jpg?v=1596589225"},{"product_id":"joseph-mallord-william-turner-beaugency","title":"Joseph Mallord William Turner, after. Beaugency. Engraved by Robert Brandard. 1833.","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003c\/span\u003e: Joseph Mallord William Turner \u003cspan\u003eRA (1775 - 1851) was an English painter, printmaker, and watercolorist.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e:  Brandard (1805 – 1862) was an English engraver. \u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: Beaugency. B. is a township in north-central France. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eSigned in the plate\u003c\/strong\u003e: Drawn by J. M. W. Turner, RA. Engraved by R. Brandard. Additionally inscribed below the image in italic: \u003cem\u003ePrinted by McQueen\u003c\/em\u003e. Number in pencil R[awlinson]434. Turner studio blind stamp.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Image 3 3\/4\" x  5 1\/2\". Sheet 12\" x 17 1\/4\".Publisher:\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Techniques:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e Line engraving on India paper laid on wove paper.\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e: Turner's Annual Tour, 1833: Wanderings by the Loire. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eCondition\u003c\/strong\u003e: Right lower corner is a little bit frayed. A detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eCatalog Raisonne\u003c\/strong\u003e\u003cspan\u003e: Rawlinson II, 1913. #434. p. 259.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eReference\u003c\/strong\u003e: William George Rawlinson. The engraved work of J. M. W. Turner, R.A. vol. I-II.  London, 1908-1913.\u003cbr\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e: \"JMWT monogram blind stamp. This mark was applied to every item sold from Turner’s studio in the sales at Christie’s of 1873 and 1874\". \u003cbr\u003e\u003cstrong\u003eReference\u003c\/strong\u003e: Professor David Hill.\u003ca href=\"https:\/\/wp.me\/p418W4-I5\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003cstrong\u003eMuseum\u003c\/strong\u003e: Tate: T05575.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: British School XIX C. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35463530447013,"sku":"WOP-076","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8300.jpg?v=1596588913"},{"product_id":"joseph-mallord-william-turner-edinburgh-from-blackford-hill","title":"Joseph Mallord William Turner, after. Edinburgh from Blackford Hill. Engraved by William Miller. 1833.","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Joseph Mallord William Turner RA (1775 - 1851) was an English painter, printmaker, and watercolorist.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e:\u003cstrong\u003e \u003c\/strong\u003eWilliam Miller\u003cspan\u003e (1796 – 1882) was a Scottish line engraver and watercolorist from Edinburgh\u003c\/span\u003e. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e\u003cspan\u003e: \u003c\/span\u003e\u003cspan\u003eEdinburgh from Blackford Hill. E. \u003c\/span\u003e\u003cspan\u003eis the capital of Scotland. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eSigned in the plate\u003c\/strong\u003e: J. M. W. Turner, R.A  W. Miller. Edinburgh 1833, R, Cadell, and Moon. Boys \u0026amp; Graves, London, R[awlinson]505 in pencil. \"Scott. 1833.\" (extremely choice and scarce). in black ink on the lower margin. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eMaterials and Techniques: \u003c\/strong\u003e\u003c\/span\u003eLine engraving on India paper laid on wove paper.\u003cbr\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Image 3 1\/2\" x 5 3\/4\". Sheet 11 3\/4\" x 17 1\/4\".\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: Good. A detailed condition report is available on demand.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003ePublication: \u003c\/strong\u003eFrontispiece to \"Marmion\", Scott's Poetical Works, vol VII, 1833.\u003cbr\u003e\u003cstrong\u003eCatalog Raisonne\u003c\/strong\u003e\u003cspan\u003e: Rawlinson II, 1913. #505. p. 281. Engraver's Proofs.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eReference\u003c\/strong\u003e: William George Rawlinson. The engraved work of J. M. W. Turner, R. A. vol. I-II. London, 1908-1913.\u003cbr\u003e\u003cstrong\u003eMuseum\u003c\/strong\u003e: Tate: T04952.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: British School XIX C. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35463616463013,"sku":"WOP-082","price":300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8303.jpg?v=1596589602"},{"product_id":"joseph-mallord-william-turner-the-red-sea-and-suez-engraved-by-edward-francis-finden-1836","title":"Joseph Mallord William Turner, after. The Red Sea and Suez. Engraved by Edward Francis Finden. 1836.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Joseph Mallord William Turner RA (1775 - 1851) was an English painter, printmaker, and watercolorist.\u003cbr\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e: Edward Francis Finden (1791-1857) was a British engraver.\u003cbr\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e The Red Sea and Suez. (View of the port city of Suez). \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eSignature: \u003c\/strong\u003eWithout any letters.\u003cbr\u003e\u003cstrong\u003eMaterials and Techniques:\u003c\/strong\u003e Line engraving on India paper laid on wove paper.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Image 7\" x 10\". Sheet 11 1\/4\" x 16 1\/8\". \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: Foxings on the wove paper. The print itself is in mint condition. A detailed condition report is available on demand. \u003cbr\u003e\u003cstrong\u003ePublication:\u003c\/strong\u003e Finden's 'Landscape Illustrations of the Bible' pub.1834–6.\u003cbr\u003e\u003cstrong\u003eCatalog Raisonne\u003c\/strong\u003e: Rawlinson II, 1913. #573. Engraver's proof.\u003cbr\u003e\u003cstrong\u003eReference\u003c\/strong\u003e: William George Rawlinson. The engraved work of J. M. W. Turner, R. A. vol. I-II. London, 1908-1913.\u003cbr\u003e\u003cstrong\u003eMuseum:\u003c\/strong\u003e Tate: T05152.\u003ca title=\"Tate\" href=\"https:\/\/www.tate.org.uk\/art\/artworks\/turner-the-red-sea-and-suez-t05152\"\u003e\u003cbr\u003e\u003c\/a\u003eThe British Museum: 1868-0822-6354.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: British School XIX C. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35483569455269,"sku":"WOP-094","price":200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8403-2.jpg?v=1597768636"},{"product_id":"joseph-mallord-william-turner-marine-dabblers","title":"Joseph Mallord William Turner. Marine Dabblers. Etching. 1811.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Joseph Mallord William Turner RA (1775 - 1851) was an English painter, printmaker, and watercolorist.\u003cbr\u003e\u003cstrong\u003eTitle: \u003c\/strong\u003eMarine Dabblers. Children playing with toy boats.\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eSignature\u003c\/strong\u003e: Before any letters. \u003c\/span\u003e\u003cspan\u003eTurner studio blind stamp.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eMaterials and Techniques:\u003c\/strong\u003e Etching on wove paper. Print before mezzotint. \"These etchings of Liber are of the utmost interest\" (\u003cspan\u003eWilliam George Rawlinson. Turner's Liber Studiorum: A Description and A Catalogue. Macmillan \u0026amp; Co., 2nd ed. London, 1906. \u003c\/span\u003ep.XIV.)\u003cbr\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Image 7\" x 10 1\/4\". Sheet 11 1\/2\" x 17\".\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: Good. A detailed condition report is available on demand. \u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003ePublished:\u003c\/strong\u003e\u003cem\u003e Liber Studiorum. Studiorum \u003c\/em\u003e(Book of Studies) is a collection of 71 prints by J. M. W. Turner published 1807 - 1819.\u003cbr\u003e\u003cstrong\u003eCatalog raisonne\u003c\/strong\u003e: Rawlinson, Pl. #29. p. 75. The Etching.\u003cbr\u003e\u003cstrong\u003eReference\u003c\/strong\u003e: William George Rawlinson. Turner's Liber Studiorum: A Description and A Catalogue. Macmillan \u0026amp; Co., 2nd ed. London, 1906.\u003cbr\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e: \"\u003cspan\u003eJMWT monogram blind stamp. This mark was applied to every item sold from Turner’s studio in the sales at Christie’s of 1873 and 1874\".\u003cbr\u003e\u003cstrong\u003eR\u003c\/strong\u003e\u003c\/span\u003e\u003cb\u003eeference: \u003c\/b\u003eProfessor David Hill.\u003ca href=\"https:\/\/wp.me\/p418W4-I5\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003cstrong\u003eMuseum:\u003c\/strong\u003e Tate: A00969.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: British School XIX C. \u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eNote: \u003c\/strong\u003eOf the 70 engravings that make up the Turner's  \u003cem\u003eLiber Studiorum\u003c\/em\u003e, only 3 are devoted to the theme of childhood and are considered the rarest, namely, Marine Dabblers, Juvenile Tricks, and Young Anglers, all three are in the Goldin Fine Art collection.\u003c\/p\u003e\n\u003cdiv id=\"gtx-anchor\" style=\"position: absolute; visibility: hidden; left: 83px; top: 66px; width: 52px; height: 17px;\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-2\" style=\"visibility: visible; left: 94px; top: 93px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-2\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\" style=\"left: 101px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35485798367397,"sku":"WOP-098","price":1200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8333-2.jpg?v=1619224002"},{"product_id":"joseph-mallord-william-turner-venice-engraved-by-william-miller-1834","title":"Joseph Mallord William Turner, after. Venice. Engraved by William Miller. 1834.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Joseph Mallord William Turner RA (1775 - 1851) was an English painter, printmaker, and watercolorist.\u003cbr\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e: William Miller (1796 – 1882) was a Scottish line engraver and watercolorist from Edinburgh.\u003cbr\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e Venice. The famous Rialto Bridge is depicted. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eSigned and titled in the plate\u003c\/strong\u003e: Turner, R.A. Miller. Venice. Printed by Reynolds \u0026amp; Allen. London. Published 1833 by Moon, Boys \u0026amp; Graves, Pall Mall. Notes on the left margin in pencil. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Techniques: \u003c\/strong\u003eLine engraving on paper. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eImage 11 1\/4\" x 6\". Sheet 11 1\/2\" x 8 1\/2\". \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: Traces of the old bookbinding's sewing to the right margin. Trimmed margins. A detailed condition report is available on demand.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003ePublication:\u003c\/strong\u003e Poems by Samuel Rogers. London, 1834. p.95.\u003cbr\u003e\u003cstrong\u003eCatalog Raisonne\u003c\/strong\u003e\u003cspan\u003e: Rawlinson II, 1913. #386. p. 242. Second State.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eReference\u003c\/strong\u003e: William George Rawlinson. The engraved work of J. M. W. Turner, R. A. vol. I-II. London, 1908-1913. \u003cbr\u003e\u003cstrong\u003eMuseum:\u003c\/strong\u003e Tate: T06645.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: British School XIX C. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35631103017125,"sku":"WOP-096","price":100.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8357-3.jpg?v=1597200044"},{"product_id":"joseph-mallord-william-turner-honfleur-engraved-by-john-cousen-1834","title":"Joseph Mallord William Turner, after. Honfleur. Engraved by John Cousen. 1834.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Joseph Mallord William Turner RA (1775 - 1851) was an English painter, printmaker, and watercolorist.\u003cbr\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e: John Cousen (1804 -1880) was a landscape engraver.\u003cbr\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e Honfleur. \u003cspan\u003eH. is a town\u003c\/span\u003e\u003cspan\u003e in northwestern France. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eSigned in the plate\u003c\/strong\u003e: Drawn by J. M. W. Turner. Engraved by J. Cousen. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eMaterials and Techniques:\u003c\/strong\u003e \u003c\/span\u003eline engraving on India paper laid on wove paper. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Image 3 3\/4\" x 5 1\/2\". Sheet 10\" x 13 1\/4\".\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: Foxings. \u003c\/span\u003e\u003cspan\u003eA detailed condition report is available on demand.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e Turner's Annual Tour, 1834: Wanderings by the Seine. Turner made designs for three volumes of views of French rivers annually in 1833-5: 'Wandering by the Loire' in 1833, and two 'Wandering by the Seine' in 1834 and 1835. They are usually known as a series of 'Turner's Annual Tour. \u003cbr\u003e\u003cstrong\u003eReference:\u003c\/strong\u003e The British Museum: 1928,0417.53.\u003cbr\u003e\u003cstrong\u003eCatalog raisonne\u003c\/strong\u003e\u003cspan\u003e: Rawlinson II, 1913. #472. p.270. First Pub. State.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eReference\u003c\/strong\u003e\u003cspan\u003e: William George Rawlinson. The engraved work of J. M. W. Turner, R. A. vol. I-II.  London, 1908-1913. \u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eMuseum\u003c\/strong\u003e: Tate: T047707. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: British School XIX C. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv style=\"position: absolute; visibility: hidden; left: 8px; top: 107.469px; width: 454.805px; height: 36.0938px;\" id=\"gtx-anchor\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"visibility: visible; left: -5px; top: 153px; opacity: 1;\" aria-describedby=\"bubble-2\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-2\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 227.5px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35645598826661,"sku":"WOP-083","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8375-2.jpg?v=1597244072"},{"product_id":"joseph-mallord-william-turner-tancarville-engraved-by-james-tibbits-willmore-1834","title":"Joseph Mallord William Turner, after. Tancarville. Engraved by James Tibbits Willmore. 1834.","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Joseph Mallord William Turner RA (1775 - 1851) was an English painter, printmaker, and watercolorist.\u003cbr\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e: James Tibbits Willmore ARA (1800 - 1863) was a British engraver. \u003cbr\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e Tancarville.  \u003cspan\u003eChâteau de Tancarville is an 11th-century castle on the Seine in France. \u003cbr\u003e\u003cstrong\u003eSignature:\u003c\/strong\u003e Without any letters. \u003cbr\u003e\u003cstrong\u003eMaterials and Techniques: \u003c\/strong\u003e\u003c\/span\u003eLine engraving on India paper laid on wove paper.  \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eImage 3 3\/4\" x 5 1\/2\" Sheet 10\" x 13\". \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: The wove paper is overdried and fragile. Tears to the lower margin. Lost wove paper to corners. Stains. \u003c\/span\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003cstrong\u003ePublication:\u003c\/strong\u003e\u003cspan\u003e Turner's Annual Tour, 1834: Wanderings by the Seine. Turner made designs for three volumes of views of French rivers annually in 1833-5: 'Wandering by the Loire' in 1833, and two 'Wandering by the Seine' in 1834 and 1835. They are usually known as a series of 'Turner's Annual Tour.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eReference:\u003c\/strong\u003e The British museum: 1928-0417-53\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eCatalog Raisonne\u003c\/strong\u003e\u003cspan\u003e: Rawlinson II, 1913. #458. p. 266. Engraver's proofs.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eReference\u003c\/strong\u003e\u003cspan\u003e: William George Rawlinson. The engraved work of J. M. W. Turner, R. A. vol. I-II.  London, 1908-1913. \u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eMuseum:\u003c\/strong\u003e Tate: T05597.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: British School XIX C. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv id=\"gtx-anchor\" style=\"position: absolute; visibility: hidden; left: 8px; top: 107.469px; width: 454.805px; height: 36.0938px;\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-2\" style=\"visibility: visible; left: -5px; top: 153px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-2\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35646259331237,"sku":"WOP-092","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8362-2.jpg?v=1597248627"},{"product_id":"joseph-mallord-william-turner-juvenile-tricks-engraved-by-william-say-1811","title":"Joseph Mallord William Turner, after. Juvenile Tricks. Engraved by William Say. 1811.","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Joseph Mallord William Turner RA (1775 - 1851) was an English painter, printmaker, and watercolorist.\u003cbr\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e: William Say (1768 – 1834) was an English engraver.\u003cbr\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e Juvenile Tricks. Children, playing with water. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eSigned in the Plate\u003c\/strong\u003e: Drawn \u0026amp; Etched by J. M. W. Turner. R.A. Engraved by W. Say Engraver to H.R.H. the Duke of Gloucester. Juvenile Tricks. Published Jan. 1. 1811, by Mr. Turner, Queen Ann Street West. Letter P above the image (stands for Pastoral). Turner studio blind stamp.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Techniques: \u003c\/strong\u003eEtching and mezzotint on paper.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eImage 7\" x 10 1\/4\". Sheet 10 3\/4\" x 15 3\/4.\u003cbr\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eGood. Trace of old hinging paper to the upper right corner. A detailed condition report is available on demand.\u003cbr\u003e\u003cstrong\u003ePublication:\u003c\/strong\u003e Liber Studiorum, part V, plate 22. \u003cem\u003eStudiorum\u003c\/em\u003e (Book of Studies) is a collection of 71 prints by J. M. W. Turner published 1807 - 1819. \u003cbr\u003e\u003cstrong\u003eCatalog raisonne\u003c\/strong\u003e: Rawlinson, Pl. #22. p. 59. First Published State.\u003cbr\u003e\u003cstrong\u003eReference\u003c\/strong\u003e: William George Rawlinson Turner's Liber Studiorum: A Description and A Catalogue. Macmillan \u0026amp; Co., 2nd ed. London, 1906.\u003cbr\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cspan\u003e: \"JMWT monogram blind stamp. This mark was applied to every item sold from Turner’s studio in the sales at Christie’s of 1873 and 1874\". \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eReference\u003c\/strong\u003e: Professor David Hill.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eMuseum\u003c\/strong\u003e: Tate: A00955.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: British School XIX C. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35652021387429,"sku":"WOP-086","price":2000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8337.jpg?v=1597274430"},{"product_id":"joseph-mallord-william-turner-the-soldiers-dream-edward-goodall-1837","title":"Joseph Mallord William Turner, after. The Soldier's Dream. Engraved by Edward Goodall. 1837.","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Joseph Mallord William Turner RA (1775 - 1851) was an English painter, printmaker, and watercolorist.\u003cbr\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e: Edward Goodall (1795 – 1870) was an English line engraver. \u003cbr\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e The Soldier's Dream. The soldier is leaning on a gan.\u003cbr\u003e\u003cstrong\u003eSignature: \u003c\/strong\u003eWithout any letters. Old notes on the left margin in pencil: Soldier's Dream. R[awlinson] 623. Campbell's Poetical Works, 1837. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Techniques: \u003c\/strong\u003eLine engraving on Colombier quarto paper. \u003cbr\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eImage 11 1\/2\" x 6\". Sheet 17\" x 11 3\/4\". \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: Good. \u003c\/span\u003e\u003cspan\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e: The poetical works of Thomas Campbell. London: Edward Moxon, 1837. p. 100.\u003cbr\u003e\u003cstrong\u003eCatalog Raisonne\u003c\/strong\u003e: Rawlinson II, 1913. #623. p. 320. Engraver's Proofs.\u003cbr\u003e\u003cstrong\u003eReference\u003c\/strong\u003e: William George Rawlinson. The engraved work of J. M. W. Turner, R. A. vol. I-II. London, 1908-1913.\u003cbr\u003e\u003cstrong\u003eMuseum:\u003c\/strong\u003e Tate: T04775.|\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: British School XIX C. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35652908253349,"sku":"WOP-095","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8345-2.jpg?v=1597278476"},{"product_id":"joseph-mallord-william-turner-the-garden-edward-goodall-1839","title":"Joseph Mallord William Turner, after. The Garden. Engraving by Edward Goodall. 1839.","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Joseph Mallord William Turner RA (1775 - 1851) was an English painter, printmaker, and watercolorist.\u003cbr\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eEngraver\u003c\/strong\u003e: Edward Goodall (1795 – 1870) was an English line engraver.\u003cbr\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e The Garden. Allegorical scene. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eSigned in the plate\u003c\/strong\u003e: J. M. W. Turner, R.A.  E. Goodall. Turner studio blind stamp. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eMaterials and Techniques: \u003c\/strong\u003e\u003c\/span\u003eLine engraving on India paper laid on wove paper. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eImage 8\" x 5 3\/4\". Sheet 17 1\/2\" x 10 3\/4\". \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eCondition:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e The Epicurean, A Tale and Alciphon, A Poem. Moore, Thomas [Illustrations by J. M. W. Turner]. Published by John Macrone. 3, St. James's Square, London. First Edition. London 1839.  \u003cbr\u003e\u003cstrong\u003eCatalog Raisonne\u003c\/strong\u003e\u003cspan\u003e: Rawlinson II, 1913. #634. p. 323. Engraver's Proofs (b).\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eReference\u003c\/strong\u003e\u003cspan\u003e: William George Rawlinson. The engraved work of J. M. W. Turner, R. A. vol. I-II. London, 1908-1913.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e: \"JMWT monogram blind stamp. This mark was applied to every item sold from Turner’s studio in the sales at Christie’s of 1873 and 1874\".\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eR\u003c\/strong\u003e\u003cb\u003eeference: \u003c\/b\u003e\u003c\/span\u003eProfessor David Hill.\u003cspan\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003eMuseum:\u003c\/strong\u003e Tate: T06622.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: British School XIX C. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-8\" style=\"visibility: visible; left: 23px; top: 197px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-8\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowdown\" style=\"left: 30px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35653499551909,"sku":"WOP-093","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8350-2.jpg?v=1597280126"},{"product_id":"joseph-mallord-william-turner-lake-of-como-i-engraved-by-edward-goodall-1830","title":"Joseph Mallord William Turner, after. Lake of Como I. Engraved by Edward Goodall. 1830.","description":"\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eArtist\u003c\/strong\u003e: Joseph Mallord William Turner RA (1775 - 1851) was an English painter, printmaker, and watercolorist.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eEngraver\u003c\/strong\u003e: Edward Goodall (1795 – 1870) was an English line engraver.\u003c\/span\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: Lake of Como I. (Lago di Como, Italy). \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eSignature:\u003c\/strong\u003e Without any letters. On the left margin in pencil: Lago di Como. R[awlinson] 357. Roger's Italy. 1830.\u003cbr\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eMaterials and Techniques:\u003c\/strong\u003e Line engraving on India paper laid on wove paper. \u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eDimensions: \u003c\/strong\u003e\u003c\/span\u003eImage 10\" x 5 1\/4\". Sheet 17\" x 11 3\/4\". \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: Tears of paper in the margins. Slight losses of paper at the corners of the sheet.  \u003cmeta charset=\"utf-8\"\u003eDents on the top margin. A detailed condition report is available on demand.\u003cbr\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e S. Roger. Italy. London, 1830. \u003cbr\u003e\u003cstrong\u003eCatalog Raisonne\u003c\/strong\u003e\u003cspan\u003e: Rawlinson II, 1913. #357. p. 235. Engraver's State.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eReference\u003c\/strong\u003e\u003cspan\u003e: William George Rawlinson. The engraved work of J. M. W. Turner, R. A. vol. I-II. London, 1908-1913.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eMuseum\u003c\/strong\u003e: Tate: T04645.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: British School XIX C. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv style=\"position: absolute; visibility: hidden; left: 141.922px; top: 180px; width: 42.625px; height: 17px;\" id=\"gtx-anchor\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"visibility: visible; left: 148px; top: 207px; opacity: 1;\" aria-describedby=\"bubble-3\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-3\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 155.422px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35655544701093,"sku":"WOP-087","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8813-2.jpg?v=1597890975"},{"product_id":"joseph-mallord-william-turner-marengo-engraved-by-edward-goodall-1830","title":"Joseph Mallord William Turner, after. Marengo. Engraved by Edward Goodall. 1830.","description":"\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eArtist\u003c\/strong\u003e: Joseph Mallord William Turner RA (1775 - 1851) was an English painter, printmaker, and watercolorist.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eEngraver\u003c\/strong\u003e: Edward Goodall (1795 – 1870) was an English line engraver.\u003cbr\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e Marengo. The place of battle between French (Napoleon) and Austrian troops, 1800. \u003c\/span\u003eNapoleon's decisive victory. \u003cbr\u003e\u003cstrong\u003eSigned in the plate\u003c\/strong\u003e: London, Published September I, 1829, by R. Jennings, 62, Cheapside. In Italic.  \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Techniques: \u003c\/strong\u003eLine engraving on India paper laid on wove paper. Issued in Portfolio.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Image 10\" x 5 1\/4\". Sheet 17\" x 12\". \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: Tears of paper in the margins.  Foxings.  A detailed condition report is available on demand.\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e: S. Roger. Italy. London, 1830.  \u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eCatalog Raisonne\u003c\/strong\u003e\u003cspan\u003e: Rawlinson II, 1913. #353. p. 234. First Pub. State.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eReference\u003c\/strong\u003e\u003cspan\u003e: William George Rawlinson. The engraved work of J. M. W. Turner, R. A. vol. I-II. London, 1908-1913. \u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eMuseum\u003c\/strong\u003e: Tate: T04639.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: British School XIX C. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35668346503333,"sku":"WOP-088","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8352-2.jpg?v=1597334703"},{"product_id":"joseph-mallord-william-turner-perugia-engraved-by-edward-goodall-1830","title":"Joseph Mallord William Turner, after. Perugia. Engraved by Edward Goodall. 1830.","description":"\u003cp\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eArtist\u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e: Joseph Mallord William Turner RA (1775 - 1851) was an English painter, printmaker, and watercolorist.\u003cbr\u003e\u003c\/span\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eEngraver\u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e: Edward Goodall (1795 – 1870) was an English line engraver.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e Perugia. P. \u003c\/span\u003e is an Italian city and the capital of the Umbria region. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eSigned in the plate\u003c\/strong\u003e\u003cspan\u003e: London, Published January I, 1830, by Robert Jennings \u0026amp; William Chaplin, 62, Cheapside. In Italic. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eMaterials and Techniques:\u003c\/strong\u003e \u003c\/span\u003eLine engraving on wove paper. Issued in Portfolio. \u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eImage 10 1\/4\" x 5 1\/2\". Sheet 17 1\/4\" x 12\". \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: Tears of paper in the margins.  Foxings.  A detailed condition report is available on demand.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e: S. Roger. Italy. London, 1830.  \u003cbr\u003e\u003cstrong\u003eCatalog Raisonne\u003c\/strong\u003e: Rawlinson II, 1913. #356. p. 237. First Pub. State.\u003cbr\u003e\u003cstrong\u003eReference\u003c\/strong\u003e: William George Rawlinson. The engraved work of J. M. W. Turner, R. A. vol. I-II. London, 1908-1913.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eMuseum\u003c\/strong\u003e: Tate: T04660.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: British School XIX C. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35669335179429,"sku":"WOP-090","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8353-2.jpg?v=1597338764"},{"product_id":"joseph-mallord-william-turner-a-farewell-lake-of-como-ii-engraved-by-robert-william-wallis-1830","title":"Joseph Mallord William Turner, after. A Farewell - Lake of Como II. Engraved by Robert William Wallis. 1830.","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e:\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003eJoseph Mallord William Turner RA (1775 - 1851) was an English painter, printmaker, and watercolorist.\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e: \u003c\/span\u003eRobert William Wallis (1794 - 1878) was an English engraver.\u003cspan\u003e\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: A Farewell - Lake of Como II. (Lago di Como, Italy).\u003cbr\u003e\u003cstrong\u003eProofed \u003c\/strong\u003ein the plate in Italic: London, Published January I, 1830, by Robert Jennings \u0026amp; William Chaplin, 62, Cheapside. Notes in pencil l.l. \u003cbr\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Image 10 1\/4\" x 5 1\/2\". Sheet 16 1\/2\" x 11\".\u003cbr\u003e\u003cstrong\u003ePublisher\u003c\/strong\u003e: Robert Jennings \u0026amp; William Chaplin, 62, Cheapside.\u003cbr\u003e\u003cb\u003eEdition: \u003c\/b\u003e\u003c\/span\u003eItaly, A Poem by Samuel Rogers. London, Cadell, Jennings and Chaplin, Moxon, 1830.\u003cspan\u003e\u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e: 1830.\u003cbr\u003e\u003cstrong\u003eMaterials and Techniques: \u003c\/strong\u003e\u003c\/span\u003eLine engraving on wove paper. \u003cspan\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: Good.  A detailed condition report is available on demand.\u003cbr\u003e\u003cstrong\u003eCatalog Raisonne\u003c\/strong\u003e: Rawlinson II, 1913. #372. p. 238. First Pub. State.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eReference\u003c\/strong\u003e: William George Rawlinson. The engraved work of J. M. W. Turner, R. A. vol. I-II. London, 1908-1913.\u003cbr\u003e\u003cstrong\u003ePart of\u003c\/strong\u003e: Portfolio of book illustrations and frontispiece vignettes for \"Italy, A Poem by Samuel Rogers\".\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eMuseum\u003c\/strong\u003e: Tate T04670. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: British School XIX C. \u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv style=\"position: absolute; visibility: hidden; left: 395.781px; top: 123px; width: 117.047px; height: 17px;\" id=\"gtx-anchor\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"visibility: visible; left: -82px; top: 150px; opacity: 1;\" aria-describedby=\"bubble-7\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-7\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 446.281px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35669722988709,"sku":"WOP-074","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8355-2.jpg?v=1597340808"},{"product_id":"joseph-mallord-william-turner-jedburgh-abbey-engraved-by-robert-brandard-1833","title":"Joseph Mallord William Turner, after. Jedburgh Abbey. Engraved by Robert Brandard. 1833","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Joseph Mallord William Turner RA (1775 - 1851) was an English painter, printmaker, and watercolorist.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eEngraver\u003c\/span\u003e\u003c\/strong\u003e: Robert Brandard (1805 - 1862) was an English landscape engraver. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e\u003cspan\u003e: \u003c\/span\u003eJedburgh Abbey. J.A. is an ancient monument of Scottish History. \u003cbr\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-start=\"478\" data-end=\"517\"\u003eEngraved lettering below the image\u003c\/strong\u003e: J. M. W. Turner, R. Brandard. Edinburgh. Robert Cadell. Moon, Boys \u0026amp; Graves, London 1833. Printed by J. Yates. \u003c\/span\u003eTurner studio blind stamp. \u003cspan\u003eDifferent notes in pencil.  \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eMaterials and Techniques:\u003c\/strong\u003e \u003c\/span\u003eLine engraving on India paper laid on wove paper. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eImage 3 1\/2\" x 5 3\/4\". Sheet 11 3\/4\" x 17 1\/4\". \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: Foxings. Minor tears to the margins. A detailed condition report is available on demand. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003ePublication:\u003c\/strong\u003e\u003c\/span\u003e Frontispiece to ‘Minstrelsy of the Scottish Border’ in 'The Poetical Works of Walter Scott' (Edinburgh: Robert Cadell, 1833-4, vol. II.).\u003cbr\u003e\u003cstrong\u003eCatalog Raisonne\u003c\/strong\u003e\u003cspan\u003e: Rawlinson II, 1913. #495. p. 278. First Pub. State.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eReference\u003c\/strong\u003e\u003cspan\u003e: William George Rawlinson. The engraved work of J. M. W. Turner, R.A. vol. I-II.  London, 1908-1913.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cspan\u003e: \"\u003c\/span\u003e\u003cspan\u003eJMWT monogram blind stamp. This mark was applied to every item sold from Turner’s studio in the sales at Christie’s of 1873 and 1874\".\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eR\u003c\/strong\u003e\u003c\/span\u003e\u003cb\u003eeference:\u003c\/b\u003e Professor David Hill.\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eMuseum:\u003c\/strong\u003e Tate: T04947.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: British School XIX C. \u003c\/span\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.tate.org.uk\/art\/artworks\/turner-jedburgh-abbey-t04947\" title=\"Tate\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv style=\"position: absolute; visibility: hidden; left: 8px; top: 370px; width: 546.031px; height: 50px;\" id=\"gtx-anchor\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"visibility: visible; left: -10px; top: 215px; opacity: 1;\" aria-describedby=\"bubble-5\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-5\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 273px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowdown\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":45946547994789,"sku":"WOP-084","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8298_9c75a521-5d0f-40db-aaee-aec8cad236fb.jpg?v=1597348392"},{"product_id":"joseph-mallord-william-turner-junction-of-the-greta-and-the-tees-engraved-by-john-pye-1833-1834","title":"Joseph Mallord William Turner, after. Junction of the Greta and the Tees. Engraved by John Pye. 1834.","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Joseph Mallord William Turner RA (1775 - 1851) was an English painter, printmaker, and watercolorist.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eEngraver\u003c\/span\u003e\u003c\/strong\u003e: John Pye (1782 – 1874) was a British engraver. \u003cbr\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e Junction of the Greta and the Tees. Both Greta and Tees are rivers in the North of England. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eSigned in the plate\u003c\/strong\u003e\u003cspan\u003e: J. M. W. Turner, R.A. John Pye. Edinburgh. 1833, R. Cadell. Moon, Boys \u0026amp; Graves, London. B. (late Dixon). \u003c\/span\u003eTurner studio blind stamp. R[awlinson]175 in pencil.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Techniques: \u003c\/strong\u003eLine engraving on India paper laid on wove paper.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eImage 3 1\/4\" x 5 3\/4\". Sheet 11 1\/2\" x 16 3\/4\". \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: Good. A detailed condition report is available on demand. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003ePublication\u003c\/strong\u003e:\u003c\/span\u003e Frontispiece to 'Rokeby' in 'The Poetical Works of Walter Scott' (Edinburgh: Robert Cadell, 1833-4, vol. IX);\u003cbr\u003e\u003cstrong\u003eCatalog Raisonne\u003c\/strong\u003e: Rawlinson II, 1913. #509. p. 282. First Pub. State.\u003cbr\u003e\u003cstrong\u003eReference\u003c\/strong\u003e: William George Rawlinson. The engraved work of J. M. W. Turner, R.A. vol. I-II.  London, 1908-1913.\u003cbr\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e: \"JMWT monogram blind stamp. This mark was applied to every item sold from Turner’s studio in the sales at Christie’s of 1873 and 1874\".\u003cbr\u003e\u003cstrong\u003eR\u003c\/strong\u003e\u003cb\u003eeference: \u003c\/b\u003eProfessor David Hill.\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cstrong\u003eMuseum:\u003c\/strong\u003e Tate: T04955.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: British School XIX C. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35672446238885,"sku":"WOP-085","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8316-2-2.jpg?v=1597352233"},{"product_id":"claude-v-3-5","title":"Claude Lorrain, after. A Rocky Scene. Etching by Richard Earlom. 1802.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Claude Lorrain (c. 1600 - 1682) was a famous French painter, who lived and worked in Italy. \u003cbr\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e: Richard Earlom (1743 – 1822) was an English mezzotinter.\u003cbr\u003e\u003cstrong\u003eTitle (as is in the descriptive catalog)\u003c\/strong\u003e: [Vol.III]. No\u003cspan\u003e.5. A Rocky Scene. \u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eThe Possessors of the Drawings\u003c\/strong\u003e: [V.III.]. No. 5. \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFrom the Original Drawing in the Collection of R. P. Knight, Esq. \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eSigned, Numbered, and Dated \u003c\/strong\u003ein the plate in italic: Claude delint. E. Earlom sculpt. \u003cmeta charset=\"utf-8\"\u003eNo.5. From the Original Drawing in the Collection of R. P. Knight, Esq. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eImage 9 1\/4\" x 12 1\/2\". Sheet 11 1\/2\" x 17\".\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003ePublisher\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003ePub. Jan. 20. 1802 by J.\u0026amp;J. Boydell. No.90. Cheapside; \u0026amp; at the Shakespeare Gallery, Pall Mall, London. More about \u003cmeta charset=\"utf-8\"\u003eJohn Boydell in our blog post \"The Enlightenment man\". More about The Shakespeare Gallery in our blog post \"Shakespeare Gallery\".\u003ca href=\"https:\/\/www.goldinfineart.com\/blogs\/blog\/shakespeare-gallery-1\" title=\"Shakespeare Gallery\" target=\"_blank\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003cstrong\u003eDate\u003c\/strong\u003e: 1802. \u003cbr\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e: Etching with mezzotint on laid paper with an indistinct watermark.\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: Creases of paper. Stains. Foxings. \u003cmeta charset=\"utf-8\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003cstrong\u003ePart of\u003c\/strong\u003e\u003cspan\u003e: \u003c\/span\u003e\u003cem\u003eLiber Veritatis. \u003c\/em\u003e\u003cspan\u003eVol. III. London, \u003c\/span\u003e\u003cem\u003e1819\u003c\/em\u003e\u003cspan\u003e.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eMuseum\u003c\/strong\u003e: Five Colleges and Historic Deerfield Museum Consortium. No. \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSC 1953.91.205.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: French School XVII C. British School XVIII C.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003cspan\u003e: More about Liber Veritatis by Claude Lorrain in our blog post \"Claude Lorrain. Liber \u003cmeta charset=\"utf-8\"\u003eVeritatis\".\u003c\/span\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35825219666085,"sku":"WOP-015","price":300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8926-2-2.jpg?v=1601688684"},{"product_id":"claude-v-3-44","title":"Claude Lorrain, after. A Study - A Storm at Sea. Etching with mezzotint Richard Earlom. 1807.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Claude Lorrain (c. 1600 - 1682) was a famous French painter, who lived and worked in Italy.\u003cbr\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e: Richard Earlom (1743 – 1822) was an English mezzotinter. \u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eTitle (as is in the descriptive catalog)\u003c\/strong\u003e: [Vol.III]. No\u003c\/span\u003e\u003cspan\u003e.44. A Study—A Storm at Sea. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eSigned, numbered, and dated \u003c\/strong\u003e\u003c\/span\u003ein the plate in italic\u003cspan\u003e: Claude Lorrain delt. Richd. Earlom sculpt.\u003cbr\u003e\u003c\/span\u003eDimensions: \u003cmeta charset=\"utf-8\"\u003e Image 8 1\/2\" x 11\". Sheet 10 1\/4\" x 13 3\/4\"\u003cbr\u003e\u003cstrong\u003ePublisher\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003e Pub. Jun. 1. 1807 by Boydell \u0026amp; Co. No.44. Cheapside. London. \u003c\/span\u003e\u003cspan\u003e More about \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJohn \u003c\/span\u003eBoydell in our blog post \"The Enlightenment man\". More about The Shakespeare Gallery in our blog \"Shakespeare Gallery\"\u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e\u003cspan\u003e: 1807.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003e Etching with mezzotint on laid paper with an indistinct watermark.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: Creases of paper. Stains. Foxings. Teases to the upper margin.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003ePart of\u003c\/strong\u003e:  \u003cem\u003eLiber Veritatis\u003c\/em\u003e. Vol.III. London, 1819.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMuseum\u003c\/strong\u003e\u003cspan\u003e: Five Colleges and Historic Deerfield Museum Consortium. \u003cmeta charset=\"utf-8\"\u003eSC 1953.91.244\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: French School XVII C. British School XVIII C.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eNote\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eMore about Liber Veritatis by Claude Lorrain in our blog post \"Claude Lorrain. Liber \u003cmeta charset=\"utf-8\"\u003eVeritatis\".\u003c\/span\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35825822990501,"sku":"WOP-019","price":300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8848-2.jpg?v=1599609228"},{"product_id":"claudev-3-20","title":"Claude Lorrain, after. A Landscape with St. Eustace. Etching by Richard Earlom. 1802.","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: Claude Lorrain (c. 1600 - 1682) was a famous French painter, who lived and worked in Italy. \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e\u003cspan\u003e: Richard Earlom (1743 – 1822) was an English mezzotinter.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eTitle\u003c\/strong\u003e: [Vol.III]. No.20. No title. [Landscape with St. Eustace - The British Museum]. \u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eThe Possessors of the Drawings\u003c\/strong\u003e\u003cspan\u003e: [Vol.III.]. No.20. Richard Payne Knight, Esq. \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eSigned, numbered, and dated in the plate in italic\u003c\/strong\u003e\u003cspan\u003e: Claude delint. R. Earlom sculpt. No.20. From the Original Drawing in the Collection of R. P. Knight, Esq. \u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: Image 8 3\/4\" x 11\". Sheet 11 1\/2\" x 17\" \u003cbr\u003e\u003cstrong\u003ePublisher\u003c\/strong\u003e: Pub. Jan. 20. 1802 by J.\u0026amp;J. Boydell. No.90. Cheapside; \u0026amp; at the Shakespeare Gallery, Pall Mall, London. More about John Boydell in our blog post \"The Enlightenment man\". More about The Shakespeare Gallery in our blog post \"Shakespeare Gallery\".\u003cbr\u003eDate: 1802.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e: Etching with mezzotint on laid paper. Watermark coat of arms. \u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: Creases of paper. Stains. Foxings. Tears to the upper margin. \u003cmeta charset=\"utf-8\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003ePart of\u003c\/strong\u003e:  Liber Veritatis. Vol. III. London, 1819.\u003cbr\u003e\u003cstrong\u003eMuseum\u003c\/strong\u003e\u003cspan\u003e: Five Colleges and Historic Deerfield Museum Consortium. \u003cmeta charset=\"utf-8\"\u003eSC 1953.91.220.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: French School XVII C. British School XVIII C.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003cspan\u003e: More about Liber Veritatis by Claude Lorrain in our blog post \"Claude Lorrain. Liber  \u003cmeta charset=\"utf-8\"\u003eVeritatis\".\u003c\/span\u003e\u003ca href=\"https:\/\/www.goldinfineart.com\/blogs\/blog\/liber-veritatis\" title=\"Claude Lorrain. Liber Veritatis.\" target=\"_blank\"\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35825857757349,"sku":"WOP-028","price":300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8837-2.jpg?v=1599661081"},{"product_id":"claude-v-3-38","title":"Claude Lorrain, after. A Landscape - Mercury and Apollo. No.38. Etching by Richard Earlom. 1803.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cspan\u003eClaude Lorrain (c. 1600 - 1682) was a famous French painter, who lived and worked in Italy.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e\u003cspan\u003e: Richard Earlom (1743 – 1822) was an English mezzotinter.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eTitle (as is in the descriptive catalog)\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003e[Vol.III.]. No\u003c\/span\u003e\u003cspan\u003e.38. A Landscape - Mercury and Apollo. \u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eThe Possessors of the Drawings\u003c\/strong\u003e\u003cspan\u003e: [V.III.]. No. 38. Richard Payne Knight, Esq. (1819 ed.).\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eSigned, numbered, and dated\u003c\/strong\u003e in the plate in italic: Claude delt. R. Earlom sculp.  No.38. From the Original Drawing in the Collection of R. P. Knight, Esqr. \u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eImage 10 3\/4\" x 7 1\/2\". Sheet 14 1\/2\" x 11 1\/4\"\u003cbr\u003e\u003cstrong\u003ePublisher\u003c\/strong\u003e\u003cspan\u003e: \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePub. Decr. 1. 1803. by J.\u0026amp;J. Boydell. No.90. Cheapside; \u0026amp; at the Shakespeare Gallery, Pall Mall, London. More about \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJohn Boydell in our blog post \"The Enlightenment man\". More about The Shakespeare Gallery in our blog pos \"Shakespeare \u003cmeta charset=\"utf-8\"\u003eGallery\".\u003c\/span\u003e\u003ca href=\"https:\/\/www.goldinfineart.com\/blogs\/blog\/shakespeare-gallery-1\" title=\"Shakespeare Gallery\" target=\"_blank\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003cstrong\u003eDate\u003c\/strong\u003e\u003cspan\u003e: 1803.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan\u003e: Etching with mezzotint on laid paper with an indistinct watermark.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: Good\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA detailed condition report is available on demand.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003ePart of\u003c\/strong\u003e:  \u003cem\u003eLiber Veritatis\u003c\/em\u003e. Vol.III. London, 1819.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan\u003e: \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFive Colleges and Historic Deerfield Museum Consortium. No. \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSC 1953.91.238. \u003cbr\u003e\u003c\/span\u003eFine Arts Museums of San \u003cmeta charset=\"utf-8\"\u003eFrancisco. \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"views-label views-label-field-art-accession-number\"\u003eAccession \u003cmeta charset=\"utf-8\"\u003eNumber:\u003c\/span\u003e\u003cspan class=\"views-label views-label-field-art-accession-number\"\u003e\u003cbr\u003e1963.30.39097(3).38.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: French School XVII C. British School XVIII C.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003cspan\u003e: More about Liber Veritatis by Claude Lorrain in our blog \"Claude Lorrain. Liber \u003cmeta charset=\"utf-8\"\u003eVeritatis\".\u003c\/span\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35826598740133,"sku":"WOP-008","price":300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8938-2.jpg?v=1599679755"},{"product_id":"claude-v-2-104","title":"Claude Lorrain, after. A Landscape with Buildings and Cattle. Etching by Richard Earlom. 1775.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cspan\u003eClaude Lorrain (c. 1600 - 1682) was a famous French painter who lived and worked in Italy.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e\u003cspan\u003e: Richard Earlom (1743 – 1822) was an English mezzotinter.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTitle (as is in the descriptive catalog)\u003c\/strong\u003e: [Vol.II]. No.104. A Landscape with Buildings and Cattle. (1777 ed.). No.104. A beautiful Pastoral Scene, with a group of six persons in the foreground, three of whom play instruments of music. (1819 ed.).\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eThe Possessors of the Drawings\u003c\/strong\u003e\u003cspan\u003e:  From the Original Drawing, in the Collection of the Duke of Devonshire.\u003cbr\u003e\u003cstrong\u003eSigned, numbered, and dated \u003c\/strong\u003e\u003c\/span\u003ein the plate in italic:\u003cspan\u003e Claude le Lorrain delint. R. Earlom fecit. Note in pencil on reverse: Pastoral Landscape with the Flight into Egypt. 1646.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eDimensions\u003c\/strong\u003e: Image 8 1\/4\" x 10 1\/4\". Sheet 11\" x 13 3\/4\".\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003ePublisher\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003ePublished Septr. 1st. 1775 by John Boydell, an engraver in Cheapside. More about \u003cmeta charset=\"utf-8\"\u003eJohn Boydell in our blog post \"The Enlightenment man\". More about The Shakespeare Gallery in our blog post \"Shakespeare Gallery\".\u003ca href=\"https:\/\/www.goldinfineart.com\/blogs\/blog\/shakespeare-gallery-1\" title=\"Shakespeare Gallery\" target=\"_blank\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cstrong\u003eDate\u003c\/strong\u003e\u003cspan\u003e: 1775.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e: Etching with mezzotint on wove paper.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eCondition\u003c\/strong\u003e: Creases to paper. Foxings. Trimmed margins. \u003cmeta charset=\"utf-8\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003ePart of\u003c\/strong\u003e: \u003cem\u003eLiber Veritatis.\u003c\/em\u003e Vol. II. London, 1777 - 1819.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eFor whom, or what Places, and when the Pictures from these Drawings were painted\u003c\/strong\u003e \u003cstrong\u003e(as is in the descriptive catalog)\u003c\/strong\u003e:\u003cstrong\u003e  \u003c\/strong\u003eNo.104. Avignon. (1819 ed.)\u003cbr\u003e\u003cstrong\u003eMuseum\u003c\/strong\u003e: Five Colleges and Historic Deerfield Museum Consortium. \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSC 1953.91.104.\u003cbr\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: French School XVII C. British School XVIII C.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003cspan\u003e: More about Liber Veritatis by Claude Lorrain in our \u003cmeta charset=\"utf-8\"\u003eblog post \"Claude Lorrain. Liber \u003cmeta charset=\"utf-8\"\u003eVeritatis\".\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35829707243685,"sku":"WOP-010","price":300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8948-2.jpg?v=1602366067"},{"product_id":"claude-v-3-41","title":"Claude Lorrain, after. A Landscape with dancing Peasants. Etching by Richard Earlom. 1807.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Claude Lorrain (c. 1600 - 1682) was a famous French painter, who lived and worked in Italy.\u003cbr\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e: Richard Earlom (1743 – 1822) was an English mezzotinter.\u003cbr\u003e\u003cstrong\u003eTitle (as is in the descriptive catalog)\u003c\/strong\u003e: [V.III.]. No.41. A Landscape with dancing Peasants. \u003cbr\u003e\u003cstrong\u003eThe Possessors of the Drawings\u003c\/strong\u003e\u003cspan\u003e: [V.III.]. No.41 Earl Spencer. \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eSigned, numbered, and dated \u003c\/strong\u003e\u003c\/span\u003ein the plate in italic\u003cspan\u003e: Claude Lorrain delt. Richd. Earlom sculpt. No. 41. From the Original Drawing in the Collection of Earl Spencer.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Image 8 1\/4\" x 10 1\/4\". Sheet 10 1\/4\" x 13 1\/4\". \u003cbr\u003e\u003cstrong\u003ePublisher\u003c\/strong\u003e: Pub. June 1, 1807, by Messrs. Boydell \u0026amp; Co. 90. Cheapside, London. More about John Boydell in our blog post \"The Enlightenment man\". More about Boydell's The Shakespeare Gallery in our blog \"Shakespeare Gallery\".\u003ca title=\"Shakespeare Gallery\" href=\"https:\/\/www.goldinfineart.com\/blogs\/blog\/shakespeare-gallery-1\" target=\"_blank\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cstrong\u003eDate\u003c\/strong\u003e: 1807.\u003cbr\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan\u003e: Etching with mezzotint on paper.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: \u003c\/span\u003eTrimmed margins. \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA detailed condition report is available on demand.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003ePart of\u003c\/strong\u003e:  Liber Veritatis. V. III. London, 1819.\u003cbr\u003e\u003cstrong\u003eMuseum\u003c\/strong\u003e: Five Colleges and Historic Deerfield Museum Consortium. \u003cspan\u003eSC 1953.91.241.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: French School XVII C. British School XVIII C.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003cspan\u003e: More about Liber Veritatis by Claude Lorrain\u003c\/span\u003e in our blog \"Claude Lorrain. Liber Veritatis\".\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35830421586085,"sku":"WOP-009","price":200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8957-2.jpg?v=1602351235"},{"product_id":"claude-v-3-24","title":"Claude Lorrain, after. A Sacrifice. Etching by Richard Earlom. 1803.","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cspan\u003eClaude Lorrain (c. 1600 - 1682) was a famous French painter, who lived and worked in Italy.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e\u003cspan\u003e: Richard Earlom (1743 – 1822) was an English mezzotinter.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e \u003cstrong\u003e(as is in the descriptive catalog)\u003c\/strong\u003e:[V.III]. No.24. A Sacrifice.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eThe Possessors of the Drawings\u003c\/strong\u003e\u003cspan\u003e: [Vol.III.]. No. 24. Richard Payne Knight, Esq. \u003cbr\u003e\u003cstrong\u003eSigned, numbered, and dated \u003c\/strong\u003e\u003c\/span\u003ein the plate in italic\u003cspan\u003e: Claude delt. R. Earlom sculp. No.24. From the Original Drawing in the Collection of R. P. Knight, Esq. \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Image 5\" x 10 1\/4\". Sheet 9 3\/4\" x 13 1\/4\".\u003cbr\u003e\u003cstrong\u003ePublisher\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003ePub. Dec. 1. 1803. by J.\u0026amp;J. Boydell. No.90. Cheapside; \u0026amp; at the Shakespeare Gallery, Pall Mall, London. \u003cmeta charset=\"utf-8\"\u003eMore about \u003cmeta charset=\"utf-8\"\u003eJohn Boydell in our blog post \"The Enlightenment man\". More about The Shakespeare Gallery in our blog post \"Shakespeare Gallery\".\u003cbr\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDate\u003c\/strong\u003e\u003cspan\u003e: 1803.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e: Etching with mezzotint on wove paper.\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: Good. \u003cmeta charset=\"utf-8\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003ePart of\u003c\/strong\u003e:  \u003cem\u003eLiber Veritatis\u003c\/em\u003e. Vol. III. London, 1819.\u003cbr\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eMuseums and Libraries\u003c\/strong\u003e: Five Colleges and Historic Deerfield Museum Consortium. \u003cmeta charset=\"utf-8\"\u003eSC 1953.91.224.\u003cbr\u003e\u003c\/span\u003e\u003ca title=\"Five Colleges\" href=\"http:\/\/museums.fivecolleges.edu\/detail.php?museum=all\u0026amp;t=objects\u0026amp;type=ext\u0026amp;f=\u0026amp;s=\u0026amp;record=155\u0026amp;maker=earlom\u0026amp;op-earliest_year=%3E%3D\u0026amp;op-latest_year=%3C%3D\"\u003e\u003c\/a\u003eSmart Museum of Art The University of Chicago. \u003cspan class=\"detailFieldLabel\"\u003eObject Number \u003c\/span\u003e\u003cspan class=\"detailFieldValue\"\u003e1967.116.45.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: French School XVII C. British School XVIII C.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eNote\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eMore about Liber Veritatis by Claude Lorrain in our \u003cmeta charset=\"utf-8\"\u003eblog post \"Claude Lorrain. Liber \u003cmeta charset=\"utf-8\"\u003eVeritatis\".\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35830455435429,"sku":"WOP-016","price":300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8963-2.jpg?v=1602351466"},{"product_id":"claude-v-3-15","title":"Claude Lorrain, after. A Landscape - Christ tempted. Etching by Richard Earlom. 1802.","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: Claude Lorrain (c. 1600 - 1682) was a famous French painter, who lived and worked in Italy. \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e\u003cspan\u003e: Richard Earlom (1743 – 1822) was an English mezzotinter.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTitle (as is in the descriptive catalog)\u003c\/strong\u003e\u003cspan\u003e: [Vol.III]. No\u003c\/span\u003e\u003cspan\u003e.15. Christ tempted.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eThe Possessors of the Drawings\u003c\/strong\u003e\u003cspan\u003e: [Vol.III.]. No. 15. Richard Payne Knight, Esqr. \u003cbr\u003e\u003cstrong\u003eS\u003c\/strong\u003e\u003cstrong\u003eigned, numbered, and dated \u003c\/strong\u003ein the plate in italic: Claude delint. R. Earlom sculpt. No.15. From the Original Drawing in the Collection of R. P. Knight, Esqr. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eDimensions\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eImage 11 3\/4\" x 8\". Sheet 13 3\/4\" x 9 1\/4\" \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003ePublisher\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003ePub. Jan. 20. 1802 by J.\u0026amp;J. Boydell. No.90. Cheapside; \u0026amp; at the Shakespeare Gallery, Pall Mall, London. \u003cmeta charset=\"utf-8\"\u003eMore about \u003cmeta charset=\"utf-8\"\u003eJohn Boydell in our blog post \"The Enlightenment man\". More about The Shakespeare Gallery in our blog post \"Shakespeare Gallery\".\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eDate\u003c\/strong\u003e: 1802. \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan\u003e: Etching with mezzotint on wove paper.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eCondition\u003c\/strong\u003e: Trimmed margins. \u003cmeta charset=\"utf-8\"\u003eA detailed condition report is available on demand.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003ePart of\u003c\/strong\u003e\u003cspan\u003e:  \u003c\/span\u003e\u003cem\u003eLiber Veritatis. \u003c\/em\u003e\u003cspan\u003eVol. III. London, \u003c\/span\u003e\u003cem\u003e1819\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMuseum\u003c\/strong\u003e\u003cspan\u003e: Five Colleges and Historic Deerfield Museum Consortium.  SC 1953.91.215.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: French School XVII C. British School XVIII C.\u003cbr\u003e\u003cspan class=\"detailFieldValue\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eMore about Liber Veritatis by Claude Lorrain in our \u003cmeta charset=\"utf-8\"\u003eblog post \"Claude Lorrain. Liber \u003cmeta charset=\"utf-8\"\u003eVeritatis\".\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35832506777765,"sku":"WOP-025","price":300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8969-2.jpg?v=1599848437"},{"product_id":"claude-v-3-16","title":"Claude Lorrain, after. A Study. Etching by Richard Earlom. 1802.","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: Claude Lorrain (c. 1600 - 1682) was a famous French painter, who lived and worked in Italy. \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e\u003cspan\u003e: Richard Earlom (1743 – 1822) was an English mezzotinter.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eTitle (as is in the descriptive catalog)\u003c\/strong\u003e\u003cspan\u003e: [Vol.III]. No\u003c\/span\u003e\u003cspan\u003e.16. A Study.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eThe Possessors of the Drawings\u003c\/strong\u003e\u003cspan\u003e: [Vol.III.]. No. 16. Richard Payne Knight, Esqr. \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eSigned, numbered, and dated \u003c\/strong\u003e\u003c\/span\u003ein the plate in italic\u003cspan\u003e: Claude delint. R. Earlom sculpt.  No.16. From the Original Drawing in the Collection of R. P. Knight, Esqr. \u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: Image 11 1\/2\" x 8 3\/4\". Sheet 13 3\/4\" x 10 1\/2\".\u003cbr\u003e\u003cstrong\u003ePublisher\u003c\/strong\u003e: Pub. Jan. 20. 1802 by J.\u0026amp;J. Boydell. No.90. Cheapside; \u0026amp; at the Shakespeare Gallery, Pall Mall, London. \u003cmeta charset=\"utf-8\"\u003eMore about \u003cmeta charset=\"utf-8\"\u003eJohn Boydell in our blog post \"The Enlightenment man\". More about The Shakespeare Gallery in our blog post \"Shakespeare Gallery\".\u003cbr\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDate\u003c\/strong\u003e\u003cspan\u003e: 1802. \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan\u003e: Etching with mezzotint on wove paper.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eCondition\u003c\/strong\u003e: Trimmed margins. \u003cmeta charset=\"utf-8\"\u003eA detailed condition report is available on demand.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003ePart of\u003c\/strong\u003e\u003cspan\u003e:  \u003c\/span\u003e\u003cem\u003eLiber Veritatis. \u003c\/em\u003e\u003cspan\u003eVol. III. London, \u003c\/span\u003e\u003cem\u003e1819\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMuseum\u003c\/strong\u003e\u003cspan\u003e: Five Colleges and Historic Deerfield Museum Consortium. \u003cmeta charset=\"utf-8\"\u003eSC 1953.91.216.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"detailFieldValue\"\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: French School XVII C. British School XVIII C.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"detailFieldValue\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eMore about Liber Veritatis by Claude Lorrain in our \u003cmeta charset=\"utf-8\"\u003eblog post \"Claude Lorrain. Liber \u003cmeta charset=\"utf-8\"\u003eVeritatis\".\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35832603017381,"sku":"WOP-017","price":300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8977-2.jpg?v=1599853964"},{"product_id":"claude-v-3-10","title":"Claude Lorrain, after. A Study. Etching by Richard Earlom. 1802.","description":"\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eArtist\u003c\/strong\u003e: Claude Lorrain (c. 1600 - 1682) was a famous French painter, who lived and worked in Italy. \u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e\u003cspan\u003e: Richard Earlom (1743 – 1822) was an English mezzotinter.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eTitle (as is in the descriptive catalog)\u003c\/strong\u003e: [Vol.III.]. No.10. A Study. \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eThe Possessors of the Drawings\u003c\/strong\u003e\u003cspan\u003e: [Vol.III.]. No.10. Richard Payne Knight, Esqr. \u003cbr\u003e\u003cstrong\u003eSigned, numbered, and dated \u003c\/strong\u003e\u003c\/span\u003ein the plate in italic:\u003cspan\u003e Claude delint. R. Earlom sculpt. No.10. From the Original Drawing in the Collection of R. P. Knight, Esqr. \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eImage 8 1\/4\" x 10 1\/2\". Sheet 10 1\/4\" x 13 1\/2\" \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003ePublisher\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003ePub. Jan. 20. 1802 by J.\u0026amp;J. Boydell. No.90. Cheapside; \u0026amp; at the Shakespeare Gallery, Pall Mall, London. \u003cmeta charset=\"utf-8\"\u003eMore about \u003cmeta charset=\"utf-8\"\u003eJohn Boydell in our blog post \"The Enlightenment man\". More about The Shakespeare Gallery in our blog post \"Shakespeare Gallery\".\u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e: 1802.\u003cbr\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan\u003e: Etching with mezzotint on wove paper. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eCondition\u003c\/strong\u003e: Trimmed margins. \u003cmeta charset=\"utf-8\"\u003eA detailed condition report is available on demand.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003ePart of\u003c\/strong\u003e: Liber Veritatis. Vol.III. London, 1819.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMuseum\u003c\/strong\u003e\u003cspan\u003e: Five Colleges and Historic Deerfield Museum Consortium. No. \u003cmeta charset=\"utf-8\"\u003eSC 1953.91.210. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"detailFieldValue\"\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: French School XVII C. British School XVIII C.\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"detailFieldValue\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eMore about Liber Veritatis by Claude Lorrain in our \u003cmeta charset=\"utf-8\"\u003eblog post \"Claude Lorrain. Liber \u003cmeta charset=\"utf-8\"\u003eVeritatis\".\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35833843843237,"sku":"WOP-018","price":300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8981-2.jpg?v=1600526333"},{"product_id":"claude-v-2-105","title":"Claude Lorrain, after. Pastoral Landscape. Etching by Richard Earlom. 1775.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cspan\u003eClaude Lorrain (c. 1600 - 1682) was a famous French painter, who lived and worked in Italy.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e\u003cspan\u003e: Richard Earlom (1743 – 1822) was an English mezzotinter.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eTitle (as is in the descriptive catalog)\u003c\/strong\u003e: [Vol.II]. No.105. A Landscape, with Buildings and Cattle. (1777 ed.) No.105. [A Beautiful Pastoral] Scene with a Herdsman seated in the foreground, and a Shepherd and Shepherdess approaching him. (1819 ed.).\u003cbr\u003e\u003cstrong\u003eThe Possessors of the Drawings\u003c\/strong\u003e\u003cspan\u003e:  From the Original Drawing, in the Collection of the Duke of Devonshire.\u003cbr\u003e\u003cstrong\u003eSigned, numbered, and dated\u003c\/strong\u003e\u003c\/span\u003e in the plate in italic\u003cspan\u003e: Claude le Lorrain delint. E. Earlom fecit. No. 105. 1775. Note in pencil on reverse: Pastoral Landscape. 1646.\u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: Image 8 1\/4\" x 10 1\/4\". Sheet 11\" x 13 3\/4\".\u003cbr\u003e\u003cstrong\u003ePublisher\u003c\/strong\u003e: Published Septr. 1st. 1775 by John Boydell engraver in Cheapside. \u003cmeta charset=\"utf-8\"\u003eMore about \u003cmeta charset=\"utf-8\"\u003eJohn Boydell in our blog post \"The Enlightenment man\". 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London, 1777 - 1819.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eFor whom, or what Places, and when the Pictures from these Drawings were painted\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e(as is in the descriptive catalog)\u003c\/strong\u003e: No.105. Paris. (1819 ed.).\u003cbr\u003e\u003cstrong\u003eMuseum\u003c\/strong\u003e: Five Colleges and Historic Deerfield Museum Consortium. \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSC 1953.91.105.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"detailFieldValue\"\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: French School XVII C. British School XVIII C.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eNote\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eMore about Liber Veritatis by Claude Lorrain in our \u003cmeta charset=\"utf-8\"\u003eblog post \"Claude Lorrain. Liber \u003cmeta charset=\"utf-8\"\u003eVeritatis\".\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35833869107365,"sku":"WOP-033","price":300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8993-2.jpg?v=1602275175"},{"product_id":"claude-v-3-77","title":"Claude Lorrain, after. A Landscape. Etching by R. Earlom. 1810.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Claude Lorrain (c. 1600 - 1682) was a famous French painter, who lived and worked in Italy.\u003cbr\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e: Richard Earlom (1743 – 1822) was an English mezzotinter.\u003cbr\u003e\u003cstrong\u003eTitle (as is in the descriptive catalog)\u003c\/strong\u003e:  [Vol.III.]. No.77. 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More about The Shakespeare Gallery in our blog post \"Shakespeare Gallery\".\u003c\/span\u003e\u003cbr\u003e\u003ca title=\"Shakespeare Gallery\" href=\"https:\/\/www.goldinfineart.com\/blogs\/blog\/shakespeare-gallery-1\" target=\"_blank\"\u003e\u003c\/a\u003e\u003cspan\u003e\u003cstrong\u003eDate\u003c\/strong\u003e: 1803.\u003cbr\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e: Etching with mezzotint on paper.\u003cbr\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: Trimmed margins. \u003cmeta charset=\"utf-8\"\u003eA detailed condition report is available on demand.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003ePart of\u003c\/strong\u003e:  \u003cem\u003eLiber Veritatis\u003c\/em\u003e. Vol. III. 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Liber \u003cmeta charset=\"utf-8\"\u003eVeritatis\".\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35833934348453,"sku":"WOP-014","price":300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8987-2.jpg?v=1599864808"},{"product_id":"thomas-stothard-shakespeare-king-lear-act-5-sc-4-king-lear-act-5-sc-4-engraving-and-etching-augustus-fox-1826","title":"Thomas Stothard, after. Shakespeare. King Lear. Act 5. Sc.4. 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Jennings, 2 Poultry. 1826. \u003cbr\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e: Engraving and etching on chine collé laid on wove paper.  \u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: Image 9 6\/8\" x 6 6\/8''. Sheet 17 1\/2\" x 11 7\/8\".  \u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: Small losses at the corners of the wove paper. Aged edges. \u003cbr\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e: Initially, probably, as an engraving from the \u003cem\u003eIllustrations to Shakespeare from designers by Stothard, Westall, and Fuselli.\u003c\/em\u003e.. \u003cbr\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003ePart of\u003c\/strong\u003e: the \u003cstrong\u003eShakespeare Portfolio\u003c\/strong\u003e.\u003cbr\u003e\u003cspan\u003e\"This Portfolio was formed out of several series of engravings executed for, or collected by the late Joshua Walmesley, Esq., who intended to publish an edition of Shakespeare extensively illustrated, but did not live to carry out his enterprise\".\u003cbr\u003e\u003cstrong\u003eMuseum\u003c\/strong\u003e:\u003cstrong\u003e \u003c\/strong\u003eBritish Museum  \u003cmeta charset=\"utf-8\"\u003e1868,0822.5701\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e: British School XIX C.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eAcknowledgement\u003c\/strong\u003e: This entry incorporates text from Wikipedia, the catalog entry of a similar item from the \u003cmeta charset=\"utf-8\"\u003eBritish Museum collection, and from \"\u003cmeta charset=\"utf-8\"\u003eH. G. Bohn. \u003cmeta charset=\"utf-8\"\u003eA Bibliographical Account of the Works of Shakespeare, including every known edition, translation, and commentary. 1864\".  P. \u003cmeta charset=\"utf-8\"\u003e2310.\u003c\/span\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":36772219355301,"sku":"WOP-193","price":30.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0209-2.jpg?v=1603840410"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/collections\/IMG_8484-2-2-2.jpg?v=1778170083","url":"https:\/\/www.goldinfineart.com\/collections\/british-art.oembed?page=3","provider":"Goldin Fine Art","version":"1.0","type":"link"}