{"title":"Engravings, etchings, lithographs","description":"","products":[{"product_id":"shakespeare","title":"Angelica Kauffman, after. Shakespeare. Two Gentlemen of Verona. Act V. Sc. III. Engraved by Luigi Schiavonetti. Hand-colored. 1792.","description":"\u003cp\u003e\u003cstrong\u003eMaria Anna Angelica Kauffman\u003c\/strong\u003e RA (1741 - 1807). A Swiss painter, the first female member of the Royal Academy of Arts, London. \u003cbr\u003e\u003cstrong\u003eLuigi Schiavonetti\u003c\/strong\u003e (1765 - 1810). An Italian engraver, since 1790 lived and worked in London. He also engraved the first British portrait of Napoleon.\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: Shakespeare. Two gentlemen of Verona. Act V. Sc. III. In the forest, the three outlaws have captured Silvia and plan to take her to their leader.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eLettered\u003c\/strong\u003e below image with \"Shakespeare\", the title and three lines from the play, with production detail: \"Painted by Anga. Kauffman Zucchi\", \"Engrav'd by L. Schiavonetti\" and publication line: \"Publish'd Augt. 1. 1792 by John \u0026amp; Josiah Boydell at the Shakespeare Gallery Pall Mall \u0026amp; No. 90 Cheapside London.\"\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e:\u003cstrong\u003e \u003c\/strong\u003eEtching and engraving, hand-colored. Printed on thick cream-colored paper.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDimension\u003c\/strong\u003e\u003cspan\u003e: \u003c\/span\u003eImage 19 2\/8\" x 25'' (49 x 63.5 cm). Sheet 24\" x 29 6\/8\" (61 x 76 cm).\u003cbr\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e: First published by J\u0026amp;J Boydell, London, 1792. Reissued by Shearjashub Spooner  in \u003cspan\u003e\"The American edition of Boydell's Illustrations of Shakespeare's dramatic works, by the most eminent artists of Great Britain.\"\u003c\/span\u003e #9. New York, 1852.     \u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: Tears to margins and small paper loss from the corners. A detailed condition report is available on demand.\u003cbr\u003e\u003cstrong\u003eMuseum\u003c\/strong\u003e: Hood Museum of Art. No. \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e2013.73.2\u003cbr\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: British School XVIII C.\u003c\/span\u003e \u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e: The original painting is kept in Davis Museum and Cultural Center, Wellesley College. Object No.: 1976.34.\u003cbr\u003e\u003c\/span\u003eMore about Shakespeare Gallery, John Boydell, and Sh. Spooner's edition read in our blog posts Shakespeare Gallery and John Boydell: The Enlightenment man.\u003c\/p\u003e\n\u003cdiv style=\"position: absolute; visibility: hidden; left: 8px; top: 47px; width: 115px; height: 17px;\" id=\"gtx-anchor\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"visibility: visible; left: 51px; top: 74px; opacity: 1;\" aria-describedby=\"bubble-3\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-3\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 57.5px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35088752836773,"sku":"WOP-004\/BF-2\/PS","price":500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_7985-2.jpg?v=1595460334"},{"product_id":"angelica-kauffman-after-engraved-by-luigi-schiavonetti-troilus-cressida-act-v-sc-ii","title":"Angelica Kauffman, after. Shakespeare. Troilus and Cressida. Act V. Sc. II. Engraved by Luigi Schiavonetti. 1792.","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaria Anna Angelica Kauffman\u003c\/strong\u003e RA (1741 - 1807). A Swiss painter, she was the first female member of the Royal Academy of Arts, London.\u003cbr\u003e\u003cstrong\u003eLuigi Schiavonetti\u003c\/strong\u003e (1765 - 1810). An Italian engraver, since 1790, lived and worked in London. He also engraved the first British portrait of Napoleon.\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: Shakespeare. Troilus and Cressida. Act V. Sc. II. At Calchas' tent, Cressida and Diomedes meet while Ulysses, Troilus, and Thersites watch.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, numbered, and titled on the plate.\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e:\u003cstrong\u003e \u003c\/strong\u003eStipple engraving. It was printed on thick cream-colored paper.\u003cbr\u003e\u003cstrong\u003eDimentios\u003c\/strong\u003e:\u003cstrong\u003e \u003c\/strong\u003eImage 19 1\/2\" x 25'' (50 x 63.5 cm). Sheet 24\" x 30\" (61 x 76 cm).\u003cbr\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e: First published by J\u0026amp;J Boydell, London, 1792. Reissued by Shearjashub Spooner in \"The American edition of Boydell's Illustrations of Shakespeare's dramatic works, by the most eminent artists of Great Britain.\" #89. New York, 1852.\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: Tears to margins. A detailed condition report is available on demand. \u003cbr\u003e\u003cstrong\u003eNote\u003c\/strong\u003e: More about Shakespeare Gallery, John Boydell, and Sh. Spooner's edition read \u003cem\u003eShakespeare Gallery\u003c\/em\u003e and \u003cem\u003eJohn Boydell: The Enlightenment man  \u003c\/em\u003ein our blog posts.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv id=\"gtx-anchor\" style=\"position: absolute; visibility: hidden; left: 123px; top: 237px; width: 331px; height: 17px;\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-3\" style=\"visibility: visible; left: 21px; top: 264px; opacity: 0; transition: opacity 0.218s ease-in 0s;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-3\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\" style=\"left: 280.5px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35139673030821,"sku":"WOP-003\/BF-2\/PS","price":400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8063-2-2.jpg?v=1595619190"},{"product_id":"tempest-act-v-scene-i","title":"Francis Wheatley, after. Shakespeare. Tempest. Act V. Scene I. Engraved by Caroline Watson. 1795.","description":"\u003cp\u003e\u003cstrong\u003eFrancis Wheatley\u003c\/strong\u003e RA (1747-1801). English painter contributed to John Boydell's Shakespeare Gallery.\u003cbr\u003e\u003cstrong\u003eCaroline Watson\u003c\/strong\u003e \u003cspan\u003e(1761? –1814).\u003c\/span\u003e The first independent woman engraver in Great Britain in the 18th century. \u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: Shakespeare. Tempest. Act V. Scene I. Ferdinand and Miranda playing chess.\u003cbr\u003e\u003cstrong\u003eSigned in the plate. \u003c\/strong\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques:\u003c\/strong\u003e Stipple and line engraving. Printed on thick cream-colored paper.\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003cspan data-mce-fragment=\"1\"\u003e: \u003c\/span\u003e\u003c\/strong\u003eImage 22 1\/2\" x 17'' (57 x 43 cm). Sheet 29 6\/8\"\" x 23 6\/8\" (76 x 61 cm).\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr\u003ePublication\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e First published by J\u0026amp;J Boydell, London, 1795. Reissued by  Shearjashub Spooner in \u003cspan\u003e\"The American edition of Boydell's Illustrations of Shakespeare's dramatic works, by the most eminent artists of Great Britain.\"\u003c\/span\u003e #8. New York, 1852.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e: Tears to margins.  A detailed condition report is available on demand.\u003cbr\u003e\u003cstrong\u003eMuseum\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHood Museum of Art. No. \u003cmeta charset=\"utf-8\"\u003e2013.73.1\u003cbr\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: More about Shakespeare Gallery, John Boydell, and Sh. Spooner's edition read in our blog posts \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eShakespeare Gallery\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eJohn Boydell: The Enlightenment man\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv id=\"gtx-anchor\" style=\"position: absolute; visibility: hidden; left: 74px; top: 241px; width: 214px; height: 17px;\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-7\" style=\"visibility: visible; left: 166px; top: 128px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-7\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowdown\" style=\"left: 173px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35140002349221,"sku":"WOP-045","price":350.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8098-2-2-2.jpg?v=1595621002"},{"product_id":"shakespeare-gallery-folio-much-ado-about-nothing-act-5-sc-4","title":"Matthew William Peters, after. Shakespeare. Much Ado About Nothing. Act III. Sc. I. Engraved by Peter Simon. Hand-colored. 1792","description":"\u003cp\u003e\u003cstrong\u003eRev. Matthew William Peters\u003c\/strong\u003e (1742–1814). An English painter, executed five works for John Boydell's Shakespeare Gallery.\u003cbr\u003e\u003cstrong\u003ePeter Simon the Younger\u003c\/strong\u003e (1750–c. 1810). This English engraver contributed to Boydell's Shakespeare Gallery.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e Shakespeare. Much ado about nothing. Act III. Sc. I. Hero, Ursula, and Beatrice in Leonato's Garden.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eLettered\u003c\/strong\u003e below the image with \"Shakspeare\", title and seven lines from the scene, production detail: \"Painted by the Revd. Wm. Peters\", \"Engraved by Peter Simon\" and publication line: \"Published June 4th 1790, by John \u0026amp; Josiah Boydell, at the Shakspeare Gallery, Pall Mall, \u0026amp; at No. 90 Cheapside\".\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Techniques:\u003c\/strong\u003e Etching and engraving, hand-colored. Printed on thick cream-colored paper.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e Image 25 1\/2\" x 18'' (65 x 46 cm). Sheet 32 6\/8\"\" x 23 6\/8\" (83 x 60 cm). \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e First published by J\u0026amp;J Boydell, London, 1792. Reissued by Shearjashub Spooner in \u003cspan\u003e\"The American edition of Boydell's Illustrations of the dramatic works of Shakespeare, by the most eminent artists of Great Britain.\"\u003c\/span\u003e #18. New York, 1852. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e Tears, creases, and restorations to margins. A detailed condition report is available on demand.\u003cbr\u003e\u003cstrong\u003eMuseums\u003c\/strong\u003e: The Metropolitan Museum of Art. \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"artwork-tombstone--label\"\u003eAccession Number:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"artwork-tombstone--value\"\u003e42.119.535.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: British School XVIII C.\u003c\/span\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/707909\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003cstrong\u003eNote\u003c\/strong\u003e: The original painting is kept in the Carnegie Museum of Art, Pittsburgh, PA. \u003cmeta charset=\"utf-8\"\u003eAccession number: 2002.77.\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eNote\u003c\/strong\u003e:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eMore about Shakespeare Gallery, John Boydell, and Sh. Spooner's edition read in our blog posts \u003c\/span\u003e\u003cem\u003eShakespeare Gallery\u003c\/em\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cem\u003eJohn Boydell: The Enlightenment man\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-6\" style=\"visibility: visible; left: 2px; top: 93px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-6\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\" style=\"left: 261.5px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35140200366245,"sku":"WOP-101\/BF-2\/PS","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8024-2-2_80639ad1-2cb9-4736-95a6-0d7b434ebcd4.jpg?v=1595628109"},{"product_id":"shakespeare-gallery-folio-king-henry-eight","title":"Matthew William Peters, after. Shakespeare. King Henry Eight. Act III. Sc. I. Engraved by Robert Thew. 1796.","description":"\u003cp\u003e\u003cstrong\u003eRev. Matthew William Peters\u003c\/strong\u003e (1742–1814). An English painter, executed five works for John Boydell's Shakespeare Gallery.\u003cbr\u003e\u003cstrong\u003eRobert Thew\u003c\/strong\u003e (1758-1802). An English engraver did 22 plates for Boydell's Shakespeare Gallery.\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: Shakespeare. King Henry Eight. Act III. Sc. I. Queen Catherine, Cardinal Wolsey, and Cardinal Campeius. A Room in the Queen's Apartments. \u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eLettered \u003c\/span\u003e\u003c\/strong\u003ebelow image with \"Shakspeare\", title, location, names of characters present and four lines from the scene; with production detail: \"Painted by the Revd. Willm. Peters\", \"Engraved by Robert Thew, Historical Painter to H.R.H. the Prince of Wales\" and publication line: \"Published June 4, 1796, by J \u0026amp; J Boydell, at the Shakespeare Gallery, Pall Mall, and at No. 90 Cheapside, London\"\u003cstrong\u003e. \u003cmeta charset=\"utf-8\"\u003e #80.\u003c\/strong\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Techniques:\u003c\/strong\u003e Stipple engraving. Printed on thick cream-colored paper.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e Image 19 3\/8\" x 25'' (50 x 63 cm). Sheet 24\" x 30\" (61 x 76 cm). \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e First published by J\u0026amp;J Boydell, London 1796. Reissued by Shearjashub Spooner in \u003cspan\u003e\"The American edition of Boydell's Illustrations of Shakespeare's dramatic works, by the most eminent artists of Great Britain.\"\u003c\/span\u003e #80. New York, 1852. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e The image surface is slightly damaged on the lower right. Corners are folded. A detailed condition report is available on request.\u003cbr\u003e\u003cstrong\u003eMuseum\u003c\/strong\u003e: The Metropolitan Museum of Art. \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"artwork-tombstone--label\"\u003eAccession Number:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"artwork-tombstone--value\"\u003e42.119.536.\u003c\/span\u003e \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: British School XVIII C.\u003c\/span\u003e \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003cspan\u003e: More about Shakespeare Gallery, John Boydell, and Sh. Spooner's edition read in our blog posts \u003c\/span\u003e\u003cem\u003eShakespeare Gallery\u003c\/em\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cem\u003eJohn Boydell: The Enlightenment man\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"position: absolute; visibility: hidden; left: 8px; top: 297px; width: 497.719px; height: 36px;\" id=\"gtx-anchor\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"visibility: visible; left: -18px; top: 184px; opacity: 1;\" aria-describedby=\"bubble-8\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-8\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 249px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowdown\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35140376789157,"sku":"WOP-100\/BF-2\/PS","price":400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8092-2.jpg?v=1595626713"},{"product_id":"shakespeare-gallery-folio-king-henry-6th-part-1-act-ii-sc-v","title":"James Northcote, after. Shakespeare. King Henry 6th, part 1. Act II. Sc. V. Engraved by Robert Thew. Hand-colored. 1792.","description":"\u003cp\u003e\u003cstrong\u003eJames Northcote\u003c\/strong\u003e RA (1746-1831). A British painter contributed to John Boydell's Shakespeare Gallery.\u003cbr\u003e\u003cstrong\u003eRobert Thew\u003c\/strong\u003e (1758-1802). An English engraver. He did 22 plates for Boydell's Shakespeare Gallery.\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: Shakespeare. King Henry 6th, part 1. Act II. Sc. V. Room in the Tower. Richard Plantagenet, Mortimer \u0026amp; jailor. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eLettered\u003c\/strong\u003e below image with \"Shakspeare\", title, lines from play, production detail: \"Painted by J. Northcote R.A.\", \"Engrav'd by R. Thew, Histl. Engr. to the P. of Wales\" and publication line: \"Publish'd Decr. 24 1793, by John \u0026amp; Josiah Boydell at the Shakspeare Gallery Pall Mall \u0026amp; No. 90 Cheapside\"\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Techniques: \u003c\/strong\u003eEtching and engraving, hand-colored. Printed on thick cream-colored paper.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: \u003c\/span\u003eImage 29 5\/8\" x 18'' (76 x 46 cm). Sheet 32 6\/8\"\" x 23 6\/8\" (83 x 61). \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003cspan\u003e: \u003c\/span\u003eFirst published by J\u0026amp;J Boydell, London, 1792. Reissued by Shearjashub Spooner in \u003cspan\u003e\"The American edition of Boydell's Illustrations of the dramatic works of Shakespeare, by the most eminent artists of Great Britain.\"\u003c\/span\u003e #69. New York, 1852. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: \u003c\/span\u003eTears to margins and a water stain to the right. A detailed condition report is available on demand.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: British School XVIII C.\u003c\/span\u003e \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003cspan\u003e: The original painting is kept in Davis Museum and Cultural Center, Wellesley College. \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eMore about Shakespeare Gallery, John Boydell, and Sh. Spooner's edition read in our blog posts \u003c\/span\u003e\u003cem\u003eShakespeare Gallery\u003c\/em\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cem\u003eJohn Boydell: The Enlightenment man\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv style=\"position: absolute; visibility: hidden; left: 40px; top: 368px; width: 214.844px; height: 17px;\" id=\"gtx-anchor\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"visibility: visible; left: 133px; top: 255px; opacity: 1;\" aria-describedby=\"bubble-8\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-8\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 139.5px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowdown\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35140513202341,"sku":"WOP-057\/BF-2\/PS","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_7992-3.jpg?v=1595627708"},{"product_id":"john-downman-after-engraving-by-william-satchwell-leney-shakspeare-sic-as-you-like-it-act-i-sc-ii","title":"John Downman, after. Shakespeare. As you like it. Act I. Sc. II. Engraved by William Satchwell Leney. Hand-colored. 1800.","description":"\u003cp\u003e\u003cstrong\u003eJohn Downman\u003c\/strong\u003e A.R.A. (1750–1824). English painter contributed to John Boydell's Shakespeare Gallery.\u003cbr\u003e\u003cstrong\u003eWilliam Satchwell Leney\u003c\/strong\u003e (1769 - 1831). American engraver born in London.\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: Shakespeare. As you like it. Act I. Sc. II. Rosalinda is giving Orlando a chain from her neck.\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eLettered \u003c\/span\u003e\u003c\/strong\u003ebelow the image with the title, reference 'Act I. Scene II. \/ Before the Duke's Palace - Rosalind, Celia, Orlando, Duke, \u0026amp; Attendants \u0026amp;c. - Charles carried off. \/ Ros. Gentleman, [Giving him a chain from her neck.] Wear this for me; one out of suits with fortune; That could give more, but that her hand lacks means. Shal we go, coz?' and 'Painted by Iohn Downman \/ Engraved by William Leney. \/ Pub June 4. 1800 by J. \u0026amp; J. Boydell, No. 90, Cheapside; \u0026amp; at the Shakspeare Gallery, Pall Mall, London.'.\u003cstrong\u003e \u003c\/strong\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Techniques: \u003c\/strong\u003eStipple engraving, hand-colored. Printed on thick cream-colored paper.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: \u003c\/span\u003eImage 19 2\/8\" x 25\" (49 x 63.5 cm). Sheet 23 7\/8\" x 29 6\/8\" (60 x 76 cm).\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003ePublication:\u003c\/strong\u003e First published by J\u0026amp;J Boydell, London, 1800. Reissued by Shearjashub Spooner in \u003cspan\u003e\"The American edition of Boydell's Illustrations of the dramatic works of Shakespeare, by the most eminent artists of Great Britain.\"\u003c\/span\u003e #26. New York, 1852.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: \u003c\/span\u003eSmall tears to margins. A detailed condition report is available on demand.\u003cbr\u003e\u003cstrong\u003eMuseum\u003c\/strong\u003e: The Metropolitan Museum of Art. Accession Number: 42.119.541.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: British School XVIII C.\u003c\/span\u003e \u003cbr\u003e\u003cstrong\u003eNote\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMore about Shakespeare Gallery, John Boydell, and Sh. Spooner's edition read in our blog posts Shakespeare Gallery and John Boydell: The Enlightenment man.\u003c\/span\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35161787629733,"sku":"WOP-071\/BF-2\/PS","price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/Boydell_sShakespeare.6-2copy-2.jpg?v=1595625680"},{"product_id":"josiah-boydell-after-engraving-by-john-ogborne-shakespeare-henry-vi-part-1-act-ii-sc-iv","title":"Josiah Boydell, arter. Shakespeare. Henry VI, Part 1. Act II. Sc. IV. Engraved by John Ogborne. Hand-colored. 1795.","description":"\u003cp\u003e\u003cstrong\u003eBoydell, Josiah\u003c\/strong\u003e (1752–1817). A British painter, one of the two publishers (together with his uncle, John Boydell) of the Shakespeare Gallery.\u003cbr\u003e\u003cstrong\u003eJohn Ogborne\u003c\/strong\u003e (1755 – 1837). An English engraver worked for Boydell's Shakespeare Gallery.\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: Shakespeare. Henry VI, Part 1. Act II. Sc. IV. Richard Plantagenet and Somerset, having quarreled over a case at law, withdraw into a garden, where the supporters of Plantagenet signal their commitment to him by plucking and wearing white roses, the supporters of Somerset red roses. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eLettered\u003c\/strong\u003e below the image with title: \"Shakspeare. First part of King Henry 6th. Act II. Scene IV.\", with nine lines of quotation in English: 'Plant. Since you are tongue ty'd, \u0026amp; so loth to speak [...] From of this briar pluck a white rose with me. \/ Som. Let him that is no coward, nor no flatterer [...] Pluck a red rose from off this thorn with me.' and \"Painted by Josiah Boydell. \/ Publish'd Jany. 1, 1795, by John \u0026amp; Josiah Boydell, at the Shakspeare Gallery Pall Mall, \u0026amp; No. 90, Cheapside. \/ Enrgrav'd by J. Ogborne\".\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eMaterials and Techniques: \u003c\/strong\u003eStipple engraving, hand-colored. Printed on thick cream-colored paper.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: \u003c\/span\u003eImage 19 6\/8\" x 25'' (50 x 63 cm). Sheet 23 6\/8\" x 29 6\/8\" (60 x 76 cm).\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003cspan\u003e: \u003c\/span\u003eFirst published by J\u0026amp;J Boydell, London, 1795. Reissued by Shearjashub Spooner in \u003cspan\u003e\"The American edition of Boydell's Illustrations of the dramatic works of Shakespeare, by the most eminent artists of Great Britain.\"\u003c\/span\u003e #68. New York, 1852.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e Loss of paper from l.l. corner. A detailed condition report is available on demand.\u003cbr\u003e\u003cstrong\u003eMuseum\u003c\/strong\u003e: The Metropolitan Museum of Art. \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"artwork-tombstone--label\"\u003eAccession Number:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"artwork-tombstone--value\"\u003e42.119.547.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: British School XVIII C.\u003c\/span\u003e \u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eNote\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMore about Shakespeare Gallery, John Boydell, and Sh. Spooner's edition read in our blog posts Shakespeare Gallery and John Boydell: The Enlightenment man.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"position: absolute; visibility: hidden; left: 396px; top: 446px; width: 44px; height: 17px;\" id=\"gtx-anchor\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"visibility: visible; left: -103px; top: 269px; opacity: 1;\" aria-describedby=\"bubble-2\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-2\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 410px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowdown\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35193267552421,"sku":"WOP-099\/BF-2\/PS","price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_7950-2.jpg?v=1595528291"},{"product_id":"francis-wheatley-after-engraving-by-georg-sigmund-facius-johann-gottlieb-facius-shakespeare-alls-well-that-ends-well-act-v-sc-iii","title":"Francis Wheatley, after. Shakespeare. All's well that ends well. Act V. Sc. III. Engraved by G.S. Facius \u0026 J.G. Facius. Hand-colored. 1792.","description":"\u003cp\u003e\u003cstrong\u003eFrancis Wheatley\u003c\/strong\u003e RA (1747-1801). English painter contributed several works for John Boydell's Shakespeare Gallery.\u003cbr\u003e\u003cstrong\u003eGeorg Sigmund Facius \u0026amp; Johann Gottlieb Facius\u003c\/strong\u003e. Brothers Facius were born in Germany. They moved to London and collaborated with John Boydell for many years.\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: Shakespeare. All's well that ends well. Act V. Sc. III. King, Countess, Lafeu, Lords, Attendants, \u0026amp;c. Bertram guarded. Diana \u0026amp; a Widow.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eLettered\u003c\/strong\u003e below the image with the title, reference and quotation over five lines \"Shakspeare. \/ King, Countess, Laseu, Lords, Attendants \u0026amp;c. Bertram guarded, Diana \u0026amp; a Widow \/ Hel. Oh, my good lord, when I was like this mair ... Will you be mine now you are doubly won?\", and \"Painted by F. Wheatley R. A. \/ Publish'd June. 4. 1794, by John \u0026amp; Josiah Boydell, Shakspeare Gallery Pall Mall, \u0026amp; No. 90, Cheapside. \/ Engrav'd by G.S. \u0026amp; J.G. Facius.\".\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Techniques:\u003c\/strong\u003e Etching and engraving, hand-colored. Printed on thick cream-colored paper.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e Image 19 1\/2\" x 25'' (50 x 63.5 cm). Sheet 24\" x 29 6\/8\" (61 x 76 cm). \u003cbr\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e: First published by J\u0026amp;J Boydell, London, 1792. Reissued by Shearjashub Spooner in \u003cspan\u003e\"The American edition of Boydell's Illustrations of the dramatic works of Shakespeare, by the most eminent artists of Great Britain.\"\u003c\/span\u003e. #32. New York, 1852.\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: Small water stains. A detailed condition report is available on demand.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: British School XVIII C.\u003c\/span\u003e \u003cbr\u003e\u003cb\u003eNote\u003c\/b\u003e: More about Shakespeare Gallery, John Boydell, and Sh. Spooner's edition read in our blog posts Shakespeare Gallery and John Boydell: The Enlightenment man.\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35204166779045,"sku":"WOP-044\/BF-2\/PS","price":500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8019-2-2.jpg?v=1595469124"},{"product_id":"william-hamilton-after-engraving-by-peter-simon","title":"William Hamilton. Shakespeare. As you like it. Act V. Sc. IV. Engraved by Peter Simon. 1792.","description":"\u003cp\u003e\u003cstrong\u003eWilliam  Hamilton\u003c\/strong\u003e RA (1751 - 1801). He was commissioned to create works for John Boydell's Shakespeare Gallery.\u003cbr\u003e\u003cstrong\u003ePeter Simon the Younger\u003c\/strong\u003e (1750–c. 1810). An English engraver contributed to Boydell's Shakespeare Gallery.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e Shakespeare. As you like it. Act V. Sc. IV. Rosalind assumes her true identity and presents herself to Orlando.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eLettered\u003c\/strong\u003e below the image with the title, reference, quotation\"Shakspeare \/ Ros. To you I give myself, for I am yours. \/ Orl. If there be truth in sight, you are my Rosalind.\", and \"Painted by Wm. Hamilton. \/ Publish'd Sepr. 29. 1791, by John. \u0026amp; Josiah Boydell, at the Shakspeare Gallery, Pall Mall, \u0026amp; No. 90. Cheapside. \/ Engraved by Peter Simon.\".\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Techniques:\u003c\/strong\u003e Etching and engraving. Printed on thick cream-colored paper.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e Image 19 1\/2\" x 25'' (50 x 63 cm). Sheet 24\" x 29 6\/8\" (61 x 76 cm).\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e First published by J\u0026amp;J Boydell, London, 1792. Reissued by Shearjashub Spooner in \u003cspan\u003e\"The American edition of Boydell's Illustrations of the dramatic works of Shakespeare, by the most eminent artists of Great Britain.\"\u003c\/span\u003e  #29. New York, 1852.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: \u003c\/span\u003eMinor tears to margins. Corners are slightly damaged. A detailed condition report is available on demand.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: British School XVIII C.\u003c\/span\u003e \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003cspan\u003e: More about Shakespeare Gallery, John Boydell, and Sh. Spooner's edition read in our blog posts \u003c\/span\u003e\u003cem\u003eShakespeare Gallery\u003c\/em\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cem\u003eJohn Boydell: The Enlightenment man\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv id=\"gtx-anchor\" style=\"position: absolute; visibility: hidden; left: 358px; top: 218px; width: 154.906px; height: 17px;\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-3\" style=\"visibility: visible; left: -100px; top: 105px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-3\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowdown\" style=\"left: 427.5px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35214124843173,"sku":"WOP-113\/BF-2\/PS","price":350.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8056-5-2.jpg?v=1595622620"},{"product_id":"johann-kraus-july-engraving","title":"Johann Kraus. July. Engraving. XVII - XVIII c.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Johann Kraus (1655-1719), a German engraver and publisher from Augsburg.\u003cbr\u003e\u003cstrong\u003eTitled in the plate\u003c\/strong\u003e: Julius. (July).\u003cbr\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e: Engraving on laid paper. Matted.\u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: Image 3 1\/4\" x 5 3\/4\". Sheet 5 3\/8\" x 7 1\/4\".\u003cbr\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e: Germany, XVII - XVIII c.\u003cbr\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e: Folio Fine Art LTD, London.\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: Cropped margins, otherwise good condition. A detailed condition report is available on demand.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: German School XVII C.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eNote\u003c\/strong\u003e: Kraus executed a series of illustrations for “Tapisseries du Roy” depicting Four Seasons. Perhaps, June was a part of this suite.\u003c\/p\u003e\n\u003cdiv style=\"position: absolute; visibility: hidden; left: 8px; top: 144px; width: 63px; height: 17px;\" id=\"gtx-anchor\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"visibility: visible; left: 25px; top: -49px; opacity: 1;\" aria-describedby=\"bubble-2\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-2\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 31.5px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowdown\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35297407140005,"sku":"WOP-060\/MB-1","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_2142.jpg?v=1595792118"},{"product_id":"david-young-cameron-the-chapel-and-founders-tomb-charterhouse-1894","title":"David Young Cameron. The Chapel and Founder's Tomb, Charterhouse. Etching. 1895.","description":"\u003cp\u003e\u003cstrong\u003eSir David Young Cameron\u003c\/strong\u003e RA (1865 – 1945) was a Scottish painter and etcher.\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: The Chapel and Founder's Tomb, Charterhouse.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e: Etching on laid paper.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: Image 5\" x 3 1\/4\". Sheet 9 1\/4\" x 7 1\/2\".\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cb\u003eInscriptions\u003c\/b\u003e:\u003c\/span\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLettered in plate, at center: \"THE CHAPEL AND FOUNDERS TOMB CHARTERHOUSE\". \u003c\/span\u003e\u003cspan\u003eSigned in plate, at lower right: \"DYC 1894\". \u003c\/span\u003eSigned in pencil with monogram lower margin.\u003cbr\u003e\u003cstrong\u003eCatalog Raisonne\u003c\/strong\u003e: Rinder 240.\u003cbr\u003e\u003cstrong\u003eReference\u003c\/strong\u003e: Rinder, Frank. D.Y. Cameron, an illustrated catalog of his etchings and drypoints, 1887-1932. Glasgow: Jackson, Wylie, and Company, 1932.\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: good. A detailed condition report is available on demand. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: British School XIX C. \u003cmeta charset=\"utf-8\"\u003eBritish School XX C. \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMuseums\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNational Gallery of Art. \u003cmeta charset=\"utf-8\"\u003e1943.3.2666. \u003cmeta charset=\"utf-8\"\u003eThe Metropolitan Museum of Art. \u003c\/span\u003e\u003cspan\u003e17.3.3063\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35298043199653,"sku":"WOP-043\/BB-1","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_2154.jpg?v=1595710711"},{"product_id":"david-young-cameron","title":"David Young Cameron. Tepidarium: Thermae of Caracalla. Drypoint. 1924.","description":"\u003cp\u003e\u003cstrong\u003eSir David Young Cameron\u003c\/strong\u003e RA (1865 – 1945) was a Scottish painter and etcher.\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: Tepidarium, Thermae of Caracalla. Bath of Caracalla is one of the most important buildings of Roman antiquity.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e: Drypoint on laid paper.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e Image 8\" x 7\". Sheet 12 1\/4 x 8\" \u003cbr\u003e\u003cstrong\u003eSigned in the plate\u003c\/strong\u003e and in pencil.\u003cbr\u003e\u003cstrong\u003eDated\u003c\/strong\u003e: 1924. \u003cspan\u003eDate from catalogue raisonné.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eCatalog Raisonne\u003c\/strong\u003e: Rinder, 474.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eReference\u003c\/strong\u003e: Rinder, Frank. D.Y. Cameron, an illustrated catalogue of his etchings and drypoints, 1887-1932. Glasgow: Jackson, Wylie, and Company, 1932.\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: good. A detailed condition report is available on demand. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: British School XIX C. \u003cmeta charset=\"utf-8\"\u003eBritish School XX C. \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMuseums\u003c\/strong\u003e: NGA \u003ca href=\"https:\/\/www.nga.gov\/collection\/art-object-page.5671.html\"\u003ehttps:\/\/www.nga.gov\/collection\/art-object-page.5671.html\u003cbr\u003e\u003c\/a\u003eThe Met \u003ca href=\"https:\/\/www.digitalcommonwealth.org\/search\/commonwealth:g732f524d\"\u003ehttps:\/\/www.digitalcommonwealth.org\/search\/commonwealth:g732f524d\u003c\/a\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35299772334245,"sku":"WOP-042","price":250.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_2147.jpg?v=1595717527"},{"product_id":"david-young-cameron-1","title":"David Young Cameron. Norman Village. Etching. 1904.","description":"\u003cp\u003e\u003cstrong\u003eSir David Young Cameron\u003c\/strong\u003e RA (1865 – 1945) was a Scottish painter and etcher.\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: Norman Village. The village is that of Le Grand Andely.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Techniques:\u003c\/strong\u003e Etching.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: Image 7\" x 5 1\/4\". Sheet 10 3\/4\" x 9 1\/4\"\u003cbr\u003e\u003cstrong\u003eSigned in the plate\u003c\/strong\u003e.\u003cbr\u003e\u003cstrong\u003eDated\u003c\/strong\u003e: 1904. Date from catalogue raisonné.\u003cbr\u003e\u003cstrong\u003eCatalog Raisonne\u003c\/strong\u003e: Rinder, 359.\u003cbr\u003e\u003cstrong\u003eReference\u003c\/strong\u003e: Rinder, Frank, \"D. Y. Cameron: An Illustrated Catalogue of his Etchings and Drypoints, 1887-1932\" (Jackson, Wylie \u0026amp; Company, 1932)\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: foxing, old mat. A detailed condition report is available on-demand.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: British School XIX C. \u003cmeta charset=\"utf-8\"\u003eBritish School XX C. \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMuseums\u003c\/strong\u003e: Boston Public Library:\u003cbr\u003e\u003ca href=\"https:\/\/www.digitalcommonwealth.org\/search\/commonwealth:g732f264r\"\u003ehttps:\/\/www.digitalcommonwealth.org\/search\/commonwealth:g732f264r\u003c\/a\u003e \u003cbr\u003eThe Met: \u003ca href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/708753\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/708753\u003c\/a\u003e\u003c\/p\u003e\n\u003cdiv style=\"position: absolute; visibility: hidden; left: 359px; top: 8px; width: 99px; height: 17px;\" id=\"gtx-anchor\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"visibility: visible; left: -127px; top: 35px; opacity: 1;\" aria-describedby=\"bubble-7\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-7\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 400.5px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35300423303333,"sku":"WOP-041\/BB-1","price":175.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_2161.jpg?v=1595764788"},{"product_id":"david-young-cameron-amboise-etching-1903","title":"David Young Cameron. Amboise. Etching. 1903.","description":"\u003cp\u003e\u003cstrong\u003eSir David Young Cameron\u003c\/strong\u003e RA (1865 – 1945) was a Scottish painter and etcher.\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: Amboise. Amboise is a town in central France.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e:\u003cstrong\u003e \u003c\/strong\u003e Etching on laid paper. \u003cbr\u003e\u003cstrong\u003eDimentions\u003c\/strong\u003e: Image 10 1\/2\" x 6\". Sheet 12\" x 7 3\/4\".\u003cbr\u003e\u003cstrong\u003eSigned in the plate\u003c\/strong\u003e in l.r. corner.\u003cbr\u003e\u003cstrong\u003ePublished\u003c\/strong\u003e in The Studio in Representative Art of Our Times Pt. IV, 1902-1903.\u003cbr\u003e\u003cstrong\u003eCatalog Raisonne\u003c\/strong\u003e: Rinder 352.\u003cbr\u003e\u003cstrong\u003eReference\u003c\/strong\u003e: Frank Rinder D.Y Cameron: An Illustrated Catalogue of His Etched Work. James MacLehose \u0026amp; Sons, Glasgow, 1912.\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: Good. The folder is torn at the fold. Holes from the binding cord. A detailed condition report is available on demand. \u003cbr\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: British School XIX C. \u003cmeta charset=\"utf-8\"\u003eBritish School XX C. \u003c\/span\u003e\u003cbr\u003eThe Met: \u003ca href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/708737\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/708737\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv style=\"position: absolute; visibility: hidden; left: 8px; top: 66px; width: 74px; height: 17px;\" id=\"gtx-anchor\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"visibility: visible; left: 30px; top: 93px; opacity: 1;\" aria-describedby=\"bubble-2\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-2\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 37px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35305240625317,"sku":"WOP-040\/BB-1","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_2158.jpg?v=1595772586"},{"product_id":"johann-kraus-june-engraving-xvii-xviii-c","title":"Johann Kraus. June. Engraving. XVII - XVIII c.","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eJohann Kraus\u003c\/strong\u003e (1655-1719), a German engraver and publisher from Augsburg.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eTitled in the plate:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eJunius. (June).\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Techniques:\u003c\/strong\u003e Engraving on laid paper. Matted.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e Image 3 1\/4\" x 5 3\/4\". Sheet 5 1\/4\" x 7\".\u003cbr\u003e\u003cstrong\u003ePublication:\u003c\/strong\u003e Germany, XVII - XVIII c.\u003cbr\u003e\u003cstrong\u003eProvenance:\u003c\/strong\u003e Folio Fine Art LTD, London. \u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Cropped margins, otherwise good condition. A detailed condition report is available on demand.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: German School XVII C.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eNote\u003c\/strong\u003e: Kraus executed a series of illustrations for “Tapisseries du Roy” depicting Four Seasons. Perhaps, June was a part of this suite.\u003cbr\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35306783080613,"sku":"WOP-061\/MB-1","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_2136.jpg?v=1595780542"},{"product_id":"joseph-mallord-william-turner-marengo-engraved-by-edward-goodall-1830","title":"Joseph Mallord William Turner, after. Marengo. Engraved by Edward Goodall. 1830.","description":"\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eArtist\u003c\/strong\u003e: Joseph Mallord William Turner RA (1775 - 1851) was an English painter, printmaker, and watercolorist.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eEngraver\u003c\/strong\u003e: Edward Goodall (1795 – 1870) was an English line engraver.\u003cbr\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e Marengo. The place of battle between French (Napoleon) and Austrian troops, 1800. \u003c\/span\u003eNapoleon's decisive victory. \u003cbr\u003e\u003cstrong\u003eSigned in the plate\u003c\/strong\u003e: London, Published September I, 1829, by R. Jennings, 62, Cheapside. In Italic.  \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Techniques: \u003c\/strong\u003eLine engraving on India paper laid on wove paper. Issued in Portfolio.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Image 10\" x 5 1\/4\". Sheet 17\" x 12\". \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: Tears of paper in the margins.  Foxings.  A detailed condition report is available on demand.\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e: S. Roger. Italy. London, 1830.  \u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eCatalog Raisonne\u003c\/strong\u003e\u003cspan\u003e: Rawlinson II, 1913. #353. p. 234. First Pub. State.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eReference\u003c\/strong\u003e\u003cspan\u003e: William George Rawlinson. The engraved work of J. M. W. Turner, R. A. vol. I-II. London, 1908-1913. \u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eMuseum\u003c\/strong\u003e: Tate: T04639.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: British School XIX C. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":35668346503333,"sku":"WOP-088","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8352-2.jpg?v=1597334703"},{"product_id":"thomas-stothard-shakespeare-king-lear-act-5-sc-4-king-lear-act-5-sc-4-engraving-and-etching-augustus-fox-1826","title":"Thomas Stothard, after. Shakespeare. King Lear. Act 5. Sc.4. Engraving and etching by Augustus Fox. 1826.","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eThomas Stothard (1755 - 1834) RA was an English painter, illustrator, and engraver. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e\u003cb\u003eEngraver\u003c\/b\u003e\u003c\/strong\u003e: Augustus Fox\u003cstrong\u003e \u003c\/strong\u003e(\u003cmeta charset=\"utf-8\"\u003e1800-1849 after) was an engraver, specialized in book-illustrations.\u003cspan\u003e \u003cbr\u003e\u003cstrong\u003eSigned, titled, dated, and proofed by the editor in the plate\u003c\/strong\u003e. Painted by T\u003cspan style=\"text-decoration: underline;\"\u003es\u003c\/span\u003e. Stothard. Engraved by Aug\u003cspan style=\"text-decoration: underline;\"\u003es\u003c\/span\u003e. Fox. King Lear. Act 5. Sc.4. London. Pubd. by Hurst, Robinson \u0026amp; Co. 6 Pall Mall, \u0026amp; R. Jennings, 2 Poultry. 1826. \u003cbr\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e: Engraving and etching on chine collé laid on wove paper.  \u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: Image 9 6\/8\" x 6 6\/8''. Sheet 17 1\/2\" x 11 7\/8\".  \u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: Small losses at the corners of the wove paper. Aged edges. \u003cbr\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e: Initially, probably, as an engraving from the \u003cem\u003eIllustrations to Shakespeare from designers by Stothard, Westall, and Fuselli.\u003c\/em\u003e.. \u003cbr\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003ePart of\u003c\/strong\u003e: the \u003cstrong\u003eShakespeare Portfolio\u003c\/strong\u003e.\u003cbr\u003e\u003cspan\u003e\"This Portfolio was formed out of several series of engravings executed for, or collected by the late Joshua Walmesley, Esq., who intended to publish an edition of Shakespeare extensively illustrated, but did not live to carry out his enterprise\".\u003cbr\u003e\u003cstrong\u003eMuseum\u003c\/strong\u003e:\u003cstrong\u003e \u003c\/strong\u003eBritish Museum  \u003cmeta charset=\"utf-8\"\u003e1868,0822.5701\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e: British School XIX C.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eAcknowledgement\u003c\/strong\u003e: This entry incorporates text from Wikipedia, the catalog entry of a similar item from the \u003cmeta charset=\"utf-8\"\u003eBritish Museum collection, and from \"\u003cmeta charset=\"utf-8\"\u003eH. G. Bohn. \u003cmeta charset=\"utf-8\"\u003eA Bibliographical Account of the Works of Shakespeare, including every known edition, translation, and commentary. 1864\".  P. \u003cmeta charset=\"utf-8\"\u003e2310.\u003c\/span\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":36772219355301,"sku":"WOP-193","price":30.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0209-2.jpg?v=1603840410"},{"product_id":"abraham-cooper-shakespeare-king-richard-the-second-act-5-sc-5-engraving-and-etching-j-mitchell-1826","title":"Abraham Cooper, after. Shakespeare. King Richard the Second. Act 5. Sc.5. Engraving and etching by James Mitchell. 1826.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Abraham Cooper\u003cspan\u003e RA (1787–1868) was a British animal and battle painter.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003e \u003cb data-mce-fragment=\"1\"\u003eEngraver\u003c\/b\u003e\u003c\/strong\u003e: James Mitchell (1791–1852) \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ewas a British \u003c\/span\u003eline-engraver.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003c\/span\u003eKing Richard the Second. Act 5. Sc.5.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, titled, dated, and proofed by the editor in the plate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Painted by A. Cooper, RA. Engraved by J. Mitchell. King Richard the Second. Act 5. Sc. 5. Pubd. by Hurst, Robinson \u0026amp; Co. 6 Pall Mall, \u0026amp; R. Jennings, 2 Poultry. 1826. \u003cbr\u003e \u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e: Engraving and etching on wove paper.  \u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: Image 10\" x 7 6\/8''. Sheet 17 2\/8\" x 11 6\/8\".  \u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdge chipping. \u003cmeta charset=\"utf-8\"\u003eThe signs of aging are appropriate for the time. A detailed condition report is available on demand.\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublication\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eillustration from an unidentified publication. 1826.\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePart of\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003ethe \u003c\/span\u003e\u003cstrong\u003eShakespeare Portfolio.\u003c\/strong\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"This Portfolio was formed out of several series of engravings executed for, or collected by the late Joshua Walmesley, Esq., who intended to publish an edition of Shakespeare extensively illustrated, but did not live to carry out his enterprise\".\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e: Folger Shakespeare Library. \u003cmeta charset=\"utf-8\"\u003eLUNA: Folger Digital Image Collection \u003cmeta charset=\"utf-8\"\u003e26425. \u003cmeta charset=\"utf-8\"\u003eThe British Museum. \u003cmeta charset=\"utf-8\"\u003e1915,0218.25.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e: British School XIX C.\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAcknowledgement\u003c\/strong\u003e: This entry incorporates text from Wikipedia, the catalog entry of a similar item from the \u003cmeta charset=\"utf-8\"\u003eBritish Museum collection, and from \"\u003cmeta charset=\"utf-8\"\u003eH. G. Bohn. \u003cmeta charset=\"utf-8\"\u003eA Bibliographical Account of the Works of Shakespeare, including every known edition, translation, and commentary. 1864\".  P. \u003cmeta charset=\"utf-8\"\u003e2310. \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"position: absolute; visibility: hidden; left: 360px; top: 118px; width: 120px; height: 17px;\" id=\"gtx-anchor\" data-mce-style=\"position: absolute; visibility: hidden; left: 360px; top: 118px; width: 120px; height: 17px;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"visibility: visible; left: -116px; top: 145px; opacity: 1;\" aria-describedby=\"bubble-21\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\" data-mce-style=\"visibility: visible; left: -116px; top: 145px; opacity: 1;\"\u003e\n\u003cdiv id=\"bubble-21\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\" data-mce-style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv tabindex=\"0\" role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 412px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\" data-mce-style=\"left: 412px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":36773601149093,"sku":"WOP-002\/BB-3","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0309-2.jpg?v=1613617340"},{"product_id":"amerique-septentrionale","title":"Victor Levasseur. Map of Amérique Septentrionale. 1850 - 1900.","description":"\u003cp\u003e\u003cstrong\u003eCartographer: \u003c\/strong\u003eVictor Levasseur \u003cmeta charset=\"utf-8\"\u003e(1800 - 1854), a French engineer and cartographer. His richly illustrated \"Atlas Nationale Illustre\" and \"Atlas Universel Illustre\" are among the best and most popular atlases of 19 century.\u003cbr\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e: Frédéric-Guillaume Laguillermie (1805-1870). Well known because of his collaboration with cartographer Victor Levasseur.\u003cbr\u003e\u003cstrong\u003eIllustrator\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eRaymond Bonheur\u003cspan data-mce-fragment=\"1\"\u003e (Oscar-Raymond Bonheur), (1796–1849) was a French artist.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e:\u003cmeta charset=\"utf-8\"\u003e Amable Combette, 1843 - 1858, until its bankruptcy.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, titled, and proofed by the editor, the engraver, and the artist in the plate \u003c\/strong\u003eabove and beneath borders. Blind stamp AC on the lower margin. On the reverse in blue ink, \"A note bon ami Mr. John B. Black en souvenir des agreeable moment pattes ensemble. Compiegne le 9 Septembre 1945. (illegible signature). 1845.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e:  Steel engraving. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHand-colored in outline\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e. \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSheet 14 1\/2\" x 21 1\/2\". \u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e: Torn from the book along the left margin. The upper right corner is lost.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e: Atlas National Illustré des 86 Départements et des Possessions de La France France A Paris, chez A. Combette, Editeur, rue St. Jacques, № 43.  \u003cbr\u003e\u003cstrong\u003eMuseum\u003c\/strong\u003e: \u003ca title=\"University of Washington Libraries\" href=\"https:\/\/digitalcollections.lib.washington.edu\/digital\/collection\/maps\/id\/107\/%20%20\"\u003ehttps:\/\/digitalcollections.lib.washington.edu\/digital\/collection\/maps\/id\/107\/ \u003c\/a\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":36944231596197,"sku":"MAP-2","price":150.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0226-2.jpg?v=1603989060"},{"product_id":"amerique-meridionale","title":"Victor Levasseur. Map of Amérique méridionale. 1850 - 1900.","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eCartographer:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eVictor Levasseur \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e(1800 - 1854), a French engineer and cartographer. His richly illustrated \"Atlas Nationale Illustre\" and \"Atlas Universel Illustre\" are among the best and most popular atlases of 19 century.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e\u003cspan\u003e: Frédéric-Guillaume Laguillermie (1805-1870). Well known because of his collaboration with cartographer Victor Levasseur. \u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eIllustrator\u003c\/strong\u003e\u003cspan\u003e: \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRaymond Bonheur\u003c\/span\u003e\u003cspan\u003e (Oscar-Raymond Bonheur), (1796–1849) was a French artist. \u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003ePublisher\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e Amable Combette, 1843 - 1858, until its bankruptcy. \u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eSigned, titled, and proofed by the editor, the engraver, and the artist in the plate \u003c\/strong\u003e\u003cspan\u003eabove and beneath borders. Blind stamp AC on the lower margin. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e:  Steel engraving. Hand-colored in outline. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eDimensions\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eSheet 15\" x 21 1\/2\". \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eCondition\u003c\/strong\u003e: Torn from the book along the left margin. The edge chipping. The upper right corner is lost. Folds, tears, and stains. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003ePublication\u003c\/strong\u003e: Atlas National Illustré des 86 Départements et des Possessions de La France. France. A Paris, chez A. Combette, Editeur, rue St. Jacques, №  41.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eMuseums and Libraries\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003ePrinceton: Historic Map Division, Special Collections, Firestone Library. HMC01.2771.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e: French School XIX C.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":36944235102373,"sku":"MAP-1\/BB-3","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0224-2.jpg?v=1603989032"},{"product_id":"oceanie","title":"Victor Levasseur. Map of Oceania. 1850 - 1900.","description":"\u003cp\u003e\u003cstrong\u003eCartographer:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eVictor Levasseur \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e(1800 - 1854), a French engineer and cartographer. His richly illustrated \"Atlas Nationale Illustre\" and \"Atlas Universel Illustre\" are among the best and most popular atlases of 19 century.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e\u003cspan\u003e: Frédéric-Guillaume Laguillermie (1805-1870). Well known because of his collaboration with cartographer Victor Levasseur.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eIllustrator\u003c\/strong\u003e\u003cspan\u003e: \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRaymond Bonheur\u003c\/span\u003e\u003cspan\u003e (Oscar-Raymond Bonheur), (1796–1849) was a French artist.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003ePublisher\u003c\/strong\u003e:\u003cmeta charset=\"utf-8\"\u003e Amable Combette, 1843 - 1858, until its bankruptcy.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eTitled, and proofed by the editor, the engraver, and the artist in the plate \u003c\/strong\u003e\u003cspan\u003eabove and beneath borders.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e:  Steel engraving. Hand-colored in outline. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eDimensions\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eSheet 15\" x 21 1\/4\".  \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eCondition\u003c\/strong\u003e: Torn from the book along the left margin. The edge chipping. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003ePublication\u003c\/strong\u003e: Atlas National Illustré des 86 Départements et des Possessions de La France. France, A Paris, chez A. Combette, Editeur, rue St. Jacques, №  41.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e: French School XIX C.\u003c\/span\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":36944273768613,"sku":"MAP-3\/BB-3","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0211-2.jpg?v=1604248593"},{"product_id":"edna-hibel-plotkin-friesland-colored-lithograph-1977","title":"Edna Hibel Plotkin. Friesland. Color lithograph. 1977.","description":"\u003cp\u003e\u003cstrong\u003eEdna Hibel Plotkin\u003c\/strong\u003e (\u003cmeta charset=\"utf-8\"\u003e1917-2014) was an American artist well known for her works in an impressionist manner. \u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eFriesland. F. is a province of the Netherlands. \u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: approximately 20' x 26 1\/2\"\u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e: 1977\u003cbr\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e: Color lithograph on Japanese silk paper in an original folder titled \u003cem\u003eFriesland\u003c\/em\u003e and a protective sheet of archival acid-free paper inside. \u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: Good.\u003cbr\u003e\u003cstrong\u003eSigned and numbered\u003c\/strong\u003e on the plate in pencil. \u003cbr\u003e\u003cstrong\u003eTitled\u003c\/strong\u003e in the folder.\u003cbr\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e: Limited Edition of 375 copies. Edna Hibel Museum Suite USA Mangonia Park, Florida. 1977.\u003cbr\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e: American School XX C.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":37014048309413,"sku":"LIT-11\/BF-2\/PS","price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0444.jpg?v=1605396201"},{"product_id":"j-r-schellenberg-a-group-of-thirteen-engravings-from-the-book-recueil-de-xxiv-differens-costumes-de-la-ville-et-du-canton-de-basle-1798","title":"Johann Rudolf Huber, after. Marraine. Engraved by Johann Rudolf Schellenberg. Basel, 1798.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Johann Rudolf Huber (1668 – 1748) was a famous Swiss portrait artist.\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eEngraver\u003c\/span\u003e\u003c\/strong\u003e: Johann Rudolph (Rudolf) Schellenberg (1740 - 1806) was a Swiss artist and engraver, the grandson of Johann Rudolf Huber. \u003cbr\u003e\u003cstrong\u003eTitled in the plate\u003c\/strong\u003e:\u003cstrong\u003e \u003c\/strong\u003eMarraine. 17. The typewritten label on the back of the engraving: Unknown F1173 Marraine.\u003cbr\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e: Engraving on wove paper. \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eGilded contemporary frame.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-start=\"336\" data-end=\"351\"\u003eProvenance:\u003c\/strong\u003e Said to be from the Heinz Estate. All thirteen prints in this set are uniformly framed and bear identical collector’s labels verso.\u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eImage approximately 6 1\/2\" x 4\". Sheet approximately 9 1\/4\" x 6 1\/4\". Framed approximately 10\" x 7\".\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: Stains, foxings. Partial loss of gilding on the frame. \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eUnexamined outside of frame.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e: Recueil De XXIV Differens Costumes De La Ville Et Du Canton De Basle choisis dans divers etats de la societe sur la fin du XVIIe. Siecle. Graves d'apres les dessins de J. R. Huber par J. R. Schellenberg, Publie par Cretien de Mechel, Graveur, \u0026amp; Membre de diverses Academies. A Basle. M. DCC. XCVIII. Plate 17. Marraine portant un enfant au bapteme.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: Swiss School XVIII C.\u003c\/span\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":37028914626725,"sku":"WOP-69\/BrBg-1","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0390.jpg?v=1604977012"},{"product_id":"johann-rudolf-huber-bourgeoise-allant-a-un-enterrement-12-engraving-johann-rudolf-schellenberg-basel-1798","title":"Johann Rudolf Huber, after. Bourgeoise allant à un enterrement. Engraved by Johann Rudolf Schellenberg. Basel, 1798.","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Johann Rudolf Huber (1668 – 1748) was a famous Swiss portrait artist.\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eEngraver\u003c\/span\u003e\u003c\/strong\u003e: Johann Rudolph (Rudolf) Schellenberg (1740 - 1806) was a Swiss artist and engraver, the grandson of Johann Rudolf Huber. \u003cbr\u003e\u003cstrong\u003eTitled in the plate\u003c\/strong\u003e: Bourgeoise allant à un enterrement. 12. The typewritten label on the back of the engraving: Unknown F1168 Bourgeoise allant a un enterrement.\u003cbr\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e: Engraving on wove paper. \u003cmeta charset=\"utf-8\"\u003eGilded contemporary frame.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-start=\"336\" data-end=\"351\"\u003eProvenance:\u003c\/strong\u003e Said to be from the Heinz Estate. All thirteen prints in this set are uniformly framed and bear identical collector’s labels verso.\u003cbr\u003e\u003cb\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/b\u003e: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eImage approximately 6 1\/2\" x 4\". Sheet approximately 9 1\/4\" x 6 1\/4\". Framed approximately 10\" x 7\".\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: Stains, foxing. Partial loss of gilding on the frame. \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eUnexamined outside of frame.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e: Recueil De XXIV Differens Costumes De La Ville Et Du Canton De Basle choisis dans divers etats de la societe sur la fin du XVIIe. Siecle. Graves d'apres les dessins de J. R. Huber par J. R. Schellenberg, Publie par Cretien de Mechel, Graveur, \u0026amp; Membre de diverses Academies. A Basle. M. DCC. XCVIII. Plate 12. Bourgeoise en grand deuil allant à un enterrement.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: Swiss School XVIII C.\u003c\/span\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":37054548443301,"sku":"WOP-64\/BrBg-1","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0389.jpg?v=1604976675"},{"product_id":"johann-rudolf-huber-demoiselle-allant-a-leglise-14-engraving-johann-rudolf-schellenberg-basel-1798","title":"Johann Rudolf Huber, after. Demoiselle allant à l'Église. Engraved by Johann Rudolf Schellenberg. Basel, 1798.","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Johann Rudolf Huber (1668 – 1748) was a famous Swiss portrait artist.\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eEngraver\u003c\/span\u003e\u003c\/strong\u003e: Johann Rudolph (Rudolf) Schellenberg (1740 - 1806) was a Swiss artist and engraver, the grandson of Johann Rudolf Huber. \u003cbr\u003e\u003cstrong\u003eTitled in the plate\u003c\/strong\u003e: Demoiselle allant à l'Église. 14. The typewritten label on the back of the engraving: Unknown F1170  Demoiselle allant a l'Eglise.\u003cbr\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e: Engraving on wove paper. \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eGilded contemporary frame.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eImage approximately 6 1\/2\" x 4\". Sheet approximately 9 1\/4\" x 6 1\/4\". Framed approximately 10\" x 7\".\u003cbr\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-end=\"351\" data-start=\"336\"\u003eProvenance:\u003c\/strong\u003e Said to be from the Heinz Estate. All thirteen prints in this set are uniformly framed and bear identical collector’s labels verso.\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: Stains, foxing. Partial loss of gilding on the frame. \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eUnexamined outside of frame.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e: Recueil De XXIV Differens Costumes De La Ville Et Du Canton De Basle choisis dans divers etats de la societe sur la fin du XVIIe. Siecle. Graves d'apres les dessins de J. R. Huber par J. R. Schellenberg, Publie par Cretien de Mechel, Graveur, \u0026amp; Membre de diverses Academies. A Basle. M. DCC. XCVIII. Plate 14. \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDemoiselle allant à l'Église.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: Swiss School XVIII C.\u003c\/span\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":37054709924005,"sku":"WOP-66\/BrBg-1","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0391.jpg?v=1605148393"},{"product_id":"johann-rudolf-huber-bourgeoise-en-habit-dhiver-engraving-johann-rudolf-schellenberg-basel-1799","title":"Johann Rudolf Huber, after. Bourgeoise en habit d'hyver. Engraved by Johann Rudolf Schellenberg. Basel, 1798.","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Johann Rudolf Huber (1668 – 1748) was a famous Swiss portrait artist.\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eEngraver\u003c\/span\u003e\u003c\/strong\u003e: Johann Rudolph (Rudolf) Schellenberg (1740 - 1806) was a Swiss artist and engraver, the grandson of Johann Rudolf Huber. \u003cbr\u003e\u003cstrong\u003eTitled in the plate\u003c\/strong\u003e\u003cspan\u003e: Bourgeoise en habit d'hyver. 13. The typewritten label on the back of the engraving: Unknown F1169 Bourgeoise en habit d'hyver.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan\u003e: Engraving on wove paper. \u003cmeta charset=\"utf-8\"\u003eGilded contemporary frame.\u003c\/span\u003e\u003cbr\u003e\u003cb\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/b\u003e\u003cspan\u003e: Image approximately 6 1\/2\" x 4\". Sheet approximately 9 1\/4\" x 6 1\/4\". Framed approximately 10\" x 7\". \u003cbr\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-start=\"336\" data-end=\"351\"\u003eProvenance:\u003c\/strong\u003e Said to be from the Heinz Estate. All thirteen prints in this set are uniformly framed and bear identical collector’s labels verso.\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: Stains, foxing. Partial loss of gilding on the frame. \u003cmeta charset=\"utf-8\"\u003eUnexamined outside of frame.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003cspan\u003e: Recueil De XXIV Differens Costumes De La Ville Et Du Canton De Basle choisis dans divers etats de la societe sur la fin du XVIIe. Siecle. Graves d'apres les dessins de J. R. Huber par J. R. Schellenberg, Publie par Cretien de Mechel, Graveur, \u0026amp; Membre de diverses Academies. A Basle. M. DCC. XCVIII. Plate 13. Bourgeoise en habit d'hyver.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: Swiss School XVIII C.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":37082756087973,"sku":"WOP-65\/BrBg-1","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0397.jpg?v=1605198487"},{"product_id":"johann-rudolf-huber-epouse-en-parure-de-noces-engraving-johann-rudolf-schellenberg-basel-1798","title":"Johann Rudolf Huber, after. Épousé en parure de noces. Engraved by Johann Rudolf Schellenberg. Basel, 1798.","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Johann Rudolf Huber (1668 – 1748) was a famous Swiss portrait artist.\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eEngraver\u003c\/span\u003e\u003c\/strong\u003e: Johann Rudolph (Rudolf) Schellenberg (1740 - 1806) was a Swiss artist and engraver, the grandson of Johann Rudolf Huber. \u003cbr\u003e\u003cstrong\u003eTitled in the plate\u003c\/strong\u003e: Epousé en parure de noces\u003cstrong\u003e.\u003c\/strong\u003e\u003cspan\u003e 16. The typewritten label on the back of the engraving: Unknown F1173 \u003cmeta charset=\"utf-8\"\u003eEpousé en parure de noces\u003cstrong\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan\u003e: Engraving on wove paper. \u003cmeta charset=\"utf-8\"\u003eGilded contemporary frame.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eImage approximately 6 1\/2\" x 4\". Sheet approximately 9 1\/4\" x 6 1\/4\". Framed approximately 10\" x 7\".\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-end=\"351\" data-start=\"336\"\u003eProvenance:\u003c\/strong\u003e Said to be from the Heinz Estate. All thirteen prints in this set are uniformly framed and bear identical collector’s labels verso.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: Stains, foxing. Partial loss of gilding on the frame. \u003cmeta charset=\"utf-8\"\u003eUnexamined outside of frame.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003cspan\u003e: Recueil De XXIV Differens Costumes De La Ville Et Du Canton De Basle choisis dans divers etats de la societe sur la fin du XVIIe. Siecle. Graves d'apres les dessins de J. R. Huber par J. R. Schellenberg, Publie par Cretien de Mechel, Graveur, \u0026amp; Membre de diverses Academies. A Basle. M. DCC. XCVIII. Plate 16. \u003cmeta charset=\"utf-8\"\u003eEpousé en parure de Noces\u003cstrong\u003e.\u003cbr\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: Swiss School XVIII C.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":37083709636773,"sku":"WOP-68\/BrBg-1","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0396.jpg?v=1605201677"},{"product_id":"johann-rudolf-huber-demoiselle-allant-a-la-promenade-15-engraving-johann-rudolf-schellenberg-basel-1798","title":"Johann Rudolf Huber, after. Demoiselle allant a la promenade. Engraved by Johann Rudolf Schellenberg. Basel, 1798.","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Johann Rudolf Huber (1668 – 1748) was a famous Swiss portrait artist.\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eEngraver\u003c\/span\u003e\u003c\/strong\u003e: Johann Rudolph (Rudolf) Schellenberg (1740 - 1806) was a Swiss artist and engraver, the grandson of Johann Rudolf Huber. \u003cbr\u003e\u003cstrong\u003eTitled in the plate\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e Demoiselle allant a la promenade. 15.\u003cspan\u003e The typewritten label on the back of the engraving: Unknown F1171 Demoiselle allant a la promenade. \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan\u003e: Engraving on wove paper. \u003cmeta charset=\"utf-8\"\u003eGilded contemporary frame.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eImage approximately 6 1\/2\" x 4\". Sheet approximately 9 1\/4\" x 6 1\/4\". Framed approximately 10\" x 7\".\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-end=\"351\" data-start=\"336\"\u003eProvenance:\u003c\/strong\u003e Said to be from the Heinz Estate. All thirteen prints in this set are uniformly framed and bear identical collector’s labels verso.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: Large dark spot in the upper left corner of the sheet.  Stains, foxing. Partial loss of gilding on the frame. \u003cmeta charset=\"utf-8\"\u003eUnexamined outside of frame.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003cspan\u003e: Recueil De XXIV Differens Costumes De La Ville Et Du Canton De Basle choisis dans divers etats de la societe sur la fin du XVIIe. Siecle. Graves d'apres les dessins de J. R. Huber par J. R. Schellenberg, Publie par Cretien de Mechel, Graveur, \u0026amp; Membre de diverses Academies. A Basle. M. DCC. XCVIII. Plate 15. Demoiselle allant a la promenade.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: Swiss School XVIII C.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":37084101116069,"sku":"WOP-67\/BrBg-1","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0392.jpg?v=1605204665"},{"product_id":"johann-rudolf-huber-marainne-engraving-johann-rudolf-schellenberg-basel-1798","title":"Johann Rudolf Huber, after. Secrétaire de la Chancellerie. Engraved by Johann Rudolf Schellenberg. Basel, 1798.","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Johann Rudolf Huber (1668 – 1748) was a famous Swiss portrait artist.\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eEngraver\u003c\/span\u003e\u003c\/strong\u003e: Johann Rudolph (Rudolf) Schellenberg (1740 - 1806) was a Swiss artist and engraver, the grandson of Johann Rudolf Huber. \u003cbr\u003e\u003cstrong\u003eTitled in the plate\u003c\/strong\u003e: Secrétaire de la Chancellerie.\u003cspan\u003e 2. The typewritten label on the back of the engraving: Unknown F1165 \u003cmeta charset=\"utf-8\"\u003eSecrétaire de la Chancellerie.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan\u003e: Engraving on wove paper. \u003cmeta charset=\"utf-8\"\u003eGilded contemporary frame.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eImage approximately 6 1\/2\" x 4\". Sheet approximately 9 1\/4\" x 6 1\/4\". Framed approximately 10\" x 7\".\u003cbr\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong data-start=\"336\" data-end=\"351\"\u003eProvenance:\u003c\/strong\u003e Said to be from the Heinz Estate. All thirteen prints in this set are uniformly framed and bear identical collector’s labels verso.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: Stains, foxing. Partial loss of gilding on the frame. \u003cmeta charset=\"utf-8\"\u003eUnexamined outside of frame.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003cspan\u003e: Recueil De XXIV Differens Costumes De La Ville Et Du Canton De Basle choisis dans divers etats de la societe sur la fin du XVIIe. Siecle. Graves d'apres les dessins de J. R. Huber par J. R. Schellenberg, Publie par Cretien de Mechel, Graveur, \u0026amp; Membre de diverses Academies. A Basle. M. DCC. XCVIII. Plate 2. \u003cmeta charset=\"utf-8\"\u003eSecrétaire de la Chancellerie.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: Swiss School XVIII C.\u003c\/span\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":37084251357349,"sku":"WOP-70\/BrBg-1","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0393.jpg?v=1605313169"},{"product_id":"johann-rudolf-huber-bourgeois-en-habit-de-deuil-engraving-johann-rudolf-schellenberg-basel-1798","title":"Johann Rudolf Huber, after. Bourgeois en habit de deuil. Engraved Johann Rudolf Schellenberg. Basel, 1798.","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Johann Rudolf Huber (1668 – 1748) was a famous Swiss portrait artist.\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eEngraver\u003c\/span\u003e\u003c\/strong\u003e: Johann Rudolph (Rudolf) Schellenberg (1740 - 1806) was a Swiss artist and engraver, the grandson of Johann Rudolf Huber. \u003cbr\u003e\u003cstrong\u003eTitled in the plate\u003c\/strong\u003e\u003cspan\u003e: Bourgeois en habit de deuil. 11. The typewritten label on the back of the engraving: Unknown F1167 Bourgeois en habit de deuil.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan\u003e: Engraving on wove paper. \u003cmeta charset=\"utf-8\"\u003eGilded contemporary frame.\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cb\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/b\u003e\u003cspan\u003e: \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eImage approximately 6 1\/2\" x 4\". Sheet approximately 9 1\/4\" x 6 1\/4\". Framed approximately 10\" x 7\".\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-start=\"336\" data-end=\"351\"\u003eProvenance:\u003c\/strong\u003e Said to be from the Heinz Estate. All thirteen prints in this set are uniformly framed and bear identical collector’s labels verso.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: Stains, foxing. Partial loss of gilding on the frame. \u003cmeta charset=\"utf-8\"\u003eUnexamined outside of frame.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003cspan\u003e: Recueil De XXIV Differens Costumes De La Ville Et Du Canton De Basle choisis dans divers etats de la societe sur la fin du XVIIe. Siecle. Graves d'apres les dessins de J. R. Huber par J. R. Schellenberg, Publie par Cretien de Mechel, Graveur, \u0026amp; Membre de diverses Academies. A Basle. M. DCC. XCVIII. Plate 11. Bourgeois en habit de deuil.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: Swiss School XVIII C.\u003c\/span\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":37086437867685,"sku":"WOP-63\/BrBg-1","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0394.jpg?v=1605312995"},{"product_id":"johann-rudolf-huber-bourgeois-allant-a-leglise-engraving-johann-rudolf-schellenberg-basel-1798","title":"Johann Rudolf Huber, after. Bourgeois allant a l'Église. Engraved by Johann Rudolf Schellenberg. Basel, 1798.","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Johann Rudolf Huber (1668 – 1748) was a famous Swiss portrait artist.\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eEngraver\u003c\/span\u003e\u003c\/strong\u003e: Johann Rudolph (Rudolf) Schellenberg (1740 - 1806) was a Swiss artist and engraver, the grandson of Johann Rudolf Huber. \u003cbr\u003e\u003cstrong\u003eTitled in the plate\u003c\/strong\u003e\u003cspan\u003e: Bourgeois allant a l'Église. 10. The typewritten label on the back of the engraving: Unknown F1166 Bourgeois allant a l'Église.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan\u003e: Engraving on wove paper. \u003cmeta charset=\"utf-8\"\u003eGilded contemporary frame.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eProvenance\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eTo be said Heinz Estate. All prints of this set are framed uniformly and bear the identical collector's label on the back.\u003c\/span\u003e\u003cbr\u003e\u003cb\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/b\u003e\u003cspan\u003e: \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eImage approximately 6 1\/2\" x 4\". Sheet approximately 9 1\/4\" x 6 1\/4\". Framed approximately 10\" x 7\".\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: Stains, foxing. Partial loss of gilding on the frame.  \u003cmeta charset=\"utf-8\"\u003eUnexamined outside of frame.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003cspan\u003e: Recueil De XXIV Differens Costumes De La Ville Et Du Canton De Basle choisis dans divers etats de la societe sur la fin du XVIIe. Siecle. Graves d'apres les dessins de J. R. Huber par J. R. Schellenberg, Publie par Cretien de Mechel, Graveur, \u0026amp; Membre de diverses Academies. A Basle. M. DCC. XCVIII. Plate 10. Bourgeois allant a l'Église.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: Swiss School XVIII C.\u003c\/span\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":37086797889701,"sku":"WOP-62\/BrBg-1","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0395.jpg?v=1605224098"},{"product_id":"dame-de-distinction-du-xvime-siecle","title":"Hans Holbein the Younger, after. Dame de condition du XVIème Siècle en grande parure. Engraving by Johann Rudolf Schellenberg. Basel, 1798.","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Johann Rudolf Huber (1668 – 1748) was a famous Swiss portrait artist.\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eEngraver\u003c\/span\u003e\u003c\/strong\u003e: Johann Rudolph (Rudolf) Schellenberg (1740 - 1806) was a Swiss artist and engraver, the grandson of Johann Rudolf Huber. \u003cbr\u003e\u003cstrong\u003eSigned, numbered, and titled in the plate\u003c\/strong\u003e: Schellenberg fec. Dame de condition du XVIme Siècle en grande parure. D'apres de Dessin original de Jean Holbein. 1. The typewritten label on the back of the engraving: Schellenberg (after Jean Holbein) F 437 \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDame de condition du XVIme Siècle en Grande Parure.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e: Engraving on wove paper. Gilded contemporary frame.\u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: Sheet approximately 9 1\/4\" x 6 1\/4\". Framed approximately 10\" x 7\".\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cspan\u003e: To be said Heinz Estate. All prints of this set are framed uniformly and bear the identical collector's label on the back.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: Stains, foxings. Partial loss of gilding on the frame. \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eUnexamined outside of frame.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e: Recueil De XXIV Différents Costumes De La Ville Et Du Canton De Basle choisis dans divers états de la société sur la fin du XVIIe. Siecle. Graves d'après les dessins de J. R. Huber par J. R. Schellenberg, Publie par Chrétien de Mechel, Graveur, \u0026amp; Membre de diverses Academies. A Basle. M. DCC. XCVIII. Plate Dame de condition du XVIme Siècle en grande parure.\u003cbr\u003e\u003cstrong\u003eMuseum\u003c\/strong\u003e: Compare with a similar print in the British Museum collection.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e1866,0512.3046.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: Swiss School XVIII C.\u003c\/span\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":37088071614629,"sku":"WOP-48\/BrBg-1","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0400.jpg?v=1605313434"},{"product_id":"hans-holbein-the-younger-after-dame-de-distinction-du-xvime-siecle-engraving-johann-rudolf-schellenberg-basel-1798","title":"Hans Holbein the Younger, after. Dame de distinction du XVIème Siècle. Engraving by Johann Rudolf Schellenberg. Basel, 1798.","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Johann Rudolf Huber (1668 – 1748) was a famous Swiss portrait artist.\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eEngraver\u003c\/span\u003e\u003c\/strong\u003e: Johann Rudolph (Rudolf) Schellenberg (1740 - 1806) was a Swiss artist and engraver, the grandson of Johann Rudolf Huber. \u003cbr\u003e\u003cstrong\u003eSigned, numbered, and titled in the plate\u003c\/strong\u003e: Schellenberg fec. Dame de distinction du XVIme Siècle. D'apres de Dessin original de Jean Holbein. 2. The typewritten label on the back of the engraving: Schellenberg (after Jean Holbein) F 439\u003cspan\u003e Dame de distinction du XVIme Siècle.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e: Engraving on wove paper. \u003cmeta charset=\"utf-8\"\u003eGilded contemporary frame.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: Sheet approximately 9 1\/4\" x 6 1\/4\". Framed approximately 10\" x 7\".\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eTo be said Heinz Estate. All prints of this set are framed uniformly and bear the identical collector's label on the back.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: Stains, foxing. Partial loss of gilding on the frame. \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eUnexamined outside of frame.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e: Recueil De XXIV Différents Costumes De La Ville Et Du Canton De Basle choisis dans divers états de la société sur la fin du XVIIe. Siecle. Graves d'après les dessins de J. R. Huber par J. R. Schellenberg, Publie par Chrétien de Mechel, Graveur, \u0026amp; Membre de diverses Academies. A Basle. M. DCC. XCVIII. Plate Dame de distinction du XVIme Siècle.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: Swiss School XVIII C.\u003c\/span\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":37099332632741,"sku":"WOP-49\/BrBg-1","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0401.jpg?v=1605288505"},{"product_id":"hans-holbein-the-younger-after-riche-bourgeoise-du-xvime-siecle-engraving-johann-rudolf-schellenberg-basel-1798","title":"Hans Holbein the Younger, after. Riche Bourgeoise du XVIme Siècle. Engraving Johann Rudolf Schellenberg. Basel, 1798.","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Johann Rudolf Huber (1668 – 1748) was a famous Swiss portrait artist.\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eEngraver\u003c\/span\u003e\u003c\/strong\u003e: Johann Rudolph (Rudolf) Schellenberg (1740 - 1806) was a Swiss artist and engraver, the grandson of Johann Rudolf Huber. \u003cbr\u003e\u003cstrong\u003eSigned, numbered, and titled in the plate\u003c\/strong\u003e: Schellenberg fec. Riche Bourgeoise du XVIme Siècle. D'apres de Dessin original de Jean Holbein. 4. The typewritten label on the back of the engraving: Schellenberg  F 438\u003cspan\u003e Riche Bourgeoise du XVIme Siècle. \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e: Engraving on wove paper. \u003cmeta charset=\"utf-8\"\u003eGilded contemporary frame.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eTo be said Heinz Estate. All prints of this set are framed uniformly and bear the identical collector's label on the back.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: Sheet approximately 9 1\/4\" x 6 1\/4\". Framed approximately 10\" x 7\".\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: Stains, foxing. Partial loss of gilding on the frame. Unexamined outside of frame.\u003cbr\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e: Recueil De XXIV Différents Costumes De La Ville Et Du Canton De Basle choisis dans divers états de la société sur la fin du XVIIe. Siecle. Graves d'après les dessins de J. R. Huber par J. R. Schellenberg, Publié par Chrétien de Mechel, Graveur, \u0026amp; Membre de diverses Academies. A Basle. M. DCC. XCVIII. Plate Riche Bourgeoise du XVIme Siècle.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: Swiss School XVIII C.\u003c\/span\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":37099924750501,"sku":"WOP-51\/BrBg-1","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0398.jpg?v=1605300983"},{"product_id":"hans-holbein-the-younger-after-demoiselle-de-condition-du-xvime-siecle-engraving-johann-rudolf-schellenberg-basel-1798","title":"Hans Holbein the Younger, after. Demoiselle de condition du XVIème Siècle. Engraving by Johann Rudolf Schellenberg. Basel, 1798.","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Johann Rudolf Huber (1668 – 1748) was a famous Swiss portrait artist.\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eEngraver\u003c\/span\u003e\u003c\/strong\u003e: Johann Rudolph (Rudolf) Schellenberg (1740 - 1806) was a Swiss artist and engraver, the grandson of Johann Rudolf Huber. \u003cbr\u003e\u003cstrong\u003eSigned, numbered, and titled in the plate\u003c\/strong\u003e: Schellenberg fec. Demoiselle de condition du XVIème Siècle. D'apres de Dessin original de Jean Holbein. 3. The typewritten label on the back of the engraving: Schellenberg (after Jean Holbein) F 479\u003cspan\u003e Demoiselle\u003c\/span\u003e\u003cspan\u003e de condition du XVIème Siècle.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e: Engraving on wove paper. \u003cmeta charset=\"utf-8\"\u003eGilded contemporary frame.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eTo be said Heinz Estate. All prints of this set are framed uniformly and bear the identical collector's label on the back.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: Sheet approximately 9 1\/4\" x 6 1\/4\". Framed approximately 10\" x 7\".\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: Stains, mold, foxing. Partial loss of gilding on the frame.\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eUnexamined outside of frame.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e: Recueil De XXIV Différents Costumes De La Ville Et Du Canton De Basle choisis dans divers états de la société sur la fin du XVIIe. Siecle. Graves d'après les dessins de J. R. Huber par J. R. Schellenberg, Publié par Chrétien de Mechel, Graveur, \u0026amp; Membre de diverses Academies. A Basle. M. DCC. XCVIII. Plate Demoiselle de condition du XVIme Siècle.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: Swiss School XVIII C.\u003c\/span\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":37101887979685,"sku":"WOP-50\/BrBg-1","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0399.jpg?v=1605301895"},{"product_id":"jean-raoux-after-david-and-bathsheba-engraving-jacques-chereau-xviiith-century","title":"Jean Raoux, after. Bethsabee au bain. Engraved by Jacques Chéreau. XVIII Century.","description":"\u003cp\u003e\u003cstrong\u003eJean Raoux\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e(1677 - 1734), the French painter, a member of the Academy in 1717 as a historical painter.  \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eJacques Chéreau\u003c\/strong\u003e (1688 – 1776) was a portrait engraver, printmaker, and publisher of optical prints. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: [\u003cmeta charset=\"utf-8\"\u003eBethsabee au bain]. David de Bethsabee.\u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eImage 11 3\/8\" x 14 1\/8\" matted 15\" x 19 1\/4\".\u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e: XVIII Century. \u003cbr\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e: Engraving on the laid paper. \u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: professionally restored, glued down on a laid paper; spots of scratched paper below the image.\u003cbr\u003e\u003cstrong\u003eSigned\u003c\/strong\u003e \u003cstrong\u003eand lettered\u003c\/strong\u003e in the plate. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-15\" style=\"visibility: visible; left: 76px; top: 169px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-15\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\" style=\"left: 82.5px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":37153571373221,"sku":"WOP-58\/BB-1","price":150.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0457.jpg?v=1605657777"},{"product_id":"william-brown-salisbury-cathedral-north-east-etching","title":"William Brown. Salisbury Cathedral. North East. Etching. 19th Century.","description":"\u003cp\u003e\u003cstrong\u003eWilliam Brown\u003c\/strong\u003e, (active late nineteenth century), the British painter, worked in Carlisle. \u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: Salisbury Cathedral. North East.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: approximately Image 6 1\/2\" x 8\", 11 1\/4\". Sheet 9 3\/4\" x 11 1\/4\". Framed 10 1\/2\" x 12\".\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eDate:\u003c\/strong\u003e Similar works in the British Museum are dated 19thC(late). See Museum numbers: 1886,1221.19; 1886,1221.21:1886,1221.22.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e: Etching on paper. Black painted wooden frame. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: Good. Wearings of the frame. Unexamined outside of the frame. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eSigned and titled in the plate\u003c\/strong\u003e\u003c\/span\u003e: \u003cmeta charset=\"utf-8\"\u003eSalisbury Cathedral. North East. Etched by W. Brown.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e: British School XIX C.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":37188830691493,"sku":"WOP-112\/CLO-WBS","price":80.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0529.jpg?v=1605893573"},{"product_id":"antoine-masson-portrait-of-guillaume-de-brisacier","title":"Antoine Masson. Portrait of Guillaume de Brisacier. Engraving after Nicolas Mignard. 1664.","description":"\u003cp\u003e\u003cstrong\u003eAntoine Masson\u003c\/strong\u003e (1636 – 1700) French engraver. Masson’s portrait of “The Grey-Headed Man” is an example of his finest work. (Britannica).\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003ePierre Mignard\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ewas a French painter known for his religious and mythological scenes and portraits.\u003c\/span\u003e He did a painting portrait of \u003cstrong\u003eA. Masson\u003c\/strong\u003e, engraved by A. Masson himself.\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: Portrait of Guillaume de Brisacier. (Portrait of the grey-headed man). G. de B. was \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSecretary to the Queen of France.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: Image 13 1\/2\" x 10 1\/4'. Framed 26 1\/2\" x 20 3\/8.\u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e: 1664.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e: Engraving and etching on paper. Matted and framed.\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e: Heinz Estate, auctioned by Dargate. \u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003c\/span\u003e: Old stains, Mold, Wearings of the frame. \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eUnexamined outside of the frame. \u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eSigned, dated, and titled in the plate\u003c\/strong\u003e: N. Mignard Auenionensis Pinxit. Ant. Masson sculpebat. 1664. Guillaume de Brisacier Secretarie des Commandemens de la Reyne. Two labels and one new stamp on the back dust cover. 1. The label of the Heinz Estate: \"Masson, Antoine (after Magnard) [\u003cem\u003esic]\u003c\/em\u003e F 508 The Gray-Haired Man (Guillaume de Brisacier). 2. The label of an expert in works on paper describing another exemplar of the same engraving. 3. A new ink stamp of Miller Frame, Pgh.\u003cbr\u003e\u003cstrong\u003eCatalog Raisonne\u003c\/strong\u003e: Robert-Dumesnil. Le peintre-graveur français. V. 2. Paris, 1836. p. 111, # 15.\u003cbr\u003e\u003cstrong\u003eMuseums\u003c\/strong\u003e: The Art Institute of Chicago. \u003cspan\u003e1919.2515.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCarnegie Museum of Art. \u003c\/span\u003e\u003cspan\u003e23.13.14.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cstrong\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e: French School XVII C.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-5\" style=\"visibility: visible; left: 26px; top: 139px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-5\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowdown\" style=\"left: 33px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":37203561939109,"sku":"WOP-5","price":200.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0540-2.jpg?v=1606099461"},{"product_id":"joseph-nash-after-pair-of-framed-vintage-color-prints-early-xx-century","title":"Joseph Nash, after. Old English Interiors. A pair of framed vintage prints. 19th century.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: \u003c\/span\u003eJoseph Nash\u003cspan\u003e (1809 - 1878) was an English watercolor painter and lithographer. \u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTitles\u003c\/strong\u003e\u003c\/span\u003e: 1. Hall, Haddon, Hall Derbyshire (plate XXXVIII). 2. Franks, Kent (plate XXXV).\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eTitled\u003c\/strong\u003e in pencil in the l.l. corners: \u003cspan data-mce-fragment=\"1\"\u003eHall, Haddon, Hall Derbyshire; Franks, Kent.\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eDimensions\u003c\/strong\u003e: Image 7 3\/4\" x 11'. Framed 23' x 26' each.\u003cbr\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDate\u003c\/strong\u003e: XIX Century. \u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e: tinted lithograph on paper.\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eyes\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  Label of Holzheimers' Cleveland verso.\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eCondition\u003c\/strong\u003e: water stains; wear, soilings of the frame, mat, and margins. \u003cspan data-mce-fragment=\"1\"\u003eUnexamined outside of the frame. \u003cbr\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003ePart of\u003c\/strong\u003e: Joseph Nash.\u003cmeta charset=\"utf-8\"\u003e The Mansions of England in the olden time. 1839-49, and multiple later editions.\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eBritish School XIX C.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"visibility: visible; left: 10px; top: 240px; opacity: 1;\" aria-describedby=\"bubble-2\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv style=\"left: 231px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowdown\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"position: absolute; visibility: hidden; left: 180.055px; top: 187.438px; width: 223.305px; height: 16.5px;\" id=\"gtx-anchor\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"visibility: visible; left: -169px; top: 66px; opacity: 1;\" aria-describedby=\"bubble-4\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-4\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 279.555px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowdown\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":37233837998245,"sku":"PRT-4\/1-2\/CLO-L","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0567.jpg?v=1613232717"},{"product_id":"gerald-brockhurst-casper-etching-1933","title":"Gerald Leslie Brockhurst. Casper. Etching. 1933.","description":"\u003cp\u003e\u003cstrong\u003eGerald Leslie Brockhurst \u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e(1890-1978) was an English painter and etcher. \u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: Casper.\u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: Image 7 7\/8\" x 5 7\/8''. Sheet 12 3\/4\" x 9 3\/8\". \u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e: 1933. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e: Etching. \u003cbr\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e: From the estate of Kathleen Brockhurst, the artist's wife - 1998.\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: Tape remnant in upper left corner margin, upper right corner is torn with some loss. \u003cbr\u003e\u003cstrong\u003eSigned\u003c\/strong\u003e in the plate. Signed in pencil. Artists proof in pencil. \u003cbr\u003e\u003cstrong\u003eCatalog Raisonne\u003c\/strong\u003e: Fletcher 76 iv\/IV.\u003cbr\u003e\u003cstrong\u003eMuseums\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDetroit Institute of Arts \u003cmeta charset=\"utf-8\"\u003e1992.79. The British Museum.\u003c\/span\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e1933,0429.1\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e: British School XX C.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/www.britishmuseum.org\/collection\/object\/P_1933-0429-1\" title=\"The British Museum\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":37300388036773,"sku":"WOP-47\/BB-2","price":400.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0633-2.jpg?v=1606951265"},{"product_id":"gerald-leslie-brockhurst-clytie-etching-1920","title":"Gerald Leslie  Brockhurst. Clytie. Etching. 1920","description":"\u003cp\u003e\u003cstrong\u003eGerald Leslie Brockhurst\u003c\/strong\u003e (1890-1978) was an English painter and etcher. \u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: Clytie.\u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eImage 4 7\/8\" x 3 7\/8''. Sheet 11 1\/2\" x 9\". Matted approximately 20\" x 15\".\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e: 1920.\u003cbr\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e: Etching. Matted.\u003cbr\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e: From the estate of Kathleen Brockhurst, the artist's wife.\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: M\u003cspan\u003easking tape remnants verso. \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eSigned\u003c\/strong\u003e in the plate \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e(in reverse). \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eSigned, titled, and annotated\u003c\/strong\u003e: \"Pub: 56 imp. in 2 states\" \u003c\/span\u003ein pencil. \u003cbr\u003e\u003cstrong\u003eCatalog Raisonne\u003c\/strong\u003e: Fletcher \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e9 iii\/III.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMuseums\u003c\/strong\u003e: \u003cspan\u003eArts Museums of San Francisco \u003c\/span\u003e1963.30.13710.\u003cbr\u003eThe British Museum. 1921,0118.4.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e: British School XX C.\u003c\/span\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":37303201726629,"sku":"WOP-46","price":270.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0641-2.jpg?v=1606951488"},{"product_id":"henry-william-bunbury-how-to-pass-a-carriage-colored-engraving-1786","title":"Henry William Bunbury, after. How to pass a carriage. Colored engraving. 1786.","description":"\u003cp\u003e\u003cstrong\u003eHenry William Bunbury\u003c\/strong\u003e (1750–1811), amateur English artist and caricaturist.\u003cbr\u003e\u003cstrong\u003eWilliam Dickinson\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(1746–1823) was an English mezzotint engraver.\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: How to pass a carriage.\u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: Image 8 7\/8\" x 7 7\/8''. Sheet 13 7\/8\"\" x 9 3\/8\". \u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e: 1786.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e: Stipple and line engraving with period color.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: Traces of glue on edges of margins.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eSigned, titled, and proofed by the publisher\u003c\/strong\u003e: \u003cspan\u003e How to pass a carriage\u003c\/span\u003e\u003cspan\u003e \/ H. Bunbury, Esqr. Delin. \/ W. Dickinson Excudit\u003c\/span\u003e \/ London, Publish'd Sepr. 1; 1786 by W. Dickinson Engraver \u0026amp; Printseller No.158 Bond Street.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003ePart of\u003c\/strong\u003e: Gambaro, Geoffrey. An Academy for Grown Horsemen. London, Printed for W. Dickinson, S. Hooper, and Mess. Robinsons, 1787. \u003cbr\u003e\u003cstrong\u003eMuseums\u003c\/strong\u003e: \u003cspan\u003eLibrary of Congress \u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e2006689443.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e: British School XVIII C.\u003c\/span\u003e\u003ca title=\"LOC\" href=\"https:\/\/www.loc.gov\/item\/2006689443\/\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":37305106890917,"sku":"WOP-52\/BB-2","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0626-2.jpg?v=1607120717"},{"product_id":"henry-william-bunbury","title":"Henry William Bunbury, after. How to ride up Hyde Park. Colored engraving. 1786.","description":"\u003cp\u003e\u003cstrong\u003eHenry William Bunbury\u003c\/strong\u003e (1750–1811), amateur English artist and caricaturist.\u003cbr\u003e\u003cb\u003eWilliam Dickinson\u003c\/b\u003e\u003cspan\u003e (1746–1823) was an English mezzotint\u003c\/span\u003e\u003cspan\u003e engraver.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: How to ride up Hyde Park. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: \u003cspan\u003eImage 9 2\/8\" x 8 2\/8''. Sheet 13 7\/8\"\" x 9 3\/8\". \u003c\/span\u003e\u003cstrong\u003e\u003cbr\u003eDate\u003c\/strong\u003e:\u003cb\u003e \u003c\/b\u003e1786\u003cstrong\u003e\u003cbr\u003eMaterials and\u003c\/strong\u003e \u003cstrong\u003eTechniques\u003c\/strong\u003e:\u003cstrong\u003e \u003c\/strong\u003eStipple and line engraving with period color.\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e:\u003cstrong\u003e \u003c\/strong\u003eTraces of glue on edges of margins.\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003eSigned, titled, and proofed by the publisher: \u003c\/strong\u003ePublish'd Sepr. 1, 1786 by W. Dickinson, Engraver \u0026amp; Printseller, No. 158 Bond Street.\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003ePart of \u003c\/strong\u003eGambaro, Geoffrey. An Academy for Grown Horsemen. London: Printed for W. Dickinson, S. Hooper, and Mess. Robinsons, 1787.\u003cbr\u003e\u003cstrong\u003eMuseums\u003c\/strong\u003e: Library of Congress 2006689445.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e: British School XVIII C.\u003c\/span\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.loc.gov\/item\/2006689445\/\" title=\"LOC\"\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":37305318047909,"sku":"WOP-54\/BB-2","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0624-2.jpg?v=1606965759"},{"product_id":"henry-william-bunbury-how-to-ride-genteel-and-agreeable-down-hill-colored-engraving-1786","title":"Henry William Bunbury, after. How to ride genteel and agreeable down Hill. Colored engraving. 1786.","description":"\u003cp\u003e\u003cstrong\u003eHenry William Bunbury\u003c\/strong\u003e (1750–1811), amateur English artist and caricaturist.  \u003cbr\u003e\u003cb\u003eWilliam Dickinson\u003c\/b\u003e\u003cspan\u003e (1746–1823) was an English mezzotint\u003c\/span\u003e\u003cspan\u003e engraver.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: How to ride genteel and agreeable down Hill. \u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eImage 8 7\/8\" x 7 7\/8''. Sheet 13 7\/8\"\" x 9 4\/8\". \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e:\u003cstrong\u003e \u003c\/strong\u003e1786.\u003cstrong\u003e\u003cbr\u003eMaterials and Techniques\u003c\/strong\u003e:\u003cstrong\u003e \u003c\/strong\u003eStipple and line engraving with period color.\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e:\u003cstrong\u003e \u003c\/strong\u003eTraces of glue on the edges of margins. \u003cbr\u003e\u003cstrong\u003eSigned, titled, and proofed by the publisher\u003c\/strong\u003e: \u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eHow to ride genteel and agreeable down Hill.\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e \/ H. Bunbury, Esqr.  Delin. \/ W. Dickinson excudit \/ London, Publish'd Sepr: 1; 1786 by W. Dickinson Engraver \u0026amp; Printseller No.158 Bond Street.\u003cbr\u003e\u003cstrong\u003ePart\u003c\/strong\u003e \u003cstrong\u003eof\u003c\/strong\u003e:\u003cstrong\u003e  \u003c\/strong\u003eGambaro, Geoffrey. An Academy for Grown Horsemen. London: Printed for W. Dickinson, S. Hooper, and Mess. Robinsons, 1787.\u003cstrong\u003e\u003cbr\u003eMuseums\u003c\/strong\u003e: \u003cspan\u003eLibrary of Congress 2006689438.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e: British School XVIII C.\u003c\/span\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":37306054672549,"sku":"WOP-53\/BB-2","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0625-2.jpg?v=1607117080"},{"product_id":"david-gentleman-ralph-allens-sham-castle","title":"David Gentleman. Ralph Allen's Sham Castle. Lithograph. 1975","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: David William Gentleman RDI (1930 - ) is an English artist.\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003ePrintmaker\u003c\/strong\u003e: The Curwen Studio (founded in 1958) is a printmaker and publisher of fine art lithographic prints. \u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: Ralph Allen's Sham Castle.\u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: Sheet 20\" x 25\"\u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e: 1975.\u003cbr\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e\u003c\/span\u003e: \u003cmeta charset=\"utf-8\"\u003eLithograph on paper.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e: Good. Never framed. Minor crease bottom left corner.\u003cbr\u003e\u003cstrong\u003eSigned, Printmaker's proof\u003c\/strong\u003e: Signed and H\/C  [Hors Commerce] in pencil. Blind stamp Carven Clifford, blind logo Curwen Press. \u003cmeta charset=\"utf-8\"\u003eCurwen Studio proof on the reverse in the stamp.\u003cbr\u003e\u003cstrong\u003ePart of\u003c\/strong\u003e: The Bath Suite. Curwen press, 1975.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eMuseum\u003c\/strong\u003e: Tate \u003cmeta charset=\"utf-8\"\u003eP06638.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e: British School XX.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":37365363572901,"sku":"LIT-10\/BF-2\/PS","price":400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0652.jpg?v=1607378688"},{"product_id":"katsushika-hokusai-after-the-great-wave-off-kanagawa-woodblock-print","title":"Katsushika Hokusai. The Great Wave off Kanagawa. Woodblock print. Reprint by Uchida Art Co., Ltd. C. 1970.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Katsushika Hokusai (\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e1760 – 1849), after.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: The Great Wave off Kanagawa. \u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: Image 10\" x 14 1\/2\". Framed 15 x 19 3\/4. \u003cbr\u003e\u003cstrong\u003ePublisher\u003c\/strong\u003e: Uchida Art Co., Ltd. \u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e: C. 1970.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e: woodblock print by Kyoto Handicraft Center. Matted and framed.\u003cbr\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e: Dec. 9, 1981. The Gallery. 3898 Old Wm. Penn Highway, Pittsburgh PA, 15235.\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eGood. Unexamined outside of frame.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eSigned in the plate\u003c\/strong\u003e.\u003cbr\u003e\u003cstrong\u003ePublisher proof in the label\u003c\/strong\u003e on the back.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e: Japanese School XIX C.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":37439367544997,"sku":"PRT-5","price":1600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0857-2.jpg?v=1608002039"},{"product_id":"rafael-after-two-engravings-by-dequevauviller-from-hours-1803-1806","title":"Raphael, after. A pair of engravings from Hours. ca. 1803-06.","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-start=\"108\" data-end=\"118\"\u003eArtist\u003c\/strong\u003e: Raphael (1483–1520), after.\u003cbr data-start=\"147\" data-end=\"150\"\u003e\u003cstrong data-start=\"150\" data-end=\"163\"\u003eEngravers\u003c\/strong\u003e: Eugène Bourgeois (1791–1818); François Jacques Dequevauvillier (1783–c.1848).\u003cbr data-start=\"242\" data-end=\"245\"\u003e\u003cstrong data-start=\"245\" data-end=\"254\"\u003eTitle\u003c\/strong\u003e: 1. \u003cem data-start=\"259\" data-end=\"279\"\u003eOra prima di Notte\u003c\/em\u003e. 2. \u003cem data-start=\"284\" data-end=\"305\" data-is-only-node=\"\"\u003eOra quarta di Notte\u003c\/em\u003e.\u003cbr data-start=\"306\" data-end=\"309\"\u003e\u003cstrong data-start=\"309\" data-end=\"323\"\u003eDimensions\u003c\/strong\u003e: Image: 10 1\/2\" × 8 1\/2\". Frames: 11 7\/8\" × 9 3\/4\" each; oval formats.\u003cbr data-start=\"394\" data-end=\"397\"\u003e\u003cstrong data-start=\"397\" data-end=\"410\"\u003ePublisher\u003c\/strong\u003e: Damour.\u003cbr data-start=\"419\" data-end=\"422\"\u003e\u003cstrong data-start=\"422\" data-end=\"430\"\u003eDate\u003c\/strong\u003e: Engravings circa 1803–06; frames circa 1850.\u003cbr data-start=\"476\" data-end=\"479\"\u003e\u003cstrong data-start=\"479\" data-end=\"507\"\u003eMaterials and Techniques\u003c\/strong\u003e: Hand-colored etchings and engravings.\u003cbr data-start=\"546\" data-end=\"549\"\u003e\u003cstrong data-start=\"549\" data-end=\"562\"\u003eCondition\u003c\/strong\u003e: Sheets cut to fit the frames; light wear consistent with age.\u003cbr data-start=\"625\" data-end=\"628\"\u003e\u003cstrong data-start=\"628\" data-end=\"644\"\u003eInscriptions\u003c\/strong\u003e: Annotated in pencil on the reverse of \u003cem data-start=\"684\" data-end=\"705\"\u003eOra quarta di Notte\u003c\/em\u003e, identifying the engraver and source after Raphael.\u003cbr data-start=\"757\" data-end=\"760\"\u003e\u003cstrong data-start=\"760\" data-end=\"768\"\u003eNote\u003c\/strong\u003e: One frame bears a label on the reverse for M. Barrett \u0026amp; Bro., Baltimore carvers and gilders, active from the late 18th century.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-start=\"859\" data-end=\"897\"\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: Italian School XVI C.; French School XIX C.\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":37505303216293,"sku":"WOP-103","price":500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_1119.jpg?v=1608689996"},{"product_id":"iven-besoet-attributed-to-gezicht-van-voorburg-hand-colored-engraving-published-by-h-bakhuysen-ca-1760","title":"Iven (Jan) Besoet. Gezicht van Voorburg. Hand-colored engraving. Published. by H. Bakhuysen. ca. 1760.","description":"\u003cp data-start=\"82\" data-end=\"988\"\u003e\u003cstrong data-start=\"82\" data-end=\"92\"\u003eArtist\u003c\/strong\u003e: Iven (Jan) Besoet (1720–1769), Dutch engraver.\u003cbr data-start=\"134\" data-end=\"137\"\u003e\u003cstrong data-start=\"137\" data-end=\"146\"\u003eTitle\u003c\/strong\u003e: \u003cem data-start=\"148\" data-end=\"190\"\u003eVue \u0026amp; Perspective du Village de Voorburg\u003c\/em\u003e; \u003cem data-start=\"192\" data-end=\"214\"\u003eGezicht van Voorburg\u003c\/em\u003e.\u003cbr data-start=\"215\" data-end=\"218\"\u003e\u003cstrong data-start=\"218\" data-end=\"232\"\u003eDimensions\u003c\/strong\u003e: Print: 9 3\/4\" × 15 5\/8\". Frame: 10 1\/4\" × 16 1\/4\".\u003cbr data-start=\"284\" data-end=\"287\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"287\" data-end=\"300\"\u003ePublisher\u003c\/strong\u003e: Hendrik Bakhusen.\u003cbr data-start=\"319\" data-end=\"322\"\u003e\u003cstrong data-start=\"322\" data-end=\"330\"\u003eDate\u003c\/strong\u003e: Circa 1760.\u003cbr data-start=\"343\" data-end=\"346\"\u003e\u003cstrong data-start=\"346\" data-end=\"374\"\u003eMaterials and Techniques\u003c\/strong\u003e: Copper engraving, hand-colored.\u003cbr data-start=\"407\" data-end=\"410\"\u003e\u003cstrong data-start=\"410\" data-end=\"424\"\u003eProvenance\u003c\/strong\u003e: The Heinz Estate.\u003cbr data-start=\"443\" data-end=\"446\"\u003e\u003cstrong data-start=\"446\" data-end=\"459\"\u003eCondition\u003c\/strong\u003e: The engraved caption strip is separated from the image and mounted on the backing sheet.\u003cbr data-start=\"549\" data-end=\"552\"\u003e\u003cstrong data-start=\"552\" data-end=\"568\"\u003eInscriptions\u003c\/strong\u003e: Titled on the detached caption strip: \u003cem data-start=\"608\" data-end=\"650\"\u003eVue \u0026amp; Perspective du Village de Voorburg\u003c\/em\u003e; \u003cem data-start=\"652\" data-end=\"674\"\u003eGezicht van Voorburg\u003c\/em\u003e. Publisher’s inscription: “H. Bakhuyzen exc.”\u003cbr data-start=\"720\" data-end=\"723\"\u003e\u003cstrong data-start=\"723\" data-end=\"734\"\u003eMuseums\u003c\/strong\u003e: Rijksmuseum, Amsterdam (for a comparable impression).\u003cbr data-start=\"789\" data-end=\"792\"\u003e\u003cstrong data-start=\"792\" data-end=\"830\"\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: Dutch School XVIII C.\u003cbr data-start=\"853\" data-end=\"856\"\u003e\u003cstrong data-start=\"856\" data-end=\"864\"\u003eNote\u003c\/strong\u003e: Published by Hendrik Bakhuyzen after designs related to the Dutch topographical print tradition of the mid-18th century.\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":37522150817957,"sku":"WOP-56","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_1165-2.jpg?v=1609217526"},{"product_id":"hogarth-night-engraving-1738","title":"William Hogarth. Night. Engraving. 1738.","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-start=\"84\" data-end=\"94\"\u003eArtist\u003c\/strong\u003e: William Hogarth (1697–1764), English painter and printmaker.\u003cbr data-start=\"156\" data-end=\"159\"\u003e\u003cstrong data-start=\"159\" data-end=\"168\"\u003eTitle\u003c\/strong\u003e: \u003cem data-start=\"170\" data-end=\"177\"\u003eNight\u003c\/em\u003e.\u003cbr data-start=\"178\" data-end=\"181\"\u003e\u003cstrong data-start=\"181\" data-end=\"195\"\u003eDimensions\u003c\/strong\u003e: Image: 17 3\/8\" × 14 1\/2\". Plate: 19 1\/4\" × 16\". Sheet: 24 3\/4\" × 18 3\/4\". Frame: 28 1\/4\" × 25\".\u003cbr data-start=\"292\" data-end=\"295\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"295\" data-end=\"303\"\u003eDate\u003c\/strong\u003e: Posthumous impression, XIX century.\u003cbr data-start=\"340\" data-end=\"343\"\u003e\u003cstrong data-start=\"343\" data-end=\"371\"\u003eMaterials and Techniques\u003c\/strong\u003e: Engraving on wove paper. New Victorian Style frame. \u003cbr\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-start=\"400\" data-end=\"413\"\u003eCondition\u003c\/strong\u003e: Good. Small tear at the upper edge, approximately 1\".\u003cbr data-start=\"468\" data-end=\"471\"\u003e\u003cstrong data-start=\"471\" data-end=\"487\"\u003eInscriptions\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eLettered in the plate below: “Invented Painted Engraved \u0026amp; Published by Wm. Hogarth March 25, 1738. 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