{"title":"Flemish Art","description":"","products":[{"product_id":"van-dyck-after","title":"Sir Anthony van Dyck, after. Portrait of Cardinal Guido Bentivoglio. Engraved by Jean Morin. 1645.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cstrong\u003e \u003c\/strong\u003eSir Anthony van Dyck, after. Flemish, 1599 - 1641. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e\u003cspan\u003e: Jean Morin. French, c. 1600 - 1650, baroque painter, printmaker, painter, etcher, engraver, and publisher.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e\u003cspan\u003e: Cardinal Guido Bentivoglio [ d'Aragona]. (Italian cardinal and diplomat, 1579 – 1644).\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Titled, and Dated \u003c\/strong\u003ein plate: \u003cspan data-mce-fragment=\"1\"\u003eGvido Bentivolvs S.R.E Cardinalis Obiit Anno  MDCXLV. \u003cmeta charset=\"utf-8\"\u003eAntoine van Dyck pinx an 1623. I. Morin scul cum priu Reg.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: 12 5\/16\" x 9 14\/16\".\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003e1645 - 1650.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e: engraving and\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/span\u003eetching on laid paper \u003cmeta charset=\"utf-8\"\u003ewith an unidentified watermark.\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eThe remnants of an old mounting tape on the back. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eCatalog raisonne\u003c\/strong\u003e: \u003cspan data-mce-fragment=\"1\"\u003eRobert-Dumesnil. Le peintre-graveur français. V. 2. Paris, 1836. p. 50, #  43. \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cstrong\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003e1985,0504.95.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e: Flemish School XVII C. French School XVII C.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eThis entry incorporates text from Wikipedia and the catalog entry of the same item from The British Museum collection.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e- Van Dyck's portrait is now in the \u003cmeta charset=\"utf-8\"\u003eGalleria Palatina in Florence.\u003cbr\u003e\u003c\/span\u003e- \"One of the best engraved portraits in the history of the art is his\u003cspan\u003e [Morin] \u003c\/span\u003e\u003cspan class=\"smcap\"\u003eCardinal Bentivoglio\u003c\/span\u003e; but here he translated Vandyck, whose picture is among his best. A fine impression of this print is a choice possession.\" (\u003cmeta charset=\"utf-8\"\u003eCHARLES SUMNER. THE BEST PORTRAITS IN ENGRAVING.)\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv id=\"gtx-anchor\" style=\"position: absolute; visibility: hidden; left: 357.118px; top: 160.208px; width: 85.4271px; height: 16.6667px;\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-4\" style=\"visibility: visible; left: -136px; top: 44px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-4\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowdown\" style=\"left: 392.132px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":41039706947749,"sku":"WOP-181\/BB-2","price":800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_4348-2.jpg?v=1635448392"},{"product_id":"jan-frans-van-bloemen-after-italianized-landscape-with-portico-and-church-engraved-rene-louis-maurice-beguyer-de-chancourtois-late-18th-century","title":"Jan Frans van Bloemen (Orizzonte), after. Italianate landscape with portico and church. Engraved by R. L. M. Béguyer de Chancourtois. Late 18th Century.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cstrong\u003e \u003c\/strong\u003eOrizzonte, after. Jan Frans van Bloemen (nickname Orizzonte or Horizonti, 1662 - 1749) was a Flemish landscape painter mainly active in Rome. \u003cbr\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e\u003cspan\u003e: René Louis Maurice Béguyer de Chancourtois (\u003cmeta charset=\"utf-8\"\u003eFrench painter, engraver, and architect, 1757-1817).\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e\u003cspan\u003e: Italianate landscape with portico and church. \u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned in plate: \u003c\/strong\u003el.l. Orizzonte pinxt, l.r. Chancourtois s[culpt].\u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Sheet 6\" x 4\".\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e\u003cspan\u003e: Late 18th Century\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Engraving on laid paper, mounted to a\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003ebacking sheet, and matted.\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan\u003e: matted.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: Trimmed to platemarks. A spot u.m.,m dents to margins. Abrasions. Unexamined outside of the backing sheet. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand. \u003cbr\u003e\u003cstrong\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e: Flemish School XVIII C. French School XVIII C.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":41754946109605,"sku":"WOP-233","price":120.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_7081-2.jpg?v=1657923433"},{"product_id":"maarten-de-vos-after-engraving-by-adriaen-collaert-after-c-1587-1588","title":"Maarten de Vos after. Summer. Engraving by Adriaen Collaert. C. 1587","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cstrong\u003e \u003c\/strong\u003eMaarten de Vos (\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFlemish, \u003c\/span\u003e1532-1603), after.\u003cbr\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eAdriaen Collaert (Flemish, 1555-1618).\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eSummer.\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned in the image: \u003c\/strong\u003eM. de Vos inventor. Adrian Collaert sculp. \u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Sheet 8\" x 10 3\/8\". Backing sheet 10 5\/8\" x 14 7\/8\".\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003ePublisher\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eAdriaen Collaert.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eca. 1587.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003eEngraving on laid paper mounted to the backing sheet. \u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan\u003e: backing sheet.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: The lower part contains the number and four lines of Latin poetry, and the upper margin with the title of the series is trimmed to the image. There is a trace of an old vertical fold and a small hole in the middle. A tear to the u.m. Uninspected outside of the backing sheet. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003ePart of\u003c\/strong\u003e\u003cspan\u003e: Series Four Seasons.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eMuseum Boiijmans van Beuningen, Rotterdam \u003cmeta charset=\"utf-8\"\u003e2023AA. \u003cbr\u003e\u003c\/span\u003eThe British Museum \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1870,0625.671.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e: Flemish Art XVI C.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eNote\u003c\/strong\u003e: The \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003edrawing by \u003cmeta charset=\"utf-8\"\u003eMaarten de Vos is \u003cmeta charset=\"utf-8\"\u003ein the Fitzwilliam Museum, Cambridge. No. 3709.\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cpre\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/pre\u003e\n\u003cdiv id=\"gtx-anchor\" style=\"position: absolute; visibility: hidden; left: 307.484px; top: 381.281px; width: 49.0469px; height: 17px;\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-2\" style=\"visibility: visible; left: 51px; top: 181px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-2\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowdown\" style=\"left: 323.984px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":41760104022181,"sku":"WOP-235","price":400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_7122-2.jpg?v=1657932221"},{"product_id":"maarten-de-vos-after-the-funeral-of-adam","title":"Maarten de Vos, after. The funeral of Adam. Engraving by Jan Sadeler I. 1586.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e Maarten de Vos \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e(1532 - 1603)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e was a Flemish peinter,\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eafter.\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eEngraver\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Jan Sadeler I (1550 - 1600), a\u003c\/span\u003e Flemish engraver, draftsman, and publisher \u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eThe funeral of Adam, aged 930.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Numbered, and Annotated in plate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eIoan Sadeler auth: scalps: et excudit. \u003cmeta charset=\"utf-8\"\u003eM. de Vos figure. No. VII. Genesis 5.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Image 7 3\/7\" x 10 3\/4\". Sheet 9 1\/2\" x 13 1\/4\". Mat 13 7\/8\" x 16\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Jan Sadeler I.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition: \u003c\/b\u003eFourteen Old Testament scenes after Maarten de Vos engraved by \u003cb data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJ\u003c\/span\u003e\u003c\/b\u003ean Sadeler I. Antverp.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e1586.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003eengraving on laid paper.\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: mat.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Two small wormholes. The signs of aging are appropriate for the time. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePart of\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\" class=\"vprefix\"\u003eSeries:\u003c\/span\u003e The story of the family of Seth.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003e1959,0221.11.7.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Flemish School XVI C. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e: This entry incorporates text from the catalog entry and uses the catalog description of the same item from the collection of the British Museum.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-7\" style=\"visibility: visible; left: 76px; top: 188px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-7\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowdown\" style=\"left: 82.6719px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":41774710161573,"sku":"WOP-247","price":500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_7422-2.jpg?v=1658691316"},{"product_id":"euphraxia-romana-discedit-roma-fugiens-euphraxia","title":"Maarten de Vos, after. Euphraxia Romana. Engraving by Adriaen Collaert. C. 1580.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Maarten de Vos (Flemish, 1532-1603), after.\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eEngraver\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eAdriaen Collaert (Flemish, 1555-1618).\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eEuphraxia Romana (Euphraxia of Rome).\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Numbered, Titled, and Annotated in plate: \u003c\/strong\u003eM. de Vos invent. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAdrian Collaert fecit et excud. \u003cmeta charset=\"utf-8\"\u003eIn the margin, there is the title EUPHRAXIA ROMANA \u003c\/span\u003ein the center and two columns of Latin: \"Discedit Roma, fugiens Euphraxia luxum...\". Numbered l.l. 12.\u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Image 7\" x 8 3\/4\". Supporting sheet. 10 7\/8 x 13 7\/8.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003ePublisher\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003eAdriaen Collaert (Flemish, 1555-1618).\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eEdition\u003c\/b\u003e: Solitudo Sive Vitae Foeminarum Anachoritarum \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003epublished in Antwerp in the late XVI C.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e\u003cspan\u003e: C. 1580.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003eEngraving on laid paper pasted to another sheet of laid paper, pasted to a cardboard supporting sheet. \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan\u003e: Supporting cardboard.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: Image cut within platemark. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003ePart of\u003c\/strong\u003e\u003cspan\u003e: Female Hermits in Landscapes.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eThe Harvard Art Museums \u003cmeta charset=\"utf-8\"\u003eM22311.38.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan\u003e: Flemish Art XVI C.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003cspan\u003e: not in The British Museum, unlike the rest of the sheets from this series.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"visibility: visible; left: 18px; top: 307px; opacity: 1;\" aria-describedby=\"bubble-2\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-2\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv tabindex=\"0\" role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 291.172px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowdown\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":41774794244261,"sku":"WOP-248","price":500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_7455-2.jpg?v=1658692165"},{"product_id":"teniers","title":"David Teniers II, after. Village Wedding. Engraving by Jacques Philippe Le Bas. c. 1750.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e  David Teniers the Younger or David Teniers II was a Flemish Baroque painter (Belgium, 1610 - 1690), after.\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eEngraver\u003c\/strong\u003e: Jacques-Philippe Le Bas or Lebas was a French engraver, head of the largest engraving workshop in Paris during the 18th century.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e Nôce de Village (Village Wedding).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Titled, Numbered, and inscribed in plate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: David Teniers pinx. J. Ph. Le Bas Sculp. No. 43. A Paris chez l'Auteur Graveur du Cabinet du Roy Rue de la Harpe. \u003cmeta charset=\"utf-8\"\u003eDedie a Messire Marc Rene de Voyer Marquis d'Argenson, Brigadier des Armees du Roy, Lieutenant General de la Haute et Basse Alsace, Gouverneur de Romorentin. Nôce de Village.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Sheet 10\" x 10 3\/4\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: c. 1750.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e etching on laid paper.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWatermark\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: yes.\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: no.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003e: \u003c\/span\u003e\u003c\/span\u003eWater stain alongside the lower margin.\u003cspan data-mce-fragment=\"1\"\u003e U.r. corner is broken. Spots, trimmed margins. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Flemish School XVII C. French School XVIII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":41923150184613,"sku":"WOP-295","price":130.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8523-2.jpg?v=1663433113"},{"product_id":"joannes","title":"Maarten de Vos, after. 6. Joannes, religious hermit. Etching by Sadeler. Late XVI C.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e  Maarten de Vos (Flemish, 1\u003cmeta charset=\"utf-8\"\u003e532 – 1603), after.\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e:  Sadeler.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e 6. Joannes, religious hermit.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eSigned, Numbered, and Inscribed in plate\u003c\/strong\u003e: Sadel excu: \u003cmeta charset=\"utf-8\"\u003e In the margin, two columns of Latin, every two lines \"Dixit IOANNES ... iugum\". Numbered below center \"6\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Plate 6 3\/4\" x 8 3\/8\" Sheet 9 1\/2\" x 13\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eSadeler.\u003cbr\u003e\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition:\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003eSolitudo sive vitæ Patrum eremicolarum (Solitude or the life of the Hermit Fathers). \u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Late XVI C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e etching on laid paper.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWatermark\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: yes.\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: matted.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Spots. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePart of\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Male hermits. Plate 6.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003e1856,0112.337.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Flemish School XVI C. Dutch School XVI C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: This entry incorporates text from the catalog entry and uses the catalog description of the same item from the collection of the British Museum.\u003cbr\u003e\u003c\/span\u003eJuan de Ortega, better known as Saint John the Hermit, i\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003es best known for repairing roads and bridges along the \u003c\/span\u003eWay of St James.\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-7\" style=\"visibility: visible; left: 70px; top: 193px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-7\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\" style=\"left: 76.5px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":41926806634661,"sku":"WOP-289","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8454-2.jpg?v=1663329346"},{"product_id":"hilarion","title":"Maarten de Vos, after. 3. Hilarion, religious hermit.  Etching by Sadeler. Late XVI C.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e  \u003cmeta charset=\"utf-8\"\u003eMaarten de Vos, Flemish, 1\u003cmeta charset=\"utf-8\"\u003e532 – 1603), after.\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e:  Sadeler.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle:  \u003c\/strong\u003e3. Hilarion, religious hermit.\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Numbered, and Inscribed in plate\u003c\/strong\u003e\u003cspan\u003e: Sadeler exc: \u003cmeta charset=\"utf-8\"\u003e In the margin, two columns of Latin, every two lines \"HILARION fugiens ... suam\". Numbered below center \"3\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Plate 6 5\/8 x 8 1\/8. Sheet 9 1\/2 x 13.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Sadeler.\u003cbr\u003e\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition:\u003c\/b\u003e\u003cspan\u003e  Solitudo sive vitæ Patrum eremicolarum (Solitude or the life of the Hermit Fathers). \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eLate XVI C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e etching on laid paper.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWatermark\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: yes.\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: matted.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Spots. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePart of\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Male hermits. Plate 3. \u003cbr\u003e\u003cstrong\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e: Flemish School XVI C. Dutch School XVI C.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Hermann Hesse adapted the biography of St. Hilarion in his Nobel Prize-winning novel “\u003c\/span\u003eThe Glass Bead Game.”\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"field field-name-object-artists field-type-ds field-label-hidden\"\u003e\n\u003cdiv class=\"field-items\"\u003e\n\u003cdiv class=\"field-item even\"\u003e\n\u003cdiv class=\"field\"\u003e\u003cspan class=\"field-label\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-3\" style=\"visibility: visible; left: 111px; top: 142px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-3\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\" style=\"left: 117.953px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":41926840189093,"sku":"WOP-286","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8484-2.jpg?v=1663290441"},{"product_id":"abraham","title":"Maarten de Vos, after. 4. Abraham, religious hermit. Etching by Sadeler. Late XVI C.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e  Maarten de Vos, after.\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e:  \u003cmeta charset=\"utf-8\"\u003eSadeler.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e 4. Abraham, \u003cmeta charset=\"utf-8\"\u003ereligious hermit. (\u003cmeta charset=\"utf-8\"\u003eSaint Abraham the Great of Kidunja).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eSigned, Numbered, and Inscribed in plate\u003c\/strong\u003e: Sadeler excudit: \u003cmeta charset=\"utf-8\"\u003e In the margin, two columns of Latin, every two lines \"\u003cmeta charset=\"utf-8\"\u003eA primis ABRAHAM ... sibi.' Numbered below center \"4\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: 6 5\/8\" x 8\". \u003cmeta charset=\"utf-8\"\u003eSheet 9 1\/2\" x 13\".\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Sadeler.\u003cbr\u003e\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition:\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eSolitudo sive vitæ Patrum eremicolarum \u003cmeta charset=\"utf-8\"\u003e(Solitude or the life of the Hermit Fathers).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Late XVI C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e etching on laid paper.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWatermark\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: yes.\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: matted.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Spots. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eCatalog Raisonne\u003c\/strong\u003e:\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePart of\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Male hermits. Plate 4.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003e1856,0112.336.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:  Flemish School XVI C. Dutch School XVI C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: This entry incorporates text from the catalog entry and uses the catalog description of the same item from the collection of the British Museum. \u003cbr\u003e\u003c\/span\u003eSaint Mary the Harlot is a niece of Saint Abraham, the Great of Kidunja. We have an engraving depicting Mary, the Nephew of Abraham the Hermit.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":41926994264229,"sku":"WOP-287","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8472-2_c32c02c5-e0a9-494e-97cc-3db75e1d7c67.jpg?v=1663291782"},{"product_id":"malchus-1","title":"Maarten de Vos, after. 5. Malchus, religious hermit.  Etching by Sadeler. Late XVI C.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e  \u003cmeta charset=\"utf-8\"\u003eMaarten de Vos, Flemish, 1\u003cmeta charset=\"utf-8\"\u003e532 – 1603), after.\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eEngraver\u003c\/strong\u003e:  Sadeler.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle: \u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e 5. Malchus,\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e religious hermit.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Numbered, and Inscribed in plate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Sadeler exc: \u003cmeta charset=\"utf-8\"\u003e In the margin, two columns of Latin, every two lines \"Acta prius ... subit\". Numbered below center \"5\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Plate 6 7\/8 x 8 1\/2. Sheet 9 1\/2 x 13.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Sadeler.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition:\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e  Solitudo sive vitæ Patrum eremicolarum (Solitude or the life of the Hermit Fathers).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eLate XVI C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e etching on laid paper.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWatermark\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: yes.\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: matted.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Spots. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePart of\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Male hermits. Plate 5. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e: Flemish School XVI C. Dutch School XVI C.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv style=\"position: absolute; visibility: hidden; left: 8px; top: 400.875px; width: 557.828px; height: 36.5938px;\" id=\"gtx-anchor\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"visibility: visible; left: -9px; top: 204px; opacity: 1;\" aria-describedby=\"bubble-2\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-2\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv tabindex=\"0\" role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 279px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowdown\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":41927105642661,"sku":"WOP-288","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8462-2.jpg?v=1663294360"},{"product_id":"maarten-de-vos-after-15-spiridionis-religious-hermit-etching-by-sadeler-late-xvi-c","title":"Maarten de Vos, after. 15. Spiridionis, religious hermit. Etching by Sadeler. Late XVI C.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e  \u003cmeta charset=\"utf-8\"\u003eMaarten de Vos, Flemish, 1\u003cmeta charset=\"utf-8\"\u003e532 – 1603), after.\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eEngraver\u003c\/strong\u003e:  Sadeler.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle: \u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e 15. Spiridionis,\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e religious hermit.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Numbered, and Inscribed in plate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Sadel. exc: \u003cmeta charset=\"utf-8\"\u003e In the margin, two columns of Latin, every two lines, \"Tironis in monte ... dolos\". Numbered below center \"15\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Plate 6 5\/8 x 8 1\/8. Sheet 9 1\/2 x 13.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Sadeler.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition:\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e  Solitudo sive vitæ Patrum eremicolarum (Solitude or the life of the Hermit Fathers).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eLate XVI C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e etching on laid paper.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWatermark\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: yes.\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: matted.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Spots. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePart of\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Male hermits. Plate 15. \u003cbr\u003e\u003cstrong\u003eMuseums and Libraries\u003c\/strong\u003e:  Davison Art Center, Wesleyan University \u003cmeta charset=\"utf-8\"\u003e2006.7.4.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e: Flemish School XVI C. Dutch School XVI C.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: St. Spyridon is also the patron saint of the Tolstoy family.\u003c\/span\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":41935106637989,"sku":"WOP-290","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8499-2_148fc4bd-12b4-4793-bb1a-9b7e1a085a2c.jpg?v=1663344402"},{"product_id":"maarten-de-vos-after-20-or-religious-hermit-etching-by-sadeler-late-xvi-c","title":"Maarten de Vos, after. 20. Or, religious hermit. Etching by Sadeler. Late XVI C.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e  Maarten de Vos, Flemish, 1\u003cmeta charset=\"utf-8\"\u003e532 – 1603), after.\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e:  Sadeler.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e 20. Or, religious hermit (\u003cmeta charset=\"utf-8\"\u003eSt. Horus of the Thebaid).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eSigned, Numbered, and Inscribed in plate\u003c\/strong\u003e: [monogram] Sadeler excu: \u003cmeta charset=\"utf-8\"\u003e In the margin, two columns of Latin, every two lines \"OR deserta ... fuit\". Numbered below center \"20\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Plate 6 5\/8\" x 8 1\/4\" Sheet 9 1\/2\" x 13\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eSadeler.\u003cbr\u003e\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition:\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eSolitudo sive vitæ Patrum eremicolarum (Solitude or the life of the Hermit Fathers). \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Late XVI C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e etching on laid paper.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWatermark\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: yes.\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: matted.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Spots. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePart of\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Male hermits. Plate 20.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Flemish School XVI C. Dutch School XVI C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":41935157461157,"sku":"WOP-291","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8437-2_0e173d64-4040-4354-b309-2cd0f752d3ad.jpg?v=1663345893"},{"product_id":"maarten-de-vos-after-26-ammon-religious-hermit-etching-by-sadeler-late-xvi-c","title":"Maarten de Vos, after. 26. Ammon, religious hermit. Etching by Sadeler. Late XVI C.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e  Maarten de Vos, Flemish, 1\u003cmeta charset=\"utf-8\"\u003e532 – 1603), after.\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e:  Sadeler.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e 26. Ammon, religious hermit (Saint Amun).\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Numbered, and Inscribed in plate\u003c\/strong\u003e: Sadeler ex: \u003cmeta charset=\"utf-8\"\u003e In the margin, two columns of Latin, every two lines \"Ammon in Nitra ... gregem\". Numbered below center \"26\".\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Plate 6 1\/2\" x 8\" Sheet 9 1\/2\" x 12\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eSadeler.\u003cbr\u003e\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition:\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eSolitudo sive vitæ Patrum eremicolarum (Solitude or the life of the Hermit Fathers). \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Late XVI C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e etching on laid paper.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWatermark\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: yes.\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: matted.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Spots, creases. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePart of\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Male hermits. Plate 26.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003e1856,0112.338.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Flemish School XVI C. Dutch School XVI C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: This entry incorporates text from the catalog entry and uses the catalog description of the same item from the collection of the British Museum.\u003c\/span\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":41935861481637,"sku":"WOP-292","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8428-2.jpg?v=1663349225"},{"product_id":"maarten-de-vos-after-27-onifrius-religious-hermit-etching-by-sadeler-late-xvi-c","title":"Maarten de Vos, after. 27. Onofrius, religious hermit.  Etching by Sadeler. Late XVI C.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e  \u003cmeta charset=\"utf-8\"\u003eMaarten de Vos, Flemish, 1\u003cmeta charset=\"utf-8\"\u003e532 – 1603), after.\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eEngraver\u003c\/strong\u003e:  Sadeler.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle: \u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e 27. Onofrius,\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e religious hermit (Saint Onuphrius, \u003cmeta charset=\"utf-8\"\u003epatron saint of weavers).\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Numbered, and Inscribed in plate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Sadeler ex: \u003cmeta charset=\"utf-8\"\u003e In the margin, two columns of Latin, every two lines \"Divinis oculis pergratus ONOFRIUS ... esuriem\". Numbered below center \"27\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Plate 6 7\/8 x 8 1\/2. Sheet 9 1\/2 x 13.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Sadeler.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition:\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e  Solitudo sive vitæ Patrum eremicolarum (Solitude or the life of the Hermit Fathers).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eLate XVI C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e etching on laid paper.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWatermark\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: yes.\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: matted.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Spots. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePart of\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Male hermits. Plate 27. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e: Flemish School XVI C. Dutch School XVI C.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Images of Saint Onuphrius correspond with the general concept of a \"wild man,\" covered with hair and wearing a girdle of leaves. \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"position: absolute; visibility: hidden; left: 8px; top: 493.25px; width: 37.3281px; height: 17px;\" id=\"gtx-anchor\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"visibility: visible; left: 12px; top: 316px; opacity: 1;\" aria-describedby=\"bubble-4\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-4\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv tabindex=\"0\" role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 18.5px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowdown\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":41936100098213,"sku":"WOP-293","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8414-2.jpg?v=1663352092"},{"product_id":"peter-paul-rubens-after-diana-returning-from-the-chase-engraving-by-schelte-adamsz-bolswert-1625-1659","title":"Peter Paul Rubens, after. Diana returning from the Chase. Engraving by Schelte Adamsz Bolswert.  1625-1659.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e  \u003cmeta charset=\"utf-8\"\u003ePeter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp). After.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e: Schelte Adams Bolswert (Dutch, Bolsward 1581–1659 Antwerp). Schelte a Bolswert (1586–1659) was a leading Dutch engraver noted for his works after Rubens and Van Dyck. \u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e Diana returning from the Chase.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned and inscribed in plate\u003c\/strong\u003e: Sic vobis lassæ sint præmia fausta puellæ:  Conueniunt epulis poma feræque bene; Pet. Paul Rubbens pinx.; S. à Bolswert sculpsit; Gillis Hendricx excud. Antwerpiae.\u003cbr data-mce-fragment=\"1\"\u003eDimensions: Sheet 12 1\/2\" x 14'. Backing sheet 15 1\/4\" x 19 1\/4\".\u003cbr data-mce-fragment=\"1\"\u003ePublisher: Gillis Hendricx (Flemish, active 1640–1677).\u003cbr data-mce-fragment=\"1\"\u003eDate: \u003cmeta charset=\"utf-8\"\u003e1625-1659.\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eMaterials and Techniques: etching on laid paper.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eWatermark: Apparently, no. Verso is not visible as the print is laid on another sheet of paper.\u003cbr data-mce-fragment=\"1\"\u003eMat and Frame: Backing sheet.\u003cbr data-mce-fragment=\"1\"\u003eProvenance:  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003cbr data-mce-fragment=\"1\"\u003eCondition: The engraving is trimmed to the platemark and fully adhered to the backing laid watermarked paper. The backing sheet cut unevenly. Tears to the backing sheet. The signs of aging are appropriate for the time. A detailed condition report is available on demand.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e Catalog Raisonne:  C. G. Voorhelm Schneevoogt, Directeur du Musée Teyler à Harlem. Catalogue des estampes gravées d'après P. P. Rubens. Les Héritiers Loosjes, Haarlem, 1873, cat. no. 24, p. 122.\u003cbr data-mce-fragment=\"1\"\u003eMuseums and Libraries: The British Museum \u003cmeta charset=\"utf-8\"\u003eR,4.58. \u003cmeta charset=\"utf-8\"\u003eThe Metropolitan Museum of Art \u003cmeta charset=\"utf-8\"\u003e51.501.7682.\u003cbr data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools: Flemish School XVII C.\u003cbr data-mce-fragment=\"1\"\u003eNote: This entry incorporates text from the catalog entries and uses the catalog descriptions of the same items from the collections of the British Museum and the \u003cmeta charset=\"utf-8\"\u003eMetropolitan Museum of Art. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eAfter the painting by Rubens in Gemäldegalerie Alte Meister, Dresden, inv. No. 962 (Rooses 597).\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-7\" style=\"visibility: visible; left: 113px; top: 280px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-7\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\" style=\"left: 120.344px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":41981774692517,"sku":"WOP-315","price":800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8679-2.jpg?v=1664751857"},{"product_id":"adriaen-van-ostade-after-a-mother-and-child-playing-with-a-doll-while-the-father-watches","title":"Adriaen van Ostade, after. A mother and child playing. Etching by David Deuchar. 1784.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e Adriaen van Ostade, (Dutch, 1610 - 1685).\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e: David Deuchar (British, 1743-1808). \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: A mother and child playing with a doll while the father watches.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Titled, Numbered, and Dated in plate\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eD. Deuchar sculpt. 1784 in aquafortis; A.v. Ostade Pinxt; Av. O. 1679.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Platemark 4 1\/4\" x 3 5\/8\". Sheet 13 1\/2\" x 9 1\/2\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition:\u003cspan\u003e   \u003c\/span\u003e\u003c\/b\u003eA collection of etchings after the most eminent masters of the Dutch and Flemish schools...  accompanied with (sic)... a few original designs by David Deuchar. Edinburgh, 1803.\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e1784.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e etching on wove paper.\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Foxing. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePart of\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: A Collection of Etchings after the Most Eminent Masters of the Dutch and Flemish Schools.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003e1861,0413.70.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Dutch School XVII C. British School XVIII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: This entry incorporates text from the catalog entry and uses the catalog description of the same item from the collection of the British Museum.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"visibility: visible; left: -25px; top: 103px; opacity: 1;\" aria-describedby=\"bubble-4\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-4\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv tabindex=\"0\" role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 262.953px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":41993250177189,"sku":"WOP-322","price":200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8815-2.jpg?v=1664847255"},{"product_id":"a-group-of-three-men-and-a-child-standing-before-a-village","title":"David Deuchar. Three men and a child standing. Etching. C. 1782-1803.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e: David Deuchar (British, 1743-1808).\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Three men and a child standing.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003ePlatemark 4 1\/8\" x 3 3\/4\". Sheet 13 1\/2\" x 9 3\/4\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition:\u003cspan\u003e   \u003c\/span\u003e\u003c\/b\u003eA collection of etchings after the most eminent masters of the Dutch and Flemish schools...  accompanied with [sic]…a few original designs by David Deuchar. Edinburgh, 1803.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003ec.1782-1803.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e etching on wove paper.\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Creases, some foxing. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePart of\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eA Collection of Etchings after the Most Eminent Masters of the Dutch and Flemish Schools.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003e1861,0413.92.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: British School XVIII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: This entry incorporates text from the catalog entry and uses the catalog description of the same item from the collection of the British Museum.\u003cbr\u003e-Hommage to Adriaen van Ostade.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-3\" style=\"visibility: visible; left: 27px; top: 103px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-3\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\" style=\"left: 33.5px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":41993277407397,"sku":"WOP-323","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8801-2.jpg?v=1664885623"},{"product_id":"maarten-de-vos-lamech-and-his-family-jan-sadeler-i","title":"Maarten de Vos, after. Lamech and his family. Engraving by Jan Sadeler I. 1586.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Maarten de Vos (1532 - 1603) was a Flemish painter, after.\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e: Jan Sadeler I (1550 - 1600), a Flemish engraver, draftsman, and publisher.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e Lamech and his family.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Titled, Numbered, and Dated in plate\u003c\/strong\u003e\u003cspan\u003e:  Ioann: Sadeler auctor et scalpt: M. de vos figura. In the margin two columns, each two lines \"Lamech consilio praetans Noe protulit, illi\/ Ferret ut auxilium et rebus solamen in arctis. Talia grandaeuus depromsit verba palato,\/ Heu malus exagitat populum dirusq Cupido.\". Numbered top centre \"VIII.\" Genes 5.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Image 7 5\/8\" x 10 3\/4\". Sheet 9 1\/2\" x 13\". Mat  13 3\/4\" x 16\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Jan Sadeler I.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition:\u003cspan\u003e  \u003c\/span\u003e\u003c\/b\u003eFourteen Old Testament scenes after Maarten de Vos engraved by Jan Sadeler I. Antverp.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: 1586.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e  Engraving on laid paper.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWatermark\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: no\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Matted\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Small holes and creases. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePart of\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Series: The story of the family of Seth.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003e1959,0221.11.8.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:  Flemish School XVI C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: This entry incorporates text from the catalog entry and uses the catalog description of the same item from the collection of the British Museum.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"position: absolute; visibility: hidden; left: 85.1094px; top: 76.1875px; width: 84.2344px; height: 17px;\" id=\"gtx-anchor\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"visibility: visible; left: 112px; top: 103px; opacity: 1;\" aria-describedby=\"bubble-5\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-5\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv tabindex=\"0\" role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 119.109px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42005913239717,"sku":"WOP-332","price":500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8935-2.jpg?v=1665369536"},{"product_id":"hendrick-van-cleve-iii-after-view-of-liege-1557-1612-c-c","title":"Hendrick van Cleve III, after. View of Liège.Engraving by Philips Galle. 1557-1612.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Hendrick van Cleve (1525 - 1590-95), or Hendrik van Cleve III was a Flemish painter, draughtsman, and prints designer. He is known for his topographical views.\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e: Philip (or Philips) Galle (1537 – 612) was a Dutch publisher best known for publishing old master prints, which he also produced as a designer and engraver.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eHuium Oppidum Leodiense (View of Liège).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Titled, Numbered, and Dated in plate\u003c\/strong\u003e\u003cspan\u003e:  Monogrammed at the lower right of image: HVC. Lettered in lower margin: Henri Cliuen inuen. Huium oppidum Leodiense. Philipp. Gall. excud. [\u003cmeta charset=\"utf-8\"\u003eNo] 141 in Iron gall ink u.r.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Platemark 6 7\/8\" x 9 3\/4'. Sheet 9 1\/2\" x 12 3\/4\". Mat 12 1\/2\" x 15\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Dirck or Theodoor Galle was a Flemish Baroque engraver (1571 - 1633).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition:\u003cspan mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003c\/b\u003eRuinarum Varii Prospectus Ruriumque Aliquot Delineationes. State without number [28].\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: 1557-1612 (c.) (c.)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e etching on laid paper.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWatermark\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eFleur-de-Lis.\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Matted.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Margins trimmed unevenly. A vertical fold in the middle (as issued) was torn and non-professionally restored. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePart of\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eThis is the twenty-eighth plate of a set of thirty-eight engravings after Hendrick van Cleve depicting ruins in various cities, mainly around the Mediterranean Sea, published by Theodoor Galle.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003e1950,0306.2.28.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Flemish School XVI C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: This entry incorporates text from the catalog entry and uses the catalog description of the same item from the collection of the British Museum.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-2\" style=\"visibility: visible; left: 175px; top: 148px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-2\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\" style=\"left: 182.422px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42020053581989,"sku":"WOP-342","price":200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_9090-2.jpg?v=1666028947"},{"product_id":"pieter-snayers-a-village-scene-with-peasants-fighting-etching-anton-joseph-prenner","title":"Pieter Snayers, after. A Village Scene with Peasants Fighting. etching Anton Joseph Prenner","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Pieter Snayers (Flemish,1592-1667), a \u003c\/span\u003especialist in battle scenes.\u003cbr\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e: Anton Joseph von Prenner or von Brenner (1683 – 1761) was an Austrian painter, engraver, and publisher. He is mainly known for his publications recording the Imperial art collections.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: A Village Scene with Peasants Fighting.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Annotated, and Numbered in plate\u003c\/strong\u003e\u003cspan\u003e: ALT. 18 LAT.22 UNC (\u003cmeta charset=\"utf-8\"\u003edimensions of the original painting); Snairs Pinx (\u003cmeta charset=\"utf-8\"\u003ePieter Snayers); v. Prenner incidit; Numbered in the top left 70 (erased). Stamped below: \"Prenner Gal. Vienne\".\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Sheet 6 5\/8 x 9\". \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition:\u003cspan mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003c\/b\u003eTheatrum Artis Pictoriae.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e1728.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e etching on laid paper.\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: back sheet (adhesive \u0026amp; tape residue to the bach sheet).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003c\/span\u003eFoxing, hole, cropped original engraved printed frame\u003cspan style=\"color: #ff2a00;\"\u003e.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003e1850,1021.153.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: German School XVIII C. Flemish School XVIII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: This entry incorporates text from the catalog entry and uses the catalog description of the same item from the collection of the British Museum.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-5\" style=\"visibility: visible; left: 139px; top: 89px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-5\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\" style=\"left: 145.797px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42020312678565,"sku":"WOP-343","price":80.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_9102-2.jpg?v=1666045562"},{"product_id":"peter-paul-rubens-after","title":"Peter Paul Rubens, after. Lucas Vorsterman the Elder, after. Adoration of the Magi. Engraving by John Charles Bromley. 1826.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:  Peter Paul Rubens (Flemish, 1577–1640), after.  \u003cbr\u003e\u003c\/span\u003e\u003cspan mce-data-marked=\"1\"\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e\u003c\/span\u003e: L\u003cspan mce-data-marked=\"1\"\u003eucas Vorsterman the Elder (1595 – 1675), after. Lucas Vorsterman was a Baroque engraver. He worked with the artists Peter Paul Rubens and Anthony van Dyck. \u003c\/span\u003eThis (horizontal) version of Rubens's \"Adoration of the Magi\" is in the \u003cmeta charset=\"utf-8\"\u003eMuseum of Fine Arts of Lyon.\u003cspan mce-data-marked=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e: John Charles Bromley (British, \u003cmeta charset=\"utf-8\"\u003e1795-1839).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: The Wise Men's Offering. (Adoration of the Magi).\u003cmeta charset=\"utf-8\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Titled, Numbered, and Dated in plate\u003c\/strong\u003e\u003cspan\u003e: Rubens pinxt. Pub. by \u003cmeta charset=\"utf-8\"\u003eR. Bowyer \u0026amp; M. Parkes, Pall Mall, 1826. Proof. L. Bromley Sculpt. \u003cmeta charset=\"utf-8\"\u003eThe Wise Men's Offering.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Image \u003c\/span\u003e\u003cspan mce-data-marked=\"1\"\u003eand\u003c\/span\u003e \u003cspan\u003ethe engraved frame 7 1\/2\" x 9 3\/8\". Sheet 16 3\/8\" x 12 1\/2\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cstrong\u003ePublished\u003c\/strong\u003e By Robert Bowyer, No 74, Pall Mall., T. Bensley, Printer, Crane Court, Fleet Street., 1825.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition:\u003cspan mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003c\/b\u003eA Series Of Engravings, Illustrating Those Important Events Recorded In The Sacred Scriptures, Which Have Been Selected, As Subjects For Their Pencils, By Raffaelle, Rubens, Caravaggio, Vandyke, Poussin, And Other Of The Old Masters; Together With A Critical Notice Of Each Picture, By John Landseer, Esq. F.A.S. And A.R.A. - 'The Bowyer Bible' \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: 1826.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e  Engraving on wove paper, three gilded edges.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Victoria and \u003cmeta charset=\"utf-8\"\u003eAlbert Museum \u003cmeta charset=\"utf-8\"\u003eDYCE.3091.\u003cbr\u003eRoyal Academy \u003cmeta charset=\"utf-8\"\u003e06\/5219.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Flemish School XVII C. English School XIX C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: This entry incorporates text from the catalog entry and uses the catalog description of the same item from the Royal Academy and \u003cmeta charset=\"utf-8\"\u003eVictoria and \u003cmeta charset=\"utf-8\"\u003eAlbert Museum collections. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch1\u003e\u003cbr\u003e\u003c\/h1\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-3\" style=\"visibility: visible; left: -16px; top: 90px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-3\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\" style=\"left: 249px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42036919894181,"sku":"WOP-353","price":300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_9228-2.jpg?v=1666551870"},{"product_id":"martin-bouche","title":"Martin Bouché. Aeacus' prayer. Engraving. 1677.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:  Martin \u003cmeta charset=\"utf-8\"\u003eBouché  (Flemish, 1640-c. 1693).\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Aeacus' prayer (Illustration\u003c\/span\u003e of\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e Ovid's Metamorphoses).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned \u003c\/strong\u003ewith \u003cstrong data-mce-fragment=\"1\"\u003emonogram in plate\u003c\/strong\u003e\u003cspan\u003e: l.r. MB. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Image\/platemark 6 1\/2\" x 9\".  Sheet\/page 17 5\/8\" x 11\". Mat 19\" x 12\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:  P. \u0026amp; J. Blaev, Janssons à Waesberge, Boom, \u0026amp; Goethals. Amsterdam, MDCCII.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition:\u003cspan mce-data-marked=\"1\"\u003e  \u003c\/span\u003e\u003c\/b\u003eLes métamorphoses d'Ovide, en latin et françois, divisées en XV livres. Avec de nouvelles explications historiques, morales \u0026amp; politiques sur toutes les fables, chacune selon son sujet; de la traduction de M. Pierre Du-Ryer Parisien de l'Académie françoise. Edition nouvelle, enrichie de tres-belles figures. (The first edition of the book, and this plate: \u003cmeta charset=\"utf-8\"\u003eBrussels, 1677).\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: 1702.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: engraving\u003c\/span\u003e\u003cspan\u003e on laid paper. Printed text verso as issued.\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Matted.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: The Bibliothèque nationale de \u003cmeta charset=\"utf-8\"\u003eFrance. \u003cspan class=\"simpletooltip_container log_gallica\" data-mce-fragment=\"1\"\u003e\u003cspan aria-hidden=\"false\" role=\"tooltip\" id=\"label_simpletooltip_45\" class=\"simpletooltip js-simple-tooltip logoTt\" data-mce-fragment=\"1\"\u003eGallica.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"simpletooltip_container log_gallica\"\u003e\u003cspan aria-hidden=\"false\" role=\"tooltip\" id=\"label_simpletooltip_45\" class=\"simpletooltip js-simple-tooltip logoTt\"\u003e \u003cbr\u003eIdentifier: ark:\/12148\/bpt6k722086.\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Flemish School XVII C.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: This entry incorporates text from the catalog entry and uses the catalog description of the same item from The Bibliothèque Nationale de France collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"visibility: visible; left: 147px; top: 109px; opacity: 1;\" aria-describedby=\"bubble-4\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-4\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv tabindex=\"0\" role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 154.125px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42039159849125,"sku":"WOP-355","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_9272-2.jpg?v=1666654133"},{"product_id":"hendrick-van-cleve-after-landscape-with-obelisk","title":"Hendrick van Cleve, after. Landscape with obelisk. Engraving by Adriaen Collaert. 1587","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Hendrick van Cleve or Hendrik van Cleve III (Flemish, 1525 - 1590\/95). \u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e: Adriaen Collaert \u003cmeta charset=\"utf-8\"\u003e(Flemish, 1560 - 1618). \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e Landschap met obelisk (Landscape with obelisk).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned and Numbered in plate\u003c\/strong\u003e\u003cspan\u003e: Henri Cleven. inuent. Philipp Galle excud. l.r. overturned 2. [No.] 97 in ink u.r.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Platemark 7 1\/4 x 9 3\/4. Sheet 9 1\/2\" x 12 3\/4\". Mat 13\" x 15 1\/2\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Philips Galle (Dutch, 1537 - 1612).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition:\u003cspan mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003c\/b\u003eRegionum, rurium, fundorumque, varii at ove amoeni prospectus \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e(series title)\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cspan mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003c\/b\u003eAntwerp.\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e1587.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e Engraving on laid paper.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWatermark\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: yes\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Matted.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003c\/span\u003eStains, spots. The mat is old and serves as a protection sheet only.\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePart of\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eLandschappen met ruïnes (Landscapes with ruins). \u003cmeta charset=\"utf-8\"\u003e2\/10.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: The Rijksmuseum \u003cmeta charset=\"utf-8\"\u003eRP-P-1904-1758. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Flemish School XVI C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: This entry incorporates text from the catalog entry and uses the catalog description of the same item from the collection of The Rijksmuseum.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-9\" style=\"visibility: visible; left: 166px; top: 237px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-9\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowdown\" style=\"left: 173px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42041499844773,"sku":"WOP-357","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_9293-2.jpg?v=1666799998"},{"product_id":"guido-reni-after-adrian-van-melar-after-the-head-of-the-virgin-engraving","title":"Guido Reni, after.  Adrian van Melar, after. The head of the Virgin. Engraving by C. Galle. Second half of the 17th century.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Guido Reni \u003cmeta charset=\"utf-8\"\u003e(Italian, 1575–1642), after.\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003eIntermediary engraver\u003c\/strong\u003e: Adrian van Melar \u003cmeta charset=\"utf-8\"\u003e(Flemish, 1633–1667), after.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCornelis \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGalle II or \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eCornelis Galle the Younger \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e(Flemish, 1615–1678) [or workshop?].\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: The head of the Virgin. Bust of the Virgin Mary in a radiating oval slightly turned to the left. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned and Inscribed in plate\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eLettered in the banderole: ante te omne desiderium meum; Lettered with the name of an engraver and\/or publisher: C. Galle.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Image\/platemark 11\" x 8\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Cornelis \u003cmeta charset=\"utf-8\"\u003eGalle II (1615-1678) \u003cmeta charset=\"utf-8\"\u003eCornelis Galle the Younger \u003cmeta charset=\"utf-8\"\u003e(Flemish, 1615–1678).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Second half of the 17th century.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e engraving on laid paper mounted on another sheet of paper.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWatermark\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: yes.\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: backing sheet.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Trimmed margins. \u003cmeta charset=\"utf-8\"\u003eThe u.r. and l.r. corners were torn and glued back. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Italian School XVII C. Flemish School XVII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNotes\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e- This entry incorporates text from the catalog entry of the same item from the collection of \u003cmeta charset=\"utf-8\"\u003eThe Metropolitan Museum of Art \u003cmeta charset=\"utf-8\"\u003e51.501.4679.\u003cbr\u003e\u003c\/span\u003e- Publisher's proof mirroring engraving by \u003cmeta charset=\"utf-8\"\u003eAdrian van Melar; the plate is extended, and C. Galle's signature is placed inside the image. For engraving by A. van Melar see The Metropolitan Museum of Art \u003cmeta charset=\"utf-8\"\u003e51.501.4679.\u003cbr\u003e- See also \u003cmeta charset=\"utf-8\"\u003eCopy in reverse after an engraving by Mellan from the BM \u003cmeta charset=\"utf-8\"\u003e1952,0405.198.\u003c\/p\u003e\n\u003cdiv style=\"visibility: visible; left: 111px; top: 109px; opacity: 1;\" aria-describedby=\"bubble-2\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-2\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv tabindex=\"0\" role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 117.625px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42119601553573,"sku":"WOP-413\/MB-1","price":400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0042-2.jpg?v=1670177443"},{"product_id":"philippe-de-champaigne-after-our-lady-of-sorrows-engraving-by-adrian-van-melar","title":"Philippe de Champaigne, after. Our Lady of Sorrows. Engraving by Adrian van Melar. Second half of the 17th century.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Philippe de Champaigne (French, Brussels 1602–1674 Paris), after.\u003cbr\u003e\u003c\/span\u003e\u003cspan mce-data-marked=\"1\"\u003e\u003cstrong\u003eIntermediary engraver\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eJean Morin (French, ca. 1605 – 1650), after.\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e: Adrian van Melar (Flemish, 1633–1667 Antwerp).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: La Vierge de douleurs (Our Lady of Sorrows).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned in plate\u003c\/strong\u003e\u003cspan\u003e: Adr. Melar fc.; G. Galle ex.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Image 10 5\/8 x 7 1\/2\". Sheet 11 3\/4\" x 8 3\/4\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eCornelis Galle II (Flemish, Antwerp 1615–1678 Antwerp).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Second half of the 17th century.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e etching on laid paper.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWatermark\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: yes.\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: backing sheet.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Trimmed margins. The u.r. corner was torn and glued back. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: French School XVII C. \u003cmeta charset=\"utf-8\"\u003eFlemish School XVII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNotes\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e- This entry incorporates text from the catalog entry of the same item from the collection of The Metropolitan Museum of Art.\u003cbr\u003e- Possibly, after \u003cmeta charset=\"utf-8\"\u003eJean Morin \u003cmeta charset=\"utf-8\"\u003e(French, Paris ca. 1605–1650 Paris). See  La Vierge de douleurs. \u003cmeta charset=\"utf-8\"\u003eThe Metropolitan Museum of Art \u003cmeta charset=\"utf-8\"\u003e45.41.50.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-2\" style=\"visibility: visible; left: -166px; top: 473px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-2\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowdown\" style=\"left: 357.891px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42119977107621,"sku":"WOP-414\/MB-1","price":400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0037-2.jpg?v=1670179621"},{"product_id":"pietro-martire-neri-after-cardinal-pietro-i-vidoni-engraving-by-albert-clouwet","title":"Pietro Martire Neri, after. Portrait of Cardinal Pietro I Vidoni. Engraving by Albert Clouwet. 1660-1676.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: Pietro Martire Neri (Italy, \u003cmeta charset=\"utf-8\"\u003e1691-1661), after.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e\u003cspan\u003e: Albert Clouwet \u003cmeta charset=\"utf-8\"\u003e(Dutch, 1636– 1679).\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e Portrait of Cardinal Pietro I Vidoni. Pietro Vidoni (1610 – 1681) was an Italian cardinal who served from 1652 to 1660 as the papal legate and nuncio to Poland.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned and Titled:\u003c\/strong\u003e\u003cspan\u003e Inscription content: Lettered within tablet with title, \"P. Martyr Neri Cremon: Pinx et deli\" and below image with production details: \"A. Clouuet Sculp\" and \"Io. Iacobus de Rubeis formis Romae ad Templum pacis cum privil S. Pontif\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Sheet 7 1\/2\" x % 5\/8\". Mat 13 3\/8\"x 11 3\/4\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Giovanni Giacomo de' Rossi (Italy, \u003cmeta charset=\"utf-8\"\u003e1627-1691). \u003cmeta charset=\"utf-8\"\u003ePublisher; son of Giuseppe; younger brother and successor in 1653 of Giovanni Domenico. He was succeeded by his own son Domenico.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e1660-1676.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e  engraving on laid paper, margins extended with wove paper.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eWatermark\u003c\/strong\u003e: yes.\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: matted.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Trimmed margins. Foxing on the extended supporting frame. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePart of\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eThis is one from a series of 68 portraits (and title) of cardinals published by Rossi (1658-1676).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003eBb,12.808.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Flemish School XVII C. Italian School XVII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eThis entry incorporates text from Wikipedia and the catalog entry of the same item from the collection of the British Museum.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-7\" style=\"visibility: visible; left: 32px; top: 148px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-7\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\" style=\"left: 297.438px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42131950338213,"sku":"WOP-437\/MB-1","price":120.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0210-2_f2c9befb-c039-4aa0-9906-a0942154c1ec.jpg?v=1670763260"},{"product_id":"jan-frans-van-bloemen-italianate-landscape-etching","title":"Jan Frans van Bloemen. Italianate landscape with walkers at a staircase. Etching. 1689 - 1749.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: Jan Frans van Bloemen (1662 - 1749) was a Flemish landscape painter mainly active in Rome. \u003cmeta charset=\"utf-8\"\u003eHe joined the Bentvueghels, the Dutch and Flemish artists association in Rome, where he took the nickname \u003ci data-mce-fragment=\"1\"\u003eOrizzonte\u003c\/i\u003e or \u003ci data-mce-fragment=\"1\"\u003eHorizonti\u003c\/i\u003e. \u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Italianate landscape with walkers at a staircase in a garden.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned in plate \u003c\/strong\u003el.l. J. F. van Bloemen.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Sheet 9 1\/2\" x 7 1\/8\". Backing sheet 14 1\/8\" x 10\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: John McCreery, English publisher and printer (1768-1832).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition:\u003cspan mce-data-marked=\"1\"\u003e  \u003c\/span\u003e\u003c\/b\u003eA Collection of Original Etchings. Published by McCreery. London, 1816. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe original copper plates were believed to have been destroyed after this publication.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: 1816 (published).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eetching on a thin, lightweight wove paper \u003cmeta charset=\"utf-8\"\u003eprinted without margins. \u003cmeta charset=\"utf-8\"\u003eMounted on the same paper as other \u003cmeta charset=\"utf-8\"\u003eMcCreery prints and presumably taken from the same volume because of the same three sides’ gilded edge and matching size.\u003cbr\u003e\u003cstrong\u003eMat and Frame\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003e adhered to backing paper at corners.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: the Rijksmuseum RP-P-1889-A-14277.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Flemish School XVIII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eThis entry incorporates text from Wikipedia and the catalog entry of the same item from the \u003cmeta charset=\"utf-8\"\u003eRijksmuseum collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-2\" style=\"visibility: visible; left: 27px; top: 70px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-2\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\" style=\"left: 33.5px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42133779742885,"sku":"WOP-442\/MP-1","price":120.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0253-2.jpg?v=1670903356"},{"product_id":"jan-frans-van-bloemen-obelisk-etching-1689-1749","title":"Jan Frans van Bloemen. Italianate landscape with an obelisk. Etching. 1689 - 1749.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: Jan Frans van Bloemen (1662 - 1749) was a Flemish landscape painter mainly active in Rome. \u003cmeta charset=\"utf-8\"\u003eHe joined the Bentvueghels, the Dutch and Flemish artists association in Rome, where he took the nickname \u003ci data-mce-fragment=\"1\"\u003eOrizzonte\u003c\/i\u003e or \u003ci data-mce-fragment=\"1\"\u003eHorizonti\u003c\/i\u003e. \u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Italianate landscape with an obelisk and a view of the city.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned in plate\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan mce-data-marked=\"1\"\u003eFranz van Bloemen dit \u003cmeta charset=\"utf-8\"\u003eHorisonti.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Sheet 9 3\/8\" x 6 7\/8\". Backing sheet 13 1\/8\" x 10\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: John McCreery, English publisher and printer (1768-1832).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition:\u003cspan mce-data-marked=\"1\"\u003e  \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eA Collection of Original Etchings. Published by McCreery. London, 1816. \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe original copper plates were believed to have been destroyed after this publication.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: 1816 (published).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eetching on a thin, lightweight wove paper \u003cmeta charset=\"utf-8\"\u003eprinted without margins. \u003cmeta charset=\"utf-8\"\u003eMounted on the same paper as other \u003cmeta charset=\"utf-8\"\u003eMcCreery prints and presumably taken from the same volume because of the same three sides’ gilded edge and matching size.\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eadhered to backing paper at corners.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: the Rijksmuseum \u003cmeta charset=\"utf-8\"\u003eRP-P-1889-A-14275\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Flemish School XVIII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eThis entry incorporates text from Wikipedia and the catalog entry of the same item from the Rijksmuseum collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-2\" style=\"visibility: visible; left: -8px; top: 70px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-2\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\" style=\"left: 283.5px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42133946826917,"sku":"WOP-443\/MB-1","price":120.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0248-2.jpg?v=1670903235"},{"product_id":"jan-baptist-bonnecroy-landscape-with-a-shepherd-etching-1632-1676","title":"Jan Baptist Bonnecroy. Landscape with a shepherd. Etching. 1632-1676.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: J\u003c\/span\u003ean Baptist Bonnecroy (Flemish, 1618 – after 1676).\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:  Landscape with a shepherd (\u003cmeta charset=\"utf-8\"\u003eThe Prodigal Son).\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eInscription\u003c\/strong\u003e\u003cspan\u003e: J. \u003cmeta charset=\"utf-8\"\u003eBonnecroy fec. exc. in plate l.r.\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Sheet 4 3\/8\" x 6 1\/2\". \u003cstrong\u003e\u003c\/strong\u003eBacking sheet \u003cmeta charset=\"utf-8\"\u003e10 1\/8\" x \u003cmeta charset=\"utf-8\"\u003e14 1\/8\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cstrong\u003ePublisher\u003c\/strong\u003e: John McCreery, English publisher and printer (1768-1832).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition:\u003cspan mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eA Collection of Original Etchings. Published by McCreery. London, 1816. The original copper plates were believed to have been destroyed after this publication.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e1816 (published).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e etchings on a thin, lightweight wove paper printed without margins. Mounted on the same paper as other McCreery prints and presumably taken from the same volume because of the same three sides’ gilded edges and matching size. \u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: adhered to the backing paper.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Scattered spotting. Lost corner of the backing sheet. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003eSheepshanks.2846.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Flemish School XVII C. British School XIX C. \u003cbr\u003e \u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e: \u003c\/span\u003eThis entry incorporates text from the catalog entry of the same item from the collection of the British Museum.\u003c\/p\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-3\" style=\"visibility: visible; left: 8px; top: 90px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-3\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\" style=\"left: 273.5px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42145210597541,"sku":"WOP-456\/MB-1","price":300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0334-2_1c753f5f-4378-4019-9871-9efae9b4c828.jpg?v=1671664745"},{"product_id":"jan-van-der-straet-after-bear-hunt-with-nets","title":"Jan van der Straet, after. Bear Hunt with Nets. Engraving by Philip Galle. C. 1578.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: Stradanus, Johannes Stradanus, Jan van der Straet, or Giovanni Stradano (1523 - 1605) was a Flemish artist active mainly in 16th-century Florence, Italy.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e\u003cspan\u003e: Philip Galle \u003cmeta charset=\"utf-8\"\u003e(1537 – 1612) was a Dutch publisher best known for publishing old master prints, which he also produced as designer and engraver. He is especially known for his reproductive engravings of paintings.\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Bear Hunt with Nets.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Numbered, and Annotated in plate\u003c\/strong\u003e: Iohan Stra. inve; Lettered below the image: 'Sic capitur gladijs, et acute cuspidis hastis, \/ Pr[a]eceps sanguinea dum se rotat ursus arena.' No number 20 as it was issued in the first edition, but it is number 4 in gall ink l.r. and 1687 in graphite l.r. corner of margins. Manfred Sellink notes the presence of numerous publications with different pagination: \u003cmeta charset=\"utf-8\"\u003e \"...\u003cmeta charset=\"utf-8\"\u003estill untangled mystery of numerous editions and re-editions with continuous changes in the number and sequence of engravings...\" Manfred Sellink. Philips Galle (1537-1612) Engraver and Print Publisher in Haarlem and Antwerp. Gouda, \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1997, p. 33.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Platemark 8 1\/2\" x 11 1\/2\". Sheet 10\" x 13 1\/2\". Mat 16\" x 20\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition:\u003cspan mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003c\/b\u003eHunting Scenes.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: C. \u003cmeta charset=\"utf-8\"\u003e1578 (plate).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e engraving on laid paper. \u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Matted.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: The upper right corner is cut off, but the image isn't affected. Vertical creases. Worn margins. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePart of\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Series: Venationes Ferarum, Avium, Piscium.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003e1957,0413.86 (Number 20).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Flemish School XVI C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eThis entry incorporates text from Wikipedia and the catalog entry of the same item from The British Museum collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-4\" style=\"visibility: visible; left: 20px; top: 109px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-4\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\" style=\"left: 26.5px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42157392887973,"sku":"WOP-469\/BB-2","price":300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0444-2.jpg?v=1672441836"},{"product_id":"hieronymus-wierix-after-william-the-first-prince-of-orange-charles-turner-1814","title":"Hieronymus Wierix, after. Portrait of William the First, Prince of Orange. Etching and mezzotint by Charles Turner. 1814.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: Hieronymus Wierix (\u003cmeta charset=\"utf-8\"\u003eFlemish, \u003cmeta charset=\"utf-8\"\u003e1553-1619), after. \u003cmeta charset=\"utf-8\"\u003eOne of three brothers, all engravers. Child prodigy. Master in Antwerp in 1572, where he remained for the rest of his life.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e\u003cspan\u003e: Charles Turner (British, \u003cmeta charset=\"utf-8\"\u003e1774-1857), mezzotinter, acted as the publisher of much of his work.\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Portrait of William the First, Prince of Orange. William the Silent (1533 – 1584), also known as William the Taciturn or William of Orange, was the main leader of the Dutch Revolt against the Spanish Habsburgs that set off the Eighty Years' War (1568–1648) and resulted in the formal independence of the United Provinces in 1648.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Numbered, Titled, and Dated:\u003c\/strong\u003e\u003cspan\u003e William the First, Prince of Orange, \u0026amp;c, \u0026amp;c. Shot with a pistol at Delft, July 10th, 1584, by Balthazar Gerards \/ Engraved by Charles Turner from an original by J. Weirix. \/ London: Pubd. 1814 by S. Woodburn, 112 St. Martin's Lane. PROOF.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Plate mark 14 1\/2\" x 10 1\/2\". Sheet 19\" x 13 1\/2\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Samuel Woodburn (British, \u003cmeta charset=\"utf-8\"\u003e1783-1853). \u003cmeta charset=\"utf-8\"\u003eOne of four brothers who worked respectively in printselling, bookselling, picture dealing, and frame-making. Samuel specialized in prints and drawings.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition:\u003cspan mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003c\/b\u003ePortraits of Royal Personnages.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: 1814.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e mezzotint, etching on laid paper.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: lost corner, foxing, mainly to margins. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePart of\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: From a series of 15 copies of early engravings of British persons by Turner, Earlom, and Dunkarton, issued by Samuel Woodburn in book form in 1816.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003e1857,0214.374.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: British School XVIII C. Flemish School XVI C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003cspan\u003e: This entry incorporates text from Wikipedia and the catalog entry of the same item from The British Museum collection.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e- Alfred Whitman in his book \u003c\/span\u003e\u003cspan\u003eCharles Turner.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eLondon: G. Bell \u0026amp; sons, 1907 doesn't mention a \"proof\" state. In general, the \"proof\" is considered the most sought-after kind of impression.\u003c\/p\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-5\" style=\"visibility: visible; left: 36px; top: 227px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-5\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\" style=\"left: 42.5px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42165495595173,"sku":"WOP-478\/BB-2","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0575-2.jpg?v=1672964765"},{"product_id":"anthony-van-dyck-after-portrait-of-gerardo-seghers-engraving-by-lucas-vorsterman-i-1645-1655","title":"Anthony van Dyck, after. Portrait of Gerardo Seghers. Engraving by Lucas Vorsterman I. 1645-1655.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: Anthony van Dyck (\u003cmeta charset=\"utf-8\"\u003e1599-1641), painter, the pupil of Rubens; in Italy (1621-26) then from 1632 mainly in England where he was knighted by Charles I.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e\u003cspan\u003e: Lucas Vorsterman I (\u003cmeta charset=\"utf-8\"\u003e1595-1675), engraver, etcher, draughtsman, and publisher, the finest in Rubens school; broke with Rubens mid-1622 and left the latter's studio after a row. Came to London in 1624, returned to Antwerp via Paris in 1630, and went blind in the 1650s. \u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eGerard Seghers \u003cmeta charset=\"utf-8\"\u003e(1591 – 1651) was a Flemish painter, art collector, and art dealer. After a period of study and residence in Italy, he returned to Flanders where he became one of the leading representatives of the Flemish Caravaggisti movement.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Numbered, Titled, and Dated:\u003c\/strong\u003e\u003cspan\u003e Ant van Dyck pinxit; M: vanden Enden exc. \u003cmeta charset=\"utf-8\"\u003eD. Gerardo Seghers Pictori Antverpiano \/ Quod Tabulis Sacris Pietatem Viuam veramque spirantibus tota Europa vulgatis, \/ apud Principes, Reges, Caesares plausum et donatiua meruit : \/ Quod, liberorum bene educatorum copia, quod, nouæ domus admiranda architectura, \/ Palriam auxit, ornauit: amicitiæ ergo. \u003cmeta charset=\"utf-8\"\u003eL. Vorsterman L.M.D.C.Q. \u003cmeta charset=\"utf-8\"\u003eNumbered on the right of the lower margin in graphite: \"41\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Sheet 9 3\/8\" x 6 1\/8\".\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cspan mce-data-marked=\"1\"\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Maarten van den Enden (Dutch, \u003cmeta charset=\"utf-8\"\u003e1605-1673) print publisher. In 1630 he became a member of the Guild of Antwerp. The first publisher of Van Dyck's Iconography. He was an important figure in Antwerp until the mid-1650s.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e1645-1655.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e engraving on laid paper.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eWatermark\u003c\/strong\u003e\u003cspan\u003e: yes.\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Matted (removable).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: laid down. Trimmed. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePart of\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eIcones Principum Virorum.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003e1856,0913.301.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Flemish School XVII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003cspan\u003e: This entry incorporates text from Wikipedia and the catalog entry of the same item from The British Museum collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-3\" style=\"visibility: visible; left: 28px; top: 305px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-3\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\" style=\"left: 35px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42167615848613,"sku":"WOP-481\/BB-2","price":200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0554-2.jpg?v=1672947724"},{"product_id":"portrait-of-jan-van-den-wouwer","title":"Portrait of Jan van den Wouwer. Engraving by Anthony van Dyck, Paulus Pontius, Lucas Vorsterman I. 1630-1641.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: Anthony van Dyck (\u003cmeta charset=\"utf-8\"\u003eFlemish; British, \u003cmeta charset=\"utf-8\"\u003e1599-1641) painter, a pupil of Rubens; in Italy (1621-26) then from 1632 mainly in England where he was knighted by Charles I.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eEtcher\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eAnthony van Dyck.\u003cbr\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e\u003cspan\u003e: Paulus Pontius (\u003cmeta charset=\"utf-8\"\u003eFlemish, \u003cmeta charset=\"utf-8\"\u003e1603-1658) engraver. Pupil of Lucas Vorsterman the elder; worked in Antwerp with Rubens and van Dyck. Succeeded Vorsterman in Rubens' studio in 1624.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eEtcher and engraver\u003c\/strong\u003e: Lucas Vorsterman I (\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFlemish,\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1595-1675), e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003engraver, etcher, draughtsman, and publisher, the finest in Rubens school; broke with Rubens mid-1622 and left the latter's studio after a row. Came to London in 1624, returned to Antwerp via Paris in 1630, and went blind in the 1650s. Teacher of Paulus Pontius.\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Joannes Vanden Wouwer. Joannes Woverius (1576-1636), the Latinized name of Jan van den Wouwer, was a civic and royal office-holder in the Spanish Netherlands.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Numbered, Titled, and Dated:\u003c\/strong\u003e\u003cspan\u003e Lettered below the portrait, in three lines of Latin: \"Dominvs Ioannes Vanden Wovwer \/ Eq. Toparcha Quenastæ Regi Catholico Belli, et \/ Supremi Ærarii in Belgio a Consiliis.\" Lettered in lower margin with production details: \"Anton. van Dÿck pinxit\" and \"Paul Pontius sculpsit.\". Lettered within the image at the top right: \"Ætatis suæ LVIII. \/ Ao M.DC. XXXII.\"\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Platemark 9 3\/8\" x 6 1\/4\" Sheet 15\" x 9 1\/2.\"\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e1630-1641.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e engraving and etching on laid paper.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eWatermark\u003c\/strong\u003e\u003cspan\u003e: yes \u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Matted (removable). Foxing to the mat.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: horizontal crease (smoothed out). \u003cmeta charset=\"utf-8\"\u003eWide margins, cleaned, white paper. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePart of\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cspan class=\"vprefix\" data-mce-fragment=\"1\"\u003eSeries:\u003c\/span\u003e Icones Principum Virorum.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003e1888,0612.4.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Flemish School XVII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003cspan\u003e: This entry incorporates text from Wikipedia and the catalog entry of the same item from The British Museum collection.\u003cbr\u003e- The portrait is based on Van Dyck's painting, now kept in the \u003c\/span\u003ePushkin\u003cspan\u003e\u003cstrong\u003e \u003c\/strong\u003eMuseum of Art in Moscow.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"visibility: visible; left: 30px; top: 103px; opacity: 1;\" aria-describedby=\"bubble-7\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-7\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 37px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowdown\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42171316207781,"sku":"WOP-483\/BB-2","price":1200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0585-2.jpg?v=1673130434"},{"product_id":"anselmus-van-hulle","title":"Anselmus Van Hulle, after. Portrait of Matthäus Wesenbeck. Engraving by Pieter de Bailliu. 1649..","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: Anselmus Van Hulle. (\u003cmeta charset=\"utf-8\"\u003eFlemish, \u003cmeta charset=\"utf-8\"\u003e1594\/1601-1665). \u003cmeta charset=\"utf-8\"\u003ePainter, mainly working in Ghent.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e\u003cspan\u003e: Pieter de Bailliu (\u003cmeta charset=\"utf-8\"\u003eFlemish, \u003cmeta charset=\"utf-8\"\u003e1613-1660), engraver; b. and worked in Antwerp, except for a period in Rome (1631-37).\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Portrait of Matthäus Wesenbeck (\u003cmeta charset=\"utf-8\"\u003e1531 – 1586).\u003cmeta charset=\"utf-8\"\u003e Wesenbeck was a Protestant writer widely known and cited during his time. He taught at Jena and Wittenberg. \u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Numbered, Titled, and Dated:\u003c\/strong\u003e\u003cspan\u003e Lettered around the image with: \"Expedit firmare animvm constantibvs exemplis\" and below the image with: \"MATTHAEVS, \/ Matthaei Iuris Consti Sen è filio nepos, \/ WESENBECIVS Iunior. \/ Serenissimi Electoris Brandenburgici Consiliarius \/ intimus eiusdemq ad Pacis Universalis Tractatus \/ in Westphalia Legatus. \/ aetat 48\", and production detail: \"Anselmus van Hulle pinxit. Pet. Baillieu scul\", \"Cum priuilegio Regum et Hollandiae Ordinum\", \"1649\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Sheet 12 1\/4\" x 8 1\/4\". Mat 20\" x 13\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e1649.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e engraving on laid paper affixed at the upper corners.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Matted. The mat bears the label of the Lakeside Studio, Lakeside, Michigan (before 1987).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  \u003cmeta charset=\"utf-8\"\u003eLakeside Studio, Lakeside, Michigan (before 1987).\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e- The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003e1871,1111.747.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Flemish School XVII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003cspan\u003e: This entry incorporates text from Wikipedia and the catalog entry of the same item from The British Museum collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-3\" style=\"visibility: visible; left: 30px; top: 286px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-3\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\" style=\"left: 37px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42171495219365,"sku":"WOP-484\/BB-2","price":200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0603-2_318643f0-d545-483b-89ee-1f405eaf31b1.jpg?v=1673474385"},{"product_id":"anthony-van-dyck-after-portrait-of-charles-i-1633-1670","title":"Anthony van Dyck, after. Portrait of Charles I. Engraving by Jan Meyssens. 1633-1670.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: Anthony van Dyck (\u003cmeta charset=\"utf-8\"\u003eFlemish; British, \u003c\/span\u003e\u003cspan\u003e1599-1641). \u003c\/span\u003ePainter, the pupil of Rubens, in Italy (1621-26), then from 1632 mainly in England where he was knighted by Charles I.\u003cbr\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e\u003cspan\u003e: Jan Meyssens, painter, engraver, and publisher. Born in Brussels in 1612 and moved to Antwerp in 1640 where he died in 1670. He published work by Wenceslaus Hollar and prints after portraits of artists, 'Diverse Hommes d'Esprit sublime,' in the manner of van Dyck's Iconography.\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003ePortrait of Charles I King of England. Charles I (1600 – 1649) was King of England, Scotland, and Ireland from 1625 until his execution in 1649.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Numbered, Titled, and Dated:\u003c\/strong\u003e\u003cspan\u003e Carolus dei Gratia Magnae Britanniae Franciae et Hibern. Rex. \u003cmeta charset=\"utf-8\"\u003eAntonius Van Dyck Pinxit. [Ioan Meyssens - scraped] excudit.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Sheet 9 3\/8\" x 7 1\/4\". Mat 20\" x 13\".\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e1633-1670.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e etching and engraving on laid paper. Affixed at corners.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Matted. \u003cmeta charset=\"utf-8\"\u003eThe old mat bears the label of the Lakeside Studio, Lakeside Michigan (before 1987).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  \u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003eLakeside Studio, Lakeside, Michigan (before 1987).\u003cbr\u003e- The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003ethread margins to three sides. The impression was made from the worn plate. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003eP,2.16.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Flemish School XVII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003cspan\u003e: This entry incorporates text from Wikipedia and the catalog entry of the same item from The British Museum collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"visibility: visible; left: 18px; top: 227px; opacity: 1;\" aria-describedby=\"bubble-3\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-3\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv tabindex=\"0\" role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 24.5px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42171530018981,"sku":"WOP-485\/BB-2","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0611-2.jpg?v=1673527813"},{"product_id":"self-portrait-of-herman-saftleven-engraving-by-conraad-waumans-1649-c","title":"Herman Saftleven, after. Self-Portrait. Engraving by Conraad Waumans. 1649 (c).","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: Herman Saftleven (Dutch, \u003cmeta charset=\"utf-8\"\u003e1609-1685), after. \u003cmeta charset=\"utf-8\"\u003ePainter, etcher, and publisher. \u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e\u003cspan\u003e:  Conraad Waumans (Flemish, \u003cmeta charset=\"utf-8\"\u003e1619-\u003cmeta charset=\"utf-8\"\u003eafter 1675 ). \u003cmeta charset=\"utf-8\"\u003eEngraver and draughtsman. Between 1633-34 pupil of Paulus Pontius. In 1636 or 1637 he became a member of the guild of St. Luke in Antwerp.\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Portrait of Herman Saftleven (\u003cmeta charset=\"utf-8\"\u003eafter a self-portrait).\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Numbered, Titled, and Dated\u003c\/strong\u003e\u003cspan\u003e: [No] 68. \u003cmeta charset=\"utf-8\"\u003eHerman Saftleven.\/Natif de Rotterdam en l'an 1609 un bon peintre en paijsages\/au commencement ii faisoit paijsanes, et granges\/nais au present il a sa seule delectation en paijsages sa residense\/ est en la villa d'Utrecht.\/H.Haftleven pinx.\/Coen Woumans sculpsit. \/I.Meljssens excudit.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Image\/plate 6 1\/2\" x 4 1\/2\". Sheet 9 3\/4\" x 6 3\/8\".\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Jan Meyssens (Flemish, \u003cmeta charset=\"utf-8\"\u003e1613-1670) painter, engraver, and publisher. \u003cmeta charset=\"utf-8\"\u003eHe published work by Wenceslaus Hollar and prints after portraits of artists, 'Diverse Hommes d'Esprit sublime', in the manner of van Dyck's Iconography.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition\u003c\/b\u003e: The prints were known to be published in six different editions. ...  Third in \"The True Effigies of the Most Eminent Painters and other Famous Artists that have flourished in Europe curiously engraved on 125 copper plates\" (1694; re-published in 1705). The prints are often found with manuscript pen and ink numbering. These impressions are here catalogued as belonging to the third edition.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e1649 \u003cspan class=\"vsuffix\" data-mce-fragment=\"1\"\u003e(c).\u003c\/span\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e engraving on laid paper.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003cstrong\u003eCatalog Raisonne\u003c\/strong\u003e: \u003cbr\u003e- Beschrijvende catalogus van 7000 portretten, van Nederlanders, en van buitenlanders, tot Nederland in betrekking staande, afkomstig uit de collectiën: de Burlett, Verstolk van soelen, Lamberts, enz \u003cmeta charset=\"utf-8\"\u003eBy  \u003cmeta charset=\"utf-8\"\u003eFrederik\u003cbr\u003eMuller 1853. No. 4671.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePart of \u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cspan class=\"vprefix\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSeries\u003c\/strong\u003e:\u003c\/span\u003e Image de divers hommes (1649). \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003eSheepshanks.7349.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Flemish School XVII C. Dutch School XVII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003cspan\u003e: This entry incorporates text from Wikipedia and the catalog entry of the same item from the \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBritish Museum\u003c\/span\u003e\u003cspan\u003e collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-2\" style=\"visibility: visible; left: 135px; top: 202px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-2\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\" style=\"left: 142.273px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42192332783781,"sku":"WOP-515\/WB-1","price":90.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0842-2.jpg?v=1674702520"},{"product_id":"portrait-of-hendrick-berckman","title":"Self-portrait of Hendrick Berckman. Engraving by Conraad Waumans. 1662.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: Hendrick Berckman (Dutch, \u003cmeta charset=\"utf-8\"\u003e1629-1679), Dutch painter, active in Leiden and Middelburg, self-portrait, after.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e\u003cspan\u003e:  Conraad Waumans (Flemish, \u003cmeta charset=\"utf-8\"\u003e1619-\u003cmeta charset=\"utf-8\"\u003eafter 1675 ). \u003cmeta charset=\"utf-8\"\u003eEngraver and draughtsman. Between 1633-34 pupil of Paulus Pontius. In 1636 or 1637 he became a member of the guild of St. Luke in Antwerp.\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Portrait of Hendrick Berckman. \u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Numbered, Titled, and Dated\u003c\/strong\u003e\u003cspan\u003e: [No] 94. Hendrick Berckmans. H. \u003cmeta charset=\"utf-8\"\u003eBerckmans pinxit. \u003cmeta charset=\"utf-8\"\u003eC. Waumans sculp. J. \u003cmeta charset=\"utf-8\"\u003eMeyssens excudit.\u003cbr data-mce-fragment=\"1\"\u003eNaquit en la villette de Clunder située proche de Willemstat. Il fut disciple de Philippe Wouerman Peintre extraordinaire en Batailles en la ville de Harlem. Puis après il fit son apprentissage en Postures ou Figures chez Thomas Willeborts et Jaques Jordaens en Anvers. Ses Pièces sont fort estimées, particulièrement ses Pourtraits. Il tient sa residence à Middelbourg en Zélande.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Image\/plate 7\" x 4 3\/4\". Sheet 9 1\/2\" x 6 1\/2\".\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Jan Meyssens (Flemish, \u003cmeta charset=\"utf-8\"\u003e1613-1670) painter, engraver, and publisher. \u003cmeta charset=\"utf-8\"\u003eHe published work by Wenceslaus Hollar and prints after portraits of artists, 'Diverse Hommes d'Esprit sublime', in the manner of van Dyck's Iconography.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: 1662.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e engraving on laid paper.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003cstrong\u003eCatalog Raisonne\u003c\/strong\u003e: \u003cbr\u003e- Beschrijvende catalogus van 7000 portretten, van Nederlanders, en van buitenlanders, tot Nederland in betrekking staande, afkomstig uit de collectiën: de Burlett, Verstolk van soelen, Lamberts, enz \u003cmeta charset=\"utf-8\"\u003eBy  \u003cmeta charset=\"utf-8\"\u003eFrederik\u003cbr\u003eMuller 1853. No. 349.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: The Rijksmuseum \u003cmeta charset=\"utf-8\"\u003eRP-P-OB-61.247.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Flemish School XVII C. Dutch School XVII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003cspan\u003e: This entry incorporates text from Wikipedia and the catalog entry of the same item from the \u003cmeta charset=\"utf-8\"\u003eRijksmuseum\u003c\/span\u003e\u003cspan\u003e collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"visibility: visible; left: 133px; top: 163px; opacity: 1;\" aria-describedby=\"bubble-4\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-4\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv tabindex=\"0\" role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 140.172px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowdown\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42192878665893,"sku":"WOP-516\/WB-1","price":90.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0834-2.jpg?v=1674702423"},{"product_id":"jan-both-les-deux-vaches-au-bord-de-leau","title":"Jan Both. Travellers and their mules on the wooden bridge near Sulmona and Tivoli. Etching. 1636-1652.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eJan Both (Dutch, c. 1618–1652), painter, draughtsman, and etcher, worked in Utrecht. In Rome 1638-1641 and Venice 1641-1642.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Travellers and their mules on the wooden bridge near Sulmona and Tivoli.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned \u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003ein plate lower left corner: \"Both fe.\" Collector's stamp LKB (for \u003cmeta charset=\"utf-8\"\u003eLouis H. Kohn, Chicago) verso.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Sheet 8\" x 11\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e1636-1652.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e etching on laid paper.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  \u003cmeta charset=\"utf-8\"\u003eCollection of Louis H. Kohn, Chicago, Illinois (Lugt 1730).\u003cbr\u003eThe Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Trimmed margins. Remnants of glue verso. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003cstrong\u003eCatalog Raisonne\u003c\/strong\u003e: Bartsch. Le Peintre graveur (V.210.10).\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePart of\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Views of Rome and its surroundings, \u003cmeta charset=\"utf-8\"\u003eseries of six plates.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003eF,2.73.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Flemish School XVII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003cspan\u003e: This entry incorporates text from Wikipedia and the catalog entry of the same item from the \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBritish Museum\u003c\/span\u003e\u003cspan\u003e collection.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"visibility: visible; left: 28px; top: 90px; opacity: 1;\" aria-describedby=\"bubble-2\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-2\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 35px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42196929282213,"sku":"WOP-522\/WB-3","price":180.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0863-2.jpg?v=1674855454"},{"product_id":"jan-both-view-of-tivoli-with-two-cowherds-in-conversation-etching-1636-1652","title":"Jan Both. View of Tivoli with two cowherds in conversation. Etching. 1636-1652.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eJan Both (Dutch, c. 1618–1652), painter, draughtsman, and etcher, worked in Utrecht. In Rome 1638-1641 and Venice 1641-1642.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eView of Tivoli with two cowherds in conversation.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned \u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003ein plate lower left corner: \"Both fe.\" Collector's stamp LKB (for \u003cmeta charset=\"utf-8\"\u003eLouis H. Kohn, Chicago) verso.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Sheet 8 1\/4\" x 11 3\/8\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e1636-1652.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e etching on laid paper.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  \u003cmeta charset=\"utf-8\"\u003eCollection of Louis H. Kohn, Chicago, Illinois (Lugt 1730).\u003cbr data-mce-fragment=\"1\"\u003eThe Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Trimmed margins. Remnants of glue verso. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCatalog Raisonne\u003c\/strong\u003e: Bartsch \/ Le Peintre graveur (\u003cmeta charset=\"utf-8\"\u003e(V.209.8).\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePart of\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Views of Rome and its surroundings, \u003cmeta charset=\"utf-8\"\u003eseries of six plates.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003eF,2.80.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Flemish School XVII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: This entry incorporates text from Wikipedia and the catalog entry of the same item from the \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBritish Museum\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e collection.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv id=\"gtx-anchor\" style=\"position: absolute; visibility: hidden; left: 46.4922px; top: 62.6875px; width: 316.891px; height: 16.5px;\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-4\" style=\"visibility: visible; left: 190px; top: 90px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-4\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\" style=\"left: 196.992px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42198790013093,"sku":"WOP-523\/WB-3","price":180.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0852-2.jpg?v=1674857517"},{"product_id":"jan-both-fishermen-fishing-in-the-river-tiber-near-mount-soracte-etching-1636-1652","title":"Jan Both. Fishermen fishing in the river Tiber near Mount Soracte. Etching. 1636-1652.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eJan Both (Dutch, c. 1618–1652), painter, draughtsman, and etcher, worked in Utrecht. In Rome 1638-1641 and Venice 1641-1642.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:  \u003cmeta charset=\"utf-8\"\u003eFishermen fishing in the river Tiber near Mount Soracte.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned \u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003ein plate lower left corner: \"Both fe.\" Collector's stamp LKB (for \u003cmeta charset=\"utf-8\"\u003eLouis H. Kohn, Chicago) Lugt, 1730 verso.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Sheet 8\" x 11\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e1636-1652.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e etching on laid paper.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  \u003cmeta charset=\"utf-8\"\u003eCollection of Louis H. Kohn, Chicago, Illinois (Lugt, 1730).\u003cbr data-mce-fragment=\"1\"\u003eThe Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Trimmed margins. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCatalog Raisonne\u003c\/strong\u003e: Bartsch. Le Peintre graveur (\u003cmeta charset=\"utf-8\"\u003eV.210.9).\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePart of\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Views of Rome and its surroundings, \u003cmeta charset=\"utf-8\"\u003eseries of six plates.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003eF,2.72.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Flemish School XVII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: This entry incorporates text from Wikipedia and the catalog entry of the same item from the \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBritish Museum\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"visibility: visible; left: -187px; top: 144px; opacity: 1;\" aria-describedby=\"bubble-3\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-3\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 274.266px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowdown\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42198846144677,"sku":"WOP-524\/WB-3","price":180.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0860-2.jpg?v=1674857638"},{"product_id":"pilate-showing-christ-to-the-people","title":"Crispijn de Passe the Elder. Pilate showing Christ to the people. Engraving. 1601.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: Crispijn de Passe the Elder (Flemish, \u003cmeta charset=\"utf-8\"\u003e1564-1637), draughtsman, engraver, and publisher.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003ePilate showing Christ to the people, 'Ostentatio Christi', 'Ecce Homo' (John 19:4-6). \u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitled, Dated, and Signed in plate\u003c\/strong\u003e: \"ECCE HOMO...MDCI\" in the surrounding oval; \"Crispin de Passe figurauit et excudit Coloniae.\" \u003cmeta charset=\"utf-8\"\u003e[The entire inscription is cut off and published here as the reference only].\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: 5\" x 4 7\/8\".\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e: 1601.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e engraving on paper, the oval trimmed to the \u003c\/span\u003e\u003cspan\u003eimage.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003c\/span\u003eThe print was laid down, currently partially removed from support. Remnants of support verso. A minor close tear. \u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eCatalog Raisonne\u003c\/strong\u003e: D. Franken. L'œuvre gravé des van de Passe. Amsterdam-Paris, 1881. p. 19-20. \"Jésus presente au peuple.\"\u003cbr\u003e\u003cstrong\u003ePart of\u003c\/strong\u003e: \"Oval Passion\" or just \"Le Passion,\" 20 plates.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: The \u003cmeta charset=\"utf-8\"\u003eRijksmuseum \u003cmeta charset=\"utf-8\"\u003eRP-P-OB-102.74. \u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e: Flemish School XVI C.\u003cbr\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003cspan\u003e: This entry incorporates text from Wikipedia and the catalog entry of a similar item from the \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eRijksmuseum\u003c\/span\u003e\u003cspan\u003e collection.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"position: absolute; visibility: hidden; left: 46.4922px; top: 62.6875px; width: 225.461px; height: 16.5px;\" id=\"gtx-anchor\" data-mce-style=\"position: absolute; visibility: hidden; left: 46.4922px; top: 62.6875px; width: 225.461px; height: 16.5px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"visibility: visible; left: 144px; top: 90px; opacity: 1;\" aria-describedby=\"bubble-5\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\" data-mce-style=\"visibility: visible; left: 144px; top: 90px; opacity: 1;\"\u003e\n\u003cdiv id=\"bubble-5\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\" data-mce-style=\"min-width: 200px; max-width: 400px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv tabindex=\"0\" role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" data-mce-tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 150.992px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\" data-mce-style=\"left: 150.992px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42277627658405,"sku":"WOP-628\/WB-1","price":300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_1586-2.jpg?v=1679449528"},{"product_id":"philips-galle-glaucus-engraving-1586","title":"Philips Galle. Glaucus and Scylla. Engraving. 1586.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e: Philips Galle (Flemish, \u003cmeta charset=\"utf-8\"\u003e1537-1612), leading engraver and print dealer based in Antwerp. \u003cmeta charset=\"utf-8\"\u003eOne of the most prolific publishers in Europe in the second half of the sixteenth century after Cock died in 1570. \u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eGlaucus [and Scylla].\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitled, Dated, and Signed in plate\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eGlaucus.  \u003cmeta charset=\"utf-8\"\u003ePh[i]l[ip]s Gall[e] inven. et Scalp.\" Numbered in the lower right corner: \"4\". Collector's mark \u003cmeta charset=\"utf-8\"\u003eInitial S in the rectangular frame in red ink resto.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e: Sheet 6 1\/2\" x 3 3\/4\" (trimmed to borderline).\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e: Philips Galle.\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003e1586.\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e engraving on paper.\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  \u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e- Lugt 2343 \u003cmeta charset=\"utf-8\"\u003e(not identified), Louis Fagan 461.\u003cbr\u003e\u003c\/span\u003e- The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Laid down; \u003c\/span\u003esoiling, stains, abrasions. \u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003cstrong\u003ePart of\u003c\/strong\u003e: Series: Semideorum Marinorum Amnicorumque Sigillariæ Imagines Perelegantes (Sea and River Gods), \u003cmeta charset=\"utf-8\"\u003eone of a series of sixteen illustrations of sea and river gods by Galle.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003e1942,0720.1.26.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e: Flemish School XVI C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eNotes\u003c\/strong\u003e: \u003cbr\u003e-This entry incorporates text from Wikipedia and the catalog entry of a similar item from the \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBritish Museum\u003c\/span\u003e collection.\u003cbr\u003e\u003cb\u003e -\u003c\/b\u003eThe nymph Scylla is portrayed at the moment Circe, jealous of Glaucus' love for her, transforms Scylla into a six-headed monster, here shown with canine heads. Later Scylla is transformed into a crop of rocks, as suggested by the rocky shore in the distance.\u003c\/p\u003e\n\u003cdiv style=\"visibility: visible; left: 28px; top: 70px; opacity: 1;\" aria-describedby=\"bubble-2\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-2\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 35px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42315308302501,"sku":"WOP-649\/WB-1","price":300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_1776-2.jpg?v=1681820667"},{"product_id":"philips-galle-glaucus-and-scylla-engraving-1586","title":"Philips Galle. Rodanus. Engraving. 1586.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e: Philips Galle (Flemish, \u003cmeta charset=\"utf-8\"\u003e1537-1612), leading engraver and print dealer based in Antwerp. \u003cmeta charset=\"utf-8\"\u003eOne of the most prolific publishers in Europe in the second half of the sixteenth century after Cock died in 1570. \u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eRodanus.\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitled, Dated, and Signed in plate\u003c\/strong\u003e: Rodanus. Below at left: \"Ph[i]l[ip]s Gall[e] inve. et fecit.\" Numbered in the lower right corner: \"14\". Collector's mark \u003cmeta charset=\"utf-8\"\u003eInitial S in the rectangular frame in red ink resto.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e: Sheet 6 1\/2\" x 3 3\/4\" (trimmed to borderline).\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e: Philips Galle.\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003e1586.\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e engraving on paper.\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  \u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e- Lugt 2343 \u003cmeta charset=\"utf-8\"\u003e(not identified), Louis Fagan 461.\u003cbr\u003e\u003c\/span\u003e- The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Laid down; \u003c\/span\u003esoiling, stains, tears, abrasions. The lower right corner with \"14\" is lost (burnt). \u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003cstrong\u003ePart of\u003c\/strong\u003e: Series: Semideorum Marinorum Amnicorumque Sigillariæ Imagines Perelegantes (Sea and River Gods), \u003cmeta charset=\"utf-8\"\u003eone of a series of sixteen illustrations of sea and river gods by Galle.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003e1942,0720.1.26.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e: Flemish School XVI C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eNotes\u003c\/strong\u003e:\u003cbr\u003e-This entry incorporates text from Wikipedia and the catalog entry of a similar item from the \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBritish Museum\u003c\/span\u003e collection.\u003cbr\u003e -\u003cmeta charset=\"utf-8\"\u003ePersonification of the river Rhone.\u003c\/p\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-2\" style=\"visibility: visible; left: 62px; top: 129px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-2\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\" style=\"left: 68.9922px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42330406944933,"sku":"WOP-668\/WB-1","price":180.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_1838-2.jpg?v=1682028818"},{"product_id":"david-teniers-the-younger-after-the-miseries-of-war-etching-by-jacques-philippe-le-bas","title":"David Teniers the Younger, after. The miseries of war. Color etching by Jacques Philippe Le Bas. 1735-1783.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: David Teniers the Younger, (Flemish, 1610 - 1690), after. \u003cmeta charset=\"utf-8\"\u003eHe was an extremely versatile artist known for his prolific output.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eEngraver\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eJacques Philippe Le Bas (1707 - 1783) \u003cmeta charset=\"utf-8\"\u003ewas a French engraver, head of the largest engraving workshop in Paris during the 18th century.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eLes misères de la guerre.\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitled, Dated, and Signed in plate\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eNumbered on plate: 'No.3'; lettered with names of producers, publication address: 'AParis chez Jac. Ph. Le Bas (...) rue de la Harpe'; \"D. Teniers pinx\"; \"Jac. Ph. le Bas Sculp\"; \"Les misères de la guerre\". \u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Image 10 1\/4\" x 14 1\/4\". Frame 14 3\/4\" x 17 1\/2\".\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e: Jacques Philippe Le Bas.\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003e1735-1783.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e  Color etching on paper.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:  Wear, stains, foxing. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eCatalog Raisonne\u003c\/strong\u003e: IFF \/ Inventaire du Fonds Français: Bibliothèque Nationale, Département des Estampes (346).\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003e1850,0713.82.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e: French School XVIII C. \u003cmeta charset=\"utf-8\"\u003eFlemish School XVII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003cspan\u003e: This entry incorporates text from the catalog entry of a similar item from the \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBritish Museum\u003c\/span\u003e\u003cspan\u003e collection.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"position: absolute; visibility: hidden; left: 8px; top: 434.969px; width: 51.4141px; height: 16.5px;\" id=\"gtx-anchor\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"visibility: visible; left: 19px; top: 320px; opacity: 1;\" aria-describedby=\"bubble-4\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-4\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 25.5px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowdown\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42349824376997,"sku":"WOP-697\/BB-4","price":140.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/files\/IMG_1944-2_8ce0f3ad-4e07-4676-a491-f9bf3ada5464.jpg?v=1735921300"},{"product_id":"maarten-de-vos-after-conversion-of-paul-st-paul-escaping-damascus-two-engravings-c-1580","title":"Maarten de Vos, after. Conversion of Paul; St. Paul escaping Damascus. Two engravings. c. 1580.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan\u003e:  Maarten de Vos (Flemish, \u003cmeta charset=\"utf-8\"\u003e1532-1603), after.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Conversion of Paul VI. \u003cmeta charset=\"utf-8\"\u003eSt. Paul escaping Damascus XII.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitled, Dated, and Signed in plate\u003c\/strong\u003e: Lettered on margin, below image, with two lines in Latin: 'Dum sanctos...ruens'; signed on image: 'M. de Vos invent.'; numbered 'VI' on margin. Lettered on margin, below image, with two lines in Latin: 'Converso Paulo...virum'; signed on image: 'M. de Vos invent.'; numbered 'XII' on margin.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Sheets 7 3\/4\" x 5 1\/4\".\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e: Gerard de Jode (Flemish, \u003cmeta charset=\"utf-8\"\u003e1516\/17-1591). \u003cmeta charset=\"utf-8\"\u003eDe Jode published many engravings by Johannes Wierix, Harmen Muller, Adriaen Collaert, Johannes Sadeler, and after Flemish designers such as Maarten de Vos and Ambrosius Francken. His greatest project was a set of Bible illustrations, finally published under the title 'Thesaurus Veteris et Novi Testamenti' in 1585; the plates were constantly updated.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cb data-mce-fragment=\"1\"\u003eEdition\u003c\/b\u003e: [Series] Thesaurus Novi Testamenti elegantissimis iconibus expressus continens historias atque miracula do[mi] ni nostri Iesu Christi\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e: c. \u003cmeta charset=\"utf-8\"\u003e1580.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e engraving on laid paper.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: poor, especially, \u003cmeta charset=\"utf-8\"\u003eConversion of Paul VI. Worn, tanned, discoloration, old repairs, remnants of glue, hinges. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003cstrong\u003ePart of\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eThesaurus Novi Testamenti... (\u003cmeta charset=\"utf-8\"\u003eActs of the Apostles). (series title) Nos. VI and XII.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:  \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eThe British \u003cmeta charset=\"utf-8\"\u003eMuseum \u003cmeta charset=\"utf-8\"\u003e1968,1018.1.362, \u003cmeta charset=\"utf-8\"\u003e1968,1018.1.368.\u003cbr\u003eThe Rijksmuseum \u003cmeta charset=\"utf-8\"\u003eRP-P-OB-68.144; \u003cmeta charset=\"utf-8\"\u003eRP-P-OB-68.148.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e: Flemish School XVI C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003cspan\u003e: This entry incorporates text from Wikipedia and the catalog entry of a similar item from the \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBritish Museum\u003c\/span\u003e\u003cspan\u003e collection.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv id=\"gtx-anchor\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-2\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-2\"\u003e\n\u003cdiv id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42463640584357,"sku":"WOP-813\/BLBI-1","price":80.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/files\/IMG_2801-2.jpg?v=1690583094"},{"product_id":"david-deuchar-bust-of-a-man-wearing-a-wide-brimmed-hat-etching-c-1782-1803","title":"David Deuchar. Bust of a man wearing a wide-brimmed hat. Etching. C. 1782-1803.","description":"\u003cp\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e: David Deuchar (British, 1743-1808).\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eBust of a man wearing a wide-brimmed hat.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eTitled and dated \u003c\/strong\u003ein plate with monogram D.D. and date 1780.\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e: Image 2 5\/8\" x 2 1\/4\". Supporting sheet 7 1\/8\" x 9\".\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition:   \u003c\/b\u003eA collection of etchings after the most eminent masters of the Dutch and Flemish schools...  accompanied with [sic]…a few original designs by David Deuchar. Edinburgh, 1803.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003ec.1782-1803.\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e: etching on wove paper.\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e:  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e: Laid down. The signs of aging are appropriate for the time. A detailed condition report is available on demand.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003e1861,0413.129.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e: British School XVIII C.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e: This entry incorporates text from the catalog entry and uses the catalog description of the same item from the collection of the British Museum.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv id=\"gtx-anchor\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv aria-describedby=\"bubble-2\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-2\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42511147565221,"sku":"WOP-838\/WB-4","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/files\/IMG_3032-2.jpg?v=1693864313"},{"product_id":"peter-paul-rubens-after-theodoor-galle-after-the-adoration-of-the-magi-engraving","title":"Peter Paul Rubens, after. Theodoor Galle, after. The Adoration of the Magi. Engraving. Circa 1614-1650.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: Peter Paul Rubens, after.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eEngraver\u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e: Dirck or Theodoor Galle (1571 – 1633) was a Flemish Baroque engraver, after.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: The Adoration of the Magi.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Sheet 10 7\/8\" x 6 7\/8\".\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e: presumably, Moretus à Anvers.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cb data-mce-fragment=\"1\"\u003eEdition\u003c\/b\u003e: \u003cmeta charset=\"utf-8\"\u003ean unidentified edition of \"Missale Romanum\".\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eCirca \u003cmeta charset=\"utf-8\"\u003e1614-1650.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e engraving on paper.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Laid down, restored. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eCatalog \u003cmeta charset=\"utf-8\"\u003eRaisonné\u003c\/strong\u003e: C.G. Voorhelm Schneevoogt. Catalogue des estampes gravées d'après P.P.Rubens. 1873. p.210-211. No. 8\/2.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: (without \u003cmeta charset=\"utf-8\"\u003e\"P. Rubens invent.\" lower left) The British Museum \u003cmeta charset=\"utf-8\"\u003e1891,0414.576.+ and CEI - Ufficio Nazionale per i beni culturali ecclesiastici e l'edilizia di culto. \u003cmeta charset=\"utf-8\"\u003eInventario dei beni storici e artistici della diocesi di Bergamo.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e: Flemish School XVII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003cspan\u003e: This entry incorporates text from the catalog entry of a similar item from the \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBritish Museum\u003c\/span\u003e\u003cspan\u003e collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"visibility: visible; left: 114px; top: 113px; opacity: 1;\" aria-describedby=\"bubble-2\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-2\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 117px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42512518414501,"sku":"WOP-840\/WB-4","price":130.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/files\/IMG_3058-2_72c38449-daf3-4b84-89b8-1c35385f0d0b.jpg?v=1693954976"},{"product_id":"portrait-of-sir-christopher-myngs-engraving-circa-1660s","title":"Cornelis Meyssens. Portrait of Sir Christopher Myngs. Engraving. circa 1660s.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: after Unknown artist (\u003cmeta charset=\"utf-8\"\u003eNational Portrait Gallery \u003cmeta charset=\"utf-8\"\u003eNPG D47465)\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e: Meyssens Cornelis Anversa, ante 1640 - ?, ? (Istituto Centrale per la Grafica con la Reale Accademia di Belle Arti di San Fernando (Madrid, Spagna. \u003c\/span\u003eNumero inventario\u003cspan\u003e S-FN18005).  \u003cmeta charset=\"utf-8\"\u003eMeyssens was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. \u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e Sir Christopher Myngs \u003c\/span\u003e(1625-1666), \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAdmiral.\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitled in plate\u003c\/strong\u003e: Christoforo Mingh T.Amiraglio della Flotta Inglese. Erased 715 u.r. Various notes.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Sheet 9\" x 6 1\/4\".\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003etaken from Historia di Leopoldo Cesare: continent the most memorable things that happened in Europe, from 1656 until 1670 publisher Giovanni Battista Hacque (site \u003cmeta charset=\"utf-8\"\u003ePreziosi Scritti).\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cb data-mce-fragment=\"1\"\u003eEdition\u003c\/b\u003e: Meyssens collaborated on the publication Historia di Leopoldo Cesare written by Galeazzo Gualdo Priorato and published in Vienna by the Flemish publisher from Antwerp Johann Baptist Hacque.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e: circa 1660s. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e line engraving on laid paper.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Edges are reinforced verso. Wear. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: National Portrait Gallery \u003cmeta charset=\"utf-8\"\u003eNPG D47465. \u003cmeta charset=\"utf-8\"\u003eNational Maritime Museum, Greenwich, London \u003cmeta charset=\"utf-8\"\u003ePAD2561.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e: Flemish School XVII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003cspan\u003e: \u003cbr\u003e- This entry incorporates text from Wikipedia. \u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"visibility: visible; left: 144px; top: 143px; opacity: 1;\" aria-describedby=\"bubble-3\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-3\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv tabindex=\"0\" role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 146.5px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42535137902757,"sku":"WOP-862\/WB-4","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/files\/IMG_3256-2.jpg?v=1696002557"},{"product_id":"portrait-of-louis-de-france","title":"François de Troy, after. Portrait of Louis, Dauphin of France. Engraving by Pierre van Schuppen. 1684.","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eFrançois de Troy (French, \u003cmeta charset=\"utf-8\"\u003e1645-1730), portrait painter; entered the Academie de Peinture in 1674, became its director in 1708, and its rector in 1722.\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eEngraver\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003ePierre van Schuppen (French, \u003cmeta charset=\"utf-8\"\u003e1627-1702), portrait engraver. Master in Guild of St Luke 1651\/2. Moved to Paris in 1655 as collaborator of Nanteuil. Nicknamed 'le petit Nanteuil'. Member of the Académie on its foundation in 1663.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003ePortrait of Louis de France, the Grand Dauphin.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitled, Dated, and Signed in plate\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003e Ludovicus delphinus Ludovici Magni filius. \u003cmeta charset=\"utf-8\"\u003eFrancis de Troy ad vivum Pinxit et ex cum Privil. Regis. P. van Schuppen Sculpsit 1684. With motto above each of the four emblem: 'Aspicit atque se pingit', 'Ex sole decor', 'Extendo cum sole ramos', and 'Per me renascetur'\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Platemark\/Image 17 1\/2\" x 15\". Sheet 20\" x 17\".\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e: 1684, printed later.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003cmeta charset=\"utf-8\"\u003eEtching and engraving on wove paper.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Soiling, damp stains, and some tears. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time. A detailed condition report is available on demand.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eCatalog \u003cmeta charset=\"utf-8\"\u003eRaisonné\u003c\/strong\u003e: Firmin-Didot, Ambroise. Les graveurs de portraits en France : catalogue raisonné de la collection de portraits de l'École français. No. 2210, p. 399. Louis de France, surnommé le Grand Dauphin, 1661-1711.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003e1927,1008.186.\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e: French School XVII C. Flemish School XVII C.\u003cbr\u003e\u003cb\u003eNote\u003c\/b\u003e: Louis, Dauphin of France (1661 – 1711), commonly known as le Grand Dauphin, was the eldest son and heir of King Louis XIV and his spouse, Maria Theresa of Spain. He became known as the Grand Dauphin after the birth of his own son, Louis, Duke of Burgundy, the Petit Dauphin. He and his son died before his father and thus never became kings.\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAcknowledgement\u003c\/strong\u003e: This entry incorporates text from Wikipedia and the catalog entry of a similar item from the \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBritish Museum\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e collection.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-2\" style=\"visibility: visible; left: 103px; top: 143px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-2\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\" style=\"left: 105.5px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42699974246565,"sku":"WOP-949\/BB-3","price":800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/files\/IMG_4710-2.jpg?v=1701916305"},{"product_id":"jan-luyken-after-the-french-fury-in-antwerp-1583","title":"Jan Luyken, after. The French Fury in Antwerp, 1583. Etching by Gaspar Bouttats. C. 1687.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: Johannes or Jan Luyken (1649 – 1712) was a Dutch poet, illustrator, and engraver, after.\u003cbr\u003e\u003c\/span\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-mce-fragment=\"1\"\u003eEngraver\u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e: Gaspar Bouttats the Elder (c. \u003ca href=\"tel:1640%20%E2%80%93%201695\/96\"\u003e1640 – 1695\/96\u003c\/a\u003e) was a Flemish printmaker and engraver of the Baroque period.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eDe Franse Furie te Antwerpen, 1583. (The French Fury in Antwerp, 1583).\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitled, Dated, and Signed in plate\u003c\/strong\u003e: Folio 249 (u.r. corner). \u003cmeta charset=\"utf-8\"\u003eEmpresa malograda del Duque de Anjou sobre la villa de Amberez en el año de 1583. Gasp. \u003cmeta charset=\"utf-8\"\u003eBouttats fecit.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Print 12\" x 15 1\/2\".  Supporting sheet 14\" x 22\".\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cb data-mce-fragment=\"1\"\u003eEdition\u003c\/b\u003e: \u003cmeta charset=\"utf-8\"\u003eLas guerras de Flandes desde la mverte del emperador Carlos V. hasta la conclusión de la Tregua de doze años. By Guido Bentivoglio, Basilio Varen de Soto. 1687.  \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e: c. 1687.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003eEtching on laid paper. \u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e: Fixed to the support alongside the upper edge.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Matting in a poor condition and priced accordingly. Single wormhole to the lower margin. Wrinkles. The signs of aging are appropriate for the time. A detailed condition report is available on demand.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cbr\u003e\u003cstrong\u003ePart of\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eFolded as a part of the book, \u003cmeta charset=\"utf-8\"\u003ep.248.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: The Rijksmuseum \u003cmeta charset=\"utf-8\"\u003eRP-P-OB-79.897.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e: Dutch School XVII C. Flemish School XVII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003cspan\u003e: The French Fury refers to the attempt by Francis of Anjou to take Antwerp by surprise via the Kipdorp Bridge on January 17, 1583.\u003cbr\u003e\u003cstrong\u003eAcknowledgement\u003c\/strong\u003e: This entry incorporates text from Wikipedia and the catalog entry of a similar item from the \u003cmeta charset=\"utf-8\"\u003eRijksmuseum\u003c\/span\u003e\u003cspan\u003e collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"visibility: visible; left: 48px; top: 230px; opacity: 1;\" aria-describedby=\"bubble-3\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-3\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 280.023px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42731600576677,"sku":"WOP-954\/BB-3","price":200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/files\/IMG_4816-2.jpg?v=1701954757"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/collections\/IMG_4343-2.jpg?v=1778269071","url":"https:\/\/www.goldinfineart.com\/collections\/flemish-art.oembed?page=3","provider":"Goldin Fine Art","version":"1.0","type":"link"}