{"title":"Italian Art","description":"","products":[{"product_id":"rafael-after-two-engravings-by-dequevauviller-from-hours-1803-1806","title":"Raphael, after. A pair of engravings from Hours. ca. 1803-06.","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-start=\"108\" data-end=\"118\"\u003eArtist\u003c\/strong\u003e: Raphael (1483–1520), after.\u003cbr data-start=\"147\" data-end=\"150\"\u003e\u003cstrong data-start=\"150\" data-end=\"163\"\u003eEngravers\u003c\/strong\u003e: Eugène Bourgeois (1791–1818); François Jacques Dequevauvillier (1783–c.1848).\u003cbr data-start=\"242\" data-end=\"245\"\u003e\u003cstrong data-start=\"245\" data-end=\"254\"\u003eTitle\u003c\/strong\u003e: 1. \u003cem data-start=\"259\" data-end=\"279\"\u003eOra prima di Notte\u003c\/em\u003e. 2. \u003cem data-start=\"284\" data-end=\"305\" data-is-only-node=\"\"\u003eOra quarta di Notte\u003c\/em\u003e.\u003cbr data-start=\"306\" data-end=\"309\"\u003e\u003cstrong data-start=\"309\" data-end=\"323\"\u003eDimensions\u003c\/strong\u003e: Image: 10 1\/2\" × 8 1\/2\". Frames: 11 7\/8\" × 9 3\/4\" each; oval formats.\u003cbr data-start=\"394\" data-end=\"397\"\u003e\u003cstrong data-start=\"397\" data-end=\"410\"\u003ePublisher\u003c\/strong\u003e: Damour.\u003cbr data-start=\"419\" data-end=\"422\"\u003e\u003cstrong data-start=\"422\" data-end=\"430\"\u003eDate\u003c\/strong\u003e: Engravings circa 1803–06; frames circa 1850.\u003cbr data-start=\"476\" data-end=\"479\"\u003e\u003cstrong data-start=\"479\" data-end=\"507\"\u003eMaterials and Techniques\u003c\/strong\u003e: Hand-colored etchings and engravings.\u003cbr data-start=\"546\" data-end=\"549\"\u003e\u003cstrong data-start=\"549\" data-end=\"562\"\u003eCondition\u003c\/strong\u003e: Sheets cut to fit the frames; light wear consistent with age.\u003cbr data-start=\"625\" data-end=\"628\"\u003e\u003cstrong data-start=\"628\" data-end=\"644\"\u003eInscriptions\u003c\/strong\u003e: Annotated in pencil on the reverse of \u003cem data-start=\"684\" data-end=\"705\"\u003eOra quarta di Notte\u003c\/em\u003e, identifying the engraver and source after Raphael.\u003cbr data-start=\"757\" data-end=\"760\"\u003e\u003cstrong data-start=\"760\" data-end=\"768\"\u003eNote\u003c\/strong\u003e: One frame bears a label on the reverse for M. Barrett \u0026amp; Bro., Baltimore carvers and gilders, active from the late 18th century.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-start=\"859\" data-end=\"897\"\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: Italian School XVI C.; French School XIX C.\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":37505303216293,"sku":"WOP-103","price":500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_1119.jpg?v=1608689996"},{"product_id":"luigi-rossini-veduta-di-fianco-del-campidoglio-di-roma-etching","title":"Luigi Rossini. Veduta di fianco del Campidoglio di Roma. Etching. 1819.","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e Luigi Rossini (1790–1857) was an Italian artist, best known for his etchings of ancient Roman architecture.  He studied architecture in the \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e Academie of Saint Luke, and he drew the attention of Antonio Canova. Luigi is a cousin of the famous composer  \u003cmeta charset=\"utf-8\"\u003eGioachino Rossini.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e\u003cspan\u003e: Veduta di fianco del Campidoglio di Roma.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eSigned, Titled, Annotated, and Dated: \u003c\/strong\u003ein the plate,\u003cstrong\u003e \u003c\/strong\u003ebeneath the image.\u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Image 16 3\/4\" x 21 3\/8\". Plate 17 3\/8\" x 21 3\/4\". Sheet 19 3\/4\" x 28\"\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eDate\u003c\/strong\u003e\u003cspan\u003e: 1819, Roma (as stated in the plate).\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cstrong\u003e \u003c\/strong\u003eEtching on wove paper.\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: Scattered foxing. Unevenly trimmed margins.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eItalian School XIX C.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003ePart of\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eLe antichità romane,\u003c\/span\u003e T[avola] 58. (multipal editions).\u003cbr\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003cspan\u003e: \"\u003cmeta charset=\"utf-8\"\u003eThe mantle of Piranesi fell on Luigi Rossini\". (\u003cmeta charset=\"utf-8\"\u003eA.M. Hind). \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv style=\"visibility: visible; left: 32px; top: 370px; opacity: 1;\" aria-describedby=\"bubble-8\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-8\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 39.5px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowdown\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":40353798750373,"sku":"WOP-142\/BF-2\/PS","price":350.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_3356.-2JPG-2.jpg?v=1626644451"},{"product_id":"giovanni-battista-cipriani","title":"Antonio Domenico Gabbiani after. Jael and Sisera. Etching by Giovanni Battista Cipriani. 1762.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cstrong\u003e \u003c\/strong\u003eAntonio Domenico Gabbiani (Italian \u003cstrong\u003e\u003c\/strong\u003e1652-1726), after.\u003cbr\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e\u003cspan\u003e: Giovanni Battista Cipriani RA (1727 – 1785)was an Italian painter and engraver who lived in England from 1755. \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e\u003cspan\u003e:  Jael Shows to Barak, Sisera Lying Dead.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eSigned and Numbered\u003c\/strong\u003e: printed beneath the image: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnt. Dom: Gabbiani inv. LXXXXIV. \u003cmeta charset=\"utf-8\"\u003eGiov: Bat: Cipriani incid.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Sheet 9\" x 10\".\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003ePublisher\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eIgnazio Enrico \u003cmeta charset=\"utf-8\"\u003eHugford (1703-1778). \u003c\/span\u003e\u003cbr\u003e\u003cb\u003eEdition: \u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003eRaccolta di cento pensieri diversi di Anton Domenico Gabbiani pittor fiorentino fatti intagliare in rame da Ignazio Enrico Hugford pittore, e suo discepolo, nel modo, e forma, che sono gli originali, esistenti nella di lui\u003c\/span\u003e\u003cb\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003ecollezione in Firenze, e dal medesimo dedicata a sua Eccellenza Il Sig. Bali di Breteüil ambasciatore della sacra eminentissima religione gerosolimitana in Roma \/ In Firenze. MDCCLXX. Nella Stamperia Moückiana.\/ con licenza de superiori.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e\u003cspan\u003e: 1762.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003eetching on laid paper.\u003cbr\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: Margins cut to impression. Hinge remnants on the reverse from the previous framing. Minor repairs to paper.  \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003ePart of\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eRaccolta di cento pensieri diversi di Anton Domenico Gabbiani.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan\u003e: The British Museum. \u003cmeta charset=\"utf-8\"\u003e1854,1211.401.95.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e:  Italian School XVII C. English School XVIII C.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003cspan\u003e: The complete edition consists of 101 prints. Rare.\u003c\/span\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":41738841882789,"sku":"WOP-205","price":180.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_7011-2.jpg?v=1657465008"},{"product_id":"parmigianino-after-four-cupids-apollo-and-daphne-in-the-background-engraved-by-anonymous-italian-16th-to-early-17th-century","title":"Parmigianino, after. Four Cupids; Apollo and Daphne in the Background. Engraved by Anonymous, Italian, 16th to early 17th century.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cstrong\u003e \u003c\/strong\u003eGirolamo Francesco Maria Mazzola, also known as Francesco Mazzola or, more commonly, Parmigianino, was an Italian Mannerist painter and printmaker active in Florence, Rome, Bologna, and his native city of Parma (1503-1540), after.\u003cbr\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e\u003cspan\u003e: \u003cstrong\u003e\u003c\/strong\u003eAnonymous, Italian.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e\u003cspan\u003e: Four Cupids; Apollo and Daphne in the Background. \u003cbr\u003e\u003cstrong\u003eSigned\u003c\/strong\u003e: Originally, there was a signature on the extremity of the plate in the lower right corner. This part of our print is trimmed. \u003cmeta charset=\"utf-8\"\u003eWe provide the image of the missing piece taken from The British Museum site for reference only. There are three different inscriptions verso in Iron gall\u003cb data-mce-fragment=\"1\"\u003e \u003c\/b\u003eink and pencil.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Sheet 10 1\/2\" x 8 1\/2\".\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e\u003cspan\u003e: 16th to early 17th century.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003eetching on laid paper mounted on another laid paper.\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr\u003eWatermark\u003c\/strong\u003e\u003cspan\u003e: yes.\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eFair. Multiple losses, especially to the u.l. corner, abrasions, trimmed image, and remnants of another old mount verso. We suggest a professional restoration. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan\u003e: The Metropolitan Museum of Arts. 27.78.2(178). (\u003cmeta charset=\"utf-8\"\u003e16th–early 17th century).\u003cbr\u003e\u003c\/span\u003eThe British Museum. \u003cspan data-mce-fragment=\"1\"\u003eW,2.28. (\u003cmeta charset=\"utf-8\"\u003e17th century).\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e:  Italian School XVI C.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eNotes\u003c\/strong\u003e\u003cspan\u003e:\u003cbr\u003e- Another copy of this magnificent engraving attributed to Enea Vico (1523 - 1567) is in the Antiquarius Gallery (Roma) catalog. (S35377_AM).\u003cbr\u003e- We found one more copy in the catalog of Sotheby's sale of \"Collection of Prints, the Property of the Late Mark Masterman Sykes.\" on 24 May 1824. No. 260, p.22.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-3\" style=\"visibility: visible; left: 38px; top: 128px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-3\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\" style=\"left: 45px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":41740447285413,"sku":"WOP-207","price":820.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_7021-2.jpg?v=1657465073"},{"product_id":"carlo-cesi","title":"Annibale Carracci, after. An Ignudo. Etching by Carlo Cesi. 1657.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cstrong\u003e  \u003c\/strong\u003eAnnibale Carracci \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e(Italian, 1560–1609)\u003c\/span\u003e, after.\u003cbr\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eCarlo Cesi (Italian, ca. 1622–1682).\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e\u003cspan\u003e: \u003c\/span\u003eAn Ignudo.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned and Numbered\u003c\/strong\u003e\u003cspan\u003e: l.m. C. Cesi fecit. 30.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Sheet 9 7\/8\" x 4 5\/8\". Mounting sheet 14\" x 11\".\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003ePublisher\u003c\/strong\u003e\u003cspan\u003e: François Collignon (French, ca. 1610–1687).\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eEdition: \u003c\/b\u003eGaleria nel Palazzo Farnese in Roma ... dipinta da Annibale Caracci.\u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e\u003cspan\u003e: 1657. \u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e:  Etching on laid paper pasted alongside the top edge on the backing sheet.\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr\u003eWatermark\u003c\/strong\u003e\u003cspan\u003e: Fleur-de-Lys.\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr\u003eMat and Frame\u003c\/strong\u003e\u003cspan\u003e: Backing sheet.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCatalog Raisonne\u003c\/strong\u003e\u003cspan\u003e: Bartsch. Le Peintre graveur...  T.XXI. P. 114. No. 64.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003ePart of\u003c\/strong\u003e\u003cspan\u003e: \u003c\/span\u003eright part of the triptych etched on one plate (plate 30).\u003cbr\u003e\u003cstrong\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan\u003e: The British Museum A,3.42.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan\u003e: Italian School XVII C.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003cspan\u003e: An Ignudi (singular: Ignudo; from the Italian adjective nudo, meaning “naked.”) The Roman term for such sculptural support is telamon.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eThis entry incorporates text from the catalog entry and uses the catalog description of the same item from the collection of The British Museum.\u003c\/span\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":41848093212837,"sku":"WOP-255","price":100.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8027-2.jpg?v=1660948878"},{"product_id":"vestigii-et-parte-del-monte-palatino-dalla-parte-verso-mezzogiorno-che-risguarda","title":"Étienne Dupérac. Palatine from the Circus Maximus. Engraving. After 1575.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e Étienne Dupérac, after (\u003cmeta charset=\"utf-8\"\u003eDu Perac) (France, 1525 ca.-1604). He is most well known for his topographical studies of Rome and its ruins.\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Palatine from the Circus Maximus.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNumbered, and Inscribed in plate and in backing sheet\u003c\/strong\u003e:\u003cspan\u003e  9. Vestigii et parte del monte Palatino, dalla parte verso mezzogiorno che risguarda il circu Massimo et l'Aventino. \u003c\/span\u003eA handwritten inscription on the backing sheet explains the details of the landscape indicated by letters. \u003cspan style=\"color: #ff2a00;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Sheet 8 1\/4\" x 14 7\/8\". Backing sheet 10 1\/2 x 15 1\/2.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Lorenzo Vaccari \u003cmeta charset=\"utf-8\"\u003e1574-1603 (fl. between). \u003c\/span\u003e\u003cbr\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition:\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e \u003cspan data-mce-fragment=\"1\"\u003eI vestigi dell’antichità di Roma raccolti et ritratti in perspettiva...)\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: on or after\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e 1575.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e etching on laid paper. Folded as issued.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWatermark\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: no.\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: backing sheet.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: A vertical crease in the middle. Trimmed margins. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePart of\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eVestigi dell'antichità di Roma ... pl. 9.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: British School at Rome \u003cmeta charset=\"utf-8\"\u003eL.611.D.9-009.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Italian School XVI C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003c\/span\u003eThe first edition was published in 1575 (\u003cmeta charset=\"utf-8\"\u003e  L. Della Vacheria) and was highly appreciated by scholars, artists, and art collectors. Since then, multiple editions have been published within the next two hundred years.\u003c\/p\u003e\n\u003cdiv style=\"position: absolute; visibility: hidden; left: 8px; top: 115.375px; width: 498.469px; height: 36.5938px;\" id=\"gtx-anchor\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"visibility: visible; left: -16px; top: 162px; opacity: 1;\" aria-describedby=\"bubble-11\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-11\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv tabindex=\"0\" role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 249px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":41863379615909,"sku":"WOP-267","price":125.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8157-2.jpg?v=1661383822"},{"product_id":"lucretia-and-sextus","title":"Titian, after. Cornelis Cort, after. Tarquin and Lucretia. Engraving. c. 1642 - before 1691.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePrintmaker\u003c\/strong\u003e: anonymous.\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e Titian (Italy, \u003cmeta charset=\"utf-8\"\u003ec. 1488\/90 - \u003cmeta charset=\"utf-8\"\u003e1576), after.\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e: Cornelis Cort (c. 1533 – c. 1578) was a Dutch engraver and draughtsman. He spent the last 12 years of his life in Italy, where he was known as Cornelio Fiammingo., after.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e Tarquin and Lucretia. \u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned in plate\u003c\/strong\u003e\u003cspan\u003e: Tiziano inci. C. Corte. \u003c\/span\u003ePart of the inscription with lines of poetry:\u003cspan\u003e \"Quivi forciata da Tarquin si vede Lucretia honor del populo romano che per esempio di sua casta fede si die poi morte con sua propria mano...\"  \u003c\/span\u003eis cut off, as well as the publisher's proof: \u003cspan\u003ein Roma : appresso le stampe di Gio. Giacomo de Rossi alla Pace.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Sheet (trimmed to the image) 14 1\/2 x 10 1\/2.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:  Giovanni Giacomo de'Rossi (Italian, \u003cmeta charset=\"utf-8\"\u003e1627-1691).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: c. 1642 - before 1691.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e etching on laid paper.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWatermark\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Fleur-de-Lis.\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: no.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003c\/span\u003eAbrasions, holes, tears, residues of glue\u003cspan data-mce-fragment=\"1\"\u003e. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eRijksmuseum \u003cmeta charset=\"utf-8\"\u003eRP-P-BI-6386.\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eBIBLIOTECA DIGITALE ITALIANA RML0219991 https:\/\/www.internetculturale.it\/\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Italian School XVI C. Italian School XVII C. Dutch School XVI C.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003cspan style=\"color: #ff2a00;\"\u003eThis entry incorporates data from the catalog entry and uses the catalog description of the same item from the collection of the \u003cmeta charset=\"utf-8\"\u003eRijksmuseum.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #ff2a00;\"\u003eOur engraving is a reversed, mirrored image of Cort's engraving, but because Cort's engraving is a reversed reproduction of Titian's painting (what is normal for reproduction engravings), our image depicts the composition of the original painting.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv id=\"gtx-anchor\" style=\"position: absolute; visibility: hidden; left: 92.0312px; top: 283.312px; width: 17.0156px; height: 17px;\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-2\" style=\"visibility: visible; left: 86px; top: 60px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-2\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowdown\" style=\"left: 92.5312px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":41916284797093,"sku":"WOP-282","price":800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8389-2.jpg?v=1662669027"},{"product_id":"gian-jacopo-caraglio","title":"Raphael, after. The Pentecost. Engraving by Jacopo Caraglio. 1520-1539.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e: Raphael (\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRaffaello Sanzio da Urbino, Italy, \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e1483 – 1520),\u003c\/span\u003e after.\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eEngraver\u003c\/strong\u003e: Jacopo Caraglio, Giovanni Jacopo Caraglio or Gian Giacomo Caraglio (c. 1500\/1505 – 1565), also known as Jacobus Parmensis and Jacobus Veronensis, was an Italian engraver, goldsmith, and medallist.\u003cbr\u003e\u003cspan\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003e The Pentecost. (The Descent of the Holy Spirit upon the Apostles and the Virgin Mary - \u003cmeta charset=\"utf-8\"\u003eThe Royal Collection Trust, No \u003cmeta charset=\"utf-8\"\u003eRCIN 853308).\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eStamp in ink verso\u003c\/strong\u003e: Samuel Isham Collection. \u003cbr\u003e\u003cspan\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e: Trimmed sheet 10 1\/2\" x 15\".\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e: 1520-1539.\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e: engraving on laid paper. Folded as issued,\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eSamuel Isham Collection. The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e:  abrasions, creases, and tears. Remnants of old hinges verso. The signs of aging are appropriate for the time. A detailed condition report is available on demand.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003e2005, U.161.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e: Italian School XVI C.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e: This entry incorporates text from the catalog entry and uses the catalog description of the same item from the collection of the British Museum.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":41917495378085,"sku":"WOP-284","price":1600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8376-2.jpg?v=1662668907"},{"product_id":"cherubino-alberti-mary-magdalen-engraving","title":"Cherubino Alberti. Mary Magdalen. Engraving. 1571-1615.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e Cherubino Alberti (Zaccaria Mattia) (Italian, 1553–1615).\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e Mary Magdalen standing on clouds, being transported to heaven by angels. (The Metropolitan Museum of Art).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Titled, Numbered, and Dated in plate\u003c\/strong\u003e\u003cspan\u003e:  lettered l.l. Cum Privilegio Summi Pontificis. Monogram l.r. CAB.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Sheet 11 1\/8\" x 8\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e1571-1615 (The British Museum).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e engraving on laid paper.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWatermark\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: no\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Matted.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eCatalog Raisonne\u003c\/strong\u003e: Bartsch \/ Le Peintre graveur (XVII.72.63). \u003cmeta charset=\"utf-8\"\u003eCe morceau est des premieres manieres de notre artiste. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: The British Museum 1874,0808.504.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Italian School XVI C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: This entry incorporates text from the catalog entry and uses the catalog description of the same item from the collection of the British Museum.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":41949721559205,"sku":"WOP-296","price":1200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8530-2.jpg?v=1663456120"},{"product_id":"osse-de-rape-christ-and-the-samaritan-woman","title":"Josse de Pape. Christ and the Samaritan Woman. Etching. 1633 - 1646.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e Josse de Pape (\u003cmeta charset=\"utf-8\"\u003eDutch, 1618\/1619-1646).\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e Christ and the Samaritan Woman.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: 8\" x 10 1\/2\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: 1633 - 1646.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e etching on laid paper.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWatermark\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: no.\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: no.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Non-professional restoration. Several patches and remnants of old hinges verso. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eCatalog Raisonne\u003c\/strong\u003e: Bartsch attributed to Pier Francesco Mola.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eNational Gallery of Art \u003cmeta charset=\"utf-8\"\u003e1974.36.1.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Dutch School XVII C. Italian School XVII C\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: rare. Sometimes attributed to Francesco \u003cmeta charset=\"utf-8\"\u003eGiovane.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003e\u003cstrong\u003eAcknowledgement\u003c\/strong\u003e: This entry incorporates text from Wikipedia and the catalog entry of a similar item from the  National Gallery of Art \u003c\/span\u003e\u003cspan\u003e collection.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch1 id=\"lotTitle\" class=\"space-top-none space-bottom-wide qa-lot-title\" itemprop=\"name\"\u003e\u003cbr\u003e\u003c\/h1\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":41949898145957,"sku":"WOP-297","price":5000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8541-2.jpg?v=1663464602"},{"product_id":"cornelis-cort-medusa","title":"Cornelis Cort, attributed to. Head of Medusa. Engraving. Ca. 1568–70 (?).","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e possibly engraved by Antonio Salamanca, previously attributed to Cornelis Cort.  Cort, Cornelis (1533 - 1578) - Dutch engraver and draughtsman.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eSalamanca, Antonio (1479-1562) - engraver and publisher. (Biblioteque Nacional Belgique \u003cmeta charset=\"utf-8\"\u003eEST F° - Cort (C.) - NHD R 38 - S.I 11657).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e Head of Medusa.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eInscribed in plate\u003c\/strong\u003e\u003cspan\u003e:  MEDVSA PHORCI FILIA CRINES HABV.T AVREOS CVM EA NEPTVNVS CONCVEV. IT IN TEMPLO MINERVÆ , QVARE TVRB ... TA MINERVA , MEDVSÆ CRINES AVREOS IN... Ovidius, lib. 4. Metamorph.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Sheet 13 3\/8\" x  9 1\/8\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: ca. 1568–70 (?).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e  Engraving on laid paper mounted on another sheet of laid paper.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWatermark\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: yes.\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: no.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:  Old restoration. Abrasions, one wormhole, deep tear with paper loss. U.l. corner is burnt out. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e A new restoration is suggested. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Rijksmuseum, Amsterdam, as an anonymous Italian engraver of XVI C. \u003cmeta charset=\"utf-8\"\u003eRP-P-H-H-268.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eVictoria and Albert Museum, London  Print 17th century (made), unknown Italian printmaker.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Italian School XVI C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: The design \u003cmeta charset=\"utf-8\"\u003eby Francesco Salviati (Italian, 1510-1563) for or after this engraving \u003c\/span\u003eis kept in the Indianapolis Museum of Art \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e47.13.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv id=\"gtx-anchor\" style=\"position: absolute; visibility: hidden; left: 8px; top: 507.25px; width: 125.281px; height: 36.5938px;\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-25\" style=\"visibility: visible; left: 56px; top: 394px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-25\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowdown\" style=\"left: 62.5px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":41956834607269,"sku":"WOP-301","price":1000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8619-2.jpg?v=1664071548"},{"product_id":"antonio-tempesta-boar-hunt-etching","title":"Antonio Tempesta. Boar hunt. Etching. 1608.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:  Antonio Tempesta (1555 - 1630), also called il Tempestino, was an Italian painter and engraver.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e Boar hunt.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eLettered\u003c\/strong\u003e within the image with production detail: \"A T F.\"\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e:  Sheet 7 1\/2 x 10 3\/8\". Backing sheet 11\" x 14\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Antonio Tempesta.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition:\u003cspan\u003e  \u003c\/span\u003e\u003c\/b\u003eHunting Scenes VII.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: 1608.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e etching on laid paper mounted alongside the upper part of the print.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWatermark\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: yes.\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: backing sheet.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eCatalog Raisonne\u003c\/strong\u003e:  Bartsch. T. XVII. p. 168. No 1151.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePart of\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:  Hunting Scenes.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003eX,3.352.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Italian School XVII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: This entry incorporates text from the catalog entry and uses the catalog description of the same item from the collection of the British Museum.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv id=\"gtx-anchor\" style=\"position: absolute; visibility: hidden; left: 307.992px; top: 381.781px; width: 50.9219px; height: 16.5px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-2\" style=\"visibility: visible; left: 52px; top: 267px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-2\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowdown\" style=\"left: 325.492px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":41960805990565,"sku":"WOP-303","price":200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8603-2.jpg?v=1664071348"},{"product_id":"carracci","title":"Agostino Carracci, after. Sanctus Hieronymus. Etching by Tommaso Piroli. 1750 -1824.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e  \u003cmeta charset=\"utf-8\"\u003eAgostino Carracci (Italy, 1557-1602), after.\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e:  \u003cmeta charset=\"utf-8\"\u003eTommaso Piroli (Italy, 1750\/1752-1824).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e Sanctus Hieronymus (San Girolamo nel deserto).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Titled in plate\u003c\/strong\u003e\u003cspan\u003e: Ago. Carracci Inu. Tom \u003cmeta charset=\"utf-8\"\u003ePiroli \u003cmeta charset=\"utf-8\"\u003eSculp. \u003cmeta charset=\"utf-8\"\u003eSanctus Hieronymus.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Sheet 16 1\/4 x 11 1\/2\". \u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: 1750 -1824.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e etching on laid paper.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWatermark\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Visible partially - letters F and C.\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Trimmed to platemark. A tear to the lower margin. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:  Musei Civici di \u003cmeta charset=\"utf-8\"\u003eMonza. \u003ca href=\"http:\/\/www.lombardiabeniculturali.it\/stampe\/schede\/CM010-03463\/\" data-mce-fragment=\"1\" data-mce-href=\"http:\/\/www.lombardiabeniculturali.it\/stampe\/schede\/CM010-03463\/\"\u003ehttp:\/\/www.lombardiabeniculturali.it\/stampe\/schede\/CM010-03463\/\u003c\/a\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Italian School XVII C. Italian School XVIII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003c\/span\u003eThis etching is the reverse of the etching by Agostino Carracci's' Heilige Hieronymus,' published by Pietro Stefanoni (possibly) c. 1602. (\u003cmeta charset=\"utf-8\"\u003eThe Rijksmuseum \u003cmeta charset=\"utf-8\"\u003eRP-P-OB-35.743). Nonetheless, some details are different. Piroli's work is an original, stunning piece of art.\u003c\/p\u003e\n\u003cdiv style=\"visibility: visible; left: 173px; top: 109px; opacity: 1;\" aria-describedby=\"bubble-8\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-8\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv tabindex=\"0\" role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 180.047px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":41977123995813,"sku":"WOP-313","price":800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8712-2.jpg?v=1664741922"},{"product_id":"annibale-carracci-after","title":"Annibale Carracci, after. Assumption of the Virgin. Etching by Giuseppe Maria Mitelli. 1679.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Annibale Carracci \u003cmeta charset=\"utf-8\"\u003e(Italian, 1560–1609). \u003cbr\u003e\u003cstrong\u003eEngraver: \u003c\/strong\u003eGiuseppe Maria Mitelli (Italian, 1634–1718). \u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: The Assumption of the Virgin. \u003cmeta charset=\"utf-8\"\u003eThe \u003cmeta charset=\"utf-8\"\u003epainting is now in the Pinacoteca in Bologna.\u003cbr\u003e\u003cstrong\u003eSigned in plate\u003c\/strong\u003e: Joseph Ma Mitellus del et inc. \u003cstrong\u003eNumbered\u003c\/strong\u003e top right: [Plate] 3. \u003cstrong\u003eLettered\u003c\/strong\u003e with title in bottom margin: Anibal Caraccius Bononiensis in ecclesia D.Francisci Bononiae pinxit.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Gioseffo Longhi (Italian, 1620–1691).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: 1679.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e etching on laid paper.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWatermark\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: yes.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Trimmed to the image. Horizontal fold in the middle, multiple patches verso, holes. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eCatalog Raisonne\u003c\/strong\u003e: A. Bartsch. Le Peintre graveur... T. \u003cspan class=\"vsuffix\" data-mce-fragment=\"1\"\u003eXIX. p. 277. No. 17.\u003c\/span\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePart of\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Bononiensium pictorum celebriores gloriae quaedam sacrae icones ...  [\u003cmeta charset=\"utf-8\"\u003ePlate 3 from 12].\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003e1877,0310.103.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:  Italian School XVII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: This entry incorporates text from the catalog entry and uses the catalog description of the same item from the collection of the British Museum.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"visibility: visible; left: -6px; top: 160px; opacity: 1;\" aria-describedby=\"bubble-5\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-5\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv tabindex=\"0\" role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 259.203px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":41991721320613,"sku":"WOP-320","price":500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8628-2.jpg?v=1664744620"},{"product_id":"nicolas-poussin-after-jacques-stella-after-the-dream-of-st-joseph","title":"Nicolas Poussin, after. Jacques Stella, after. The dream of St Joseph. Engraving and etching by Francesco Polanzani. 1715-1756.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e Nicolas Poussin, after. \u003cmeta charset=\"utf-8\"\u003eNicolas Poussin (French, 1594 - 1665) was the leading painter of the classical French Baroque style, although he spent most of his working life in Rome.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Jacques Stella, after. \u003cmeta charset=\"utf-8\"\u003eJacques Stella\u003cspan data-mce-fragment=\"1\"\u003e (1596 – 29 April 1657) was a French painter.\u003c\/span\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e: Francesco (\u003cmeta charset=\"utf-8\"\u003eFelice) Polanzani (c. 1700 - after 1771) was an Italian engraver.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e The dream of St Joseph.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Numbered, and inscribed in plate\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eNumbered 8; 'Nic. Poussin inv.', 'F. Polanzani sculp.', and two lines of Latin inscription. (The inscription is cropped).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Sheet 11 1\/2\" x 8 3\/4\". Trimmed unevenly.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition:\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003eLife of the Virgin.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eDate\u003c\/strong\u003e: 1715-1756.\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e: etching and engravings on laid paper.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eWatermark\u003c\/strong\u003e: Fleur-de-Lis.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e:  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTrimmed unevenly. \u003cmeta charset=\"utf-8\"\u003eThe inscription is cropped. Creases. Remnants of hinges verso. \u003c\/span\u003eThe signs of aging are appropriate for the time. A detailed condition report is available on demand.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003ePart of\u003c\/strong\u003e: From a series of twenty-two plates depicting the life of the Virgin. Plate 8.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eMuseums and Libraries\u003c\/strong\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1872,0810.968.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e: French School XVII C. Italian School XVIII C.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e: This entry incorporates text from the catalog entry and uses the catalog description of the same item from the collection of the British Museum.\u003c\/p\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-6\" style=\"visibility: visible; left: -48px; top: 114px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-6\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\" style=\"left: 217.891px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":41992518140069,"sku":"WOP-321","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8702-2_6d00b30d-1a57-4f3e-8816-2a328b577ddc.jpg?v=1664744209"},{"product_id":"ferdinand-ruscheweyh-poetry-engraving-1829","title":"Raphael, after. Marcantonio Raimondi, after. Poetry. Engraving by Ferdinand Ruscheweyh. 1829.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003eRaphael (Italy, 1483-1520), after. From the Vatican Frescoes.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eIntermediate engraver\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eMarcantonio Raimondi (Italy, c. 1480-1534), after. \u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e: Ferdinand Ruscheweyh (German, 1785-1846).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: La Poesia (Poetry).\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Titled, and Dated in plate\u003c\/strong\u003e\u003cspan\u003e: Raffaele d'Urbino del. \u003cmeta charset=\"utf-8\"\u003eF. Ruscheweyh ine. 1829. La poesia.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Platemark 8\" x 7\". Sheet 13 1\/2\" x 10 1\/2\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: 1829.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003eEngraving on wove paper.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWatermark\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: 298.\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Water stain and foxing to margins. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: The Royal Collection Trust \u003cmeta charset=\"utf-8\"\u003eRCIN 852626.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:  German School XIX C. Italian School XVI C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: This entry incorporates data from the catalog entry of the same item from the collection of \u003cmeta charset=\"utf-8\"\u003eThe Royal Collection Trust.\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cbr\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"visibility: visible; left: 37px; top: 194px; opacity: 1;\" aria-describedby=\"bubble-5\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-5\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv tabindex=\"0\" role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 43.5px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":41996374343845,"sku":"WOP-324","price":200.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8781-2.jpg?v=1664895240"},{"product_id":"perino-del-vaga-fter","title":"Perino del Vaga, after. The Three Goddesses Preparing for the Judgment of Paris. Engraving by Philippe Simonneau. 1729-1740.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e Perino del Vaga (Pietro Buonaccorsi) (Italian, 1501–1547 Rome), after.\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e:  Philippe Simonneau (French, 1685–after 1753).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Hera, Aphrodite, and Athena preparing themselves for the contest of beauty before Paris.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Titled, Numbered, and Dated in plate\u003c\/strong\u003e\u003cspan\u003e: Les trois Déesses se préparant pour le jugement de Paris. Tableau de Perin del Vago, qui est dans le Cabinet de Monseigneur le Duc d'Orleans\/ haut de 23 pouces, large de 18 1\/2 peint sur bois gravé par Philippe Simonneau grav.r Ord.re du Roy.'; numbered bottom right: '66'  [The inscription is cropped and publishing here as the reference only].\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Sheet 16\" x 12 3\/4\". Backing sheet 20\" x 13 3\/4\"\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition:\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eThe plates, \u003cmeta charset=\"utf-8\"\u003e'Recueil Crozat,' were again published in 1742 - 1771.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: 1729-1740 (circa).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e Engraving and etching on wove paper.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWatermark\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: no.\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: backing sheet.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003c\/span\u003eHorizontal fold in the middle, a dent; worn, torn, and somewhere repaired. Trimmed margins, stripped inscription The signs of aging are appropriate for the time. A detailed condition report is available on demand.\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePart of\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: '\u003cmeta charset=\"utf-8\"\u003eRecueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' , \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003e1855,0609.146.\u003cbr\u003eThe Metropolitan Museum of Art. \u003cmeta charset=\"utf-8\"\u003e60.708(83).  Hera, Aphrodite, and Athena prepare themselves for the contest of beauty before Paris.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Italian School XVI C. French School XVIII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: This entry incorporates text from the catalog entry and uses the catalog description of the same item from the collection of the British Museum.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-5\" style=\"visibility: visible; left: -37px; top: 36px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-5\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\" style=\"left: 487.203px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":41999421276325,"sku":"WOP-326","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8850-2.jpg?v=1665021847"},{"product_id":"paris-bordone-after-matthias-oesterreich-after-le-sauveur-engraving-by-philipp-andreas-kilian-mid-xviii-c","title":"Paris Bordone, after. Matthias Oesterreich, after. Le Sauveur. Engraving by Philipp Andreas Kilian. Mid XVIII C.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e Paris Bordone was an Italian painter of the Venetian Renaissance (1500 -1571). Painting not recorded in G. Canova, 'Paris Bordone' 1963.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eIntermediary draughtsman\u003c\/strong\u003e: Matthäus Österreich (Germany, 1716 - 1778).\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e: Philipp-Andreas Kilian (Germany, 1714 - ?1759).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e Le Sauveur.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Titled, Numbered, and annotated in plate\u003c\/strong\u003e\u003cspan\u003e:  M. Oesterreich delin; Phil. Andreas Kilian... sculp. A. V; Le Sauveur. Tableau Original de Paris Bordoni; de la Gallerie de S. E. M. Mr Le Premier Ministre Comte de Bruhl.  Numbered 39 in ink on the plate. The original printed number is trimmed.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Sheet 15 1\/8\" x 11 1\/2\". Backing sheet 19 1\/8\" x 14\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition:\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003eRecueil d'estampes gravées d'après les tableaux de la galerie de S. E. M. le Comte de Brühl.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003cspan class=\"vterm\" data-mce-fragment=\"1\"\u003e1754 \u003cspan class=\"vsuffix\" data-mce-fragment=\"1\"\u003e(c)\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"vsuffix\" data-mce-fragment=\"1\"\u003e(c).\u003c\/span\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e etching on laid paper, pasted on laid paper.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWatermark\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Watermark is not visible as the print is laid on another sheet of paper.\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Backing sheet.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Trimmed to the image. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe signs of aging are appropriate for the time. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePart of\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eRecueil d'estampes gravées d'après les tableaux de la galerie de S. E. M. le Comte de Brühl. \u003cmeta charset=\"utf-8\"\u003eDresden, 1754. Vol I and only. Pl. 39. State with \u003cmeta charset=\"utf-8\"\u003eno \u003cmeta charset=\"utf-8\"\u003ecartouche. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eComte de Brühl, \u003cmeta charset=\"utf-8\"\u003ePrime Minister of the King of Poland, owned a large collection of paintings, drawings, and prints, including many Dutch and Flemish masters. In 1769 Catherine the Great bought six hundred paintings from his estate; these largely ended up in the Hermitage.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003e1850,0810.435.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:  Italian School XVI C. German School XVIII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: This entry incorporates text from the catalog entry and uses the catalog description of the same item from the collection of the British Museum.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"visibility: visible; left: 161px; top: 84px; opacity: 1;\" aria-describedby=\"bubble-2\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-2\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv tabindex=\"0\" role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 167.547px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42000408281253,"sku":"WOP-327","price":400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8844-2.jpg?v=1665025675"},{"product_id":"chattock-on-the-medway","title":"Raphael, after. Melchizedek offering bread and wine to Abraham. Engraving by Cesare Fantetti. 1675.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Raphael (Italy, 1\u003c\/span\u003e483 - 1520), after.\u003cbr\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e:  Cesare Fantetti (Italy, 1660–1740).\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Melchizedek offering bread and wine to Abraham.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Titled, Numbered in plate\u003c\/strong\u003e\u003cspan\u003e: R.V.I in Vat. Caes. Fantectus. del. sculp. Io. Iac. de Rubeis form. Romae. \u003cmeta charset=\"utf-8\"\u003e[\u003cmeta charset=\"utf-8\"\u003ePlate] 13. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Image 8 1\/2\" x 10 1\/4\". Sheet with extended margins 9\" x 11 7\/8\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Giovanni Giacomo de Rossi was an Italian engraver and printer, active in Rome in the second half of the 17th century.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition:\u003cspan\u003e  \u003c\/span\u003e\u003c\/b\u003e Imagines veteris ac Novi Testamenti a Raphael Sanctio Urbinate ... elegantia expressae. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRome, 1675.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: 1675.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e etching on laid paper.\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Supporting sheet with extended margins.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Trimmed margins. The upper and lower parts of the image are affected. Remnants of glue. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePart of\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Plate 13 from 55.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003e1867,1012.424.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Italian School XVI C. Italien School XVII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: This entry incorporates text from the catalog entry and uses the catalog description of the same item from the collection of the British Museum.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-7\" style=\"visibility: visible; left: 75px; top: 103px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-7\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\" style=\"left: 82px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42003129663653,"sku":"WOP-329","price":300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8883-2.jpg?v=1665369745"},{"product_id":"the-procession-of-silenus","title":"Raphael, after. The procession of Silenus. Engraving by Agostino Veneziano. 1515-1530.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e Raphael (1483 - 1520) or Julio Romano (1499 - 1546), after.\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e: Agostino Veneziano (1490 - 1540), whose real name was Agostino de' Musi, was an important and prolific Italian engraver of the Renaissance.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e The procession of Silenus.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Titled, Numbered, and Dated in plate\u003c\/strong\u003e\u003cspan\u003e: Signed on plate with the monogram 'A.V.' on a tablet at lower centre. Inscribed on plate 'Ant. Sal. exc.' and 'In Roma presso Carlo Losi' at lower right.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Image 7 1\/4 x 10\". Backing sheet 9\" x 12\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eCarlo Losi.\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003ePublisher in Rome, active between 1771-74 when he seems to have acquired some already engraved plates which he re-issued. His address appears on some late states of Diana Scultori, Giorgio Ghisi, and other late 16th-century printmakers. (\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFine Arts Museums of San Francisco).\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003elater re-issue by Losi of a print published in \u003cmeta charset=\"utf-8\"\u003e1515-1530.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e1515-1530.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e  \u003cmeta charset=\"utf-8\"\u003eEngraving on laid paper, pasted onto a backing sheet alongside the upper margin.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWatermark\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: yes.\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Backing sheet.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eThis is an impression of late XVIII C. from the worn plate. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003e1873,1213.257.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Italian School XVI C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: This entry incorporates text from the catalog entry and uses the catalog description of a similar item from the collection of the British Museum. \u003c\/span\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42004078362789,"sku":"WOP-330","price":500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8898-2.jpg?v=1665370334"},{"product_id":"guercino-after-saint-gerome-engraving-by-francesco-bartolozzi","title":"Guercino, after. Saint Gerome. Engraving by Francesco Bartolozzi. 1760 - 1770.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e Giovanni Francesco Barbieri (called Guercino) \u003cmeta charset=\"utf-8\"\u003eafter.  \u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e:  Francesco Bartolozzi (Italian, 1727–1815).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e St. Gerome.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Titled, Numbered, and Dated in plate\u003c\/strong\u003e\u003cspan\u003e: no. \u003c\/span\u003eThe inscription is cut out of a book and pasted onto the backing sheet l.r.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Sheet 12 1\/8\" x 10 1\/2\". Backing sheet 19 1\/8\" x 13 1\/2\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition:\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003eproof before letters.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: circa 1760 - 1770 (\u003cmeta charset=\"utf-8\"\u003eCooper Hewitt). 1763 (Wellcom collection). 1764 The British Museum.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e engraving in brown ink on cream laid paper pasted on the cardboard support sheet alongside the upper margin.\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: backing sheet.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: The engraving is in good condition. The backing sheet has some blemishes. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Cooper Hewitt, Smithsonian Design Museum  1896-3-267. \u003cmeta charset=\"utf-8\"\u003eWellcome Collection \u003cmeta charset=\"utf-8\"\u003e5643i \u003cmeta charset=\"utf-8\"\u003eState before letters. The British \u003cmeta charset=\"utf-8\"\u003eMuseum 1989,1209.21.35.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSchools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Italian School XVII C. English School XVIII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: This entry incorporates texts from catalog entries and uses the catalog description of the copies from the collections of the British Museum, The \u003cmeta charset=\"utf-8\"\u003eCooper Hewitt, Smithsonian Design Museum, and The \u003cmeta charset=\"utf-8\"\u003eWellcome Collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"visibility: visible; left: -42px; top: 129px; opacity: 1;\" aria-describedby=\"bubble-13\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-13\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 223.5px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowdown\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42013698621605,"sku":"WOP-335","price":400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_8968-2.jpg?v=1665857165"},{"product_id":"domenichino-after-diana-and-her-nymphs-etching-by-giovanni-francesco-venturini-xvii-xviii-c","title":"Domenichino, after. Diana and her Nymphs. Etching by Giovanni Francesco Venturini. XVII - XVIII C.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:  Domenichino (Domenico Zampieri) (Italy 1581 -1641).\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eGiovanni Francesco Venturini (Italy, 1650 - circa 1714).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Diana and her Nymphs (La Caccia di Diana).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Dedicated, and Annotated in plate\u003c\/strong\u003e\u003cspan\u003e: Dominichino [sis] Inu. et Pins. Gio. Frano [sis] Venturini Sculp. All Eminentis. et Reverend. Principe  il Sig. Cardinale Giacomo Rospigliosi. Le Ninfe Cacciatrici di Diana, che dopo la Cassia altre s'esercitano in diverci giochi d'arco, di lotta, e corso, altre si bagnano net vicino Fiume. Opera maravigliosa del Celebre Domenico Zampieri nella Galleria del Palazzo Borghese. Venturini Sculp. In Roma dalle Stampe di Domenico de Rossi. Erede di Gio, Giacomo alla Pace con Privilegio del Sommo Pont.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Sheet 13 3\/4\" x 18\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eDomenico de Rossi (Italy, 1659 - 1730).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: XVII - XVIII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e etching on laid paper.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWatermark\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Watermark is not visible as the print is laid on another sheet of paper.\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Mounted. Margins trimmed to platemark. l.l. corner is lost. \u003cmeta charset=\"utf-8\"\u003eAbrasions.  Tears. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003ePinacoteca Nazionale di Bologna, Gabinetto dei Disegni e delle Stampe \u003cmeta charset=\"utf-8\"\u003e0800073289.\u003cbr\u003eFine Arts Museums of San Francisco \u003cmeta charset=\"utf-8\"\u003e1963.30.36770.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Italian School XVII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv style=\"visibility: visible; left: -156px; top: 109px; opacity: 1;\" aria-describedby=\"bubble-3\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-3\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv tabindex=\"0\" role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 368.016px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42016628768933,"sku":"WOP-338","price":300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_9009-2.jpg?v=1665875602"},{"product_id":"mater-salvatoris","title":"Titian, after. Mater Salvatoris. Engraving by Aronne Mauri.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Tiziano Vecelli or Vecellio, known in English as Titian (Italy, 1488\/90 - 1576), after.  La Madonna col Bambino e due angeli. The Madonna with Child and two angels is a fresco (160x350 cm) by Titian, datable to about 1519, and preserved in the Doge's Palace in Venice.\u003cbr\u003e\u003cstrong\u003eEngraver:  \u003c\/strong\u003e\u003c\/span\u003ePietro Anderloni (\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eItaly, 1784 - 1849), after. He was prolific in engraving reproductions of classic works of the Renaissance. \u003cmeta charset=\"utf-8\"\u003eIn 1831, he succeeded Longhi as a professor of engraving in Milan. \"\u003cmeta charset=\"utf-8\"\u003eVirgin and Child Adored by Two Angels.\" (After Titian). \u003cmeta charset=\"utf-8\"\u003eHarvard Art Museums\/Fogg Museum \u003cmeta charset=\"utf-8\"\u003eG61.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e: Aronne Mauri (Italy, 1804 - 1874). \"He was born in Lesmo, an estate of Gernetto, owned by Giacomo Mellerio. Deaf-mute at birth, he is the son of the estate's chief gardener. He is taken into protection by Count Mellerio and sent to literary-artistic studies at the Institute for the deaf and dumb in Genoa. Back in the estate, he devoted himself intensely to burin copper engraving. Under the count's dependence, he produced the reproduction of various pictorial works owned by himself, which he sent to his friends. Due to his skill, he was admitted as an assistant to the chair of engraving at the Brera School.\" (from the Italian Wikipedia). \u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e Mater Salvatoris (Madonna Con Bambino).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned and Titled in plate\u003c\/strong\u003e\u003cspan\u003e: Tiziano dipinse; \u003cmeta charset=\"utf-8\"\u003eAronne Mauri inc.; \u003cmeta charset=\"utf-8\"\u003eMater Salvatoris.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Image 14 3\/4\" x  11 1\/8\".  Sheet 19 1\/2\" x 12 7\/8\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e engraving on wove paper.\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Foxing. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Only four other works by Aronne Mauri from The Musei Civici di Monza are available online. It looks like he worked more for self-amusement rather than for profit and didn't do large editions.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Italian School XVI C. Italian School XIX C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e: This is most likely a reworked central part of Anderloni's plate. The lettering below the image likely is also made by Anderlony's hand. \u003c\/p\u003e\n\u003cdiv style=\"visibility: visible; left: 183px; top: 70px; opacity: 1;\" aria-describedby=\"bubble-2\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-2\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv tabindex=\"0\" role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 190.234px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42027764777125,"sku":"WOP-352","price":500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_9212-2.jpg?v=1666532069"},{"product_id":"he-virgin-mary-and-christ-child-st-paul-mary-magdalene-st-benedict-and-joseph","title":"Bartolomeo Ramenghi, after. Francesco Rosaspina, after. Holy Family with Saints. Etching by Giuseppe Asioli. 1830.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:  Bartolomeo Ramenghi, also called Bagnacavallo, il Bagnacavallo, or il Baruffaldi (\u003cmeta charset=\"utf-8\"\u003e1484 - 1542), was an Italian painter of the Renaissance. \u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eIntermediary draughtsman\u003c\/strong\u003e:  Francesco Rosaspina (Italy, 1762 - 1841).\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e:  \u003cmeta charset=\"utf-8\"\u003eGiuseppe Asioli (Italy, \u003cmeta charset=\"utf-8\"\u003e1783-1845).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: La S. Famiglia e li SS. Paolo Benedetto, e Maria Maddalena (\u003cmeta charset=\"utf-8\"\u003eThe Virgin Mary and Christ child, St Paul, Mary Magdalene, St Benedict, and Joseph). Sacra Famiglia con Santi (Holy Family with Saints).\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Titled, Numbered, and Dated in plate\u003c\/strong\u003e\u003cspan\u003e: B. Ramenghi detto Bagnacavallo dip. F. Rosaspina dis. G. Asioli inc. La S. Famiglia e li SS. Paolo Benedetto, e Maria Maddalena. \u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Image 9 1\/4\" x 6 5\/8\". Platemark 11 1\/2\"  x  8 1\/2\".  Sheet 19 1\/8\" x 13\".\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Presso L'Autore.\u003cbr\u003e\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition:\u003cspan mce-data-marked=\"1\"\u003e  \u003c\/span\u003e\u003c\/b\u003eLa Pinacoteca della Pontificia Accademia delle Belle Arti in Bologna pubblicata da Francesco Rosaspina, Professore nell'Accademia suddetta. Bologna.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e1830.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e etching on wove paper.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Wear to corners, soiling, and foxing. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePart of\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: From a complete set of 72 original drawings by Rosaspina for 'La Pinacoteca,' a book of engravings featuring works from the Academy of Fine Arts in Bologna.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:  \u003cbr\u003e- Catalogo generale dei Beni Culturali  \u003cmeta charset=\"utf-8\"\u003e0500291806 \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eItalian School XVI C. \u003cmeta charset=\"utf-8\"\u003eItalian School XIX C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: This entry incorporates text from the catalog entry and uses the catalog description of the same item from the collection of The \u003cmeta charset=\"utf-8\"\u003eCatalogo generale dei Beni Culturali.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv style=\"visibility: visible; left: 4px; top: 180px; opacity: 1;\" aria-describedby=\"bubble-2\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-2\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv tabindex=\"0\" role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 269.5px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42027858952357,"sku":"WOP-350","price":80.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_9167-2.jpg?v=1666404385"},{"product_id":"guercino-after-vision-of-st-jerome-engraving-by-bernard-antoine-nicollet-1800-1807-c-c","title":"Guercino, after. Vision of St Jerome. Engraving by Bernard Antoine Nicollet. ca. 1800-1807","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:  Giovanni Francesco Barbieri, better known as Guercino, or il Guercino  (1591 - 1666), was an Italian Baroque painter and draftsman.\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cstrong\u003eIntermediary draughtsman:\u003c\/strong\u003e François André Vincent (France, 1746 - 1816).\u003c\/span\u003e\u003cspan mce-data-marked=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e:  Bernard Antoine Nicollet (Swiss, \u003cmeta charset=\"utf-8\"\u003e1740-1807). He was the engraver for queen Marie-Antoinette.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e Le rêve de St. Jérôme (\u003cmeta charset=\"utf-8\"\u003eVision of St Jerome).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Titled, Numbered, and Dated in plate\u003c\/strong\u003e\u003cspan\u003e: Guerchin, Pinx.; Vincent, del.; B. A. Nicollet Sculp.; Le rêve de St. Jérôme;  \u003c\/span\u003eThere is no stamp \"Musee Francais,\" as on the copy from The British Museum.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Image 9 1\/2\" x 13 5\/8\". Sheet 12 7\/8 x 16\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition:\u003cspan mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003c\/b\u003eMusée Français. (\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMusée Français, recueil complet des tableaux, statues et bas-reliefs qui composent la collection nationale, avec l'explication des sujets et des discours historiques sur la peinture, la sculpture et la gravure', a set reproducing paintings and sculptures from the French collections, and formed by four volumes (published by Robillard-Péronville and\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eLaurent in, respectively, 1803, 1805, 1807, and 1809; accompanied by texts written by Croze-Magnan, then by Eméric-David \u0026amp; Visconti for volumes 3-4).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e ca. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cspan class=\"vterm\" data-mce-fragment=\"1\"\u003e1800-1807.\u003c\/span\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e Engraving and etching on wove paper.\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Trimmed margins. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003e1856,0712.434.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Italian School XVII C. French School XVIII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: This entry incorporates text from the catalog entry and uses the catalog description of the \u003c\/span\u003esame\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e item from the collection of the British Museum.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-7\" style=\"visibility: visible; left: 7px; top: 148px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-7\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\" style=\"left: 272px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42037098348709,"sku":"WOP-354","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_9246-2.jpg?v=1666565595"},{"product_id":"proserpina-raptus","title":"The rape of Proserpina. Set of two engravings by Pietro Santi Bartoli. 1693.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Pietro Santi Bartoli. (Italy, 1635 - 1700).\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Proserpinae raptus. The rape of Proserpina (complete two-piece set of engravings as issued). Nos. 53-54.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Titled, Numbered, and annotated in plate\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eNumbered '53' at lower right. \u003cmeta charset=\"utf-8\"\u003eProserpinae raptus. Pluto ira superis [...] incre pantibus 6 Pallade ac\/ \u0026amp;c ut in sequenti. 'Io. Iacob' de Rubeis formis Romae ad Templi Pacis cu Priv S. Pont. 'In Aedibus Mazarinis'. \u003cmeta charset=\"utf-8\"\u003eNumbered '54' at lower right. Sequitur Proserpinae raptus. Raptu Proserpinae descensii esse [...] Hinc Proserpine rapt frequens in lapid sepulchral' Ac Diana Veneris Dolo [...] Apanum Fluvium confugiente. Claudian de Raptu and with location details 'In Aedibus Mazarinis.'\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions approx\u003c\/strong\u003e\u003cspan\u003e: Image\/plate 6 1\/2\" x 17\". Sheet 15\" x 19 1\/2\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Giovanni Giacomo de' Rossi. (Italy, \u003cmeta charset=\"utf-8\"\u003e1627 - 1691).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition:\u003cspan mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003c\/b\u003eAdmiranda Romanarum Antiquit\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eatum\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cspan mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan class=\"vsuffix\" data-mce-fragment=\"1\"\u003e(The Wonders of Ancient Rome). Rome.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: 1693.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e etchings on laid paper.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Tears to margins. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePart of\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: S\u003cspan class=\"vterm\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"vprefix\" data-mce-fragment=\"1\"\u003eeries of plates after ancient Roman sculpture (mainly relief sculpture). Nos 53 - 54.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003e1886,1124.330.42, \u003cmeta charset=\"utf-8\"\u003e1886,1124.330.43\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Italian School XVII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: This entry incorporates text from the catalog entry and uses the catalog description of the same item from the collection of the British Museum.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-2\" style=\"visibility: visible; left: 29px; top: 89px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-2\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\" style=\"left: 35.5px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42047744311461,"sku":"WOP-358","price":700.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_9313-2.jpg?v=1666964621"},{"product_id":"domenichino-after-saint-jerome","title":"Domenichino, after. Saint Jerome. Engraving by Jean Marie Leroux. 1839-1847.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Domenico Zampieri, known as Domenichino, was an Italian painter (1581 – 1641).\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e: Jean Marie Leroux \u003cmeta charset=\"utf-8\"\u003e(French, 1788–1870). \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003eSaint Jerome.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Titled, and Annotated in plate\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eDominiquin pinx. Leroux sculpt. Galerie Aguado Publiée à Paris par Gavard. Imprimé par Chardon ainé et Aze. Blind stamp of the coat of arms and 'Galerie Aguardo\/Gavard Éditeur.'\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Image 8 3\/4\" x 11\". Sheet 13 1\/2\" x 16\". Mat 14 1\/4 \" x 17\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Jacques Domonique Charles Gavard (France, 1794 - 1871).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition:\u003cspan mce-data-marked=\"1\"\u003e  \u003c\/span\u003e\u003c\/b\u003eGalerie Aguado, choix des principaux tableaux de la Galerie de Mr le Marquis de las Marismas del Guadalquivir. Paris: Chez Gavard Editeur des Galeries Historiques de Versailles., [1839-1847], Les Écritures gravées par Bernard l'Impression des gravures par Chardon ainé.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: 1839-1847.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e etching and engraving on wove paper.\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Matted.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Remnants of glue, trimmed margins. Tanned mat. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003e1849,1031.170.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Italian School XVII C. French School XIX C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e- This entry incorporates text from the catalog entry and uses the catalog description of the same item from the collection of the British Museum.\u003cbr\u003e- The painting is no longer thought to be by Domenichino. Compare Agostino Carracci.\u003cbr\u003e- \u003cspan style=\"color: #ff2a00;\"\u003e \u003c\/span\u003e\u003c\/span\u003eMarquis de las Marismas del Guadalquivir was a Paris banker and art collector. The publication of his catalog didn't pursue a commercial outcome, and apparently, the circulation was small.\u003c\/p\u003e\n\u003cdiv style=\"visibility: visible; left: 36px; top: 226px; opacity: 1;\" aria-describedby=\"bubble-4\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-4\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv tabindex=\"0\" role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 42.5px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42052545446053,"sku":"WOP-360","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_9360-2.jpg?v=1667260757"},{"product_id":"raphael-after","title":"Raphael, after. La Belle Jardinière. Engraving. 1803.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Raffaello Sanzio da Urbino, better known as Raphael (Italy, 1483 – 1520).\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cstrong\u003eIntermediary draughtsman\u003c\/strong\u003e\u003c\/span\u003e:\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  Pierre Paul Prud'hon (France, 1758 - 1823).\u003c\/span\u003e\u003cspan mce-data-marked=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e:  Pierre Audouin. (France, 1768 - 1822).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:  La Belle Jardinière. \u003c\/span\u003e“Virgin and Child with young St John the Baptist,” referred to as “The Beautiful Gardener.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Titled, Numbered, and Dated in plate\u003c\/strong\u003e\u003cspan\u003e: \u003c\/span\u003eRaphael Pinx. Prud'hon. P. Audouin, Sculp. An. 11 (1803. 'LA BELLE JARDINIERE. Imprimé par Ramboz. There is no stamp  \"Musee Francais,\" unlike on a copy from The British Museum.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Image 13 3\/4\" x 9 1\/4\"\u003c\/span\u003e(semicircle on the top).\u003cspan\u003e Platemark 12\" x 16 1\/2\". Sheet 19\" x 14\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition:\u003cspan mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003eMusée Français, recueil complet des tableaux, statues et bas-reliefs qui composent la collection nationale, avec l'explication des sujets et des discours historiques sur la peinture, la sculpture et la gravure', a set reproducing paintings and sculptures from the French collections, and formed by four volumes (published by Robillard-Péronville and\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eLaurent in, respectively, 1803, 1805, 1807, and 1809; accompanied by texts written by Croze-Magnan, then by Eméric-David \u0026amp; Visconti for volumes 3-4).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: 1803.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e Engraving and etching on wove paper.\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Trimmed margins, abrasion, tears, foxing.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e Signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003e1856,0712.366.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Italian School XVII C. French School XVIII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: This entry incorporates text from the catalog entry and uses the catalog description of the \u003c\/span\u003e\u003cspan\u003esame\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e item from the collection of the British Museum.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"visibility: visible; left: 107px; top: 266px; opacity: 1;\" aria-describedby=\"bubble-3\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-3\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv tabindex=\"0\" role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 113.734px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42052619239589,"sku":"WOP-361","price":80.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_9373-2.jpg?v=1667260512"},{"product_id":"pellegrino-tibaldi-after-francesco-rosaspina-after-marriage-of-s-catterina-etching-by-antonio-marchi-1830","title":"Pellegrino Tibaldi, after. Francesco Rosaspina, after. Marriage of S. Catterina. Etching by Antonio Marchi. 1830.","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:  Pellegrino Tibaldi (Italy, 1527–1596), also known as Pellegrino di Tibaldo de Pellegrini.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eIntermediary draughtsman\u003c\/strong\u003e:  Francesco Rosaspina (Italy, 1762 - 1841), a fundamental figure in the constitution of the Pontifical Academy, began in 1818 to engrave the paintings of the art gallery on copper. The work ended in 1829 with a volume consisting of 72 prints.  (see Pinacoteca Nazionale Bologna, 1967, p. 28) The artist has refined technique: his engravings show the effects of soft modeling and chiaroscuro, usually achieved by painting.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eEngraver\u003c\/strong\u003e:  Antonio Marchi, Italy. Work period 1833 – 1853. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Sposalizio di S. Catterina, matrimonio mistico di Santa Caterina da Siena.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned and Titled in plate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: P. Tibaldi dip. Fran. Rosaspina dis. Ant. Marchi inc. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eSposalizio di S. Catterina.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Image 9 3\/4\" x 6 3\/8\". Platemark 12 1\/4\"  x  8 1\/4\".  Sheet 19\" x 13\".\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Presso L'Autore.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition:\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  \u003c\/span\u003e\u003c\/b\u003eLa Pinacoteca della Pontificia Accademia delle Belle Arti in Bologna pubblicata da Francesco Rosaspina, Professore nell'Accademia suddetta. Bologna.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e1830.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e etching on wove paper.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Wear to edges and soiling. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePart of\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: From a complete set of 72 original drawings by Rosaspina for 'La Pinacoteca,' a book of engravings featuring works from the Academy of Fine Arts in Bologna.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:   Catalogo generale dei Beni Culturali 0500291814.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eItalian School XVI C. \u003cmeta charset=\"utf-8\"\u003eItalian School XIX C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: This entry incorporates text from the catalog entry and uses the catalog description of the same item from the collection of Beni Culturali.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cbr\u003e\n\u003cdiv style=\"visibility: visible; left: 185px; top: 36px; opacity: 1;\" aria-describedby=\"bubble-3\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-3\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv tabindex=\"0\" role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 191.844px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42053856624805,"sku":"WOP-362","price":120.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_9348-2.jpg?v=1667236931"},{"product_id":"francesco-zaganelli-after-francesco-rosaspina-after-the-virgin-mary-with-the-christ-child-st-john-the-baptist-st-francis-of-assisi-and-st-bernardino-of-siena-etching-in-the-early-intermediate-state-artists-proof-by-antonio-marchi","title":"Girolamo da Cotignola, after. [Francesco Rosaspina, after]. The Virgin Mary with the Christ Child, St. John the Baptist, St. Francis of Assisi and St. Bernardino of Siena. Etching in the early intermediate state, artist's proof by Antonio Marchi. 1830.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:  Girolamo Marchesi (c. 1471 – 1550) was an Italian painter of the Renaissance period. Born in Cotignola, whence his nickname of Girolamo da Cotignola, he trained under Raphael.\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eIntermediary draughtsman\u003c\/strong\u003e:  Francesco Rosaspina (Italy, 1762 - 1841), a fundamental figure in the constitution of the Pontifical Academy, began in 1818 to engrave the paintings of the art gallery on copper. The work ended in 1829 with a volume consisting of 72 prints.  (see Pinacoteca Nazionale Bologna, 1967, p. 28) The artist has refined technique:  his engravings show the effects of soft modeling and chiaroscuro, usually achieved by painting.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eEngraver\u003c\/strong\u003e:  Antonio Marchi, Italy. Work period 1833 – 1853. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eM. Vergine col Bambino in grembo e li santi Francesco Bernardino e Gio. Battista\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned and Titled in plate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eG. da Cotignola dip. Ant. Marchi inc. Mana Vergine col Bambino \u003cmeta charset=\"utf-8\"\u003en grembo e li santi Francesco Bernardino e Gio. Batt[ista].\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Image 9 3\/8\" x 7 1\/4\". Platemark 12 1\/4\"  x  8 1\/8\".  Sheet 19\" x 13\".\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Presso L'Autore.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition:\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  \u003c\/span\u003e\u003c\/b\u003eLa Pinacoteca della Pontificia Accademia delle Belle Arti in Bologna pubblicata da Francesco Rosaspina, Professore nell'Accademia suddetta. Bologna.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: c. \u003cmeta charset=\"utf-8\"\u003e1830.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e etching on wove paper.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003c\/span\u003eThe print is taken from a discarded book, as evidenced by bumps and small holes along the left edge. Wear to edges, foxing, and soiling.\u003cspan style=\"color: #ff2a00;\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePart of\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: From a complete set of 72 original drawings by Rosaspina for 'La Pinacoteca,' a book of engravings featuring works from the Academy of Fine Arts in Bologna.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:   Catalogo generale dei Beni Culturali 0300205347.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eItalian School XVI C. \u003cmeta charset=\"utf-8\"\u003eItalian School XIX C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: This entry incorporates text from the catalog entry and uses the catalog description of the same item from the collection of Beni Culturali.\u003cbr\u003e\u003c\/span\u003e- Unique impression in the early intermediate state, artist's proof by Antonio Marchi before adding on the sky, before shading, with handwritten lettering. See Innocenzo Da Imola. Enthroned Madonna and Child... from our collection\u003c\/p\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-7\" style=\"visibility: visible; left: -10px; top: 541px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-7\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowdown\" style=\"left: 247px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42062713716901,"sku":"WOP-366","price":500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_9427-2.jpg?v=1667865819"},{"product_id":"enthroned-madonna-and-child-and-saints-michael-peter-and-benedictus-1","title":"Innocenzo Da Imola, after. [Francesco Rosaspina, after]. Enthroned Madonna and Child, and saints Michael, Peter, and Benedictus. Etching in the early intermediate state, artist's proof by Antonio Marchi. 1830.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Francucci Innocenzo Detto Innocenzo Da Imola (Italy, \u003cstrong\u003e\u003c\/strong\u003e1490 ca.\/ 1545 ca).\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eIntermediary draughtsman\u003c\/strong\u003e:  Francesco Rosaspina (Italy, 1762 - 1841), a fundamental figure in the constitution of the Pontifical Academy, began in 1818 to engrave the paintings of the art gallery on copper. The work ended in 1829 with a volume consisting of 72 prints.  (see Pinacoteca Nazionale Bologna, 1967, p. 28) The artist has refined technique:  his engravings show those effects of soft modeling and chiaroscuro usually achieved by painting.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eEngraver\u003c\/strong\u003e:  Antonio Marchi, Italy. Work period 1833 – 1853. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Beata Vergine col Bambino in gloria tra gl'angeli l'Arcangelo Michele vincitore di Lucifiero, S. Pietro, e S. Benedetto.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned and Titled in plate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:  Innocenzo \u003cmeta charset=\"utf-8\"\u003eFrancuci Detto da Imola. Antonio Marchi inc.  Beata Vergine col Bambino in gloria tra gl'angeli l'Arcangelo Michele vincitore di Lucifiero, S. Pietro, e S. Benedetto.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Image 9 3\/8\" x 7 1\/4\". Platemark 12 1\/4\"  x  8 1\/8\".  Sheet 19\" x 13\".\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Presso L'Autore.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition:\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eLa Pinacoteca della Pontificia Accademia delle Belle Arti in Bologna pubblicata da Francesco Rosaspina, Professore nell'Accademia suddetta. Bologna.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: c. \u003cmeta charset=\"utf-8\"\u003e1830.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e etching on wove paper.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003c\/span\u003eThe print is taken from a discarded book, as evidenced by bumps and small holes along the left edge. Wear to edges, foxing, and soiling. \u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePart of\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: From a complete set of 72 original drawings by Rosaspina for 'La Pinacoteca,' a book of engravings featuring works from the Academy of Fine Arts in Bologna.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Catalogo generale dei Beni Culturali 0300205377.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eItalian School XVI C. \u003cmeta charset=\"utf-8\"\u003eItalian School XIX C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: This entry incorporates text from the catalog entry and uses the catalog description of the same item from the collection of Beni Culturali.\u003cbr\u003e\u003c\/span\u003e- Unique impression in the early intermediate state, artist's proof by Antonio Marchi \u003cmeta charset=\"utf-8\"\u003ebefore adding on the sky, before shading, with handwritten lettering.  This attribution is confirmed by the fact that there is a printer's ink stain left by the engraver on the margin. See Cotignola. The Virgin Mary with the Christ Child...from our collection.\u003c\/p\u003e\n\u003cdiv style=\"visibility: visible; left: -22px; top: 317px; opacity: 1;\" aria-describedby=\"bubble-6\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-6\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv tabindex=\"0\" role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 254px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42064388587685,"sku":"WOP-367","price":500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_9476-2.jpg?v=1667870250"},{"product_id":"philipp-jakob-hackert-after-view-of-the-temples-of-juno-lucina-of-the-concordia-of-hercules-and-of-jupiter-olympien-at-girgentifrancois-morel","title":"Philipp Jakob Hackert, after. View of the Temples of Juno Lucina of the Concordia of Hercules and of Jupiter Olympien at Girgenti. Engraving by François Morel. 1783.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Philipp Jakob Hackert (Germany, \u003cmeta charset=\"utf-8\"\u003e1737 – 1807) was a landscape painter who did most of his work in Italy. He was internationally renowned and even worked for Catherine the Great on a cycle of paintings about the Battle of Chesma. \u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e: François Morel (\u003cmeta charset=\"utf-8\"\u003eFrench, c. 1768 - in or after 1830).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Vüe des Temples de Junon Lucine de la Concorde d'Hercule et de Jupiter Olimpien a Girgenti.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Titled, Numbered, and Dated in plate\u003c\/strong\u003e\u003cspan\u003e: Peint a Gouache par Jac. Ph. Hackert 1782. Grave par Francois Morel. Vüe des Temples de Junon Lucine de la Concorde d'Hercule et de Jupiter Olimpien a Girgenti. [The dedication to Comte Rasumoffsky. \u003cmeta charset=\"utf-8\"\u003eDuring this period, Hackert also acted as a secret informant of Russia, his contact being the Russian diplomat Andrey Rasumovsky]. A Rome chez George Hackert Graveur Place d'Espagne. [Coat of Arms of Razumovsky family].\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Image 11\" x 1`8\". Sheet 18 1\/2\" x 13\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eA Rome chez George Hackert Graveur Place d'Espagne.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: c. 1783.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Etching with engraving\u003c\/span\u003e\u003cspan\u003e on laid paper mounted on wove paper.\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Mounted. The lower left corner is lost. Multiple tears to margins, abrasions, foxing. Remnants of glue verso. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eA pair to\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eVue du tombeau de Téron, des Temples de la Concord et Junon Lucine à Girgenti (Not in our collection).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003e1886,1124.242.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Italian School XVIII C. French School XVIII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: This entry incorporates text from the catalog entry and uses the catalog description of the same item from the collection of the British Museum.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-7\" style=\"visibility: visible; left: 20px; top: 226px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-7\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\" style=\"left: 27px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42075436089509,"sku":"WOP-371","price":200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_9542-2.jpg?v=1668351438"},{"product_id":"unknown-italian-engraver-of-the-xviii-c-madonna-greca-pittura-a-tempera-in-legno-xiii-secolo-engraving-late-xviii-early-xix-c","title":"Unknown Italian engraver of the XVIII C. Madonna greca; pittura a tempera in Legno. XIII. Secolo. Engraving. Late XVIII - early XIX C.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e Madonna greca; pittura a tempera in Legno. XIII. Secolo.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitled and Numbered in plate\u003c\/strong\u003e\u003cspan\u003e: u.l. Pitt; u.r. LXXXVII; \u003cmeta charset=\"utf-8\"\u003eMadonna greca; pittura a tempera in Legno. XIII. Secolo.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Platemark 13 1\/2\" x 9 3\/4\". Sheet 17 1\/2\" x 12\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:   Prato: Giachetti.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition:\u003cspan mce-data-marked=\"1\"\u003e  \u003c\/span\u003e\u003c\/b\u003eJean-Baptiste Séroux d'Agincourt.\u003cb data-mce-fragment=\"1\"\u003e\u003cspan mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003c\/b\u003eStoria dell'arte dimostrata coi monumenti : dalla sua decadenza nel IV secolo fino al suo risorgimento nel XVI.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: 1780’s—1820’s. In 1780, with the support of Louis XVI, \u003cmeta charset=\"utf-8\"\u003eSéroux d'Agincourt began to compile material for his History of Arts, considered almost the first book dedicated to the history of the Christian arts from antiquity through the Renaissance. He employed a number of skilled draughtsmen, architects, and engravers, including Italian printmaker G.G. Machiavelli. (Dumbarton Oaks, Hollis Number 005454310). Giachetti\u003cmeta charset=\"utf-8\"\u003e's edition \u003cmeta charset=\"utf-8\"\u003ewas published in \u003cmeta charset=\"utf-8\"\u003e1826–1829.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e etching on wove paper.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWatermark\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: monogram GSF.\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: This is a page taken from the discarded book. The left edge has pinholes and was roughly torn out. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Italian School XVIII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv style=\"visibility: visible; left: 22px; top: 142px; opacity: 1;\" aria-describedby=\"bubble-2\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-2\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv tabindex=\"0\" role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 28.5px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42095096365221,"sku":"W)P-387","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_9798-2.jpg?v=1668912598"},{"product_id":"andrea-sacchi-after-desiderio-de-angelis-after-announcement-to-st-zacharias-engraving-by-pietro-leone-bombelli","title":"Andrea Sacchi, after. Desiderio de Angelis, after. Annunciation of Zechariah. Engraving by Pietro Leone  Bombelli .","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Andrea \u003cmeta charset=\"utf-8\"\u003eSacchi (Italy, active \u003cmeta charset=\"utf-8\"\u003e1599 - 1661), after. \u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cstrong\u003eIntermediary draughtsman\u003c\/strong\u003e: Desiderio de Angelis  (Italy, 1769- (fl).\u003c\/span\u003e\u003cspan mce-data-marked=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e:  Pietro Leone \u003cmeta charset=\"utf-8\"\u003e Bombelli \u003cmeta charset=\"utf-8\"\u003e (Italy, 1737-1809).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003eAnnuncio a san Zaccaria (Annunciation of Zechariah).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned and inscribed in plate\u003c\/strong\u003e\u003cspan\u003e:  Andreas Sachi pinx. in Baptist. Later. \u003cmeta charset=\"utf-8\"\u003eDesiderio de Angelis del. ex autographo. Followed by a biblical passage in Latin from Luke 1:5-13, then a dedication to Pietro Leopoldo di Toscana, on the plate lower left 'In Roma con Lic. de' Sup. 1769', the right 'Pietro Leone Bombelli Incisore. The bottom line contains the words: 'i\u003cmeta charset=\"utf-8\"\u003en Roma con Lic. de' Sup. 1769', and 'Pietro Leone Bombelli Incisore' was cut off.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e:  Sheet 14 3\/4\" x 10 3\/8\". \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e1769.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e etching on laid paper.\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: matted.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Trimmed to the image and partially to the inscription. Mounted. The upper corners are torn off. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePart of\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Series: \u003cspan data-mce-fragment=\"1\" class=\"vterm\"\u003eVita di. S. Giovanni Battista \u003cspan data-mce-fragment=\"1\" class=\"vsuffix\"\u003e(Life of Saint John the Baptist).\u003c\/span\u003e\u003c\/span\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003e1851,1213.426.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Italian School XVII C. \u003cmeta charset=\"utf-8\"\u003eItalian School XVIII C. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: This entry incorporates text from the catalog entry and uses the catalog description of the same item from the collection of the British Museum.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-5\" style=\"visibility: visible; left: -9px; top: 89px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-5\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\" style=\"left: 264.469px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42095426666661,"sku":"WOP-388","price":200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_9812-2.jpg?v=1697498271"},{"product_id":"guido-reni-after-adrian-van-melar-after-the-head-of-the-virgin-engraving","title":"Guido Reni, after.  Adrian van Melar, after. The head of the Virgin. Engraving by C. Galle. Second half of the 17th century.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Guido Reni \u003cmeta charset=\"utf-8\"\u003e(Italian, 1575–1642), after.\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003eIntermediary engraver\u003c\/strong\u003e: Adrian van Melar \u003cmeta charset=\"utf-8\"\u003e(Flemish, 1633–1667), after.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCornelis \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGalle II or \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eCornelis Galle the Younger \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e(Flemish, 1615–1678) [or workshop?].\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: The head of the Virgin. Bust of the Virgin Mary in a radiating oval slightly turned to the left. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned and Inscribed in plate\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eLettered in the banderole: ante te omne desiderium meum; Lettered with the name of an engraver and\/or publisher: C. Galle.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Image\/platemark 11\" x 8\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Cornelis \u003cmeta charset=\"utf-8\"\u003eGalle II (1615-1678) \u003cmeta charset=\"utf-8\"\u003eCornelis Galle the Younger \u003cmeta charset=\"utf-8\"\u003e(Flemish, 1615–1678).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Second half of the 17th century.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e engraving on laid paper mounted on another sheet of paper.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWatermark\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: yes.\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: backing sheet.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Trimmed margins. \u003cmeta charset=\"utf-8\"\u003eThe u.r. and l.r. corners were torn and glued back. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Italian School XVII C. Flemish School XVII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNotes\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e- This entry incorporates text from the catalog entry of the same item from the collection of \u003cmeta charset=\"utf-8\"\u003eThe Metropolitan Museum of Art \u003cmeta charset=\"utf-8\"\u003e51.501.4679.\u003cbr\u003e\u003c\/span\u003e- Publisher's proof mirroring engraving by \u003cmeta charset=\"utf-8\"\u003eAdrian van Melar; the plate is extended, and C. Galle's signature is placed inside the image. For engraving by A. van Melar see The Metropolitan Museum of Art \u003cmeta charset=\"utf-8\"\u003e51.501.4679.\u003cbr\u003e- See also \u003cmeta charset=\"utf-8\"\u003eCopy in reverse after an engraving by Mellan from the BM \u003cmeta charset=\"utf-8\"\u003e1952,0405.198.\u003c\/p\u003e\n\u003cdiv style=\"visibility: visible; left: 111px; top: 109px; opacity: 1;\" aria-describedby=\"bubble-2\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-2\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv tabindex=\"0\" role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 117.625px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42119601553573,"sku":"WOP-413\/MB-1","price":400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0042-2.jpg?v=1670177443"},{"product_id":"annibale-carracci-after-paysage-avec-au-premier-plan-deux-grands-arbres-accouples-caylus","title":"Annibale Carracci, after. Anne Claude de Caylus, after. Landscape with two large coupled trees. Chalcographie du Louvre, Musées Imperiaux. XIX C.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Annibale Carracci (Italian, 1560 - 1609), after.\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e: Anne Claude de Tubières-Grimoard de Pestels de Lévis, comte de Caylus, marquis d'Esternay, baron de Bransac. (France, 1692 - 1765).\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Paysage avec deux grands arbres \u003cmeta charset=\"utf-8\"\u003eaccouplés (Landscape with two large coupled trees).\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned and Numbered in plate\u003c\/strong\u003e\u003cspan\u003e: Annibal Carache Cab du Roy Cx Sculp. Blind stamp of Chalcographie du Louvre, Musées Imperiaux.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Image\/platemark 9 3\/4\" x 6 7\/8\". Sheet 14 5\/8\" x 12\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eChalcographie du Louvre.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: XIX C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e print on laid paper.\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Remnants of old hinges verso. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Italian School XVI C. French School XVIII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv style=\"visibility: visible; left: 72px; top: 148px; opacity: 1;\" aria-describedby=\"bubble-4\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-4\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv tabindex=\"0\" role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 79.0938px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42122238525605,"sku":"WOP-418\/MB-1","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0053-2.jpg?v=1670254682"},{"product_id":"pietro-martire-neri-after-cardinal-pietro-i-vidoni-engraving-by-albert-clouwet","title":"Pietro Martire Neri, after. Portrait of Cardinal Pietro I Vidoni. Engraving by Albert Clouwet. 1660-1676.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: Pietro Martire Neri (Italy, \u003cmeta charset=\"utf-8\"\u003e1691-1661), after.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e\u003cspan\u003e: Albert Clouwet \u003cmeta charset=\"utf-8\"\u003e(Dutch, 1636– 1679).\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e Portrait of Cardinal Pietro I Vidoni. Pietro Vidoni (1610 – 1681) was an Italian cardinal who served from 1652 to 1660 as the papal legate and nuncio to Poland.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned and Titled:\u003c\/strong\u003e\u003cspan\u003e Inscription content: Lettered within tablet with title, \"P. Martyr Neri Cremon: Pinx et deli\" and below image with production details: \"A. Clouuet Sculp\" and \"Io. Iacobus de Rubeis formis Romae ad Templum pacis cum privil S. Pontif\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Sheet 7 1\/2\" x % 5\/8\". Mat 13 3\/8\"x 11 3\/4\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Giovanni Giacomo de' Rossi (Italy, \u003cmeta charset=\"utf-8\"\u003e1627-1691). \u003cmeta charset=\"utf-8\"\u003ePublisher; son of Giuseppe; younger brother and successor in 1653 of Giovanni Domenico. He was succeeded by his own son Domenico.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e1660-1676.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e  engraving on laid paper, margins extended with wove paper.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eWatermark\u003c\/strong\u003e: yes.\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: matted.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Trimmed margins. Foxing on the extended supporting frame. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePart of\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eThis is one from a series of 68 portraits (and title) of cardinals published by Rossi (1658-1676).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003eBb,12.808.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Flemish School XVII C. Italian School XVII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eThis entry incorporates text from Wikipedia and the catalog entry of the same item from the collection of the British Museum.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-7\" style=\"visibility: visible; left: 32px; top: 148px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-7\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\" style=\"left: 297.438px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42131950338213,"sku":"WOP-437\/MB-1","price":120.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0210-2_f2c9befb-c039-4aa0-9906-a0942154c1ec.jpg?v=1670763260"},{"product_id":"stefano-della-bella-studies-of-figures-etching","title":"Stefano Della Bella. Studies of figures. Etching. Mid XVII C.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: Stefano della Bella (Italy, 1610 – 1664) etcher of a vast range of subjects, including playing cards.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:  Studies of figures, including a porter, soldiers, and ships in the harbor \u003cmeta charset=\"utf-8\"\u003einfluenced by Rembrandt's etchings.\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Sheet 9\" x 7\". Backing sheet 10\" x \u003cmeta charset=\"utf-8\"\u003e14 1\/4\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eJohn McCreery, English publisher and printer (1768-1832).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition:\u003cspan mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eA Collection of Original Etchings. Published by McCreery. London, 1816. The original copper plates were believed to have been destroyed after this publication.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e1816 (published).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e etching on a thin, lightweight wove paper printed without margins. Mounted on the same paper as other McCreery prints and presumably taken from the same volume because of the same three sides’ gilded edges and matching size. \u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: mounted on the backing paper.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Scattered spotting, tears to margins. Foxing. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e: The British Museum. The drawing of ships in the harbor \u003cmeta charset=\"utf-8\"\u003e1946,0713.667.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Italian School XVII C.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"visibility: visible; left: 100px; top: 50px; opacity: 1; transition: opacity 0.218s ease-out 0s;\" aria-describedby=\"bubble-3\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-3\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv tabindex=\"0\" role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 107.047px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42142722064549,"sku":"WOP-453\/MB-1","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0295-2_408eeee3-1ac9-4509-ba02-8d211ef7ff41.jpg?v=1671480905"},{"product_id":"giovanni-benedetto-castiglione-four-small-oriental-heads-etchings-c-1645-50","title":"Giovanni Benedetto Castiglione. Four Small Oriental heads. Etchings. C.1645\/50.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: Giovanni Benedetto Castiglione. One of the great artists of the Baroque, Giovanni Benedetto Castiglione (1609-64) was perhaps the most innovative and technically brilliant Italian draftsman of his time. (\u003cmeta charset=\"utf-8\"\u003eThe Royal Collection Trust).\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Four Small Oriental heads.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eInscription\u003c\/strong\u003e\u003cspan\u003e: 1. \u003cmeta charset=\"utf-8\"\u003eCastilione. 2-3. \u003cmeta charset=\"utf-8\"\u003eGB Castilione Genovese. 4. No inscription. \u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Sheet 1. 4 3\/8\" x 3 1\/4\". 2. 4 1\/4\" x 3 1\/4\". 3. 4 3\/8\" x 3 1\/8\". 4. \u003cmeta charset=\"utf-8\"\u003e4 3\/8\" x 3 1\/8\". Backing sheet 14 1\/8\" x \u003cmeta charset=\"utf-8\"\u003e10 1\/4\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cstrong\u003ePublisher\u003c\/strong\u003e: John McCreery, English publisher and printer (1768-1832).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition:\u003cspan mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eA Collection of Original Etchings. Published by McCreery. London, 1816. The original copper plates were believed to be destroyed after this publication.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e1816 (published).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e etchings on a thin, lightweight wove paper printed without margins. Mounted on the same paper as other McCreery prints and presumably taken from the same volume because of the same three sides’ gilded edges and matching size. \u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: adhered to the backing paper.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Scattered spotting. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e: \u003cbr\u003eThe British Museum 1871,0812.29, \u003cmeta charset=\"utf-8\"\u003e1871,0812.27, \u003cmeta charset=\"utf-8\"\u003e1871,0812.32, \u003cmeta charset=\"utf-8\"\u003e1871,0812.40.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Italian School XVII C. British School XIX C. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e: This entry incorporates text from the catalog entry of the same items from the collection of the British Museum.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"visibility: visible; left: 3px; top: 89px; opacity: 1;\" aria-describedby=\"bubble-4\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-4\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv tabindex=\"0\" role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 276.328px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42143354945701,"sku":"WOP-455\/MB-1","price":280.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0341-2_f7291340-f9ab-48c1-901c-4249e747e478.jpg?v=1671664092"},{"product_id":"rubens-after-st-simon-engraving-xviii-c","title":"Peter Paul Rubens, after.  St. Simon. Engraving. XVIII. C.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: Peter Paul Rubens, after.\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e St. Simon.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitled: \u003c\/strong\u003e\u003cspan\u003eS. Matteo. Stamped in purple ink verso: Antonio Stanflin - Fiume and collector's (?) mark ZR - not in Lugt.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Image 11 3\/4\" x 8 1\/4\". Sheet 15 3\/4\" x 11 1\/4\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: XVIII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e engraving on laid paper.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Foxing. Wear. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Italian School XVIII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-2\" style=\"visibility: visible; left: 154px; top: 109px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-2\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\" style=\"left: 161px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42148780998821,"sku":"WOP-460\/MB-1","price":200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0118-2.jpg?v=1671713796"},{"product_id":"bonaventura-lamberti-after-the-martyrdom-of-st-peter-martyr-engraving-by-nicolas-dorigny-1695","title":"Bonaventura Lamberti, after. The martyrdom of St Peter Martyr. Engraving by Nicolas Dorigny. 1695","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: Bonaventura Lamberti (1653 - 1721) was an Italian painter of the Baroque period, after.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e\u003cspan\u003e: Sir Nicolas Dorigny (1658 - 1746) was a French engraver. His education prepared him for the legal field, and he followed that profession until he was thirty years of age, when, as a result of deafness, he turned to the arts.\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eS. Petrus Martijr Ordinis Predicatorum. The martyrdom of St Peter Martyr.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Numbered, Titled, and Dated:\u003c\/strong\u003e\u003cspan\u003e S.Petrus Martijr Ordinis Predicatorum. Romae ex officina Dom. de Rubeis ad Templum S.M. de Pace cum Privil. S.P.  An.1695. Sup. perm. \u003cmeta charset=\"utf-8\"\u003eVentura Lambertis inuent et Pinx. \"\u003cmeta charset=\"utf-8\"\u003eNicolas Dorigny\" l.r. hardly visible due to the unevenly trimmed margin. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: 20' x 12\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Domenico de Rossi.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: 1695.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e engraving on laid paper mounted on wove \u003cmeta charset=\"utf-8\"\u003epaper; \u003cbr\u003eextremities are reinforced recto from three sides. \u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eWatermark\u003c\/strong\u003e\u003cspan\u003e: yes.\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eTrimmed unevenly; foxing. Reinforced horizontal fold.  \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003e1871,0429.485.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Italian School XVII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eThis entry incorporates text from Wikipedia and the catalog entry of the same item from \u003cmeta charset=\"utf-8\"\u003eThe British Museum collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"visibility: visible; left: 170px; top: 224px; opacity: 1;\" aria-describedby=\"bubble-6\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-6\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv tabindex=\"0\" role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 177.344px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowdown\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42151140294821,"sku":"WOP-463\/BB-2","price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0429-2.jpg?v=1672103272"},{"product_id":"luca-penni-after-allegory-of-the-hunt-engraving-by-giorgio-ghisi","title":"Luca Penni, after. Allegory of the Hunt. Engraving by Giorgio Ghisi. 1556.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: Penni Luca Detto Romanus (c.1500\/1504–1556). Luca Penni was an Italian painter of the 16th century best known for his work in France as part of the First School of Fontainebleau.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e\u003cspan\u003e: Giorgio Ghisi (1520 - 1582) was an Italian engraver from Mantua who also worked in Antwerp and in France.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Allegoria della caccia (Allegory of the Hunt).\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Numbered, Titled, and Dated:\u003c\/strong\u003e\u003cspan\u003e Lettered in tablet at lower left 'Luca \/ Pennis \/ R \/ Inven \/ Georgius \/ Ghisis Mnt R \/ MDLVI,' and two lines along the bottom 'In sylvis habitans ... Humeriso fera.'\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Platemark 14 1\/4\" x 10\". Sheet 15 1\/4\" x 11\".  Mat 21\" X 16\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Jo Jacobus de Rubeis another name Giovanni Giacomo de Rossi (Italy, \u003cmeta charset=\"utf-8\"\u003e1627-1691).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: 1556.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e engraving on laid paper.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eWatermark\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eShield with the words Rev. Camera Apostolica. \u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: floated within the mat.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  \u003cbr\u003e-Swann Sale 2005 Old Master Through Contemporary Prints, May 06, 2004- Lot 138.\u003cbr\u003e-The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Restored. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003cstrong\u003eCatalog Raisonne\u003c\/strong\u003e: Bartsch \/ Le Peintre graveur (XV.404.43)\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Catalogo general dei Beni Culturali \u003cmeta charset=\"utf-8\"\u003e0900383009. In the British Museum \u003cmeta charset=\"utf-8\"\u003eV,8.121. There is the \u003cmeta charset=\"utf-8\"\u003esecond state with lettering but before the publisher's address V,8.121.  We have the \u003cmeta charset=\"utf-8\"\u003eFourth state (of 4), with the address of Rubeis.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Italian School XVI C. \u003cmeta charset=\"utf-8\"\u003eItalian School XVII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eThis entry incorporates text from the catalog entries of the same item from The British Museum and Catalogo general dei Beni Culturali collections.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-2\" style=\"visibility: visible; left: 20px; top: 109px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-2\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\" style=\"left: 26.5px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42156546031781,"sku":"WOP-468\/BB-2","price":1500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0452-2.jpg?v=1672442106"},{"product_id":"portrait-of-laudomina-iacobi-acciaiuoli","title":"Giuseppe Zocchi, after. Portrait of: Laudomia Acciaiuoli. Engraving by Francesco Allegrini. 1750-1760 (circa).","description":"\u003cp\u003e\u003cstrong\u003eIntermediary draughtsman\u003c\/strong\u003e: Giuseppe Zocchi (Italy, \u003cmeta charset=\"utf-8\"\u003e1717 (or 1711?)-1767), draughtsman and etcher in Florence, after.\u003cbr\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e\u003cspan\u003e: Francesco Allegrini (Italy, \u003cmeta charset=\"utf-8\"\u003e1729-c. 1770), an engraver in Florence.\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Portrait of \u003cmeta charset=\"utf-8\"\u003eLaudomina Iacobi Acciaiuolii, \u003cmeta charset=\"utf-8\"\u003ewife of Pierfrancesco de' Medici.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Numbered, Titled, and Dated:\u003c\/strong\u003e\u003cspan\u003e Lettered in tablet 'Laudomina Iacobi Acciaiuolii, et Tan \/ ciæ de Bardis F. Petri Franc. Med. Uxor' and lettered in garland 'Forma Nisi In Veras Non Cardit Illa Deas'; with production details 'J.Z. del.', 'F.A. Sc.' and 'Ex Mus. Senat. Equit. March. Ant. Franc. Acciaiuoli Toriglioni \/ ap. Ios. Allegrini. Floren.'\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Plate mark 14\" x 10 1\/4\". Sheet 16 3\/4\" x 13 1\/2\". (folded edges).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Giuseppe Allegrini (Italy, \u003cmeta charset=\"utf-8\"\u003e1744-1778 (fl), publisher, printer, and engraver in Florence.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: 1750-1760 (circa).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e engraving and etching on laid paper.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: margins are folded. Remnants of mounting paper recto, creases, soiling. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand. \u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePart of\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eseries of portraits of the Medici family published by Allegrini to supplement those in the earlier series engraved by Adrian Haelwegh.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003e1871,1209.1186.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Italian School XVIII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003cspan\u003e: This entry incorporates text from Wikipedia and the catalog entry of the same item from The British Museum collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-5\" style=\"visibility: visible; left: 36px; top: 305px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-5\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\" style=\"left: 42.5px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42165850603685,"sku":"WOP-479\/BB-2","price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0568-2.jpg?v=1672950438"},{"product_id":"alonso-de-ovalle-portrait-of-capn-d-francesco-rodriguez-del-manzano-y-ovalle-engraving-1646","title":"Alonso de Ovalle. Portrait of Capn. D. Francesco Rodriguez del Manzano Y Ovalle. Engraving. 1646.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: Fr. Alonso de Ovalle (1603 – 1651) was a Chilean Jesuit priest and chronicler of Chilean history, author of the Historica relacion del Reyno de Chile y de las missiones y ministerios que exercita en él la Compañía de Jesus, describing the Conquest of Chile and the Arauco War. \u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e Portrait of Capn. D. Fran[ces]co Rodriguez del Manzano Y Ovalle. \u003cmeta charset=\"utf-8\"\u003eManzano y Ovalle was the author's father.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitled\u003c\/strong\u003e: \u003cspan\u003eCapn. D. Fran[ces]co Rodriguez del Manzano Y Ovalle.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Sheet 8 3\/4\" x 6\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Francisco Cavallo.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition\u003c\/b\u003e: Historica relacion del reyno de Chile, y delas missiones, y ministerios que exercita en el la Compañia de Iesus. Rome, \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eM. DC. XLVI. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: 1646.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e engraving on laid paper,  \u003c\/span\u003eextremities are reinforced verso from four sides.\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: trimmed to the image. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePart of\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003efollowing p. 322.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: J\u003cmeta charset=\"utf-8\"\u003eohn Carter Brown Library. Archive of Early American Images \u003cmeta charset=\"utf-8\"\u003e0875.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Italian School XVII C. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003cspan\u003e: This entry incorporates text from Wikipedia and the catalog entry of the same item from the \u003cmeta charset=\"utf-8\"\u003eJ\u003cmeta charset=\"utf-8\"\u003eohn Carter Brown Library\u003c\/span\u003e\u003cspan\u003e collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"visibility: visible; left: -30px; top: 53px; opacity: 1;\" aria-describedby=\"bubble-2\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-2\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 242.812px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42194941280421,"sku":"WOP-520\/WB-1","price":200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0810-2.jpg?v=1674702133"},{"product_id":"a-woman-helping-europa-to-climb-on-the-bull","title":"Simon da Pesero, after. A woman helping Europa to climb on the bull. Etching by Giuseppe Zocchi. 1764.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: Simon da Pesero, another name Simone Cantarini (Italy, \u003cmeta charset=\"utf-8\"\u003e1612-1648), painter and etcher; born in Pesaro. A leading pupil of Guido Reni; after falling out with him left Bologna.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e\u003cspan\u003e: Giuseppe Zocchi (Italy, \u003cmeta charset=\"utf-8\"\u003e1717 (or 1711?)-1767), draughtsman, and etcher in Florence.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:  A woman helping Europa to climb on the bull. The Latin poet Ovid, tells a tale of the god Jupiter, who fell in love with Europa. \u003c\/span\u003eJupiter, by disguising himself as a bull, succeeded in persuading Europa to climb upon his back and carried her off to the island of Crete.\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Numbered, Titled, and Dated\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eSimon da Pesero del: Gius. Zocchi sc. From an Original Drawing in the Collection of John Barnard Esqr. (\u003cmeta charset=\"utf-8\"\u003eSon of City financier and politician Sir John Barnard whose fortune he inherited and spent on amassing an immensely important collection of drawings and prints).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: 8 3\/4\" x 10 7\/8\".\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e: John Boydell (British, 1719-1804), the leading London print publisher; his international trade did much to establish British painting on a European basis. 1782 onwards, Alderman; 1790-1, Lord Mayor of London.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e1764.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e etching on wove paper.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Trimmed to image and lettering.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e Restored broken corners. Signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003e1989,1209.21.136.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: British School XVIII C. Italian School XVII. Italian Schoool XVIII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003cspan\u003e: This entry incorporates text from Wikipedia and the catalog entry of the same item from the \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBritish Museum\u003c\/span\u003e\u003cspan\u003e collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"visibility: visible; left: -43px; top: 148px; opacity: 1;\" aria-describedby=\"bubble-4\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-4\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 416.734px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42221016481957,"sku":"WOP-546\/BB-1","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_1019-2.jpg?v=1675966460"},{"product_id":"two-warriors-one-seated-asleep-on-a-foreground-rock","title":"Salvator Rosa, after. Two warriors. Etching. C. 1656–1657.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: Salvator Rosa (\u003cmeta charset=\"utf-8\"\u003eItalian, 1615–1673), painter, etcher, playwright, and musician.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eTwo warriors, one seated asleep on a foreground rock.\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned in plate\u003c\/strong\u003e: with monogram \u003cmeta charset=\"utf-8\"\u003ein reverse.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: image\/plate 4 7\/8\" x 3 1\/2\".\u003cbr\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition\u003c\/b\u003e: unknown.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003ec. 1656–1657 (plate).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e etching on laid paper \u003cmeta charset=\"utf-8\"\u003epasted to the backing sheet in two places along the top edge.\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e: backing sheet.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:  glue stain in the u.r. corner. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eCatalog Raisonne\u003c\/strong\u003e: Bartsch. Le Peintre graveur. Vol. XX, p. 285, No. 59.\u003cbr\u003e\u003cstrong\u003ePart of\u003c\/strong\u003e: from the series of Figurine.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003eW,7.35.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e: Italian School XVII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003cspan\u003e: This entry incorporates text from Wikipedia and the catalog entry of a similar item from the \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBritish Museum\u003c\/span\u003e\u003cspan\u003e collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"visibility: visible; left: 84px; top: 121px; opacity: 1;\" aria-describedby=\"bubble-2\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-2\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 90.5px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42266574651557,"sku":"WOP-620\/WB-1","price":190.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_1563-2.jpg?v=1679498465"},{"product_id":"antonio-tempesta-elephant-hunt-etching-1598","title":"Antonio Tempesta. Elephant hunt. Etching. 1598.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Antonio Tempesta (1555 - 1630), also called il Tempestino, was an Italian painter and engraver.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e Elephant hunt.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eNumbered\u003c\/strong\u003e\u003c\/span\u003e 9 lower right.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e:  Sheet 3 3\/4\" x 5 1\/2\". \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition:\u003cspan\u003e  \u003c\/span\u003e\u003c\/b\u003eHunting Scenes III.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: 1598 (plate). \u003cmeta charset=\"utf-8\"\u003eThe date of 1598 is given only on the dedication sheet to the series.\u003c\/span\u003e\u003cspan\u003e \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e: etching on laid paper.\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: backing sheet.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Trimmed within the platemark, remnants of glue and hinges verso. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eCatalog Raisonne\u003c\/strong\u003e:  Bartsch. T. XVII. p. 166. No 1114.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePart of\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:  Hunting Scenes III.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003eX,3.418.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Italian School XVI C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: This entry incorporates text from the catalog entry and uses the catalog description of the same item from the collection of the British Museum.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"position: absolute; visibility: hidden; left: 307.992px; top: 381.781px; width: 50.9219px; height: 16.5px;\" id=\"gtx-anchor\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"visibility: visible; left: 52px; top: 267px; opacity: 1;\" aria-describedby=\"bubble-2\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-2\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42303486984357,"sku":"WOP-639\/WB-1","price":300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_1694-2.jpg?v=1680293590"},{"product_id":"giovanni-benedetto-castiglione-head-to-right-with-beard-and-two-feathers-in-hat","title":"Giovanni Benedetto Castiglione. Head to right with beard and two feathers in hat. Etching. C. 1645-1650.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: Giovanni Benedetto Castiglione. One of the great artists of the Baroque, Giovanni Benedetto Castiglione (1609-64) was perhaps the most innovative and technically brilliant Italian draftsman of his time. (\u003cmeta charset=\"utf-8\"\u003eThe Royal Collection Trust).\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eHead to right with beard and two feathers in hat.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eInscription \u003c\/strong\u003eu.r.\u003cspan\u003e GB Castilione Genovese.\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Sheet 4 1\/2\" x 3 1\/4\". Backing sheet 5\" x 4\" (trimmed).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cstrong\u003ePublisher\u003c\/strong\u003e: John McCreery, English publisher and printer (1768-1832).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition:\u003cspan mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eA Collection of Original Etchings. Published by McCreery. London, 1816. The original copper plates were believed to have been destroyed after this publication.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: C. \u003cmeta charset=\"utf-8\"\u003e1645-1650 (plate), \u003cmeta charset=\"utf-8\"\u003e1816 (published).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e etchings on a thin, lightweight wove paper printed without margins. \u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: adhered to the backing paper.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Wrinkles at corners. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003ePart of\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"vprefix\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSeries\u003c\/strong\u003e:\u003c\/span\u003e Small Oriental heads. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003e1862,0524.141.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Italian School XVII C. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e: This entry incorporates text from the catalog entry of the same items from the collection of the British Museum.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"visibility: visible; left: 3px; top: 89px; opacity: 1;\" class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-4\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-4\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42307474587813,"sku":"WOP-643\/WB-1","price":90.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_1724-2.jpg?v=1680831790"},{"product_id":"giovanni-benedetto-castiglione-head-looking-down-to-right-with-feather-in-hat-etching-c-1645-1650","title":"Giovanni Benedetto Castiglione. Head looking down to right with feather in hat. Etching. C. 1645-1650.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: Giovanni Benedetto Castiglione. One of the great artists of the Baroque, Giovanni Benedetto Castiglione (1609-64) was perhaps the most innovative and technically brilliant Italian draftsman of his time. (\u003cmeta charset=\"utf-8\"\u003eThe Royal Collection Trust).\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eHead looking down to right with feather in hat.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eInscription\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eu.r.\u003cspan\u003e GB Castilione Genovese.\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Sheet 4 3\/8\" x 3 1\/8\". Backing sheet 5\" x 3 3\/4\" (trimmed).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cstrong\u003ePublisher\u003c\/strong\u003e: John McCreery, English publisher and printer (1768-1832).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition:\u003cspan mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eA Collection of Original Etchings. Published by McCreery. London, 1816. The original copper plates were believed to have been destroyed after this publication.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: C. \u003cmeta charset=\"utf-8\"\u003e1645-1650 (plate), \u003cmeta charset=\"utf-8\"\u003e1816 (published).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e etchings on a thin, lightweight wove paper printed without margins. \u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: adhered to the backing paper.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Wrinkles at corners. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003ePart of\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"vprefix\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSeries\u003c\/strong\u003e:\u003c\/span\u003e Small Oriental heads. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003e1871,0812.37.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Italian School XVII C. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e: This entry incorporates text from the catalog entry of the same items from the collection of the British Museum.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"visibility: visible; left: 3px; top: 89px; opacity: 1;\" aria-describedby=\"bubble-4\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-4\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42307497328805,"sku":"WOP-644\/WB-1","price":90.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_1723-2.jpg?v=1680831353"},{"product_id":"iovanni-benedetto-castiglione-head-looking-to-left-blowing-on-the-mouth-of-a-trumpet-etching-c-1645-1650","title":"Giovanni Benedetto Castiglione. Head looking to left blowing on the mouth of a trumpet. Etching. C. 1645-1650.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: Giovanni Benedetto Castiglione. One of the great artists of the Baroque, Giovanni Benedetto Castiglione (1609-64) was perhaps the most innovative and technically brilliant Italian draftsman of his time. (\u003cmeta charset=\"utf-8\"\u003eThe Royal Collection Trust).\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eHead looking to left blowing on the mouth of a trumpet.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eInscription\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eu.r.\u003cspan\u003e GB Castilione Genovese.\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Sheet 4 3\/8\" x 3 1\/4\". Backing sheet 4 3\/4\" x 3 5\/8\" (trimmed).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cstrong\u003ePublisher\u003c\/strong\u003e: John McCreery, English publisher and printer (1768-1832).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition:\u003cspan mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eA Collection of Original Etchings. Published by McCreery. London, 1816. The original copper plates were believed to have been destroyed after this publication.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: C. \u003cmeta charset=\"utf-8\"\u003e1645-1650 (plate), \u003cmeta charset=\"utf-8\"\u003e1816 (published).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e etchings on a thin, lightweight wove paper printed without margins. \u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: adhered to the backing paper.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Wrinkles at corners. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003ePart of\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\" class=\"vprefix\"\u003e\u003cstrong\u003eSeries\u003c\/strong\u003e:\u003c\/span\u003e Small Oriental heads. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003e1871,0812.38.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Italian School XVII C. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e: This entry incorporates text from the catalog entry of the same items from the collection of the British Museum.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv aria-describedby=\"bubble-4\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\" style=\"visibility: visible; left: 3px; top: 89px; opacity: 1;\"\u003e\n\u003cdiv id=\"bubble-4\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42307518857381,"sku":"WOP-645\/WB-1","price":90.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_1721-2.jpg?v=1680831726"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/collections\/IMG_1821-2.jpg?v=1778268901","url":"https:\/\/www.goldinfineart.com\/collections\/italian-art.oembed?page=8","provider":"Goldin Fine Art","version":"1.0","type":"link"}