{"title":"New Arrivals","description":"","products":[{"product_id":"andree-st-vitus-cathedral-prague","title":"Andrée. View of St. Vitus Cathedral, Prague. Color Drawing. Early XX C.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Andrée (pseudonym? not a listed artist?)\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: View of St. Vitus Cathedral, Prague. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-end=\"588\" data-start=\"571\"\u003eInscriptions: \u003c\/strong\u003eAndrée. l.r.\u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: Sheet 8 1\/2\" x 5\".\u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e: Early XX C.\u003cbr\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e: Pencil, black chalk, and brown conté crayon on cream wove paper\u003cbr\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e: The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965–2000.\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: The signs of aging are appropriate for the time. The sheet presents a small notch to the upper edge, and minor surface soiling. A detailed condition report is available on demand.\u003cbr\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: Russian School XX C. Czech School XX C.\u003cbr\u003e\u003cstrong\u003eNote\u003c\/strong\u003e: In the Demetrakopoulos collection, this sheet was kept together with works by Russian artists. \u003cmeta charset=\"utf-8\"\u003eThe stylistic characteristics of the the Russian school, combined with the presence of Russian artists active in Prague during the 1920s and the collector Yorgo Demetrakopoulos's interest in European culture, particularly Russian culture, allow for the tentative suggestion that the work may be of Russian origin.\u003cbr\u003e\u003cstrong\u003eAcknowledgement\u003c\/strong\u003e: This entry incorporates text from online sources.\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42356984414373,"sku":"DRW-250\/BLKBI-1","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/files\/IMG_3658-2.jpg?v=1782871415"},{"product_id":"jean-francois-millet-after-seated-shepherdess-woodcut-by-jean-baptiste-millet-xix-c","title":"Jean-François Millet, after. La Grande Bergère assise. Seated Shepherdess. Woodcut by Jean-Baptiste Millet. XIX C.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: Jean-François Millet (French, 1814-1875), painter and etcher, after.\u003cbr\u003e\u003c\/span\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eEngraver\u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e: \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eJean-Baptiste Millet (French, 1831-1906), \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003ePainter and wood-engraver; brother of Jean-François.\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eLa Grande Bergère Assise.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-end=\"299\" data-start=\"282\"\u003eInscriptions:\u003c\/strong\u003e Signed in plate: J. F. Millet. Collectors’ marks below the image by Hector Giacomelli, Jules Gerbeau, and an unidentified collection (L in triangle). Inscriptions in pencil on the mat, in an unidentified hand: “Delteil 33, second state. Original proof on Japan from the Giacomelli and Gerbeau collections. La grande Bergère assise. Engraved on wood by Jean-Baptiste Millet from a drawing by Jean-François Millet.”\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Image 10 5\/8\" x 8 5\/8\". Sheet 18 5\/8\" x 12 1\/2\". Mat 23 3\/4\" x 18\".\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eDate\u003c\/strong\u003e: XIX C.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan\u003e: wood-engraving\u003c\/span\u003e\u003cspan\u003e on \u003cmeta charset=\"utf-8\"\u003ecream laid Japan paper.\u003cbr\u003e\u003cstrong\u003eMat and Frame\u003c\/strong\u003e: Matted.\u003cbr\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-end=\"963\" data-start=\"948\"\u003eProvenance:\u003c\/strong\u003e Hector Giacomelli (1822–1904) (Lugt 1311); Jules Gerbeau (?–1906) (Lugt 1166); unidentified collector “L” (Lugt not identified); The Estate of George “Yorgo” Demetrakopoulos, professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965–2000.\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: Foxing (mainly to margins). A detailed condition report is available on demand.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eCatalog Raisonné\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eDelteil 33; Melot 33.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003e1877,1013.813\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e: French School XIX C.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42788044832933,"sku":"WOP-980\/BF-2\/PS","price":2800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/files\/IMG_5060-2.jpg?v=1703730194"},{"product_id":"architectural-graphics","title":"From Stone to Print-1: Six British Architectural Engravings XVIII-XIX C.","description":"\u003cp\u003e1. \u003cem\u003eInterior of Westminster Abbey. Poets Corner.\u003c\/em\u003e Engraved by Lewis from a Drawing by J. P. Neale for the \u003cem\u003eBeauties of England \u0026amp; Wales\u003c\/em\u003e. London, Published by John Harris, St. Paul's Church Yard, Oct. 1st, 1815. Sheet 7 1\/2\" × 4 1\/2\". The engraving is pasted into a paper frame measuring 11\" × 8\".\u003cbr\u003e2. \u003cem\u003eInterior of the Hall of Lambeth Palace.\u003c\/em\u003e Engraved by J. Creig from a Drawing by F. Whichello. London: Published Nov. 1, 1804 by Vernor \u0026amp; Hood, Poultry; J. Storer \u0026amp; J. Creig, Chapel Street, Pentonville. Sheet 9 5\/8\" × 6 7\/8\".\u003cbr\u003e3. \u003cem\u003eSt. Saviour's, Southwark.\u003c\/em\u003e Drawn by F. Nash. Engraved by J. Storer. Sheet 8 1\/2\" × 10 3\/4\". Water staining, wear.\u003cbr\u003e4. \u003cem\u003eThe Foundling Hospital, Holborn, London:\u003c\/em\u003e a south-east view and a bird's-eye view. Engraving by J. Green after S. Wale, 1761. Sheet 4 1\/4\" × 6 3\/4\". The engraving is pasted into a paper frame measuring 8\" × 11\". Offsetting verso.\u003cbr\u003e5. \u003cem\u003eThe City of London's Boundary Bars.\u003c\/em\u003e Cartouche from the map of London by Benjamin Cole (1755). Sheet 7\" × 4 1\/2\". The engraving is pasted into a paper frame measuring 11\" × 8\".\u003cbr\u003e6. \u003cem\u003eSt. Paul's Cathedral, The Nave and Choir.\u003c\/em\u003e Drawn by Hablot Browne for \u003cem\u003eWinkles Cathedrals\u003c\/em\u003e [1836], Plate 29. Engraved by W. Deeble. Sheet 10 1\/2\" × 7\". Lost corner.\u003cbr\u003e\u003cbr\u003eBritish School XIX C.\u003cbr\u003eProvenance: The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965–2000.\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":45825252458661,"sku":"WOP-1131\/1-6\/WB-6","price":70.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/files\/Architectural-1-2.jpg?v=1780928118"},{"product_id":"giuseppe-rondello-attributed-to-harbor-views-le-carenage-boats-at-anchor-pair-of-etchings-late-xix-early-xx-c","title":"Rondello(?), attributed to. Harbor Views. Pair of Etchings. XX C.","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: Rondello(?), attributed to.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e\u003cspan\u003e: Le Carénage. Toulon.\u003cbr\u003e\u003cstrong\u003eTitled and Signed in graphite lower margin\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Sheerts 7 1\/2\" x 11 1\/4\".\u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e: XX C.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cspan\u003e Etching on beige wove paper.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cspan\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: remnants of an old mat and glue on the margins. Discoloration.  The signs of aging are appropriate for the time. A detailed condition report is available on demand.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e: Italian school XX C.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":45907495157925,"sku":"WOP-1152\/1-2\/WB-6","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/files\/LeCarenage.jpg?v=1758057563"},{"product_id":"leopold-thieme-winter-road-etching","title":"Leopold Thieme. Winter road. Etching. XX C.","description":"\u003cp\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eArtist\u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e: \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eLeopold Thieme (German, 1880 - 1963).\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: Winter road.\u003cbr\u003e\u003cstrong\u003eSigned and numbered in graphite lower margin\u003c\/strong\u003e: 2\/11 \u003cmeta charset=\"utf-8\"\u003eselbstgedruckt. (self-printed).\u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: Sheet 8\" x 10\".\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cb\u003eEdition\u003c\/b\u003e: 2 of 11.\u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e: XX C.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e: Etching on cream wove paper.\u003cbr\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e:  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eremnants of an old mat and glue verso. The signs of aging are appropriate for the time. A detailed condition report is available on demand.\u003cbr\u003e\u003cstrong\u003eMuseums, Libraries and Auctions\u003c\/strong\u003e: leopold-thieme.de.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e: German School XX C.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":45911649517733,"sku":"WOP-1155\/WB-6","price":200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/files\/IMG_1694-2.jpg?v=1758645676"},{"product_id":"xavier-j-barile","title":"Xavier J. Barile. Winter canyon. Monotype. XX C.","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: Attributed to Xavier J. Barile (American, 1891–1981).\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e\u003cspan\u003e: Winter canyon landscape.\u003cbr\u003e\u003cstrong\u003eSigned in plate\u003c\/strong\u003e: with monogram ‘XJB’ lower right.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Sheet 10 1\/2\" x 9\".\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cb\u003eEdition\u003c\/b\u003e: one of one.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eDate\u003c\/strong\u003e: XX C.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cspan\u003e monotype on printed on coarse, unfinished paper.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cspan\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eMargins unevenly cut; one margin lacking. A scratch in the middle of the sheet.\u003cmeta charset=\"utf-8\"\u003ePaper loss at the right margin. With remains of an earlier passepartout at the left margin. The signs of aging are appropriate for the time. A detailed condition report is available on demand.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e: American School XX C.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":45912456036517,"sku":"WOP-1156\/MBBi-3","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/files\/IMG_1743-2.jpg?v=1758646892"},{"product_id":"art-of-book-illustration-three-etchings-aquatints-evoking-19th-century-european-and-russian-literary-traditions","title":"Art of Book Illustration. In the Shadow of a Vanishing World. Three Etchings\/Aquatints Evoking 19th-Century European and Russian Literary Traditions. XX C.","description":"\u003cp data-start=\"278\" data-end=\"1786\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-end=\"302\" data-start=\"292\"\u003eTitle:\u003c\/strong\u003e Three Illustrations in the Manner of 19th-Century European Society Fiction, with Nuances of the Russian Literary Tradition.\u003cbr data-start=\"402\" data-end=\"405\"\u003e\u003cstrong data-start=\"459\" data-end=\"474\"\u003eDimensions:\u003c\/strong\u003e Image approx. 7 1\/4\" x 4 1\/4'.  Sheet approx. 11\" X 7 1\/2\".\u003cbr data-start=\"588\" data-end=\"591\"\u003e\u003cstrong data-start=\"674\" data-end=\"686\"\u003eEdition:\u003c\/strong\u003e Unnumbered; likely small private issue.\u003cbr data-start=\"725\" data-end=\"728\"\u003e\u003cstrong data-start=\"728\" data-end=\"737\"\u003eDate:\u003c\/strong\u003e c. 1920–1940.\u003cbr data-start=\"750\" data-end=\"753\"\u003e\u003cstrong data-start=\"753\" data-end=\"782\"\u003eMaterials and Techniques:\u003c\/strong\u003e Etching and aquatint with hand-coloring (pochoir) on wove paper (deckle-edge).\u003cbr data-start=\"860\" data-end=\"863\"\u003e\u003cstrong data-start=\"926\" data-end=\"941\"\u003eProvenance:\u003c\/strong\u003e The Estate of George \"Yorgo\" Demetrakopoulos, professor, assistant director of the Medieval Institute, Western Michigan University, Kalamazoo, Michigan (1965–2000)\u003cbr data-start=\"1105\" data-end=\"1108\"\u003e\u003cstrong data-start=\"1108\" data-end=\"1122\"\u003eCondition:\u003c\/strong\u003e Very good impression with full margins. Typical minor age toning; no significant defects. A detailed condition report is available on request.\u003cbr data-start=\"1265\" data-end=\"1268\"\u003e\u003cstrong data-start=\"1356\" data-end=\"1368\"\u003ePart of:\u003c\/strong\u003e A suite of three prints.\u003cbr data-start=\"1392\" data-end=\"1395\"\u003e\u003cstrong data-start=\"1395\" data-end=\"1431\"\u003eMuseums, Libraries and Auctions:\u003c\/strong\u003e No identical impressions traced.\u003cbr data-start=\"1463\" data-end=\"1466\"\u003e\u003cstrong data-start=\"1466\" data-end=\"1506\"\u003eArt Movements, Periods, and Schools:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eEuropean School, likely French; interwar period; stylistically referencing 19th-century literary illustration.\u003cbr data-start=\"1624\" data-end=\"1627\"\u003e\u003cstrong data-start=\"1627\" data-end=\"1636\"\u003eNote:\u003c\/strong\u003e \u003cbr\u003e- The narrative motif — an aging gentleman attended by a loyal Black servant, a gathering at the household, and a subsequent nocturnal vigil — evokes sentimental-romantic themes known from 19th-century European society fiction, with a tone reminiscent of Russian literary culture.\u003c\/p\u003e\n\u003cp\u003e- In certain bibliophile editions of the period, artists authenticated the suite by signing and numbering the half-title or limitation page rather than the individual plates. The absence of signatures or numbering on these impressions may therefore be consistent with such practice.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-start=\"1788\" data-end=\"1959\"\u003e \u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":46028845940901,"sku":"WOP-1172\/1-3\/BLKBI-1","price":175.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/files\/IMG_2096-2_aedaafed-2810-4437-af04-e00dd34f5183.jpg?v=1762359776"},{"product_id":"harold-cohn","title":"Harold Cohn. Reclining nude. Pastel and chalk on paper. XX C.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Harold Cohn (American, 1908–1982).\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: Reclining nude.\u003cbr\u003e\u003cstrong\u003eInscriptions\u003c\/strong\u003e: Harold Cohn in graphite l.l.\u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: Sheet 18\" × 24\".\u003cbr\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e: Pastel and chalk on paper.\u003cbr\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e: The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965–2000.\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: Perforation along one edge of the sheet. The signs of aging are appropriate for the time. A detailed condition report is available on demand.\u003cbr\u003e\u003cstrong\u003eMuseums, Libraries and Auctions\u003c\/strong\u003e: Cohn's work has been exhibited in museums and galleries around the country including The Detroit Institute of Arts (1933–45), The Carnegie Institute (1941, 1943), The Los Angeles Museum of Art (1945), The Pennsylvania Academy of Fine Arts (1934), and the Virginia Museum of Fine Arts (1942).\u003cbr\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: American School XX C.\u003cbr\u003e\u003cstrong\u003eAcknowledgement\u003c\/strong\u003e: This entry incorporates text from online sources.\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":46053548228773,"sku":"DRW-230\/BB-5","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/files\/IMG_2238-2.jpg?v=1762829270"},{"product_id":"anthony-van-dyck-portrait-of-pieter-bruegel-the-elder-1","title":"Anthony van Dyck. Portrait of Pieter Bruegel the Elder. Etching. 1630-1641, printed later.","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: Anthony van Dyck \u003cmeta charset=\"utf-8\"\u003e(Flemish; British 1599–1641).\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003ePetrus Bruegel.\u003cbr\u003e\u003cstrong\u003eInscriptions\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003eIn the plate, lower margin: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePetrvs Brevgel \/ Antverpiæ Pictor Rvralivm Actionvm\u003c\/span\u003e. Lower left, in the plate: Ant. van Dyck fecit aqua forti.\u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003ePlate 9 5\/8\" × 6 1\/8\". Sheet: approx. 10 1\/4\" x 7 1\/4\".\u003cbr\u003e\u003cstrong\u003ePublisher\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003eOriginally associated with \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eGillis Hendrix.\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eLater impression from the original plate.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eDate\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003ePlate executed ca. 1630–1641.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan\u003e: engraving, etching, and stipple on laid paper.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eWatermark\u003c\/strong\u003e: unidentified.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-end=\"2171\" data-start=\"2153\"\u003eMat and Frame\u003c\/strong\u003e: Unframed; matted (approx. 20\" x 16\"), with the print held in removable photo corners and fully unattached.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cspan\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: The signs of aging are appropriate for the time. A detailed condition report is available on demand.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003cstrong\u003ePart of\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003cem data-end=\"2146\" data-start=\"2120\"\u003eIcones Principum Virorum\u003c\/em\u003e (also known as the \u003cem data-end=\"2179\" data-start=\"2166\"\u003eIconography\u003c\/em\u003e series).\u003cbr\u003e\u003cstrong\u003eMuseums, Libraries and Auctions\u003c\/strong\u003e\u003cspan\u003e:  \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eBritish Museum\u003c\/span\u003e\u003c\/span\u003e \u003cmeta charset=\"utf-8\"\u003e1935,1213.1.91.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eFlemish School XVII C. British School XVII C.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eNote\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003efifth state with initials of Gillis Hendricx burnished.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eAcknowledgement\u003c\/strong\u003e: This entry incorporates text from the catalog entry of a similar item from the \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBritish Museum\u003c\/span\u003e\u003cspan\u003e collection.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":47394512535717,"sku":"WOP-1175\/BB-5","price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/files\/IMG_2940-2.jpg?v=1772235219"},{"product_id":"beilby-bewick-abraham-hunter-etc-illustration-to-osterwalds-bible-49-etchings-engravings-1791-1793","title":"Beilby \u0026 Bewick; Abraham Hunter; William Shillito. Illustrations to Osterwald’s Bible. 93 etchings and engravings. Newcastle upon Tyne, 1791–1793.","description":"\u003cp\u003eA substantial and unusually complete group of copperplate illustrations from Matthew Brown's Newcastle edition of Ostervald's Bible (1791–1793). The set comprises 93 engraved plates from both the Old and New Testaments, including the Old and New Testament frontispieces. Many plates correspond to examples in the British Museum (reg. nos. 1872,1012.458–528). Surviving groups of this scale are uncommon on the market.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtists\/Engravers\/Printers\u003c\/strong\u003e:\u003cstrong\u003e \u003c\/strong\u003eRalph Beilby, Thomas Bewick, Abraham Hunter, and William Shillito.\u003cbr\u003e\u003cstrong\u003eTitles\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFrontispiece to the Old Testament [The absence of a British Museum registration number indicates that no corresponding engraving is recorded in the British Museum catalogue. Where Abraham Hunter's or William Shillito authorship is not specified, authorship should be understood as \"print made by Beilby \u0026amp; Bewick\".]\u003c\/li\u003e\n\u003cli\u003eAdam and Eve. 1872,1012.458 [Here and below, the numbers refer to the British Museum catalog (reg. nos. 1872,1012.458–528).]\u003c\/li\u003e\n\u003cli\u003eAdam accusing Eve. 1872,1012.459\u003c\/li\u003e\n\u003cli\u003eThe Expulsion of Adam \u0026amp; Eve. 1872,1012.460\u003c\/li\u003e\n\u003cli\u003eCain \u0026amp; Abel. 1872,1012.461\u003c\/li\u003e\n\u003cli\u003eNoah's Sacrifice. 1872,1012.462\u003c\/li\u003e\n\u003cli\u003eMelchizedek Blessing Abraham. 1872,1012.463\u003c\/li\u003e\n\u003cli\u003eSarai giveth Hagar to Abram. 1872,1012.464\u003c\/li\u003e\n\u003cli\u003eLot's Hospitality. 1872,1012.465\u003c\/li\u003e\n\u003cli\u003eLot and his two Daughters. 1872,1012.466 [Abraham Hunter]\u003c\/li\u003e\n\u003cli\u003eHagar in the Wilderness. 1872,1012.467\u003c\/li\u003e\n\u003cli\u003eAbraham's Faith. 1872,1012.468 [Abraham Hunter]\u003c\/li\u003e\n\u003cli\u003eThe meeting of Abraham's Servant with Rebecca. 1872,1012.469\u003c\/li\u003e\n\u003cli\u003eIsaac blessing Jacob. 1872,1012.470\u003c\/li\u003e\n\u003cli\u003eIsaac blessing Esau. 1872,1012.471\u003c\/li\u003e\n\u003cli\u003eJacob's Dream. 1872,1012.472\u003c\/li\u003e\n\u003cli\u003eThe meeting of Jacob \u0026amp; Rachel. 1872,1012.473\u003c\/li\u003e\n\u003cli\u003eLaban and Jacob. 1872,1012.474 [Abraham Hunter]\u003c\/li\u003e\n\u003cli\u003eMoses in the Ark of Bulrushes. 1872,1012.475\u003c\/li\u003e\n\u003cli\u003eMoses \u0026amp; Zipporah. 1872,1012.476\u003c\/li\u003e\n\u003cli\u003eMoses' Rod turned into a Serpent.\u003c\/li\u003e\n\u003cli\u003eThe Israelites departing out of Egypt. 1872,1012.477\u003c\/li\u003e\n\u003cli\u003ePharaoh's Host drowned.\u003c\/li\u003e\n\u003cli\u003eMoses smiting the Rock. 1872,1012.478\u003c\/li\u003e\n\u003cli\u003eMoses receiving the Commandments.\u003c\/li\u003e\n\u003cli\u003eMoses's Anger. 1872,1012.479 [Abraham Hunter]\u003c\/li\u003e\n\u003cli\u003eAaron. 1872,1012.480\u003c\/li\u003e\n\u003cli\u003eThe Two Spies. 1872,1012.481\u003c\/li\u003e\n\u003cli\u003eJael killeth Sisera. 1872,1012.482\u003c\/li\u003e\n\u003cli\u003eJephthah's rash vow. 1872,1012.483\u003c\/li\u003e\n\u003cli\u003eManoah's Sacrifice. 1872,1012.484\u003c\/li\u003e\n\u003cli\u003eManoah and the Angel. 1872,1012.485\u003c\/li\u003e\n\u003cli\u003eSamson with the Gates of Gaza. 1872,1012.486\u003c\/li\u003e\n\u003cli\u003eDavid and Goliath. 1872,1012.487\u003c\/li\u003e\n\u003cli\u003eDavid playing before Saul. 1872,1012.488\u003c\/li\u003e\n\u003cli\u003eDavid and Abigail. 1872,1012.489\u003c\/li\u003e\n\u003cli\u003eSaul and the Witch of Endor. 1872,1012.490 [Abraham Hunter]\u003c\/li\u003e\n\u003cli\u003eBathsheba Bathing. 1872,1012.491 [Abraham Hunter]\u003c\/li\u003e\n\u003cli\u003eBathsheba mourning for the death of Uriah. 1872,1012.492 [Abraham Hunter]\u003c\/li\u003e\n\u003cli\u003eThe Judgment of Solomon. 1872,1012.493\u003c\/li\u003e\n\u003cli\u003eSolomon and the Queen of Sheba. 1872,1012.494\u003c\/li\u003e\n\u003cli\u003eAn exact representation of Solomon's Temple.\u003c\/li\u003e\n\u003cli\u003eElijah convinceth Baal's Priests. 1872,1012.495\u003c\/li\u003e\n\u003cli\u003eJeremiah taking the Girdle out of the Rock. 1872,1012.496 [William Shillito]\u003c\/li\u003e\n\u003cli\u003eEsther.\u003c\/li\u003e\n\u003cli\u003eJonah. 1872,1012.498 [Abraham Hunter]\u003c\/li\u003e\n\u003cli\u003eJudith \u0026amp; Holofernes. 1872,1012.499\u003c\/li\u003e\n\u003cli\u003eNebuchadnezzar driven among Beasts. 1872,1012.497 [Abraham Hunter]\u003c\/li\u003e\n\u003cli\u003eBell and the Dragon. 1872,1012.500\u003c\/li\u003e\n\u003cli\u003eFrontispiece to the New Testament\u003c\/li\u003e\n\u003cli\u003eSt. Matthew. 1872,1012.501 [Abraham Hunter]\u003c\/li\u003e\n\u003cli\u003eChrist Baptised. 1872,1012.502 [Abraham Hunter]\u003c\/li\u003e\n\u003cli\u003eChrist tempted in the Wilderness. 1872,1012.503 [Abraham Hunter]\u003c\/li\u003e\n\u003cli\u003eJohn the Baptist's Head brought to Herodias. 1872,1012.504 [Abraham Hunter]\u003c\/li\u003e\n\u003cli\u003eThe Tribute Money. 1872,1012.505 [Abraham Hunter]\u003c\/li\u003e\n\u003cli\u003eChrist's Agony. 1872,1012.506\u003c\/li\u003e\n\u003cli\u003eChrist Betrayed. 1872,1012.507 [Abraham Hunter]\u003c\/li\u003e\n\u003cli\u003eJesus Mocked. 1872,1012.508 [Abraham Hunter]\u003c\/li\u003e\n\u003cli\u003eThe Crucifixion\u003c\/li\u003e\n\u003cli\u003eBartimeus\u003c\/li\u003e\n\u003cli\u003eThe Passover\u003c\/li\u003e\n\u003cli\u003eSt. Luke. 1872,1012.509 [Abraham Hunter]\u003c\/li\u003e\n\u003cli\u003eThe Annunciation. 1872,1012.510 [Abraham Hunter]\u003c\/li\u003e\n\u003cli\u003eThe Prophecy of Elizabeth. 1872,1012.511 [Abraham Hunter]\u003c\/li\u003e\n\u003cli\u003eThe Adoration of the Shepherds. 1872,1012.512\u003c\/li\u003e\n\u003cli\u003eThe Presentation\u003c\/li\u003e\n\u003cli\u003eChrist in the Temple. 1872,1012.513\u003c\/li\u003e\n\u003cli\u003eMary anointeth Christ's Feet\u003c\/li\u003e\n\u003cli\u003eMartha \u0026amp; Mary. 1872,1012.514\u003c\/li\u003e\n\u003cli\u003eThe Repentant Sinner. 1872,1012.515 [Abraham Hunter]\u003c\/li\u003e\n\u003cli\u003eThe Prodigal Son. 1872,1012.516\u003c\/li\u003e\n\u003cli\u003eLittle Children brought to Christ. 1872,1012.517\u003c\/li\u003e\n\u003cli\u003ePeter's Repentance. 1872,1012.518 [Abraham Hunter]\u003c\/li\u003e\n\u003cli\u003eChrist going to be Crucified. 1872,1012.519 [Abraham Hunter]\u003c\/li\u003e\n\u003cli\u003eChrist laid in the Sepulchre\u003c\/li\u003e\n\u003cli\u003eChrist with the Two Disciples. 1872,1012.520 [Abraham Hunter]\u003c\/li\u003e\n\u003cli\u003eThe Ascension\u003c\/li\u003e\n\u003cli\u003eThe Record of John. 1872,1012.521\u003c\/li\u003e\n\u003cli\u003eChrist and the Woman of Samaria. 1872,1012.522\u003c\/li\u003e\n\u003cli\u003eThe Adulteress\u003c\/li\u003e\n\u003cli\u003ePilate thews Christ to the People [as titled on the plate]\u003c\/li\u003e\n\u003cli\u003eChrist in the Garden. 1872,1012.523 [Abraham Hunter]\u003c\/li\u003e\n\u003cli\u003eThomas's Unbelief. 1872,1012.524 [Abraham Hunter, attributed to]\u003c\/li\u003e\n\u003cli\u003eThe lame Man healed\u003c\/li\u003e\n\u003cli\u003eStephen stoned\u003c\/li\u003e\n\u003cli\u003eSaul restored to Sight\u003c\/li\u003e\n\u003cli\u003ePeter delivered. 1872,1012.525\u003c\/li\u003e\n\u003cli\u003eElymas\u003c\/li\u003e\n\u003cli\u003ePaul \u0026amp; Barnabas reputed as Gods. 1872,1012.526\u003c\/li\u003e\n\u003cli\u003ePaul preaching at Athens. 1872,1012.527\u003c\/li\u003e\n\u003cli\u003ePaul before Felix [Beilby \u0026amp; Bewick, attributed to]\u003c\/li\u003e\n\u003cli\u003eThe Viper on the Hand of Paul\u003c\/li\u003e\n\u003cli\u003eSt. Paul. 1872,1012.528\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eInscriptions: \u003c\/strong\u003eEngraved for Osterwald's Bible; printed by M. Brown, Newcastle.\u003cbr\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e16 1\/2\" x 10\".\u003cbr\u003e\u003cstrong\u003ePublisher: \u003c\/strong\u003eMatthew Brown.\u003cbr\u003e\u003cstrong\u003eEdition: \u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003eThe Holy Bible, containing the Old and New Testaments; with practical observations on each chapter. Written by the late Reverend Mr. Ostervald, Professor of Divinity and one of the Ministers of the Church at Neuchatel in Switzerland. — Newcastle upon Tyne: Printed by M. Brown, at the Bible in the Flesh-Market, MDCCXCI–MDCCXCIII.\u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e:\u003cstrong\u003e \u003c\/strong\u003e1791–1793.\u003cbr\u003e\u003cstrong\u003eMaterials and Techniques: \u003c\/strong\u003eEtching and engraving on laid paper.\u003cbr\u003e\u003cstrong\u003eWatermark \u003c\/strong\u003eA watermark in the form of the Roman numeral six [VI] was found on the sheet \"Noah's Sacrifice\".\u003cbr\u003e\u003cstrong\u003eProvenance \u003c\/strong\u003e(based on handwritten inscriptions)\u003cbr\u003eWilliam Harden (?) Little Corby.\u003cbr\u003eJohn Edward De Lacey \u0026amp; Mary Pigg.\u003cbr\u003eJuly 15th 1879.\u003cbr\u003eMother gave this Book to Mrs De Lacey.\u003cbr\u003ePresented to Mary De Lacey by her Mother — Elizabeth Pigg.\u003cbr\u003eWife of Joseph Pigg, who was second son of John Pigg of Low Cotehill, Carlisle, Cumberland.\u003cbr\u003eRachel Priscilla Pigg born 10th of November 1898 at 97 Greystone Road Carlisle.\u003c\/p\u003e\n\u003cp\u003eThe Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965–2000.\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: The Frontispiece to the Old Testament is in poor condition, with losses to the paper along the margins; laid down on another sheet. The remaining leaves are irregularly trimmed along the edges. Some plates show offsetting. The signs of aging are appropriate for the period. A detailed condition report is available on request.\u003cbr\u003e\u003cstrong\u003eMuseums, Libraries and Auctions\u003c\/strong\u003e:\u003cstrong\u003e \u003c\/strong\u003eThe British Museum, reg. nos. 1872,1012.458–528.\u003cbr\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e:\u003cstrong\u003e \u003c\/strong\u003eBritish School XVIII C.\u003cbr\u003e\u003cstrong\u003eNotes: \u003c\/strong\u003eThe British Museum's assumption that they may have sheets from a copy of the 1806 edition could very well apply to our copy as well. \u003cbr\u003e\u003cstrong\u003eAcknowledgement\u003c\/strong\u003e:\u003cstrong\u003e \u003c\/strong\u003eThis entry incorporates text from the catalog entry of similar items from the British Museum collection.\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":47435765776549,"sku":"WOP-1176\/1-93","price":1200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/files\/FrontispieceIMG_2493-2.jpg?v=1770594874"},{"product_id":"william-hogarth-after-five-engravings-by-ernst-ludwig-riepenhausen-from-a-rake-s-progress-1-and-industry-and-idleness-4-late-18th-early-19th-century","title":"William Hogarth, after. Five engravings by Ernst Ludwig Riepenhausen from A Rake’s Progress (1) and Industry and Idleness (4).  Late XVIII–Mid XIX C.","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eWilliam Hogarth (British, 1697 - 1764), after.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eEngraver\u003c\/strong\u003e: Ernst Ludwig Riepenhausen (German, 1765–1840).\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e\u003cspan\u003e: Five engravings after Hogarth.\u003cbr\u003e\u003c\/span\u003eOne from A Rake’s Progress.\u003cbr\u003ePlate V, The Rake Married an Old Maid.\u003cbr\u003eFour from Industry and Idleness.\u003cbr\u003ePlate III, The Idle ’Prentice at Play in the Church Yard, during Divine Service.\u003cbr\u003ePlate IV, The Industrious ’Prentice a Favourite, and entrusted by his Master.\u003cbr\u003ePlate IX, The Idle ’Prentice betray’d by his Whore, and taken in a Night Cellar with his Accomplice.\u003cbr\u003ePlate XI, The Idle ’Prentice Executed at Tyburn.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eInscriptions\u003c\/strong\u003e: Lettered in the plate with titles, plate numbers, biblical references, and credits after William Hogarth; engraved by \u003cmeta charset=\"utf-8\"\u003eRiepenhausen.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Sheets \u003cmeta charset=\"utf-8\"\u003e9 3\/4\" x 15 1\/4\".\u003cbr\u003e\u003cstrong\u003ePublisher\u003c\/strong\u003e: Ernst Ludwig Riepenhausen, Germany.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cb\u003eEdition\u003c\/b\u003e: \u003cmeta charset=\"utf-8\"\u003eAlbum supplement of engraved plates published in conjunction with Georg Christoph Lichtenberg’s commentary on Hogarth.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eDate\u003c\/strong\u003e: Late XVIII–Mid XIX C.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cspan\u003e engravings on wove paper.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cspan\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eThe sheets show surface soiling and grease stains. The signs of aging are appropriate for the time. A detailed condition report is available on demand.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003cstrong\u003ePart of\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003efrom the Riepenhausen album supplement to Lichtenberg’s Hogarth edition.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: British School XVIII C. German School XVIII C.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eNote\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eThese engravings were issued as a separate plate album accompanying Lichtenberg’s multy-volume textual commentary on Hogarth. They are not lifetime impressions by Hogarth, but early posthumous engravings produced for a scholarly German edition.\u003cbr\u003e\u003cstrong\u003eAcknowledgement\u003c\/strong\u003e: This entry incorporates text from publicly available scholarly sources, including Wikipedia.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":47486544806053,"sku":"WOP-1177\/1-5","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/files\/IMG_2709-2.jpg?v=1771175928"},{"product_id":"theodore-rousseau-after-une-mare-foret-de-fontainebleau-engraving-by-theophile-chauvel-proof-1870-1880","title":"Théodore Rousseau, after. Une Mare - Forêt de Fontainebleau. Etching by Théophile Chauvel. Proof. 1870-1880.","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Théodore Rousseau (French, 1812–1867).\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eEngraver\u003c\/strong\u003e: Théophile Chauvel (\u003cmeta charset=\"utf-8\"\u003eFrench, 1831–1909). \u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: \u003cspan class=\"Yjhzub\"\u003eA Pond - Fontainebleau Forest.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eInscriptions\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eState before letters, except for “Planche LII” at the upper center. \u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: Plate 9 3\/4\" x 11 3\/4\". Sheet 11 3\/4\" x 17\".\u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003ecirca 1870-1880.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e: Etching  on \u003cmeta charset=\"utf-8\"\u003eBristol board.\u003cbr\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e:  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eHeavily oxidized and faded, with surface dirt, missing corners, and tears. The signs of aging are consistent with the period. A detailed condition report is available upon request.\u003cbr\u003e\u003cstrong\u003eMuseums, Libraries and Auctions\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eThe British Museum, reg. no. 1877,0210.541.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: French School XIX C.\u003cbr\u003e\u003cstrong\u003eNote\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eThe absence of inscriptions, combined with the use of Bristol board for printing, suggests that this sheet may have originally formed part of a presentation portfolio.\u003cbr\u003e\u003cstrong\u003eAcknowledgement\u003c\/strong\u003e: This entry incorporates text from the catalog entry of a similar item in the \u003cmeta charset=\"utf-8\"\u003eBritish Museum collection.\u003cbr\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":47524962042021,"sku":"WOP-1178","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/files\/IMG_2948-2_2d756ae9-74a4-4798-b372-e3981d147d6b.jpg?v=1772240247"},{"product_id":"munich-academy-male-nude-study-charcoal-and-white-chalk-design-c-1920","title":"Joseph Karl Stieler, attributed to. Male nude study. Chalk drawing. Late XVIII-Early XIX C.","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eJoseph Karl Stieler (German, \u003cmeta charset=\"utf-8\"\u003e1781-1851), attributed to (based on inscription verso).\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eAcademic male nude study. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eInscriptions\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eZeichnung von Jos. v. Stieler aus Eugen v. Stielers Skizzenmappe, erh [\u003cmeta charset=\"utf-8\"\u003eerhalten]. München 1920. [\u003cmeta charset=\"utf-8\"\u003eDrawing by Jos. v. Stieler from Eugen von Stieler’s sketch portfolio received in Munich in 1920].\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: 19\" x 27\".\u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e: Late XVIII-Early XIX C.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003ebrown chalk and white chalk on thick toned paper drawing. \u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cspan\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: Fair. The signs of aging are appropriate for the time. A detailed condition report is available on demand.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eMuseums, Libraries and Auctions\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"title\"\u003eAste Dolomia\u003c\/span\u003e Asta N. 2 - Arte Antica e Moderna, Gioielli Sessione Unica sabato 7 maggio 2016 ore. \u003cbr\u003eLot 55. Giovanni Battista Lampi I (1751-1830) Accademia di nudo maschile semisdraiato...\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: Austrian School XVIII C.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eNote\u003c\/strong\u003e: \u003cimg\u003e\u003cmeta charset=\"utf-8\"\u003eThe two drawings appear to derive from the same academic prototype: the present sheet, attributed to Stieler, and a comparable example signed by Giovanni Battista Lampi, offered at Aste Dolomia in 2016 (Lot 55).\u003cspan class=\"title\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-start=\"118\" data-end=\"138\"\u003eAcknowledgement:\u003c\/strong\u003e This entry incorporates material from Wikipedia and from the catalog description of Lot 55, Giovanni Battista Lampi I.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":47574187344037,"sku":"DRW-242\/BF-2\/PS","price":1800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/files\/IMG_2974-2.jpg?v=1773352436"},{"product_id":"joan-taxay-weinger-birds-pastel","title":"Joan Taxay-Weinger. Birds. Pastel. Second half of XX C.","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: Joan Taxay-Weinger Pressman (American, 1927–2020).\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eBirds.\u003cbr\u003e\u003cstrong\u003eInscriptions\u003c\/strong\u003e: Signed in graphite l.r.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: 16\" x 16\".\u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e: Second half of XX C.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cspan\u003e Pastel on wove paper.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cspan\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: Good. The signs of aging are appropriate for the time. A detailed condition report is available on demand.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eMuseums, Libraries and Auctions\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eHer art is held in the permanent collection of the Art Institute of Chicago and the Smithsonian Institution.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: American School XX C.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":47594187718821,"sku":"DRW-243\/BB-5","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/files\/IMG_3010-2.jpg?v=1773458930"},{"product_id":"academic-life-study-new-york-school-1926-echnique","title":"McCay (?). Academic Life Study. Reclining nude. Drawing. New York School. 1926.","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: McCay (?).\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eReclining nude. Figure in drawing class.\u003cbr\u003e\u003cstrong\u003eInscriptions\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eSigned “McCay(?)”, New York, 1926 l.r.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: 19\" x 24\".\u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e: 1926.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Technique\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cspan\u003e Charcoal on textured paper, laid down on board.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cspan\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: Faint foxing in the upper right corner. The signs of aging are appropriate for the time. A detailed condition report is available on demand.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: American School XX C.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":47597486440613,"sku":"DRW-244\/BB-5","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/files\/IMG_3050-2-2.jpg?v=1784690547"},{"product_id":"paul-bartlett-taylor-seated-young-woman-in-profile-sanguine-1939","title":"Paul Bartlett Taylor. Portrait of a young woman in profile. Sanguine. 1939.","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: Paul Bartlett Taylor (\u003cmeta charset=\"utf-8\"\u003eKalamazoo, Michigan, 1899-1974).\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eWoman Reclining in a Chair.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eInscriptions\u003c\/strong\u003e: signed \u003cmeta charset=\"utf-8\"\u003ePaul Bartlett Taylor and dated 1939 in red chalk l.r.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: 20\" x 16\".\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eDate\u003c\/strong\u003e: 1939.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Technique\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cspan\u003e Sanguine and white chalk on laid paper.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cspan\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eHeavy foxing and light fading of the sheet, \u003cmeta charset=\"utf-8\"\u003eminor tears to edges. The signs of aging are appropriate for the time. A detailed condition report is available on demand.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: American School XX C.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":47607712645285,"sku":"DRW-245\/BB-5","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/files\/IMG_3013-2.jpg?v=1773929726"},{"product_id":"a-tryon-portrait-of-a-young-lady","title":"A. Tryon(?). Portrait of Lisa Reed. Charcoal and white chalk drawing. 1972.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eA. Tryon(?).\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eInscriptions\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eSigned and dated 72 l.r. in chalk. \u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eLisa  Reed at 15 c. 1972 \u003c\/em\u003ein graphite verso.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: 22\". x 18\".\u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e: 1972\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Technique\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cspan\u003e charcoal and white chalk on toned paper.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cspan\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: The signs of aging are appropriate for the time. A detailed condition report is available on demand.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eAmerican School XX C.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eNote\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eThe sitter may possibly still reside in Kalamazoo.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":47611477754021,"sku":"DRW-246\/BB-5","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/files\/IMG_3025-2.jpg?v=1773929747"},{"product_id":"jan-hackaert-after-dutch-landscape-print-by-willem-steelink-ii-1888-1891","title":"Jan Hackaert, after. Dutch Landscape. Etching by Willem Steelink (II). 1888-1891.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Jan Hackaert (Dutch, 1628–1685), after.\u003cbr\u003e\u003cstrong\u003ePrintmaker\u003c\/strong\u003e: Willem Steelink (II) (Dutch, 1856–1928).\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: Hollandsch Landschap.\u003cbr\u003e\u003cstrong\u003eInscriptions\u003c\/strong\u003e: J. Hackaert Pinx. Wilm Steelink a.f. [aqua forti]. Hollandsch Landschap. Gedrukt by Roeloffzen en Hübner. Inscription in graphite verso (see Provenance).\u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: Image: 7 3\/4\" × 9 1\/2\".\u003cbr\u003e\u003cstrong\u003ePrinter\u003c\/strong\u003e: Roeloffzen \u0026amp; Hübner.\u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e: 1888–1891.\u003cbr\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e: Etching on chine collé laid on wove paper.\u003cbr\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e: According to the inscription verso: “BROOGHT FROM DEVENTER – HOLLAND IN 1908 TO KALAMAZOO – U.S.A. J. H. W. TOORNMAN.” The Estate of George “Yorgo” Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965–2000.\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: Single spot l.m. Trimmed and worn supporting sheet. The signs of aging are appropriate for the time. A detailed condition report is available on demand.\u003cbr\u003e\u003cstrong\u003ePart of\u003c\/strong\u003e: \u003cem\u003eOude kunst in Nederland : etsen van Wilm. Steelink, naar schilderijen uit de kabinetten van A. Bredius, A.J. Enschedé, J.P. Six, P.H. Siz, H.A. Steengracht van Duivenvoorde, Victor de Stuers en andere verzamelingen.\u003c\/em\u003e Amsterdam: Van Holkema \u0026amp; Warendorf, 1888–1891.\u003cbr\u003e\u003cstrong\u003eMuseums, Libraries and Auctions\u003c\/strong\u003e: Rijksmuseum RP-P-OB-59.922.\u003cbr\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: Dutch School XVII C. Dutch School XIX C.\u003cbr\u003e\u003cstrong\u003eAcknowledgement\u003c\/strong\u003e: This entry incorporates text from the catalog entry of a similar item in the Rijksmuseum collection.\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":47621570363557,"sku":"WOP-1185\/MBBi-3","price":70.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/files\/IMG_3077-2_9c0c2a55-f0e4-47a5-bb96-a5d2d49db86f.jpg?v=1773929792"},{"product_id":"unknown-artist-seated-female-nude-life-drawing-charcoal-and-chalk","title":"Unknown American Artist. Seated Female Nude. Charcoal and chalk. XX C.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Unknown American Artist.\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: Seated Female Nude (Study).\u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: Sheet: 24 1\/2\" × 19\".\u003cbr\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e: Charcoal and chalk on toned paper.\u003cbr\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e: The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965–2000.\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: The signs of aging are appropriate for the time. A detailed condition report is available on demand.\u003cbr\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: American School XX C.\u003cbr\u003e\u003cstrong\u003eNote\u003c\/strong\u003e: Academic life drawing from a life class. Another sketch of a female figure verso.\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":47625483911333,"sku":"DRW-247\/BF-2\/PS","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/files\/IMG_3037-2.jpg?v=1773929829"},{"product_id":"sydney-w-carline-courtyard-in-cambridge-etching-early-xx-c","title":"Sydney W. Carline. Courtyard in Cambridge. Etching. Early XX C","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Sydney W. Carline (British, 1888–1929).\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: Old Court, Christ’s College, Cambridge.\u003cbr\u003e\u003cstrong\u003eInscriptions\u003c\/strong\u003e: Signed in pencil by the artist l.r.\u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: Image: 7 1\/2\" × 8 1\/2\". Sheet: 11\" × 14\".\u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e: Early XX C.\u003cbr\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e: Etching on wove paper.\u003cbr\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e: The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965–2000.\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: Previously matted; later removed, leaving remnants and staining from the old mat on the margins. The image\/plate impression itself is unaffected. The signs of aging are appropriate for the time. A detailed condition report is available on demand.\u003cbr\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: British School XX C.\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":47634607210661,"sku":"WOP-1186\/MBBi-3","price":80.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/files\/IMG_3064-2.jpg?v=1773942575"},{"product_id":"the-farmers-daughter","title":"Laurie \u0026 Whittle (publishers). The Farmer's Daughter. Hand-coloured mezzotint. 1794.","description":"\u003cp\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e: Robert Laurie (attributed).\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: The Farmer’s Daughter.\u003cbr\u003e\u003cstrong\u003eInscriptions\u003c\/strong\u003e: Titled, dated, and with eight lines of verse “Fanny”.\u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: Sheet: 13 1\/2\" × 9 3\/4\".\u003cbr\u003e\u003cstrong\u003ePublisher\u003c\/strong\u003e: Laurie \u0026amp; Whittle, 53 Fleet Street, London.\u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e: May 12, 1794.\u003cbr\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e: Mezzotint with hand-colouring on laid paper.\u003cbr\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e: The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965–2000.\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: Fair: paper loss, tears, remnants of old backing paper (support) verso. The signs of aging are appropriate for the time. A detailed condition report is available on demand.\u003cbr\u003e\u003cstrong\u003eMuseums, Libraries and Auctions\u003c\/strong\u003e: We have not found another impression.\u003cbr\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: British School XVIII C.\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":47634778357925,"sku":"WOP-1187\/MBBi-3","price":120.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/files\/IMG_3122-2.jpg?v=1774043891"},{"product_id":"alexander-hay-ritchie-last-words-of-captain-nathan-hale-the-hero-martyr-of-the-american-revolution","title":"Felix O.C. Darley, after. Last words of Captain Nathan Hale, the hero martyr of the American Revolution. Engraving by Alexander Hay Ritchie. 1858.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Felix O.C. Darley (American, 1822–1888), after.\u003cbr\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e: Alexander Hay Ritchie (American, 1822–1895).\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: Last Words of Captain Nathan Hale, the Hero-Martyr of the American Revolution.\u003cbr\u003e\u003cstrong\u003eInscriptions\u003c\/strong\u003e: Title and a detailed historical legend below the image, including the famous last words and a brief account of Hale’s martyrdom. Includes full publisher’s imprint (Henry Howe, 1858) and subscription notice.\u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: Image: 7 5\/8\" × 10 1\/4\". Sheet: 10 5\/8\" × 12 3\/4\".\u003cbr\u003e\u003cstrong\u003ePublisher\u003c\/strong\u003e: Henry Howe, Cincinnati, Ohio.\u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e: 1858.\u003cbr\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e: Stipple engraving on wove paper.\u003cbr\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e: The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965–2000.\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: Significant mat burn and age-toning. The signs of aging are appropriate for the time. A detailed condition report is available on demand.\u003cbr\u003e\u003cstrong\u003eMuseums, Libraries and Auctions\u003c\/strong\u003e: Yale University Art Gallery 44653. Library of Congress 2003679760.\u003cbr\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: American School XIX C.\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":47635295731877,"sku":"WOP-1188\/MBBi-3","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/files\/IMG_3138-2.jpg?v=1774054519"},{"product_id":"f-defregger-after-the-city-swell-photogravire-by-gebbie-co-1887","title":"Franz Defregger, after. The City Swell. Photogravure by Gebbie \u0026 Co. 1887.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Franz Defregger (Austrian, 1835–1921), after.\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: The City Swell.\u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: Sheet: 11 1\/2\" × 15\".\u003cbr\u003e\u003cstrong\u003ePublisher\u003c\/strong\u003e: Gebbie \u0026amp; Co., Philadelphia.\u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e: 1887.\u003cbr\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e: Photogravure.\u003cbr\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e: The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965–2000.\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: The signs of aging are appropriate for the time. A detailed condition report is available on demand.\u003cbr\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: Austrian School XIX C.\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":47643186102437,"sku":"WOP-1189\/BB-5","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/files\/IMG_3162-2.jpg?v=1774370151"},{"product_id":"john-wykeham-archer-london-wall-remains-near-trinity-square-etching-1845","title":"John Wykeham Archer. London Wall, Remains near Trinity Square. Etching. 1845.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: John Wykeham Archer (British, 1808–1864).\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: London Wall, Remains near Trinity Square.\u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: Sheet: 10 3\/4\" × 14 1\/2\".\u003cbr\u003e\u003cstrong\u003ePublisher\u003c\/strong\u003e: David Bogue, London.\u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e: 1845.\u003cbr\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e: Etching.\u003cbr\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e: The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965–2000.\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: The signs of aging are appropriate for the time. A detailed condition report is available on demand.\u003cbr\u003e\u003cstrong\u003ePart of\u003c\/strong\u003e: \u003cem\u003eVestiges of Old London.\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: British School XIX C.\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":47643215921317,"sku":"WOP-1190\/MBBi-3","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/files\/IMG_3174-2.jpg?v=1774370492"},{"product_id":"reinhold-h-palenske-grand-old-man-owar-vintage-talio-crome-print-mid-xx-c","title":"Reinhold H. Palenske. Grand Old Man O'War. Vintage Talio-crome print. Mid XX C.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Reinhold H. Palenske (American, 1884–1954).\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: Grand Old Man O’War.\u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: Sheet: 11\" × 13 1\/2\".\u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e: Mid XX C.\u003cbr\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e: Talio-crome print.\u003cbr\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e: The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965–2000.\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: Poor. Tears, abrasions, lost paper. A detailed condition report is available on demand.\u003cbr\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: American School XX C.\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":47643404402853,"sku":"WOP-1191\/MBBi-3","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/files\/IMG_3182-2.jpg?v=1774373621"},{"product_id":"carle-vernet-after-passer-payez-pass-and-pay-hand-colored-aquatint-by-philibert-louis-debucourt-1818","title":"Carle Vernet, after. Passer Payez (Pass and Pay). Hand-colored aquatint by Philibert-Louis Debucourt.  1818.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Carle Vernet (French, 1758–1836), after.\u003cbr\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e: Philibert-Louis Debucourt (French, 1755–1832).\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: Passer Payez (Pass and Pay).\u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: Sheet: 14 1\/4\" × 11 1\/2\".\u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e: 1818.\u003cbr\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e: Hand-colored aquatint.\u003cbr\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e: The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965–2000.\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: Significant mat burn and age-toning, tears, abrasions. A detailed condition report is available on demand.\u003cbr\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: French School XIX C.\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":47643664056485,"sku":"WOP-1192\/MBBi-3","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/files\/IMG_3188-2_786feb89-773a-442a-b22e-4fbb0adceb51.jpg?v=1774373146"},{"product_id":"de-s-antonis-poort-1544-st-anthonys-gate","title":"Jan Goeree (possibly). De S. Antonis poort 1544. (St. Anthony's Gate). Etching and engraving. 1760.","description":"\u003cp\u003e\u003cstrong\u003ePrintmaker\u003c\/strong\u003e: Jan Goeree (possibly).\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: Two Views of the Sint-Antoniespoort in Amsterdam.\u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: Sheet: 14 1\/2\" × 10\".\u003cbr\u003e\u003cstrong\u003ePublisher\u003c\/strong\u003e: Isaak Tirion, Amsterdam.\u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e: 1760.\u003cbr\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e: Etching and engraving on laid paper.\u003cbr\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e: The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965–2000.\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: The signs of aging are appropriate for the time. A detailed condition report is available on demand.\u003cbr\u003e\u003cstrong\u003ePart of\u003c\/strong\u003e: Wagenaar, Jan. \u003cem\u003eAmsterdam, in zyne opkomst, aanwas, geschiedenissen (...).\u003c\/em\u003e 2 dln. Amsterdam: Isaak Tirion, 1760, dl. 1, p. 325.\u003cbr\u003e\u003cstrong\u003eMuseums, Libraries and Auctions\u003c\/strong\u003e: Rijksmuseum RP-P-2019-358.\u003cbr\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: Dutch School XVIII C.\u003cbr\u003e\u003cstrong\u003eNote\u003c\/strong\u003e: Today, the building still exists, known as the Waag (Weigh House) located in Nieuwmarkt square.\u003cbr\u003e\u003cstrong\u003eAcknowledgement\u003c\/strong\u003e: This entry incorporates text from Wikipedia and the catalog entry of a similar item in the Rijksmuseum collection.\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":47650867609765,"sku":"WOP-1193\/MBBi-3","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/files\/IMG_3200-2.jpg?v=1774476286"},{"product_id":"sir-john-watson-gordon-after-sir-walter-scott-in-his-study-at-castle-street-edinburgh-engraving-by-robert-charles-bell","title":"Sir John Watson Gordon, after. Portrait of Sir Walter Scott in his Study. Engraving by Robert Charles Bell. XIX C.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Sir John Watson Gordon (Scottish, 1788–1864), after.\u003cbr\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e: Robert Charles Bell (Scottish, 1806–1872).\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: Sir Walter Scott in his Study at Castle Street, Edinburgh.\u003cbr\u003e\u003cstrong\u003eInscriptions\u003c\/strong\u003e: Sir J. W. Gordon, R.S.A. pinxt. R. C. Bell sc. Sir Walter Scott in his Study at Castle Street, Edinburgh.\u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: Sheet: 12 1\/2\" × 9\".\u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e: XIX C.\u003cbr\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e: Stipple engraving on paper mounted on card.\u003cbr\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e: The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965–2000.\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: Along the margins, remnants of glue and old matting. Some fading. The signs of aging are appropriate for the time. A detailed condition report is available on demand.\u003cbr\u003e\u003cstrong\u003ePart of\u003c\/strong\u003e: \u003cem\u003ePortrait of Walter Scott and Five Engravings in Illustration of The Pirate.\u003c\/em\u003e For the Members of the Royal Association for the Promotion of the Fine Arts in Scotland.\u003cbr\u003e\u003cstrong\u003eMuseums, Libraries and Auctions\u003c\/strong\u003e: British Museum 1990,0519.107.1. National Galleries of Scotland Accession number: UP S 226.\u003cbr\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: British School XIX C.\u003cbr\u003e\u003cstrong\u003eNote\u003c\/strong\u003e: Frontispiece.\u003cbr\u003e\u003cstrong\u003eAcknowledgement\u003c\/strong\u003e: This entry incorporates text from online sources and the catalog entry of a similar item in the National Galleries of Scotland collection.\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":47651363029157,"sku":"WOP-1194\/MBBi-3","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/files\/IMG_3198-2_e6236b2c-0d18-404c-81c6-f3d08591b7a6.jpg?v=1774484823"},{"product_id":"n-parr-s-w-prospect-of-williams-fort-at-whidah-etching-1745-1747","title":"Nathaniel Parr. S.W. Prospect of William's Fort at Whidah. Etching. 1745-1747.","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\/\u003cstrong\u003e\u003cspan\u003eEngraver:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003eNathaniel Parr (British, \u003cmeta charset=\"utf-8\"\u003e1739-1767 (active).\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eS.W. Prospect of William's Fort at Whidah; Great Popo, or Torri Bay from Barbot; Several Sorts of Fetissos from Barbot; Plan of William's Fort.\u003cbr\u003e\u003cstrong\u003eInscriptions\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eVolume and page references; plate number; signed in the plate \u003cem data-end=\"445\" data-start=\"427\"\u003e“N. Parr sculp.”\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: sheet 10 1\/4\" x 16 1\/2\".\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eMaterials and Technique\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cspan\u003e Etching on laid paper.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cspan\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: Tears, areas of paper loss, staining, and surface soiling. The signs of aging are appropriate for the time. A detailed condition report is available on demand.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003cstrong\u003ePart of\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eA new general collection of voyages and travels: consisting of the most esteemed relations, which have been hitherto published in any language... [\u003cmeta charset=\"utf-8\"\u003eCompiled by John Green, but known as the \u003cem\u003eAstley collection].\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eMuseums, Libraries and Auctions\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eThe National Library of the Netherlands \u003cmeta charset=\"utf-8\"\u003e3032 B 12.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: British School XVIII C.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eNote\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eLeaf comprising two prospects, a bird's eye perspective and a floor plan, all showing Whidah or Grand Popo, \u003cmeta charset=\"utf-8\"\u003emodern-day Ouidah, Benin.\u003cbr\u003e\u003cstrong\u003eAcknowledgement\u003c\/strong\u003e: This entry incorporates text from Wikimedia and the catalog entry of a similar item in the \u003cmeta charset=\"utf-8\"\u003eThe National Library of the Netherlands\u003c\/span\u003e\u003cspan\u003e collection.\u003c\/span\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":47654999163045,"sku":"WOP-1195\/MBBi-4","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/files\/IMG_3210-2_df15ed1c-fa3c-4d5a-ba10-71bb4587a0ac.jpg?v=1775702991"},{"product_id":"simon-de-heer-dutch-noon-etching-xx-c","title":"Simon de Heer. Dutch Architectural Landscape. Etching. XX C.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Simon de Heer (Dutch, 1885-1970).\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eGate Next to a House.\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eInscriptions\u003c\/strong\u003e: signed in graphite l.r.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Image 6 1\/4\" x 9\". Sheet 11\" x 14 1\/2\".\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eMaterials and Technique\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cspan\u003e Etching on toned beige paper.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cspan\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: Traces of glue and old mounting at the top corners; overall, in good condition. The signs of aging are appropriate for the time. A detailed condition report is available on demand.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eMuseums, Libraries and Auctions\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eA composition closely related to this work is recorded in the Rijksmuseum under the title \u003cem data-start=\"882\" data-end=\"918\"\u003ePoort naast een huis met trapgevel\u003c\/em\u003e (RP-P-1937-1042). Unfortunately, we are unable to establish this with certainty, as access to the original is restricted by copyright.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: Dutch School XX C.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":47663700803749,"sku":"WOP-1196\/MBBi-4","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/files\/IMG_3220-2.jpg?v=1776796477"},{"product_id":"christian-schussele-after-home-on-a-furlough-engraving-by-john-sartain-1864","title":"Christian Schussele, after. Home on a Furlough. Engraving by John Sartain. 1864.","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eChristian Schussele (\u003cmeta charset=\"utf-8\"\u003eFrench-born American, 1824–1879), after.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eEngraver\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eJohn Sartain (1808–1897). He was an English-born American artist who pioneered mezzotint engraving in the United States.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003eHome on a Furlough.\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eInscriptions\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eLower center: “HOME ON A FURLOUGH.”\u003cbr data-end=\"241\" data-start=\"238\"\u003eBelow title: “TO THE LOYAL MOTHERS, WIVES AND DAUGHTERS OF OUR COUNTRY THIS ENGRAVING IS RESPECTFULLY DEDICATED.”\u003cbr data-end=\"357\" data-start=\"354\"\u003eLower margin: “BRADLEY \u0026amp; CO. PUBLISHERS, 66 N. FOURTH ST. PHILADELPHIA.”\u003cbr data-end=\"432\" data-start=\"429\"\u003eLower right: “Engraved by John Sartain, Phil.a”\u003cbr data-end=\"482\" data-start=\"479\"\u003eLower left: “Proof”.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Image 10 1\/2\" x 15 1\/2\". Sheet 15 1\/2\" x 20\".\u003cbr\u003e\u003cstrong\u003ePrinter\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eBradley \u0026amp; Co., Philadelphia.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003ePublisher\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eBradley \u0026amp; Co., 66 N. Fourth St., Philadelphia.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cb\u003eEdition\u003c\/b\u003e: \u003cmeta charset=\"utf-8\"\u003eProof impression.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eDate\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003e1864.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Technique\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cspan\u003e Engraving on stock wove paper.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cspan\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eHeavy water staining and discoloration throughout, particularly along the margins and verso; pronounced tide lines; tears, losses, and creasing along the lower edge; remnants of old mounting tape verso; overall surface wear and handling marks. The image remains clear, but the sheet is in poor overall condition.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eMuseums, Libraries and Auctions\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eSmithsonian American Art Museum. \u003cmeta charset=\"utf-8\"\u003e1976.16. \u003cmeta charset=\"utf-8\"\u003eHood Museum of Art, Dartmouth College (PR.962.27).\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eAmerican School XIX C.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":47678507778213,"sku":"WOP-1197\/BB-5","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/files\/IMG_3256-2_4d52a92c-820c-4f7d-b29f-5ff91a9fc2a3.jpg?v=1776796920"},{"product_id":"johann-peter-molitor-after","title":"Johann Peter Molitor, after. Jesus of Nazareth. Engraving by Rudolf Stang. ca. 1860-1880.","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan\u003e:\u003cem\u003e \u003cmeta charset=\"utf-8\"\u003e\u003c\/em\u003e\u003c\/span\u003eJohann Peter Molitor (German, \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e1702–1756), after.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e: \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eRudolf Stang (\u003cmeta charset=\"utf-8\"\u003eGerman, \u003cmeta charset=\"utf-8\"\u003e1831-1927).\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e\u003cspan\u003e: Jesus of Nazareth.\u003cbr\u003e\u003cstrong\u003eInscriptions\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eP. Molitor inv. l.l. \u003cmeta charset=\"utf-8\"\u003eR. Stang sc. l.r. \u003cmeta charset=\"utf-8\"\u003eLatin (lower panel): \u003cem data-end=\"687\" data-start=\"640\"\u003e“Ecce panis angelorum factus cibus viatorum.” \u003c\/em\u003eGerman (upper panel): \u003cem data-end=\"687\" data-start=\"640\"\u003e\u003cem data-end=\"791\" data-start=\"712\"\u003e“Das Brot, welches ich geben werde, ist mein Fleisch für das Leben der Welt.”\u003c\/em\u003e (John 6:51). \u003c\/em\u003eAdditional German texts in side panels.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Sheet 15\" x 11\".\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eDate\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eca. 1860–1880.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Technique\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cspan\u003e Engraving on wove paper.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cspan\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eMinor repair to a small puncture in the upper right margin verso, not affecting the image. Lost corners. The signs of aging are appropriate for the time. A detailed condition report is available on demand.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eGerman School XIX C.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eAcknowledgement\u003c\/strong\u003e: This entry incorporates text from Wikipedia.\u003c\/span\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":47680806158501,"sku":"WOP-1198\/MBBi-4","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/files\/IMG_3241-2.jpg?v=1776799898"},{"product_id":"t-thornton-after-crosby-place-etching-by-andrew-birrell-1790","title":"T. Thornton, after. Crosby Place. Etching by Andrew Birrell. 1790.","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eT. Thornton (British, fl. 1780–1789), after.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eEngraver\u003c\/strong\u003e: Andrew Birrell (British, fl. 1769–1820).\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eCrosby Place. \u003cbr\u003e\u003cstrong\u003eInscriptions\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eLettered below the image with the title, reference: \"'And presently repair to Crosby Place' \/ King Richard III. Act I. scene II \u0026amp;c.\" and: \"Drawn by T. Thornton \/ A. Birrell Sculp. \/ London. Pubd as the Act Directs Feb 1. 1790. by E. Harding No. 132 Fleet Street\".\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Image 4 1\/2\" x 7\". Sheet 16 1\/4\" x 10 3\/4\".\u003cbr\u003e\u003cstrong\u003ePublisher\u003c\/strong\u003e: Edward Harding (British, \u003cmeta charset=\"utf-8\"\u003e1755-1840).\u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003e1790.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Technique\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cspan\u003e Etching on wove paper.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cspan\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eWater staining (primarily in the upper margin), scattered foxing, overall toning, minor creases and handling wear, edge wear with small losses. The image is clean. The signs of aging are appropriate for the time. A detailed condition report is available on demand.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003ePart of:\u003c\/strong\u003e Plate to Harding's \u003cem\u003eShakespeare Illustrated\u003c\/em\u003e.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eMuseums, Libraries and Auctions\u003c\/strong\u003e\u003cspan\u003e: The \u003cmeta charset=\"utf-8\"\u003eBritish Museum \u003cmeta charset=\"utf-8\"\u003e1868,0822.6155.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: British School XVIII C.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eNote\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eThis print is sought after by collectors of “Shakespeariana” due to its inclusion of a direct quote from \u003cem data-end=\"1571\" data-start=\"1553\"\u003eKing Richard III\u003c\/em\u003e: \u003cem data-end=\"1613\" data-start=\"1573\"\u003e“And presently repair to Crosby Place”\u003c\/em\u003e (Act I, Scene II). This refers to the historical fact that the future King Richard III occupied the mansion in the 15th century.\u003cbr\u003e\u003cstrong\u003eAcknowledgement\u003c\/strong\u003e: This entry incorporates text from the catalog entry of a similar item in the \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBritish Museum\u003c\/span\u003e\u003cspan\u003e collection.\u003c\/span\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":47682908749989,"sku":"WOP-1199\/BB-5","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/files\/IMG_3268-2.jpg?v=1776800086"},{"product_id":"jean-paul-laurens-un-attelage-de-boeufs","title":"Jean-Paul Laurens. Un Attelage de Boeufs. Etching. Late XIX C.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Jean-Paul Laurens (French, 1838–1921).\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: \u003cem\u003eUn Attelage de Boeufs\u003c\/em\u003e (A Team of Oxen).\u003cbr\u003e\u003cstrong\u003eInscriptions\u003c\/strong\u003e: \"UN ATTELAGE DE BŒUFS. D'après le tableau de Jean Paul Laurens le Lauragais. Eau-forte de l'auteur.\" Also signed in plate with a monogram.\u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: Sheet 12\" × 17 1\/2\".\u003cbr\u003e\u003cstrong\u003ePublisher\u003c\/strong\u003e: Imprimé par Porcabeuf.\u003cbr\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e: The print is bound within Volume 2 (1897) of the \u003cem\u003eRevue de l'Art ancien et moderne\u003c\/em\u003e. It is documented as Jean-Paul Laurens' last etching.\u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e: Late XIX C.\u003cbr\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e: Etching on heavy, toned wove paper.\u003cbr\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e: The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965–2000.\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: Full sheet with wide margins. Heavy damage to sheet edges, including large losses at the upper left and along the lower and right edges. Multiple tears and creases throughout, most notably along the bottom margin. Verso shows significant toning, handling wear, and remnants of adhesive\/tape along the lower and right edges. Surface dirt and discoloration overall. Brittle paper. The signs of aging are appropriate for the time. A detailed condition report is available on demand.\u003cbr\u003e\u003cstrong\u003ePart of\u003c\/strong\u003e: \u003cem\u003eRevue de l'Art ancien et moderne\u003c\/em\u003e, Volume 2 (1897).\u003cbr\u003e\u003cstrong\u003eMuseums, Libraries and Auctions\u003c\/strong\u003e: Collection des Beaux-Arts de Paris, Est. 14452.\u003cbr\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: French School XIX C.\u003cbr\u003e\u003cstrong\u003eNote\u003c\/strong\u003e: Copy printed before the publisher's credit.\u003cbr\u003e\u003cstrong\u003eAcknowledgement\u003c\/strong\u003e: This entry incorporates text from the catalog entry of a similar item in the Collection des Beaux-Arts de Paris.\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":47684508090533,"sku":"WOP-1200\/BB-5","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/files\/IMG_3274-2.jpg?v=1776800415"},{"product_id":"bela-sziklay-venice-hand-colored-etching-xx-c","title":"Béla Sziklay. Venice, Grand Canal with Santa Maria della Salute. Hand-colored etching. Mid XX C.","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: Béla Sziklay \u003cmeta charset=\"utf-8\"\u003e(\u003cmeta charset=\"utf-8\"\u003eHungarian\u003cem\u003e, \u003c\/em\u003e1911–1981).\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e\u003cspan\u003e: Venice.\u003cbr\u003e\u003cstrong\u003eInscriptions\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eSigned in plate l.l.; signed and titled on the mat.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Image 11  5\/8\" x 8\".\u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e: Mid-20th century.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Technique\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cspan\u003e Hand-colored etching on wove paper.\u003cbr\u003e\u003cstrong\u003eMat and Frame\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eOriginal mat with artist’s signature.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cspan\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eThe mat is toned and shows adhesive residue. The sheet is unevenly trimmed. The signs of aging are appropriate for the time. A detailed condition report is available on demand.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eMuseums, Libraries and Auctions\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eFine Arts Museums of San Francisco; National Gallery of Art.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: Hungarian School XX C. \u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eNote\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003e\u003cspan aria-level=\"2\" role=\"heading\"\u003eGrand Canal in Venice, Italy, with the Santa Maria della Salute church in the background.\u003c\/span\u003e\u003cspan class=\"pjBG2e\" data-cid=\"2f6610c7-8719-4bb0-96c2-f137a7db1f4f\"\u003e\u003cspan class=\"UV3uM\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":47749658771621,"sku":"WOP-1201\/BB-5","price":80.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/files\/IMG_3336-2.jpg?v=1777604351"},{"product_id":"rudolph-bleyer-forest-landscape-with-rocks-and-stream-etching-late-xix-early-xx-century","title":"Rudolph Bleyer. Forest Landscape with Rocks and Stream. Etching. Late XIX – early XX century.","description":"\u003cp data-end=\"1663\" data-start=\"1392\"\u003e\u003cstrong data-end=\"1403\" data-start=\"1392\"\u003eArtist:\u003c\/strong\u003e \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eRudolph Bleyer\u003c\/span\u003e\u003c\/span\u003e (American, 1859–1951).\u003cbr data-end=\"1456\" data-start=\"1453\"\u003e\u003cstrong data-end=\"1466\" data-start=\"1456\"\u003eTitle:\u003c\/strong\u003e Forest Landscape with Rocks and Stream.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eInscriptions\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eSigned in pencil lower right. A small etched remarque of a flower in the lower left margin.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Platemark 5\" x 7\". Sheet 9 1\/2\" x 13\"\u003c\/span\u003e\u003cbr data-end=\"1508\" data-start=\"1505\"\u003e\u003cstrong data-end=\"1517\" data-start=\"1508\"\u003eDate:\u003c\/strong\u003e Late XIX – early XX century.\u003cbr data-end=\"1548\" data-start=\"1545\"\u003e\u003cstrong data-end=\"1577\" data-start=\"1548\"\u003eMaterials and Techniques:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eEtching on beige wove paper.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cspan\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eNoticeable glue residue to the margins. Minor glue traces elsewhere in the margins. General age-related toning, with visible oxidation verso from previous mat backing. The signs of aging are appropriate for the time. A detailed condition report is available on demand.\u003c\/span\u003e\u003cbr data-end=\"1597\" data-start=\"1594\"\u003e\u003cstrong data-end=\"1636\" data-start=\"1597\"\u003eArt Movements, Periods and Schools:\u003c\/strong\u003e American School XIX C. \u003cmeta charset=\"utf-8\"\u003eAmerican School XX C.\u003cbr\u003e\u003cstrong data-end=\"1674\" data-start=\"1665\"\u003eNote: \u003c\/strong\u003eReproductive etching in the Barbizon manner, likely based on a European landscape prototype.\u003cbr\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":47752171487397,"sku":"WOP-1202\/MBBi-4","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/files\/IMG_3321-2.jpg?v=1777604387"},{"product_id":"ladislav-r-hanka","title":"Ladislav R. Hanka. Twin Lakes III.  Etching. 1985.","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003eArtist:\u003c\/strong\u003e\u003cspan\u003e Ladislav R. Hanka (American, b. 1952).\u003c\/span\u003e\u003cbr data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"|[]\" data-sfc-root=\"c\"\u003e\u003cstrong data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003eTitle:\u003c\/strong\u003e\u003cspan\u003e Twin Lakes III.\u003c\/span\u003e\u003cbr data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"|[]\" data-sfc-root=\"c\"\u003e\u003cstrong data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003eInscriptions:\u003c\/strong\u003e\u003cspan\u003e Titled \"Twin Lakes III\" (lower left); Marked \"AP\" (lower center); Signed and dated \"L. R. Hanka '85\" (lower right).\u003c\/span\u003e\u003cbr data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"|[]\" data-sfc-root=\"c\"\u003e\u003cstrong data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003eDimensions:\u003c\/strong\u003e\u003cspan\u003e Image 5\" x 6\". Sheet 10\" x 11 1\/4\".\u003c\/span\u003e\u003cbr data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"|[]\" data-sfc-root=\"c\"\u003e\u003cstrong data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003ePrinter:\u003c\/strong\u003e\u003cspan\u003e The Artist's Studio, Kalamazoo, Michigan.\u003c\/span\u003e\u003cbr data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"|[]\" data-sfc-root=\"c\"\u003e\u003cstrong data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003ePublisher:\u003c\/strong\u003e\u003cspan\u003e Self-published \/ Private Press.\u003c\/span\u003e\u003cbr data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"|[]\" data-sfc-root=\"c\"\u003e\u003cstrong data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003eEdition:\u003c\/strong\u003e\u003cspan\u003e Artist’s Proof (AP) — outside the regular numbered edition.\u003c\/span\u003e\u003cbr data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"|[]\" data-sfc-root=\"c\"\u003e\u003cstrong data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003eDate:\u003c\/strong\u003e\u003cspan\u003e 1985.\u003c\/span\u003e\u003cbr data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"|[]\" data-sfc-root=\"c\"\u003e\u003cstrong data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003eMaterials and Technique:\u003c\/strong\u003e\u003cspan\u003e Original etching on heavy white wove paper.\u003c\/span\u003e\u003cbr data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"|[]\" data-sfc-root=\"c\"\u003e\u003cstrong data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003eWatermark:\u003c\/strong\u003e\u003cspan\u003e yes.\u003c\/span\u003e\u003cbr data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"|[]\" data-sfc-root=\"c\"\u003e\u003cstrong data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003eProvenance:\u003c\/strong\u003e\u003cspan\u003e The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"|[]\" data-sfc-root=\"c\"\u003e\u003cstrong data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003eCondition:\u003c\/strong\u003e\u003cspan\u003e Excellent contemporary condition. Clean margins, strong plate mark. A detailed condition report is available on demand.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: American School XX C.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003eMuseums, Libraries and Auctions:\u003c\/strong\u003e\u003cspan\u003e Hanka’s work is held in the permanent collections of the Library of Congress, the Art Institute of Chicago, and the Kalamazoo Institute of Arts.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":47753660891301,"sku":"WOP-1203\/MBBi-4","price":120.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/files\/IMG_3286-2.jpg?v=1777604445"},{"product_id":"beyond-the-fence","title":"Ladislav R. Hanka. Beyond the Fence. Etching. 1983.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Ladislav R. Hanka (American, born 1952).\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: Beyond the Fence.\u003cbr\u003e\u003cstrong\u003eInscriptions\u003c\/strong\u003e: Titled \"Beyond the Fence\" (l.l.); marked \"AP\" (l.c.); signed and dated \"L. R. Hanka '83\" (l.r.).\u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: Plate mark: 4 1\/2\" × 4 3\/4\". Sheet: 11\" × 10\".\u003cbr\u003e\u003cstrong\u003ePrinter\u003c\/strong\u003e: The Artist's Studio, Kalamazoo, Michigan.\u003cbr\u003e\u003cstrong\u003ePublisher\u003c\/strong\u003e: Self-published.\u003cbr\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e: Artist's Proof (AP) — a scarce impression outside the regular edition.\u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e: 1983.\u003cbr\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e: Original etching on heavy cream-colored wove paper with a deckled edge at the bottom.\u003cbr\u003e\u003cstrong\u003eWatermark\u003c\/strong\u003e: BFK Rives France.\u003cbr\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e: The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965–2000.\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: Excellent vintage condition. Strong plate mark and original deckled paper edge. The signs of aging are appropriate for the time. A detailed condition report is available on demand.\u003cbr\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: American School XX C.\u003cbr\u003e\u003cstrong\u003eMuseums, Libraries and Auctions\u003c\/strong\u003e: Hanka's work is held in the permanent collections of the Library of Congress and the Kalamazoo Institute of Arts.\u003cbr\u003e\u003cstrong\u003eNote\u003c\/strong\u003e: Ladislav Hanka lives and works in Kalamazoo, Michigan. Website: ladislavhanka.com\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":47753666035877,"sku":"WOP-1204\/MBBi-4","price":140.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/files\/IMG_3301-2.jpg?v=1777604480"},{"product_id":"frank-brangwyn-procession-of-peasants-with-baskets-etching-early-xx-c","title":"Frank Brangwyn. Procession of Peasants with Baskets. Etching. Early XX C.","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-start=\"0\" data-end=\"11\" data-is-only-node=\"\"\u003eArtist:\u003c\/strong\u003e Frank Brangwyn (British, 1867–1956).\u003cbr data-start=\"38\" data-end=\"41\"\u003e\u003cstrong data-start=\"41\" data-end=\"51\"\u003eTitle:\u003c\/strong\u003e Procession of Peasants with Baskets.\u003cbr data-start=\"94\" data-end=\"97\"\u003e\u003cstrong data-start=\"97\" data-end=\"112\"\u003eDimensions:\u003c\/strong\u003e Image: 6 1\/4 × 20 in. Sheet: 7 1\/2 × 20 1\/2 in.\u003cbr data-start=\"160\" data-end=\"163\"\u003e\u003cstrong data-start=\"163\" data-end=\"172\"\u003eDate:\u003c\/strong\u003e Early XX C.\u003cbr data-start=\"185\" data-end=\"188\"\u003e\u003cstrong data-start=\"188\" data-end=\"217\"\u003eMaterials and Techniques:\u003c\/strong\u003e Etching on paper.\u003cbr data-start=\"234\" data-end=\"237\"\u003e\u003cstrong data-start=\"237\" data-end=\"254\"\u003eInscriptions:\u003c\/strong\u003e Signed in pencil, lower right.\u003cbr data-start=\"310\" data-end=\"313\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cspan\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-start=\"394\" data-end=\"397\"\u003e\u003cstrong data-start=\"397\" data-end=\"411\"\u003eCondition:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eSurface toning most visible verso. The signs of aging are appropriate for the time. A detailed condition report is available on demand.\u003cbr data-start=\"584\" data-end=\"587\"\u003e\u003cstrong data-start=\"587\" data-end=\"626\"\u003eArt Movements, Periods and Schools:\u003c\/strong\u003e British School XX C.\u003cbr\u003e\u003cstrong\u003eNote\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eWe were unable to locate another impression of this print.\u003c\/p\u003e\n\u003cp data-start=\"156\" data-end=\"265\"\u003e \u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":47791655944357,"sku":"WOP-1205\/BB-5","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/files\/IMG_3351-2.jpg?v=1779985582"},{"product_id":"friedrich-preller-the-elder-after-leucothea-saving-odysseus-engraving-by-hans-meyer","title":"Friedrich Preller the Elder, after. Leucothea Saving Odysseus. Engraving by Hans Meyer. 1880-1890.","description":"\u003csection class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto [content-visibility:auto] supports-[content-visibility:auto]:[contain-intrinsic-size:auto_100lvh] R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-69f65fd0-774c-83ea-b90d-b265664c550f-4\" data-testid=\"conversation-turn-16\" data-scroll-anchor=\"false\" data-turn=\"assistant\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"e80f4942-360c-43cb-80af-abd0616328e4\" dir=\"auto\" data-message-model-slug=\"gpt-5-3\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" data-turn-start-message=\"true\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word light markdown-new-styling\"\u003e\n\u003cp data-start=\"395\" data-end=\"1863\"\u003e\u003cstrong data-start=\"395\" data-end=\"406\"\u003eArtist:\u003c\/strong\u003e Friedrich Preller the Elder (Gertman, 1804–1878), after.\u003cbr data-start=\"447\" data-end=\"450\"\u003e\u003cstrong data-start=\"450\" data-end=\"463\"\u003eEngraver:\u003c\/strong\u003e Hans Meyer.\u003cbr data-start=\"475\" data-end=\"478\"\u003e\u003cstrong data-start=\"478\" data-end=\"488\"\u003eTitle:\u003c\/strong\u003e \u003cem data-start=\"489\" data-end=\"520\"\u003eLeucothea Appears to Odysseus\u003c\/em\u003e.\u003cbr data-start=\"521\" data-end=\"524\"\u003e\u003cstrong data-start=\"524\" data-end=\"541\"\u003eInscriptions:\u003c\/strong\u003e Lower left: \u003cem data-start=\"554\" data-end=\"573\"\u003eFr. Preller pinx.\u003c\/em\u003e; Lower right: \u003cem data-start=\"588\" data-end=\"606\"\u003eHans Meyer fecit\u003c\/em\u003e. Verso in pencil: \u003cem data-start=\"625\" data-end=\"730\"\u003e“Leukothea appears to Odysseus \/ Etched by Hans Meyer after Fr. Preller \/ American Art Review … part 4”\u003c\/em\u003e. Old library stamp verso.\u003cbr data-start=\"731\" data-end=\"734\"\u003e\u003cstrong data-start=\"734\" data-end=\"749\"\u003eDimensions:\u003c\/strong\u003e Image: 5\" x 3 3\/8\"; Sheet: 17\" x 12\".\u003cbr data-start=\"769\" data-end=\"772\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"772\" data-end=\"781\"\u003eDate:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e1880-1890.\u003c\/span\u003e\u003cbr data-start=\"798\" data-end=\"801\"\u003e\u003cstrong data-start=\"801\" data-end=\"830\"\u003eMaterials and Techniques:\u003c\/strong\u003e Etching on chine collé laid down on a heavier support sheet.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003edeaccessioned from the \u003cmeta charset=\"utf-8\"\u003eHaverhill Public Library. The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-start=\"1171\" data-end=\"1185\"\u003eCondition:\u003c\/strong\u003e Good. The signs of aging are appropriate for the time. A detailed condition report is available on demand.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003ePart of\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003e \u003cem data-start=\"947\" data-end=\"972\"\u003eThe American Art Review 1882\u003c\/em\u003e (édition de luxe series).\u003c\/span\u003e\u003cbr data-start=\"911\" data-end=\"914\"\u003e\u003cspan\u003e\u003cstrong\u003eMuseums, Libraries and Auctions\u003c\/strong\u003e: The British Museum  \u003cmeta charset=\"utf-8\"\u003eregistration no. 1912,0612.544.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-start=\"1459\" data-end=\"1498\"\u003eArt Movements, Periods and Schools:\u003c\/strong\u003e German School XIX C.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003cstrong data-start=\"1772\" data-end=\"1792\"\u003eAcknowledgement:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis entry incorporates text from the catalog entry of a similar item in the \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBritish Museum\u003c\/span\u003e\u003cspan\u003e collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":47791971401893,"sku":"WOP-1206\/BB-5","price":180.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/files\/IMG_3377-2.jpg?v=1779988607"},{"product_id":"john-middleton-freeman-portrait-of-herr-mohr-associate-professor-of-german-at-the-university-of-virginia-graphite-drawing-1938","title":"John Middleton Freeman. Portrait of Herr Mohr, associate professor of German at the University of Virginia. Graphite drawing. 1938.","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: John Middleton Freeman. (Charlottesville, VA \u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003cspan\u003ec. 1919-2000).\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eMore about the artist read in our eponymous \u003cstrong\u003eBlog Post\u003c\/strong\u003e.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e\u003cspan\u003e: Portrait of Herr Mohr.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eInscriptions\u003c\/strong\u003e: Herr Mohr, associate professor of German at the University of Virginia.\u003cstrong\u003e \u003c\/strong\u003e\u003cstrong\u003eDated\u003c\/strong\u003e: 1938. \u003cstrong\u003eSigned\u003c\/strong\u003e: with monogram MF; \u003cstrong\u003eAnnotated\u003c\/strong\u003e: An (sic) preparation for prof Mehr's portrait. Conte crayon. Drawing finished. Sold for $20.00.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eDimensions\u003c\/strong\u003e: Sheet 11\" x 8 1\/2\".\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eDate\u003c\/strong\u003e: 1938.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cspan\u003e Graphite drawing on wove paper.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cspan\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: Paper loss along the margins. Adhesive residue verso. The signs of aging are appropriate for the time. A detailed condition report is available on demand.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003cstrong\u003ePart of\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003e Middleton Freeman Portfolio.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e: American School XX C.\u003c\/span\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":47794273517733,"sku":"DRW-248\/\/BLKBI-1","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/files\/IMG_3360-2.jpg?v=1779988769"},{"product_id":"charles-meryon-college-henri-iv-ou-lycee-napoleon","title":"Charles Méryon. Collège Henri IV ou Lycée Napoléon. Etching. 1863-1864.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Charles Méryon (French, 1821–1868).\u003cbr\u003e\u003cstrong\u003ePrinter\u003c\/strong\u003e: Pierron.\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: Collège Henri IV ou Lycée Napoléon (Grand et petit collèges, avec les jardins qui en dépendent et les constructions avoisinantes. Prise du sommet du Panthéon).\u003cbr\u003e\u003cstrong\u003eInscriptions\u003c\/strong\u003e:Top center vignette: A classical Latin inscription in a central cartouche between two circular medallions inscribed \"HENRI IV\" and \"NAPOLÉON\": \"NON GENUS AUT AETAS SED AMOR COMMUNIS HONESTI CONCORDES ANIMAS AETERNO FOEDERE JUNGIT\". Bottom left: \"Paris. ROCHOUX Quai de l’Horloge, 19\". Bottom left (above publisher): \"Imp. Pierron r. Montfaucon 1.\". Bottom center: \"VUE À VOL D'OISEAU \/ COLLÈGE HENRI IV OU LYCÈE NAPOLÉON \/ GRAND ET PETIT COLLÈGES, Avec les jardins qui en dépendent et les constructions avoisinantes \/ PRISE DU SOMMET DU PANTHÉON \/ PARIS MDCCCLXIV\". Bottom right (within image matrix): Signed and dated on the plate \"1863-64\".\u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: Image: 8 5\/8\" x 16 3\/8\". Sheet 15\" x 22\".\u003cbr\u003e\u003cstrong\u003ePublisher:\u003c\/strong\u003e Rochoux (Paris).\u003cbr\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e: 5th state (of 11).\u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e: 1863–1864.\u003cbr\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e: Etching on laid paper.\u003cbr\u003e\u003cstrong\u003eWatermark\u003c\/strong\u003e: HALLINES (Dambricourt Frères).\u003cbr\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e: The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965–2000.\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: fair, with signs of aging appropriate for its era. Features a prominent moisture stain (tide mark) along the left and bottom areas which extends onto the printed image matrix and the verso. Despite this, the historic paper fibers remain stable and strong, and the sheet is an excellent candidate for professional conservation\/restoration. \u003cbr\u003e\u003cstrong\u003eCatalog Raisonné\u003c\/strong\u003e: Delteil 43 (v\/xi); Wright 43 (v\/xi); Schneiderman 91 (v\/xi).\u003cbr\u003e\u003cstrong\u003eMuseums, Libraries and Auctions\u003c\/strong\u003e: The Metropolitan Museum of Art (New York), British Museum (London) 1870,0709.190, National Gallery of Art (Washington).\u003cbr\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: French School XIX C.\u003cbr\u003e\u003cstrong\u003eNote\u003c\/strong\u003e: This impressive aerial panorama displays Méryon’s meticulous topographical accuracy combined with surreal, allegorical staffage figures in the foreground. The choice of premium Hallines laid paper is typical for the early, high-quality impressions curated by the artist and his publisher.\u003cbr\u003e\u003cstrong\u003eAcknowledgement\u003c\/strong\u003e: This entry incorporates text from online sources and the catalog entry of a similar item in the British Museum collection.\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c!--TgQPHd|[]--\u003e\u003c\/p\u003e\n\u003cdiv data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 14px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" data-sfc-cp=\"\" class=\"Fsg96\"\u003e\u003c!--TgQPHd|[]--\u003e\u003c\/div\u003e\n\u003chr data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 14px; font-weight: 400; margin: 32px 0px; text-decoration: none; border-bottom: 0px rgb(128, 128, 128);' data-sae=\"\" data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"|[]\" data-sfc-root=\"c\" class=\"j3tEEe\"\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":47845724881061,"sku":"WOP-1207\/BB-5","price":80.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/files\/IMG_3342-2.jpg?v=1780150064"},{"product_id":"the-saviour-in-the-garden-of-gethsemane","title":"Richard Westall, after. The Saviour in the Garden of Gethsemane. Engraving by John Sartain. Circa 1850–1865.","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003eArtist:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e  \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRichard Westall, \u003c\/span\u003eR.A. (British, 1765–1836), after.\u003cbr data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"|[]\" data-sfc-root=\"c\"\u003e\u003cstrong data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003eEngraver:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e John Sartain (American, 1808–1897).\u003cbr data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"|[]\" data-sfc-root=\"c\"\u003e\u003cstrong data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003eTitle:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e The Saviour in the Garden of Gethsemane (also known as \u003cem data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"eujQNb\"\u003eThe Agony in the Garden\u003c!--TgQPHd|[]--\u003e\u003c\/em\u003e).\u003cbr data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"|[]\" data-sfc-root=\"c\"\u003e\u003cstrong data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003eInscriptions:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e Upper margin: \"The Original by Jones \u0026amp; Westall.\" Lower margin: \"Published by the Proprietor Richard De Forest, Rochester, N.Y. — L.W. Carr, Detroit, Mich.\"\u003cbr data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"|[]\" data-sfc-root=\"c\"\u003e\u003cstrong data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003eDimensions:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e Image 13 1\/2\" x 10\". Sheet 18\" x 14\".\u003cbr data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"|[]\" data-sfc-root=\"c\"\u003e\u003cstrong data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003ePublisher:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e Richard De Forest (Rochester, N.Y.) and L.W. Carr (Detroit, Mich.)\u003cbr data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"|[]\" data-sfc-root=\"c\"\u003e\u003cstrong data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003eDate:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e Circa 1850–1865.\u003cbr data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"|[]\" data-sfc-root=\"c\"\u003e\u003cstrong data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003eMaterials and Technique:\u003c\/strong\u003e mezzotint and engraving on heavy-weight wove paper (similar to Bristol board or light cardstock).\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003eProvenance:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003cbr data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"|[]\" data-sfc-root=\"c\"\u003e\u003cstrong data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003eCondition:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003ePoor; features a significant horizontal tear\u003c!--TgQPHd|[]--\u003e across the entire sheet and heavy oxidation caused by contact with an old backing. The margins remain physically intact but show remnants of paper from a previous matting.\u003cspan\u003e\u003c\/span\u003e\u003cbr data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"|[]\" data-sfc-root=\"c\"\u003e\u003cstrong data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003eMuseums, Libraries and Auctions:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e Unable to locate another imprint anywhere.\u003cbr data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"|[]\" data-sfc-root=\"c\"\u003e\u003cstrong data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003eArt Movements, Periods and Schools:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e American School XIX C.\u003cbr data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"|[]\" data-sfc-root=\"c\"\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":47862257483941,"sku":"WOP-1208\/BB-5","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/files\/IMG_3368copy.jpg?v=1780079194"},{"product_id":"niccolo-circignani-after-the-martyrdom-of-john-forest-and-three-benedictine-abbots-engraving-by-giovanni-battista-cavalieri","title":"Niccolò Circignani, after. The Martyrdom of John Forest, and Three Benedictine Abbots. Engraving by Giovanni Battista Cavalieri. 1584 - 1608.","description":"\u003cdiv data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 12px 0px 16px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-hveid=\"CAAICBAA\" data-sfc-cb=\"\" data-sfc-root=\"c\" data-sfc-cp=\"\" class=\"n6owBd awi2gc\"\u003e\n\u003cstrong data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003eArtist:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e Niccolò Circignani,  (called \"Il Pomarancio\", Italian, c. 1530–1597), after.\u003cbr data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"|[]\" data-sfc-root=\"c\"\u003e\u003cstrong data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003eEngraver:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eGiovanni Battista Cavalieri (Italian, 1525–1601).\u003cbr data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"|[]\" data-sfc-root=\"c\"\u003e\u003cstrong data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003eTitle:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e The Martyrdom of John Forest, and Three Benedictine Abbots (Plate 29 from \u003cem data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"eujQNb\"\u003eEcclesiae Anglicanae Trophaea\u003c!--TgQPHd|[]--\u003e\u003c\/em\u003e).\u003cbr data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"|[]\" data-sfc-root=\"c\"\u003e\u003cstrong data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003eInscriptions:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e Latin text block in the lower margin. Page number \u003cem data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"eujQNb\"\u003e“29”\u003c!--TgQPHd|[]--\u003e\u003c\/em\u003e engraved in the lower right corner.\u003cbr data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"|[]\" data-sfc-root=\"c\"\u003e\u003cstrong data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003eDimensions:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e Sheet 9 1\/2\" x 8\".\u003cbr data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"|[]\" data-sfc-root=\"c\"\u003e\u003cstrong data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003eEdition:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e First edition, early state (1584).\u003cbr data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"|[]\" data-sfc-root=\"c\"\u003e\u003cstrong data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003eDate:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e 1584.\u003cbr data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"|[]\" data-sfc-root=\"c\"\u003e\u003cstrong data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003eMaterials and Techniques:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e Etching on laid paper.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003eWatermark:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e Partially visible contemporary 16th-century Italian watermark situated closer to the center of the sheet, reconstructible as an anchor inscribed within a circle, consistent with Briquet, types popular among Roman papermakers circa 1580s. Briquet, Les Filigranes, vol. 1, p. 42-44.\u003cbr data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"|[]\" data-sfc-root=\"c\"\u003e\u003cstrong data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003eCondition:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e wear, abrasion, lost corner. The ink impression remains crisp with dark, well-preserved contrast. \u003cbr data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"|[]\" data-sfc-root=\"c\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003eBibliographic References:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e Universal Short Title Catalogue (USTC) ref. no. 821297.\u003cbr data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"|[]\" data-sfc-root=\"c\"\u003e\u003cstrong data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003ePart of:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e \u003cem data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"eujQNb\"\u003eEcclesiae Anglicanae Trophaea siue Sanctorum Martyrum, qui pro Christiana Catholicaeq. fidei tutione... mortem in Anglia subierunt\u003c!--TgQPHd|[]--\u003e\u003c\/em\u003e, Rome, 1584.\u003cbr data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"|[]\" data-sfc-root=\"c\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003eMuseums, Libraries and Auctions:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e\u003cspan data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" data-sfc-cp=\"\" class=\"T286Pc\"\u003e The British Museum 1973,0512.3.29.\u003c\/span\u003e\u003cbr data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"|[]\" data-sfc-root=\"c\"\u003e\u003cstrong data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003eArt Movements, Periods and Schools:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e Italian School XVI C.\u003cbr data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"|[]\" data-sfc-root=\"c\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003eNote:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e The scene depicts the execution of Franciscan friar John Forest (A), burned alive in 1538 using a famous wooden statue of a saint as firewood. It also visualizes the drawing and quartering of Catholic doctors Powell, Fetherston, and Abel (B), and the hanging of Benedictine martyrs (C). \u003c\/div\u003e\n\u003cdiv data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 12px 0px 16px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-hveid=\"CAAICBAA\" data-sfc-cb=\"\" data-sfc-root=\"c\" data-sfc-cp=\"\" class=\"n6owBd awi2gc\"\u003eThe British Museum’s catalog attribution of the corresponding plate to the 1608 edition could be fully applicable to our sheet.\u003cbr data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"|[]\" data-sfc-root=\"c\"\u003e\u003cstrong data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003eAcknowledgement:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e This entry incorporates text from online sources and the catalog entry of a similar item in the British Museum collection.\u003cspan\u003e\u003c\/span\u003e\u003c!--TgQPHd|[]--\u003e\n\u003c\/div\u003e\n\u003cdiv data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 14px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" data-sfc-cp=\"\" class=\"Fsg96\"\u003e\u003c!--TgQPHd|[]--\u003e\u003c\/div\u003e\n\u003chr data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 14px; font-weight: 400; margin: 32px 0px; text-decoration: none; border-bottom: 0px rgb(128, 128, 128);' data-sae=\"\" data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"|[]\" data-sfc-root=\"c\" class=\"j3tEEe\"\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":47870052532389,"sku":"WOP-1210\/BLKBI-1","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/files\/IMG_3426-2.jpg?v=1780866953"},{"product_id":"maarten-de-vos-after","title":"Maarten de Vos, after. Temptation of the devil and divine concilation. Engraving by  Philip Galle. 1575-79 (c.)","description":"\u003cdiv class=\"n6owBd awi2gc\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-hveid=\"CAAIChAA\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 12px 0px 16px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\n\u003cstrong class=\"Yjhzub\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003eArtist:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e Maarten de Vos (Flemish, 1532–1603), after.\u003cbr data-sfc-root=\"c\" data-sfc-pl=\"|[]\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\u003cstrong class=\"Yjhzub\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003eEngraver:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e Philip Galle (Flemish, 1537–1612) or workshop.\u003cbr data-sfc-root=\"c\" data-sfc-pl=\"|[]\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\u003cstrong class=\"Yjhzub\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003eTitle:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e \u003cem class=\"eujQNb\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003eTentatio daemonis, et divini solatii refocillatio\u003c!--TgQPHd|[]--\u003e\u003c\/em\u003e (\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eTemptation of the devil and divine concilation:\u003c\/span\u003e).\u003cbr data-sfc-root=\"c\" data-sfc-pl=\"|[]\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\u003cstrong class=\"Yjhzub\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003eInscriptions:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e Upper cartouche text: \u003cem class=\"eujQNb\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e“TENTATIO DÆMONIS, ET DI\/VINI SOLATII REFOCILLATIO”\u003c!--TgQPHd|[]--\u003e\u003c\/em\u003e. Lower cartouche contains an elegiac Latin verse: \u003cem class=\"eujQNb\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e“Franciscus in spinas dæmonum... ab angelo pascitur”\u003c!--TgQPHd|[]--\u003e\u003c\/em\u003e. \u003cmeta charset=\"utf-8\"\u003eA small, contemporary Renaissance-style number \u003cem class=\"eujQNb\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e“4”\u003c!--TgQPHd|[]--\u003e\u003c\/em\u003e is engraved directly within the dark, lower-central landscape terrain, hidden among the briers. Lacking the volume plate number \"10\" within the upper cartouche border. Handwritten folio number \u003cem class=\"eujQNb\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e“259”\u003c!--TgQPHd|[]--\u003e\u003c\/em\u003e in pencil in the lower right margin.\u003cbr data-sfc-root=\"c\" data-sfc-pl=\"|[]\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\u003cstrong class=\"Yjhzub\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003eDimensions:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e Image 6\" x 9 1\/4\". Sheet 11\" x 14\".\u003cbr data-sfc-root=\"c\" data-sfc-pl=\"|[]\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\u003cstrong class=\"Yjhzub\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003ePublisher:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e Philip Galle (Antwerp).\u003cbr data-sfc-root=\"c\" data-sfc-pl=\"|[]\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\u003cstrong class=\"Yjhzub\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003eEdition:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e First edition, early state before the volume plate number (matching the state of the British Museum exemplar).\u003cmeta charset=\"utf-8\"\u003e \u003cbr\u003e\u003cstrong class=\"Yjhzub\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003eDate:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"vterm\"\u003e1575-79\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"vsuffix\"\u003e(c.)\u003c\/span\u003e\u003cbr data-sfc-root=\"c\" data-sfc-pl=\"|[]\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\u003cstrong class=\"Yjhzub\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003eMaterials and Techniques:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e Engraving and etching on laid paper.\u003cbr data-sfc-root=\"c\" data-sfc-pl=\"|[]\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\u003cstrong class=\"Yjhzub\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003eWatermark:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e Partially visible contemporary 16th-century watermark located in the right portion of the sheet, clearly observable through backlighting across the torso and back of the devil figure, reconstructible as a Fleur-de-lis (Lily) motif consistent with Strasburg\/Flemish rag papers of the 1580s (Briquet Fleur-de-lis variants).\u003cbr data-sfc-root=\"c\" data-sfc-pl=\"|[]\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\u003cstrong class=\"Yjhzub\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003eCondition:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e Very good. Even, mild age-toning and subtle oxidation across the sheet. Minor marginal dust-soiling. The ink tracking remains remarkably dark and deeply bit into the paper. One tear. \u003cmeta charset=\"utf-8\"\u003eA detailed condition report is available on demand.\u003cbr data-sfc-root=\"c\" data-sfc-pl=\"|[]\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\u003cstrong class=\"Yjhzub\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003ePart of:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e \u003cem class=\"eujQNb\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003eVita, miracula, et mors S. Francisci Assisiatis\u003c!--TgQPHd|[]--\u003e\u003c\/em\u003e (The Life, Miracles, and Death of St. Francis of Assisi), Antwerp, 1582.\u003cbr data-sfc-root=\"c\" data-sfc-pl=\"|[]\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\u003cstrong class=\"Yjhzub\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003eMuseums, Libraries and Auctions:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e The British Museum \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e1937,0915.242.4.\u003c\/span\u003e\u003cbr data-sfc-root=\"c\" data-sfc-pl=\"|[]\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\u003cstrong class=\"Yjhzub\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003eArt Movements, Periods and Schools:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e Flemish School XVI C.\u003cbr data-sfc-root=\"c\" data-sfc-pl=\"|[]\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\u003cstrong class=\"Yjhzub\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003eAcknowledgement:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e This entry incorporates text from online sources and the catalog entry of a similar item in \u003cmeta charset=\"utf-8\"\u003eThe British Museum collection.\u003cspan\u003e\u003c\/span\u003e\u003c!--TgQPHd|[]--\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"Fsg96\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 14px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\u003c!--TgQPHd|[]--\u003e\u003c\/div\u003e\n\u003chr class=\"j3tEEe\" data-sfc-root=\"c\" data-sfc-pl=\"|[]\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-sae=\"\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 14px; font-weight: 400; margin: 32px 0px; text-decoration: none; border-bottom: 0px rgb(128, 128, 128);'\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":47880381300901,"sku":"WOP-1209\/MBBi-4","price":400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/files\/IMG_3419-2.jpg?v=1780877964"},{"product_id":"james-peller-malcolm-after-interior-of-the-guard-room-etching-by-john-roffe-1805","title":"From Stone to Print-5. Flamboyant Gothic, a collection of five architectural prints. 1800–1925.","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv data-is-intersecting=\"true\" data-turn-id-container=\"request-WEB:45cf1dc8-16db-4d13-bdd1-7d1f6bd0885b-5\" class=\"\"\u003e\n\u003csection data-turn=\"assistant\" data-scroll-anchor=\"false\" data-testid=\"conversation-turn-12\" data-turn-id-container=\"request-WEB:45cf1dc8-16db-4d13-bdd1-7d1f6bd0885b-5\" data-turn-id=\"request-WEB:45cf1dc8-16db-4d13-bdd1-7d1f6bd0885b-5\" dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" data-conversation-screenshot-content=\"\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv data-turn-start-message=\"true\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-5\" dir=\"auto\" data-message-id=\"31b5d96b-cf6d-4d26-bf2b-56f7925628e3\" data-message-author-role=\"assistant\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003cp data-end=\"75\" data-start=\"60\"\u003e\u003cstrong\u003eIncluded Works\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col data-end=\"478\" data-start=\"77\"\u003e\n\u003cli data-end=\"124\" data-start=\"77\" data-section-id=\"1ybaf39\"\u003eGuild-Hall Chapel — John Thomas Smith, 1800.\u003c\/li\u003e\n\u003cli data-end=\"218\" data-start=\"126\" data-section-id=\"1e7rt1w\"\u003eInterior of the Guard Room, Lambeth Palace — John Roffe after James Peller Malcolm, 1805.\u003c\/li\u003e\n\u003cli data-end=\"306\" data-start=\"220\" data-section-id=\"1vjdj7s\"\u003eArchitectural Parts of Lambeth Palace — John Roffe after John Mayle Whichelo, 1805.\u003c\/li\u003e\n\u003cli data-end=\"405\" data-start=\"308\" data-section-id=\"1fpwzry\"\u003eAncient Crypt beneath the Chapel, Lambeth Palace — John Roffe after John Mayle Whichelo, 1805.\u003c\/li\u003e\n\u003cli data-end=\"478\" data-start=\"407\" data-section-id=\"uvcecz\"\u003eEntrance to Church St. Germain, Argentan — Charles Z. Klauder, 1925. - proof?\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp data-end=\"524\" data-start=\"480\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: Largest sheet 12 3\/4\" x 10 1\/4\".\u003c\/p\u003e\n\u003cp data-end=\"602\" data-start=\"526\"\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e: Etching, copper engraving and lithograph on paper.\u003c\/p\u003e\n\u003cp data-end=\"813\" data-start=\"604\"\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e: The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965–2000.\u003c\/p\u003e\n\u003cp data-end=\"1056\" data-start=\"815\"\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: Various states of preservation. Foxing, age toning, creases, marginal wear and other signs of age. Detailed condition reports are available upon request.\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"1206\" data-start=\"1058\"\u003e\u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: British School XVIII C.; British School XIX C.; American School XX C.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mt-3 w-full empty:hidden\"\u003e\n\u003cdiv class=\"text-center\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":47887744925861,"sku":"WOP-1211\/1-5\/MBBi-4","price":80.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/files\/IMG_3413-2.jpg?v=1780884650"},{"product_id":"william-leighton-leitch-after-the-town-and-castle-of-heidelberg-rhine-etching-by-john-cousen-1825-1880-nbsp-circa","title":"William Leighton Leitch, after. The Town and Castle of Heidelberg, Rhine. Etching by John Cousen. 1825-1880\u0026nbsp;(circa).","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-end=\"110\" data-start=\"99\"\u003eArtist\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eWilliam Leighton Leitch (British, \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e1804-1883), after.\u003c\/span\u003e\u003cbr data-end=\"113\" data-start=\"110\"\u003e\u003cstrong data-end=\"126\" data-start=\"113\"\u003eEngraver\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eJohn Cousen (British, \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e1804-1880)\u003c\/span\u003e.\u003cbr data-end=\"129\" data-start=\"126\"\u003e\u003cstrong data-end=\"139\" data-start=\"129\"\u003eTitle\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eThe Town and Castle of Heidelberg, Rhine.\u003cbr data-end=\"142\" data-start=\"139\"\u003e\u003cstrong data-end=\"159\" data-start=\"142\"\u003eInscriptions\u003c\/strong\u003e: Lettered below the image: \u003cem class=\"eujQNb\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\"Drawn by W.L. Leitch\"\u003c\/em\u003e, \u003cem class=\"eujQNb\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\"Engraved by J. Cousen\"\u003c\/em\u003e, and \u003cem class=\"eujQNb\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\"The Town and Castle of Heidelberg, Rhine\"\u003c\/em\u003e.\u003cbr\u003e\u003cstrong data-is-only-node=\"\" data-end=\"177\" data-start=\"162\"\u003eDimensions\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eImage: 5\" x 7 3\/8\". Frame 13 5\/8\" x 15\".\u003cbr data-end=\"227\" data-start=\"224\"\u003e\u003cstrong data-end=\"236\" data-start=\"227\"\u003eDate\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"vterm\"\u003e1825-1880\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"vsuffix\"\u003e(circa).\u003c\/span\u003e\u003cbr data-end=\"239\" data-start=\"236\"\u003e\u003cstrong data-end=\"268\" data-start=\"239\"\u003eMaterials and Techniques\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eEtching and engraving on paper.\u003cbr data-end=\"271\" data-start=\"268\"\u003e\u003cstrong data-end=\"306\" data-start=\"288\"\u003eMat and Frame: \u003c\/strong\u003eFramed in a classic black wooden frame. Professionally matted.\u003cbr data-end=\"309\" data-start=\"306\"\u003e\u003cstrong data-end=\"341\" data-start=\"327\"\u003eCondition\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eNot examined out of frame. \u003cmeta charset=\"utf-8\"\u003eMinor signs of aging consistent with a 19th-century print. Light foxing and faint toning are present on the surrounding mat board, mostly along the left and lower margins. The print itself remains well-preserved. A detailed condition report is available on demand.\u003cbr\u003e\u003cstrong data-end=\"523\" data-start=\"487\"\u003eMuseums, Libraries and Auctions\u003c\/strong\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003e1949,0203.183.\u003cbr data-end=\"526\" data-start=\"523\"\u003e\u003cstrong data-end=\"565\" data-start=\"526\"\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: British School XIX C.\u003cbr data-end=\"568\" data-start=\"565\"\u003e\u003cstrong data-end=\"600\" data-start=\"580\"\u003eAcknowledgement: \u003c\/strong\u003e\u003cspan data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" data-sfc-cp=\"\" class=\"T286Pc\"\u003eThis entry incorporates text from online sourses and the catalog entry of a similar item in the British Museum collection.\u003c\/span\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":47905285898405,"sku":"WOP-1212\/CLO-SH-3","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/files\/IMG_3462-2.jpg?v=1781622198"},{"product_id":"joseph-mallord-william-turner-after","title":"Joseph Mallord William Turner, after. St Agatha’s Abbey, Easby. Engraving by John Le Keux. 1822.","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong class=\"Yjhzub\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003eJoseph Mallord William Turner RA\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e (1775 - 1851) was an English painter, printmaker, and watercolorist.\u003cbr data-sfc-root=\"c\" data-sfc-pl=\"|[]\" data-sfc-cb=\"\" data-complete=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\u003cstrong class=\"Yjhzub\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003eJohn Le Keux\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e (1783 - 1846) was an English engraver and architectural draughtsman.\u003cbr data-sfc-root=\"c\" data-sfc-pl=\"|[]\" data-sfc-cb=\"\" data-complete=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\u003cstrong class=\"Yjhzub\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003eTitle:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e St Agatha’s Abbey, Easby.\u003cbr data-sfc-root=\"c\" data-sfc-pl=\"|[]\" data-sfc-cb=\"\" data-complete=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\u003cstrong class=\"Yjhzub\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003eSigned and titled in the plate:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e Drawn by J.M.W. Turner R.A. Engraved by J. Le Keux. St. Agatha's Abbey, Easby.\u003cbr data-sfc-root=\"c\" data-sfc-pl=\"|[]\" data-sfc-cb=\"\" data-complete=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\u003cstrong class=\"Yjhzub\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003ePublisher proof and date:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e History of Richmondshire. London Published 1822 by Longman, Hurst, Rees, Orme and Brown.\u003cbr data-sfc-root=\"c\" data-sfc-pl=\"|[]\" data-sfc-cb=\"\" data-complete=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\u003cstrong class=\"Yjhzub\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003eMaterials and Techniques:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e Line engraving on paper. Matted and framed.\u003cbr data-sfc-root=\"c\" data-sfc-pl=\"|[]\" data-sfc-cb=\"\" data-complete=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\u003cstrong class=\"Yjhzub\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003eDimensions:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e Image 8\" x 11 1\/8\". Frame 14 7\/8\" x 16 1\/2\". \u003cbr data-sfc-root=\"c\" data-sfc-pl=\"|[]\" data-sfc-cb=\"\" data-complete=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\u003cstrong class=\"Yjhzub\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003ePublication:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e History of Richmondshire, 1819 - 1823.\u003cbr data-sfc-root=\"c\" data-sfc-pl=\"|[]\" data-sfc-cb=\"\" data-complete=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\u003cstrong class=\"Yjhzub\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003eCondition:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e Poor condition. Heavily foxed sheet with prominent brown spots throughout the sky. Severe water staining and dark age-toning visible along all margins heavily affecting the upper border and the lower section where the title is printed. Unexamined outside of frame.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong class=\"Yjhzub\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003eCatalog raisonne:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e The Engraved Work of J.M.W. Turner, R.A. by William George Rawlinson. London, 1913. No. 171.\u003cbr data-sfc-root=\"c\" data-sfc-pl=\"|[]\" data-sfc-cb=\"\" data-complete=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\u003cstrong class=\"Yjhzub\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003eMuseum:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e Tate: T04443.\u003cbr data-sfc-root=\"c\" data-sfc-pl=\"|[]\" data-sfc-cb=\"\" data-complete=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\u003cstrong class=\"Yjhzub\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003eArt Movements, Periods and Schools:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e British School XIX C.\u003c\/p\u003e\n\u003cblockquote class=\"lQkWXb\" data-animation-nesting=\"\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-sae=\"\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 14px; font-weight: 400; margin: 4px 40px 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\u003c!--TgQPHd|[]--\u003e\u003c\/blockquote\u003e\n\u003cdiv class=\"Fsg96\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 14px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\u003c!--TgQPHd|[]--\u003e\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":47905653325989,"sku":"WOP-1213\/CLO-SH-3","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/files\/IMG_3468-2_855de11c-eb44-4910-9037-05c92edccab2.jpg?v=1781632229"},{"product_id":"joseph-mallord-william-turner-hornby-castle-yorkshire-engraving-by-william-radclyffe","title":"Joseph Mallord William Turner, after. Hornby Castle, Yorkshire. Engraving by William Radclyffe. 1822 (circa).","description":"\u003cdiv data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 12px 0px 16px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-hveid=\"CAAIBhAA\" data-sfc-cb=\"\" data-sfc-root=\"c\" data-sfc-cp=\"\" class=\"n6owBd awi2gc\"\u003e\n\u003cstrong data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003eArtist:\u003c!--TgQPHd||[]--\u003e\u003c\/strong\u003e Joseph Mallord William Turner (British, 1775–1851), after.\u003cbr data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"||[]\" data-sfc-root=\"c\"\u003e\u003cstrong data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003eEngraver:\u003c!--TgQPHd||[]--\u003e\u003c\/strong\u003e William Radclyffe (British, 1783–1855).\u003cbr data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"||[]\" data-sfc-root=\"c\"\u003e\u003cstrong data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003eTitle:\u003c!--TgQPHd||[]--\u003e\u003c\/strong\u003e Hornby Castle, Yorkshire.\u003cbr data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"||[]\" data-sfc-root=\"c\"\u003e\u003cstrong data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003eInscriptions:\u003c!--TgQPHd||[]--\u003e\u003c\/strong\u003e Lettered below the image: \"Drawn by J.M.W. Turner R.A. Pinx-t\", \"Engraved by W. Radclyffe. Sculpt.\", and \"Hornby Castle, Yorkshire\".\u003cbr data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"||[]\" data-sfc-root=\"c\"\u003e\u003cstrong data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003eDimensions:\u003c!--TgQPHd||[]--\u003e\u003c\/strong\u003e Image: 7 1\/2\" x 10 1\/2\". Frame 15\" x 16 1\/2\".\u003cbr data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"||[]\" data-sfc-root=\"c\"\u003e\u003cstrong data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003eDate:\u003c!--TgQPHd||[]--\u003e\u003c\/strong\u003e 1822 (circa).\u003cbr data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"||[]\" data-sfc-root=\"c\"\u003e\u003cstrong data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003eMaterials and Techniques:\u003c!--TgQPHd||[]--\u003e\u003c\/strong\u003e Line engraving on paper.\u003cbr data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"||[]\" data-sfc-root=\"c\"\u003e\u003cstrong data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003eMat and Frame:\u003c!--TgQPHd||[]--\u003e\u003c\/strong\u003e Framed with a double-lined mat. \u003cbr data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"||[]\" data-sfc-root=\"c\"\u003e\u003cstrong data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003eCondition:\u003c!--TgQPHd||[]--\u003e\u003c\/strong\u003e Poor condition. Heavily foxed and age-toned sheet. Large, distinct water stains and dark discoloration run along the entire bottom margin through the title text, as well as the entire left border. Small foxing spots visible in the sky and hills. Unexamined outside of frame.\u003cbr data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"||[]\" data-sfc-root=\"c\"\u003e\u003cstrong data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003eMuseums, Libraries and Auctions:\u003c!--TgQPHd||[]--\u003e\u003c\/strong\u003e The Tate Collection T04477.\u003cbr data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"||[]\" data-sfc-root=\"c\"\u003e\u003cstrong data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003eArt Movements, Periods and Schools:\u003c!--TgQPHd||[]--\u003e\u003c\/strong\u003e British School XIX C.\u003cspan\u003e\u003c\/span\u003e\u003c!--TgQPHd||[]--\u003e\n\u003c\/div\u003e\n\u003cdiv data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 14px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-sfc-inited=\"2\" data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" data-sfc-cp=\"\" class=\"Fsg96\"\u003e\u003c!--TgQPHd||[]--\u003e\u003c\/div\u003e\n\u003chr data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 14px; font-weight: 400; margin: 32px 0px; text-decoration: none; border-bottom: 0px rgb(128, 128, 128);' data-sae=\"\" data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"||[]\" data-sfc-root=\"c\" class=\"j3tEEe\"\u003e\n\u003cdiv data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 14px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-sfc-inited=\"2\" data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" data-sfc-cp=\"\" class=\"Fsg96\"\u003e\u003c!--TgQPHd||[]--\u003e\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":47909942100133,"sku":"WOP-1214\/CLO-SH-3","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/files\/IMG_3471-2_aab58e2b-78b4-4cba-9577-bdca1fe81873.jpg?v=1781622307"},{"product_id":"charles-yardley-turner-the-fishermens-question-etching-1888","title":"Charles Yardley Turner. The Fishermen's Question. Etching. 1888.","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003eArtist:\u003c!--TgQPHd||[]--\u003e\u003c\/strong\u003e Charles Yardley Turner (American, 1850–1918).\u003cbr data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"||[]\" data-sfc-root=\"c\"\u003e\u003cstrong data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003eTitle:\u003c!--TgQPHd||[]--\u003e\u003c\/strong\u003e\u003cspan data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" data-sfc-cp=\"\" class=\"T286Pc\"\u003e \u003cspan data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-ved=\"2ahUKEwjEoaTi0YKVAxW3EmIAHTrYAaUQ0fERegYIAAgMEAE\" data-sfc-cb=\"\" data-sfc-root=\"c\" data-sfc-cp=\"\" class=\"\"\u003eThe Fishermen's Question\u003c!--TgQPHd||[]--\u003e\u003c!--TgQPHd||[[null,[],\u0026quot;\u0026quot;,0,null,null,[null,null,null,null,null,null,null,null,null,null,null,null,null,null,null,[{\u0026quot;3524\u0026quot;:[0]}]],null,null,[],null,null,null,null,\u0026quot;\u0026quot;,0]]--\u003e\u003c\/span\u003e.\u003c!--TgQPHd||[]--\u003e\u003c\/span\u003e\u003cbr data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"||[]\" data-sfc-root=\"c\"\u003e\u003cstrong data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003eInscriptions:\u003c!--TgQPHd||[]--\u003e\u003c\/strong\u003e Signed in the plate lower right: \"C.Y. Turner\". Lettered below the image: \"Copyright 1888, by Estes \u0026amp; Lauriat.\"\u003cbr data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"||[]\" data-sfc-root=\"c\"\u003e\u003cstrong data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003eDimensions:\u003c!--TgQPHd||[]--\u003e\u003c\/strong\u003e Image: 8\" x 10\". Frame: 16\" x 17\".\u003cbr data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"||[]\" data-sfc-root=\"c\"\u003e\u003cstrong data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003eDate:\u003c!--TgQPHd||[]--\u003e\u003c\/strong\u003e 1888.\u003cbr data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"||[]\" data-sfc-root=\"c\"\u003e\u003cstrong data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003eMaterials and Techniques:\u003c!--TgQPHd||[]--\u003e\u003c\/strong\u003e Original etching on paper. Printed in sepia.\u003cbr data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"||[]\" data-sfc-root=\"c\"\u003e\u003cstrong data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003eMat and Frame:\u003c!--TgQPHd||[]--\u003e\u003c\/strong\u003e Professionally matted with a customized double-bordered decorative inner line mat, housed in a black protective frame.\u003cbr data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"||[]\" data-sfc-root=\"c\"\u003e\u003cstrong data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003eCondition:\u003c!--TgQPHd||[]--\u003e\u003c\/strong\u003e Not examined out of frame. Good vintage condition. Light, even time-toning across the sheet. \u003cbr data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"||[]\" data-sfc-root=\"c\"\u003e\u003cstrong data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003eMuseums, Libraries and Auctions:\u003c!--TgQPHd||[]--\u003e\u003c\/strong\u003e Syracuse University Art Museum Art Collection \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e2017.0744\u003c\/span\u003e, New York Etching Club Exhibitions 1887-1889.\u003cbr data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-pl=\"||[]\" data-sfc-root=\"c\"\u003e\u003cstrong data-copy-service-computed-style='font-family: \"Google Sans\", Roboto, Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);' data-processed=\"true\" data-complete=\"true\" data-sfc-cb=\"\" data-sfc-root=\"c\" class=\"Yjhzub\"\u003eArt Movements, Periods and Schools:\u003c!--TgQPHd||[]--\u003e\u003c\/strong\u003e American School XIX C.\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":47910305530021,"sku":"WOP-1215\/CLO-SH-3","price":200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/files\/IMG_3487-2.jpg?v=1781622336"}],"url":"https:\/\/www.goldinfineart.com\/collections\/new-arrivals.oembed?page=10","provider":"Goldin Fine Art","version":"1.0","type":"link"}