Philippe de Champaigne, after. Our Lady of Sorrows. Engraving by Adrian van Melar. Second half of the 17th century.
Philippe de Champaigne, after. Our Lady of Sorrows. Engraving by Adrian van Melar. Second half of the 17th century.
Philippe de Champaigne, after. Our Lady of Sorrows. Engraving by Adrian van Melar. Second half of the 17th century.
Philippe de Champaigne, after. Our Lady of Sorrows. Engraving by Adrian van Melar. Second half of the 17th century.
Philippe de Champaigne, after. Our Lady of Sorrows. Engraving by Adrian van Melar. Second half of the 17th century.
  • Load image into Gallery viewer, Philippe de Champaigne, after. Our Lady of Sorrows. Engraving by Adrian van Melar. Second half of the 17th century.
  • Load image into Gallery viewer, Philippe de Champaigne, after. Our Lady of Sorrows. Engraving by Adrian van Melar. Second half of the 17th century.
  • Load image into Gallery viewer, Philippe de Champaigne, after. Our Lady of Sorrows. Engraving by Adrian van Melar. Second half of the 17th century.
  • Load image into Gallery viewer, Philippe de Champaigne, after. Our Lady of Sorrows. Engraving by Adrian van Melar. Second half of the 17th century.
  • Load image into Gallery viewer, Philippe de Champaigne, after. Our Lady of Sorrows. Engraving by Adrian van Melar. Second half of the 17th century.

Philippe de Champaigne, after. Our Lady of Sorrows. Engraving by Adrian van Melar. Second half of the 17th century.

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Artist: Philippe de Champaigne (French, Brussels 1602–1674 Paris), after.
Intermediary engraverJean Morin (French, ca. 1605 – 1650), after.
Engraver: Adrian van Melar (Flemish, 1633–1667 Antwerp).
Title: La Vierge de douleurs (Our Lady of Sorrows).
Signed in plate: Adr. Melar fc.; G. Galle ex.
Dimensions: Image 10 5/8 x 7 1/2". Sheet 11 3/4" x 8 3/4".
PublisherCornelis Galle II (Flemish, Antwerp 1615–1678 Antwerp).
Date: Second half of the 17th century.
Materials and Techniques: etching on laid paper.
Watermark: yes.
Mat and Frame
: backing sheet.
Provenance:  The Estate of George "Yorgo" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.
Condition: Trimmed margins. The u.r. corner was torn and glued back. The signs of aging are appropriate for the time. A detailed condition report is available on demand.
Art Movements, Periods & Schools: French School XVII C. Flemish School XVII C.
Notes
- This entry incorporates text from the catalog entry of the same item from the collection of The Metropolitan Museum of Art.
- Possibly, after Jean Morin (French, Paris ca. 1605–1650 Paris). See  La Vierge de douleurs. The Metropolitan Museum of Art 45.41.50.