{"title":"Portraits","description":"","products":[{"product_id":"p-a-briol-1889-1969","title":"Paul August Briol. Portrait of Cellist Jennifer Chaudhury. Photograph. 1940-1950.","description":"\u003cp\u003e\u003cstrong\u003ePaul August Briol\u003c\/strong\u003e (1889 - 1969) photographer, worked in Cincinnati from 1909-1962.\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: Portrait of \u003cspan\u003eJennifer Chaudhury, cellist with Pittsburgh Symphony Orchestra. \u003cbr\u003e\u003cb\u003eDImensions\u003c\/b\u003e: image approximately 14' x 11', matted 20\" x 16\".\u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e: 1940-1950. \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eMaterial and Techniques\u003c\/strong\u003e: Silver gelatin print on paper.\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003esilver mirroring. Stain to the upper left corner of the mat. Loss of the mat to the left measuring 1\/2\" by 1\".\u003cbr\u003e\u003cstrong\u003eSigned\u003c\/strong\u003e in pencil in English and Japan on the mat.\u003cbr\u003e\u003cstrong\u003eArt Movements, Periods and Schools: \u003c\/strong\u003eAmerican School XX C\u003cstrong\u003e.\u003c\/strong\u003e \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":37129362276517,"sku":"PHO-9\/BB-1","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/Briol1.jpg?v=1605619323"},{"product_id":"antoine-masson-portrait-of-guillaume-de-brisacier","title":"Antoine Masson. Portrait of Guillaume de Brisacier. Engraving after Nicolas Mignard. 1664.","description":"\u003cp\u003e\u003cstrong\u003eAntoine Masson\u003c\/strong\u003e (1636 – 1700) French engraver. Masson’s portrait of “The Grey-Headed Man” is an example of his finest work. (Britannica).\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003ePierre Mignard\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ewas a French painter known for his religious and mythological scenes and portraits.\u003c\/span\u003e He did a painting portrait of \u003cstrong\u003eA. Masson\u003c\/strong\u003e, engraved by A. Masson himself.\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: Portrait of Guillaume de Brisacier. (Portrait of the grey-headed man). G. de B. was \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSecretary to the Queen of France.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: Image 13 1\/2\" x 10 1\/4'. Framed 26 1\/2\" x 20 3\/8.\u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e: 1664.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e: Engraving and etching on paper. Matted and framed.\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e: Heinz Estate, auctioned by Dargate. \u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003c\/span\u003e: Old stains, Mold, Wearings of the frame. \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eUnexamined outside of the frame. \u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eSigned, dated, and titled in the plate\u003c\/strong\u003e: N. Mignard Auenionensis Pinxit. Ant. Masson sculpebat. 1664. Guillaume de Brisacier Secretarie des Commandemens de la Reyne. Two labels and one new stamp on the back dust cover. 1. The label of the Heinz Estate: \"Masson, Antoine (after Magnard) [\u003cem\u003esic]\u003c\/em\u003e F 508 The Gray-Haired Man (Guillaume de Brisacier). 2. The label of an expert in works on paper describing another exemplar of the same engraving. 3. A new ink stamp of Miller Frame, Pgh.\u003cbr\u003e\u003cstrong\u003eCatalog Raisonne\u003c\/strong\u003e: Robert-Dumesnil. Le peintre-graveur français. V. 2. Paris, 1836. p. 111, # 15.\u003cbr\u003e\u003cstrong\u003eMuseums\u003c\/strong\u003e: The Art Institute of Chicago. \u003cspan\u003e1919.2515.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCarnegie Museum of Art. \u003c\/span\u003e\u003cspan\u003e23.13.14.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cstrong\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e: French School XVII C.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-5\" style=\"visibility: visible; left: 26px; top: 139px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-5\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowdown\" style=\"left: 33px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":37203561939109,"sku":"WOP-5","price":200.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0540-2.jpg?v=1606099461"},{"product_id":"etienne-carjat-zola-woodburytype-1876","title":"Étienne Carjat. Photo portrait of Emile Zola. Woodburytype. Ca. 1862.","description":"\u003cp\u003e\u003cstrong\u003eArtist\/photographer\u003c\/strong\u003e: Étienne Carjat \u003cmeta charset=\"utf-8\"\u003e(1828 - 1906),\u003cspan\u003e French journalist, caricaturist, and photographer.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: Photo portrait of Emile Zola, a major nineteenth-century French writer. \u003cbr\u003e\u003cb\u003eDimensions\u003c\/b\u003e: Photo 9 3\/8\" x 7 3\/8\". Sheet 13 7\/8 x 10 1\/2\". \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-end=\"359\" data-start=\"345\"\u003ePublisher:\u003c\/strong\u003e \u003cem data-end=\"408\" data-start=\"360\"\u003eGalerie Contemporaine Littéraire et Artistique\u003c\/em\u003e, 1876. Vol. 3. Phot. Goupil \u0026amp; Cie.\u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e: Circa 1862 (The Met). \u003cbr\u003e\u003cstrong\u003eMaterial and Techniques\u003c\/strong\u003e: Woodburytype. \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eM\u003c\/span\u003e\u003cspan\u003eounted on the\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003etypography mat board.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eGood. The bottom corners of the mat are cut. \u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eMuseums\u003c\/strong\u003e: The Metropolitan Museum of Art \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e1992.5148.64.\u003c\/span\u003e\u003cbr\u003eThe Art Institute of Chicago \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e1961.770.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: French School XIX C.\u003cbr\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/www.artic.edu\/artworks\/144678\/emile-zola-french-novelist-playwright-and-journalist-1840-1902\" title=\"AIC\"\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":37490740854949,"sku":"PHO-2","price":100.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_1046-2.jpg?v=1608646053"},{"product_id":"etienne-carjat-photo-portrait-of-alexandre-dumas-woodburytype","title":"Étienne Carjat. Photo portrait of Alexandre Dumas. Woodburytype. ca. 1862.","description":"\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eArtist\/photographer\u003c\/strong\u003e: Étienne Carjat \u003cmeta charset=\"utf-8\"\u003e(1828 - 1906), French journalist, caricaturist, and photographer.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e\u003cspan\u003e: Photo portrait of \u003cmeta charset=\"utf-8\"\u003eAlexandre Dumas, a major nineteenth-century French writer. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cstrong data-start=\"249\" data-end=\"264\"\u003eDimensions:\u003c\/strong\u003e Image: 9\" × 7 3\/8\". Sheet: 13 3\/8\" × 9 7\/8\".\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-start=\"379\" data-end=\"393\"\u003ePublisher:\u003c\/strong\u003e \u003cem data-start=\"394\" data-end=\"442\"\u003eGalerie Contemporaine Littéraire et Artistique\u003c\/em\u003e, 1878. Vol. 3. Phot. Goupil \u0026amp; Cie.\u003cbr\u003e\u003cstrong\u003eDate:\u003c\/strong\u003e ca. 1862. (The Met).\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-start=\"516\" data-end=\"545\"\u003eMaterials and Techniques:\u003c\/strong\u003e Woodburytype, mounted on typographic mat board.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003cstrong data-start=\"597\" data-end=\"611\"\u003eCondition:\u003c\/strong\u003e Good. Minor loss to the upper edge of the emulsion.\u003cbr\u003e\u003cstrong data-start=\"667\" data-end=\"679\"\u003eMuseums: \u003c\/strong\u003eThe Metropolitan Museum of Art, accession no. 1992.5148.25.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-start=\"679\" data-end=\"718\"\u003eArt Movements, Periods and Schools:\u003c\/strong\u003e French School XIX C.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-start=\"743\" data-end=\"752\"\u003eNote:\u003c\/strong\u003e From the series \u003cem data-start=\"769\" data-end=\"817\"\u003eGalerie Contemporaine Littéraire et Artistique\u003c\/em\u003e, a major late nineteenth-century French publication documenting leading cultural figures through photographic portraiture, often reproduced as woodburytypes by Goupil \u0026amp; Cie.\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":37496065261733,"sku":"PHO-1","price":120.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_1042-2.jpg?v=1608646020"},{"product_id":"etienne-carjat-photo-portrait-of-rossini-woodburytype-ca-1862","title":"Étienne Carjat. Photo portrait of Rossini. Woodburytype. Ca. 1862.","description":"\u003cp data-end=\"232\" data-start=\"127\"\u003e\u003cstrong data-end=\"151\" data-start=\"127\"\u003eArtist\/Photographer:\u003c\/strong\u003e Étienne Carjat (1828–1906), French journalist, caricaturist, and photographer.\u003cbr\u003e\u003cstrong data-end=\"244\" data-start=\"234\"\u003eTitle:\u003c\/strong\u003e Portrait of Gioachino Rossini, a nineteenth-century Italian composer.\u003cbr\u003e\u003cstrong data-end=\"333\" data-start=\"318\"\u003eDimensions:\u003c\/strong\u003e Image: 9 3\/8\" × 7 6\/8\". Sheet: 14\" × 10 2\/8\".\u003cbr\u003e\u003cstrong data-end=\"397\" data-start=\"383\"\u003ePublisher:\u003c\/strong\u003e \u003cem data-end=\"446\" data-start=\"398\"\u003eGalerie Contemporaine Littéraire et Artistique\u003c\/em\u003e, 1876. Vol. 3. Paris: Goupil \u0026amp; Cie.\u003cbr\u003e\u003cstrong data-end=\"495\" data-start=\"486\"\u003eDate:\u003c\/strong\u003e Circa 1862 (The Metropolitan Museum of Art).\u003cbr\u003e\u003cstrong data-end=\"573\" data-start=\"544\"\u003eMaterials and Techniques:\u003c\/strong\u003e Woodburytype, mounted on typographic mat board.\u003cbr\u003e\u003cstrong data-end=\"639\" data-start=\"625\"\u003eCondition:\u003c\/strong\u003e Good. Minor corner trimming; light surface wear consistent with age.\u003cbr\u003e\u003cstrong data-end=\"724\" data-start=\"712\"\u003eMuseums:\u003c\/strong\u003e\u003cbr data-end=\"727\" data-start=\"724\"\u003eThe Metropolitan Museum of Art, accession no. 1992.5148.56.\u003cbr\u003e\u003cstrong data-end=\"829\" data-start=\"790\"\u003eArt Movements, Periods and Schools:\u003c\/strong\u003e French School XIX C.\u003cbr\u003e\u003cstrong data-end=\"863\" data-start=\"854\"\u003eNotes:\u003c\/strong\u003e \u003cbr\u003e- From the series \u003cem data-end=\"928\" data-start=\"880\"\u003eGalerie Contemporaine Littéraire et Artistique\u003c\/em\u003e, a major late nineteenth-century French publication documenting leading cultural figures through photographic portraiture, often reproduced as woodburytypes by Goupil \u0026amp; Cie.\u003c\/p\u003e\n\u003cp data-end=\"288\" data-start=\"66\"\u003e- As noted by the National Gallery of Art, “In the best portraits, for example, those of Charles Baudelaire and Gioachino Rossini, the dramatic posture and expression alone convey the portraitist's interpretation.”\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":37496828199077,"sku":"PHO-3","price":350.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_1045-2.jpg?v=1608646082"},{"product_id":"g-fontaine-photo-portrait-of-alex-dumas-fils-woodburytype-1860s","title":"G. Fontaine. Photo portrait of Alexandre Dumas fils. Woodburytype. 1860s.","description":"\u003cp data-start=\"76\" data-end=\"1024\"\u003e\u003cstrong data-start=\"76\" data-end=\"99\"\u003eArtist\/Photographer\u003c\/strong\u003e: G. Fontaine (active 1855–1888).\u003cbr data-start=\"132\" data-end=\"135\"\u003e\u003cstrong data-start=\"135\" data-end=\"144\"\u003eTitle\u003c\/strong\u003e: Portrait of Alexandre Dumas fils, French author and playwright.\u003cbr data-start=\"209\" data-end=\"212\"\u003e\u003cstrong data-start=\"212\" data-end=\"226\" data-is-only-node=\"\"\u003eDimensions\u003c\/strong\u003e: Image: 9 2\/8\" × 7 1\/2\". Sheet: 13\" × 10 1\/8\".\u003cbr data-start=\"273\" data-end=\"276\"\u003e\u003cstrong data-start=\"276\" data-end=\"289\"\u003ePublisher\u003c\/strong\u003e: \u003cem data-start=\"291\" data-end=\"339\"\u003eGalerie Contemporaine Littéraire et Artistique\u003c\/em\u003e, 1876. Vol. 1. Phot. Goupil \u0026amp; Cie.\u003cbr data-start=\"374\" data-end=\"377\"\u003e\u003cstrong data-start=\"377\" data-end=\"385\"\u003eDate\u003c\/strong\u003e: 1860s (The Metropolitan Museum of Art).\u003cbr data-start=\"426\" data-end=\"429\"\u003e\u003cstrong data-start=\"429\" data-end=\"457\"\u003eMaterials and Techniques\u003c\/strong\u003e: Woodburytype, mounted on typographic mat board.\u003cbr data-start=\"506\" data-end=\"509\"\u003e\u003cstrong data-start=\"509\" data-end=\"522\"\u003eCondition\u003c\/strong\u003e: Good. Margins trimmed; light surface wear consistent with age.\u003cbr data-start=\"586\" data-end=\"589\"\u003e\u003cstrong data-start=\"589\" data-end=\"600\"\u003eMuseums\u003c\/strong\u003e: The Metropolitan Museum of Art, accession no. 1992.5148.26. J. Paul Getty Museum, object no. 84.XB.300.12.\u003cbr data-start=\"708\" data-end=\"711\"\u003e\u003cstrong data-start=\"711\" data-end=\"749\"\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: French School XIX C.\u003cbr data-start=\"771\" data-end=\"774\"\u003e\u003cstrong data-start=\"774\" data-end=\"782\"\u003eNote\u003c\/strong\u003e: From the series \u003cem data-start=\"800\" data-end=\"848\"\u003eGalerie Contemporaine Littéraire et Artistique\u003c\/em\u003e, a major late nineteenth-century French publication documenting leading cultural figures through photographic portraiture, often reproduced as woodburytypes by Goupil \u0026amp; Cie.\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":37497326534821,"sku":"PHO-5","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_1049-2.jpg?v=1608646110"},{"product_id":"nadar-photo-portrait-of-edmond-de-goncourt-woodburytype-1855-59","title":"Nadar. Photo portrait of Edmond de Goncourt. Woodburytype. 1855–59.","description":"\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-end=\"69\" data-start=\"46\"\u003eArtist\/Photographer\u003c\/strong\u003e: Nadar (1820–1910).\u003cbr data-end=\"92\" data-start=\"89\"\u003e\u003cstrong data-end=\"101\" data-start=\"92\"\u003eTitle\u003c\/strong\u003e: Portrait of Edmond de Goncourt, French author.\u003cbr data-end=\"152\" data-start=\"149\"\u003e\u003cstrong data-end=\"166\" data-start=\"152\"\u003eDimensions\u003c\/strong\u003e: Image: 9 2\/8\" × 7 1\/2\". Sheet: 13 6\/8\" × 10 1\/8\".\u003cbr data-end=\"220\" data-start=\"217\"\u003e\u003cstrong data-is-only-node=\"\" data-end=\"233\" data-start=\"220\"\u003ePublisher\u003c\/strong\u003e: \u003cem data-end=\"283\" data-start=\"235\"\u003eGalerie Contemporaine Littéraire et Artistique\u003c\/em\u003e, 1876. Vol. 3. Phot. Goupil \u0026amp; Cie.\u003cbr data-end=\"321\" data-start=\"318\"\u003e\u003cstrong data-end=\"329\" data-start=\"321\"\u003eDate\u003c\/strong\u003e: 1855–59 (The Metropolitan Museum of Art).\u003cbr data-end=\"375\" data-start=\"372\"\u003e\u003cstrong data-end=\"403\" data-start=\"375\"\u003eMaterials and Techniques\u003c\/strong\u003e: Woodburytype, mounted on typographic mat board.\u003cbr data-end=\"455\" data-start=\"452\"\u003e\u003cstrong data-end=\"468\" data-start=\"455\"\u003eCondition\u003c\/strong\u003e: Good. Light surface wear consistent with age; right margin slightly trimmed.\u003cbr data-end=\"549\" data-start=\"546\"\u003e\u003cstrong data-end=\"560\" data-start=\"549\"\u003eMuseums\u003c\/strong\u003e: The Metropolitan Museum of Art, accession no. 1992.5148.20.\u003cbr data-end=\"624\" data-start=\"621\"\u003e\u003cstrong data-end=\"662\" data-start=\"624\"\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: French School XIX C.\u003cbr data-end=\"687\" data-start=\"684\"\u003e\u003cstrong data-end=\"695\" data-start=\"687\"\u003eNote\u003c\/strong\u003e: From the series \u003cem data-end=\"761\" data-start=\"713\"\u003eGalerie Contemporaine Littéraire et Artistique\u003c\/em\u003e, a major late nineteenth-century French publication documenting leading cultural figures through photographic portraiture, often reproduced as woodburytypes by Goupil \u0026amp; Cie.\u003c\/span\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":37497696157861,"sku":"PHO-8","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_1050-2.jpg?v=1608646139"},{"product_id":"william-hogarth-1","title":"Sir Joshua Reynolds, after. The Coquette. Portrait of Catherine Schindlerin. Engraved by William Humphrys. 1849.","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-start=\"99\" data-end=\"109\"\u003eArtist\u003c\/strong\u003e: Sir Joshua Reynolds (1723–1792), after.\u003cbr data-start=\"150\" data-end=\"153\"\u003e\u003cstrong data-start=\"153\" data-end=\"165\"\u003eEngraver\u003c\/strong\u003e: William Humphreys (1794–1865).\u003cbr data-start=\"197\" data-end=\"200\"\u003e\u003cstrong data-start=\"200\" data-end=\"209\"\u003eTitle\u003c\/strong\u003e: \u003cem data-start=\"211\" data-end=\"260\"\u003eThe Coquette. Portrait of Catherine Schindlerin\u003c\/em\u003e.\u003cbr data-start=\"261\" data-end=\"264\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"264\" data-end=\"278\"\u003eDimensions\u003c\/strong\u003e: Image: 12 1\/8\" × 10 1\/8\"; plate mark: 17 7\/8\" × 14 7\/8\"; sheet: 19\" × 15 1\/4\".\u003cbr data-start=\"358\" data-end=\"361\"\u003e\u003cstrong data-start=\"361\" data-end=\"374\"\u003ePublisher\u003c\/strong\u003e: J. Hogarth, 5 Haymarket, London.\u003cbr data-start=\"408\" data-end=\"411\"\u003e\u003cstrong data-start=\"411\" data-end=\"419\"\u003eDate\u003c\/strong\u003e: 1849.\u003cbr data-start=\"426\" data-end=\"429\"\u003e\u003cstrong data-start=\"429\" data-end=\"457\"\u003eMaterials and Techniques\u003c\/strong\u003e: Engraving and etching on wove paper.\u003cbr data-start=\"495\" data-end=\"498\"\u003e\u003cstrong data-start=\"498\" data-end=\"511\"\u003eCondition\u003c\/strong\u003e: Left margin and lower right corner partially lost; otherwise good. The sheet is affixed to the mat.\u003cbr data-start=\"612\" data-end=\"615\"\u003e\u003cstrong data-start=\"615\" data-end=\"631\"\u003eInscriptions\u003c\/strong\u003e: Lettered in the plate below with the artist’s and engraver’s names, title, and publication line: “Painted by Sir Joshua Reynolds. Engraved by Wm. Humphreys. London, Published 1849 by J. Hogarth, 5 Haymarket. Printed by McQueen,” including the title \u003cem data-start=\"882\" data-end=\"896\"\u003eThe Coquette\u003c\/em\u003e and dedication to the Earl Amherst.\u003cbr data-start=\"932\" data-end=\"935\"\u003e\u003cstrong data-start=\"935\" data-end=\"946\"\u003eMuseums\u003c\/strong\u003e: The British Museum, accession no. 1876,0708.75; National Portrait Gallery, London (variant impressions), no. D40573.\u003cbr data-start=\"1064\" data-end=\"1067\"\u003e\u003cstrong data-start=\"1067\" data-end=\"1105\"\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: British School XIX C.\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":37661350527141,"sku":"WOP-111\/CLO-L","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_1335-2.jpg?v=1610766623"},{"product_id":"elizabeth-shoumatoff-watercolor-portrait-of-mary-louise-johnson-moreland-grand-daughter-of-john-worthington-mcm","title":"Elizabeth Shoumatoff. Portrait of Mary Louise Johnson Moreland. ca. 1950.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Elizabeth Shoumatoff. (1888 - 1980), nee \u003cspan\u003eAvinoff. Russian-American artist. She is \u003cmeta charset=\"utf-8\"\u003ebest known for painting the last portrait of \u003cmeta charset=\"utf-8\"\u003eFranklin D. Roosevelt. The sister of Andrey Avinov, Director of the Carnegie Museum of Natural History from 1926 to 1946. \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: Portrait of Mary Louise Johnson Moreland.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-start=\"282\" data-end=\"296\"\u003eDimensions\u003c\/strong\u003e: Image: 12 1\/2\" x 9 1\/2\". Frame: 16 1\/2\" x 13 1\/2\".\u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e: ca. 1950. (\u003cmeta charset=\"utf-8\"\u003eMary Louise Johnson Moreland died in 1958).\u003cbr\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e: watercolor on paper, matted and framed. \u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: good. Unexamined outside of frame. \u003cbr\u003e\u003cstrong\u003eSigned\u003c\/strong\u003e in pencil l.l.\u003cbr\u003e\u003cstrong\u003eMuseums\u003c\/strong\u003e: \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eFranklin D. Roosevelt American Heritage Center Museum.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eArchives of American Art, Smithsonian Institution. \u003cmeta charset=\"utf-8\"\u003eElizabeth Shoumatoff papers, 1945-1991.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003cstrong data-end=\"113\" data-start=\"75\"\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: American School XX C. Russian School XX C.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-start=\"79\" data-end=\"87\"\u003eNote\u003c\/strong\u003e: Mary Louise Johnson Moreland (1907–1958) was married to Raymond Ford Moreland (1902–1983). A prominent resident of Pittsburgh, Pennsylvania, she was the daughter of William Terrill Johnson and Mary Worthington Johnson, and the granddaughter of the oil executive John Worthington. She was the subject of several notable portraits, including an oil painting by Leopold Seyffert.\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":37825429307557,"sku":"WAT-4\/CLO-SH-3","price":1600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_1405-2.jpg?v=1613611804"},{"product_id":"andrey-avinoff-portrait-of-william-frederick-bull-halsey-jr-ink-on-paper-1944","title":"Andrey Avinoff. Portrait of the fleet admiral  William Frederick \"Bull\" Halsey Jr. Ink on paper. 1944.","description":"\u003cp data-start=\"106\" data-end=\"1486\"\u003e\u003cstrong data-start=\"106\" data-end=\"116\"\u003eArtist\u003c\/strong\u003e: Andrey Avinoff (1884–1949), Russian-American entomologist and artist; Director of the Carnegie Museum of Natural History, Pittsburgh (1926–1946); brother of the artist Elizabeth Shoumatoff.\u003cbr data-start=\"307\" data-end=\"310\"\u003e\u003cstrong data-start=\"310\" data-end=\"319\"\u003eTitle\u003c\/strong\u003e: Portrait of William Frederick “Bull” Halsey Jr. (1882–1959), Fleet Admiral, United States Navy.\u003cbr data-start=\"416\" data-end=\"419\"\u003e\u003cstrong data-start=\"419\" data-end=\"433\"\u003eDimensions\u003c\/strong\u003e: Image: 9\" x 6 1\/2\". Frame: 15 1\/2\" x 12 1\/2\".\u003cbr data-start=\"480\" data-end=\"483\"\u003e\u003cstrong data-start=\"483\" data-end=\"491\"\u003eDate\u003c\/strong\u003e: ca. 1944.\u003cbr data-start=\"502\" data-end=\"505\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"505\" data-end=\"533\"\u003eMaterials and Techniques\u003c\/strong\u003e: Ink drawing on University Club stationery, matted and framed; frame with easel back.\u003cbr data-start=\"619\" data-end=\"622\"\u003e\u003cstrong data-start=\"622\" data-end=\"636\"\u003eProvenance\u003c\/strong\u003e: The Avinoff Estate.\u003cbr data-start=\"657\" data-end=\"660\"\u003e\u003cstrong data-start=\"660\" data-end=\"673\"\u003eCondition\u003c\/strong\u003e: Good. The sheet was sent by mail and bears two horizontal fold marks. Unexamined outside of the frame.\u003cbr data-start=\"777\" data-end=\"780\"\u003e\u003cstrong data-start=\"780\" data-end=\"790\"\u003eSigned\u003c\/strong\u003e: Signed twice in pencil and in pen l.r.; additionally signed by W. F. Halsey l.l.\u003cbr data-start=\"872\" data-end=\"875\"\u003e\u003cstrong data-start=\"875\" data-end=\"891\"\u003eInscriptions\u003c\/strong\u003e: With the printed letterhead of the University Club, Pittsburgh, at top; dated “31 December 1944.” Accompanied by a typed note: “Dear Mr. Avinoff: In accordance with your request, Admiral Halsey has asked me to forward to you your sketch of him which now shows a copy of his signature.”\u003cbr data-start=\"1178\" data-end=\"1181\"\u003e\u003cstrong data-start=\"1181\" data-end=\"1192\"\u003eMuseums\u003c\/strong\u003e: Works by the artist are held in the Smithsonian American Art Museum.\u003cbr data-start=\"1262\" data-end=\"1265\"\u003e\u003cstrong data-start=\"1265\" data-end=\"1303\"\u003eArt Movements, Periods and Schools\u003c\/strong\u003e: American School XX C.\u003cbr data-start=\"1326\" data-end=\"1329\"\u003e\u003cstrong data-start=\"1329\" data-end=\"1337\"\u003eNote\u003c\/strong\u003e: A wartime portrait of Fleet Admiral Halsey, reflecting Avinoff’s close connections within American cultural and scientific circles in Pittsburgh.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eAndrey Avinoff (1884–1949) maintained a close friendship and scientific collaboration with the novelist Vladimir Nabokov. Their acquaintance dated back to pre-revolutionary Russia, where Avinoff knew Nabokov’s father; upon emigrating to the United States in 1940, Nabokov was among those who reestablished contact with Avinoff. Avinoff is also thought to have partly inspired the character of the butterfly collector Konstantin Godunov-Cherdyntsev in Nabokov’s novel The Gift (Dar).\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":37837980270757,"sku":"DRW-1\/CLO-SH-3\u2028","price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_1415-2.jpg?v=1613600817"},{"product_id":"chaim-gross-in-front-of-the-arc","title":"Chaim Gross. Self Portrait. Lithograph. Artist proof. 1968.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cstrong\u003e \u003c\/strong\u003eChaim Gross. (Polish\/Israeli 1904-1991). Famous American sculptor and printmaker. Member of American Academy of Arts and Letters. \u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e\u003cspan\u003e: Self Portrait.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eSigned, Proofed, Dated, and Titled\u003c\/strong\u003e\u003cspan\u003e: in pencil beneath the image. An old typewriting label is glued on the back: \"Chaim Gross Litho, Black and White A\/P Self Portrait 22 X 12 1\/2 box 1 slide 35\".\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Image 14\" x 10\". Sheet 15\" x 11\". Frame 22 3\/4\" x 17\".\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eEdition: \u003c\/b\u003e45 copies.\u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e\u003cspan\u003e: 1968.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cstrong\u003e \u003c\/strong\u003eb\/w lithography on paper.\u003cstrong\u003e\u003cbr\u003eMat and Frame\u003c\/strong\u003e\u003cspan\u003e: Double mat and wooden frame.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: Good. \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eUnexamined outside of frame. \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA detailed condition report is available on demand.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eWorks by Chaim Gross are in major American museums including MoMA, \u003cmeta charset=\"utf-8\"\u003eThe Smithsonian American Art Museum, etc. \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e: American School XX C.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e Artist proof copy\u003cspan\u003e is the most desirable kind of print for collectors.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv id=\"gtx-anchor\" style=\"position: absolute; visibility: hidden; left: 8px; top: 56px; width: 91.1719px; height: 17px;\"\u003e\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":39642748289189,"sku":"LIT-8\/CLO-L","price":70.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_2200-2.jpg?v=1618793198"},{"product_id":"claude-lorrain-after-frontispiece-self-portrait-etching-by-josiah-boydell-1777","title":"Claude Lorrain, after.  Frontispiece. Self-Portrait(?). Etching by Josiah Boydell. 1777.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cspan\u003eClaude Lorrain (c. 1600 - 1682) was a famous French painter, who lived and worked in Italy.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e\u003cspan\u003e: \u003c\/span\u003e\u003cspan\u003eRichard Earlom \u003c\/span\u003e\u003cspan\u003e(1743 – 1822) was an English mezzotinter.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003e [Vol.I]. Frontispiece. Self-Portrait(?)\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eThe Possessors of the Drawings\u003c\/strong\u003e: From the Original Drawing, in the Collection of the Duke of Devonshire.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eSigned, titled, and dated in the plate\u003c\/strong\u003e: Claude Le Lorrain. Published March 25th, 1777 by John Boydell Engraver in Cheapside London. Josiah Boydell fecit.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: \u003c\/span\u003e\u003cspan\u003eImage 7\" x 5\". Sheet 17 1\/2\" x 11 1\/4\"\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003ePublisher\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003ePublished March 25th, 1777 by John Boydell Engraver in Cheapside London. \u003cmeta charset=\"utf-8\"\u003eMore about \u003cmeta charset=\"utf-8\"\u003eJohn Boydell in \u003ca href=\"https:\/\/www.goldinfineart.com\/blogs\/blog\/john-boydell\" title=\"Boydell blog\" target=\"_blank\"\u003eour blog The Enlightenment man\u003c\/a\u003e. More about Boydell's The Shakespeare Gallery in \u003ca title=\"Shakespeare Gallery\" href=\"https:\/\/www.goldinfineart.com\/blogs\/blog\/shakespeare-gallery-1\" target=\"_blank\"\u003eour blog Shakespeare Gallery.\u003c\/a\u003e\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e\u003cspan\u003e: 1777.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cstrong\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eEtching with mezzotint on paper.\u003c\/span\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003e Foxings, ink stains.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cstrong\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e: French School XVII C. \u003cmeta charset=\"utf-8\"\u003eBritish School XVIII C. \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003ePart of\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eLiber Veritatis.\u003c\/em\u003e Vol. I. London, 1777 - 1819.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eFive Colleges and Historic Deerfield Museum Consortium. No. \u003cmeta charset=\"utf-8\"\u003eSC 1953.91b\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eNote\u003c\/strong\u003e: More about Liber Veritatis by Claude Lorrain in \u003ca title=\"Claude Lorrain. Liber Veritatis.\" href=\"https:\/\/www.goldinfineart.com\/blogs\/blog\/liber-veritatis\" target=\"_blank\"\u003eour blog Claude Lorrain. Liber Veritatis.\u003c\/a\u003e\u003cbr\u003e.\u003c\/span\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":40016594763941,"sku":"WOP-007","price":200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/AutoportraitIMG_8820-2_f167c89b-bc32-4ec0-92a8-f85028f5b902.jpg?v=1622478171"},{"product_id":"van-dyck-after","title":"Sir Anthony van Dyck, after. Portrait of Cardinal Guido Bentivoglio. Engraved by Jean Morin. 1645.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cstrong\u003e \u003c\/strong\u003eSir Anthony van Dyck, after. Flemish, 1599 - 1641. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e\u003cspan\u003e: Jean Morin. French, c. 1600 - 1650, baroque painter, printmaker, painter, etcher, engraver, and publisher.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e\u003cspan\u003e: Cardinal Guido Bentivoglio [ d'Aragona]. (Italian cardinal and diplomat, 1579 – 1644).\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Titled, and Dated \u003c\/strong\u003ein plate: \u003cspan data-mce-fragment=\"1\"\u003eGvido Bentivolvs S.R.E Cardinalis Obiit Anno  MDCXLV. \u003cmeta charset=\"utf-8\"\u003eAntoine van Dyck pinx an 1623. I. Morin scul cum priu Reg.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: 12 5\/16\" x 9 14\/16\".\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003e1645 - 1650.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e: engraving and\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/span\u003eetching on laid paper \u003cmeta charset=\"utf-8\"\u003ewith an unidentified watermark.\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eThe remnants of an old mounting tape on the back. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eCatalog raisonne\u003c\/strong\u003e: \u003cspan data-mce-fragment=\"1\"\u003eRobert-Dumesnil. Le peintre-graveur français. V. 2. Paris, 1836. p. 50, #  43. \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cstrong\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003e1985,0504.95.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e: Flemish School XVII C. French School XVII C.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eThis entry incorporates text from Wikipedia and the catalog entry of the same item from The British Museum collection.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e- Van Dyck's portrait is now in the \u003cmeta charset=\"utf-8\"\u003eGalleria Palatina in Florence.\u003cbr\u003e\u003c\/span\u003e- \"One of the best engraved portraits in the history of the art is his\u003cspan\u003e [Morin] \u003c\/span\u003e\u003cspan class=\"smcap\"\u003eCardinal Bentivoglio\u003c\/span\u003e; but here he translated Vandyck, whose picture is among his best. A fine impression of this print is a choice possession.\" (\u003cmeta charset=\"utf-8\"\u003eCHARLES SUMNER. THE BEST PORTRAITS IN ENGRAVING.)\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv id=\"gtx-anchor\" style=\"position: absolute; visibility: hidden; left: 357.118px; top: 160.208px; width: 85.4271px; height: 16.6667px;\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-4\" style=\"visibility: visible; left: -136px; top: 44px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-4\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowdown\" style=\"left: 392.132px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":41039706947749,"sku":"WOP-181\/BB-2","price":800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_4348-2.jpg?v=1635448392"},{"product_id":"nanteiil","title":"Robert Nanteuil. Portrait of Louis XIV. Engraving. 1663.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cstrong\u003e \u003c\/strong\u003eRobert Nanteuil (1623 – 1678) was a French portrait artist: engraver, draughtsman, and pastellist to the court of Louis XIV.\u003cbr\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e\u003cspan\u003e: Robert Nanteuil, (1623-1678).\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e\u003cspan\u003e: Portrait of Louis XIV. Louis XIV, (1638 - 1715) also known as Louis the Great or the Sun King, was King of France from 1643 until his death in 1715.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eSigned, Titled, and Dated\u003c\/strong\u003e in print: Ludovicus XIIII Dei Gratia Franciae Et Navarrae Rex.  At lower left: R. Nanteüil ad viuum Pin. et Sculpebat. At lower right: Cum privilegio Regis 1663.\u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: 15 15\/16\" x 13 1\/8\".\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e\u003cspan\u003e: 1663\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e: Engraving on laid paper. Watermark.\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003emargins trimmed to image. Remnants of old glue and old tape hinges on the back. Minor water stains to the bottom edge. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCatalog Raisonne\u003c\/strong\u003e\u003cspan\u003e: Robert-Dumesnil. Le peintre-graveur français. Vol. 4. Paris, 1839. #153,\u003c\/span\u003e II.\u003cem\u003e\u003cbr\u003e\u003c\/em\u003eCh. Petitjean \u0026amp; Ch. Wickert. Catalogue de l'Oeuvre Grave de Robert Nanteuil. Paris, 1925. #154, IV.\u003cbr\u003e\u003cstrong\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan\u003e: Art Institute Chicago. \u003cmeta charset=\"utf-8\"\u003e1923.1655.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eNanteuil made 12 portraits of King Louis XIV. This one is early and therefore rare.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-3\" style=\"visibility: visible; left: 106px; top: 234px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-3\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\" style=\"left: 113px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":41066991419557,"sku":"WOP-184","price":800.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_4387-2.jpg?v=1636068856"},{"product_id":"nanteuil","title":"Robert Nanteuil. Portrait of Antonin (Simon) Dreux d'Aubray. Engraving. 1658.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003eRobert Nanteuil (1623 – 1678) was a French portrait artist: engraver, draughtsman, and pastellist to the court of Louis XIV.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eEngraver\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Robert Nanteuil, (1623-1678).\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e\u003cspan\u003e: Portrait of Simon Dreux d'Aubray. (\u003cmeta charset=\"utf-8\"\u003eAntonin Dreux d'Aubray). \u003cmeta charset=\"utf-8\"\u003eIntendant of Provence, then \u003cmeta charset=\"utf-8\"\u003eCivil lieutenant of Paris. In 1666 he was \u003cmeta charset=\"utf-8\"\u003epoisoned by his daughter.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, and Dated: \u003c\/strong\u003ein plate l.l. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNanteuil F. ad Viuum. 1658.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Image 12 5\/8\" x 10\".  Plate 13 1\/4\" x 10 3\/8\". Sheet 15\" x 12 1\/2\". Mat 20\" x 15\".\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e\u003cspan\u003e: 1658.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan mce-data-marked=\"1\" data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003eEngraving on laid paper with a fleur-de-lis watermark.\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr\u003eMat and Frame\u003c\/strong\u003e\u003cspan\u003e: Matted.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: The bottom edge is cut off roughly.\u003c\/span\u003e\u003cspan mce-data-marked=\"1\" data-mce-fragment=\"1\"\u003e Remnants of glue, multiple small tears, and losses of paper. Remnants of glue, stains, and old paper mounts on the back \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan mce-data-marked=\"1\" data-mce-fragment=\"1\"\u003eA detailed condition report is available on demand.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCatalog Raisonne\u003c\/strong\u003e\u003cspan\u003e:  \u003cbr\u003eRobert-Dumesnil. Le peintre-graveur français. Vol. 4. Paris, 1839. p.61, #25.\u003cbr\u003eCh. Petitjean \u0026amp; Ch. Wickert. Catalogue de l'Oeuvre Grave de Robert Nanteuil. Paris, 1925. p. 119. #6, II.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan\u003e: The British Museum. \u003cmeta charset=\"utf-8\"\u003e1874,0613.890.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003cspan\u003e: Coat of Arms \u003cmeta charset=\"utf-8\"\u003ed'Aubray lower middle.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"visibility: visible; left: 106px; top: 177px; opacity: 1;\" aria-describedby=\"bubble-5\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-5\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv tabindex=\"0\" role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 113px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":41070394409125,"sku":"WOP-185","price":200.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_4395-2.jpg?v=1636149189"},{"product_id":"robert-nanteuil-portrait-of-antonin-simon-dreux-daubray-engraving-1658","title":"Pieter van Mol, after. Portrait of Cardinal Mazarin. Engraved by Robert Nanteuil. C.1657.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Pieter van Mol (1599 - 1650) was a Flemish painter. He was court painter to the King and Queen of France, after.\u003cbr\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e: Robert Nanteuil (1623 – 1678) was a French portrait artist: engraver, draughtsman, and pastellist to the court of Louis XIV.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e\u003cspan\u003e: Portrait of Cardinal Mazarin. Mazarin was the de facto ruler of France for nearly two decades.\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned \u003c\/strong\u003ein plate: Van-Mol pinxit. Nanteuil sculp.\u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Plate 13 1\/4\" x 10 1\/8\". Sheet 13 7\/8\" x 10 5\/8\".\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e\u003cspan\u003e: c.1657.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e: Engraving on laid paper, watermark.\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr\u003eMat and Frame\u003c\/strong\u003e\u003cspan\u003e: Matted.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: Restored edges\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e. \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCatalog Raisonne\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eCh. Petitjean \u0026amp; Ch. Wickert. Catalogue de l'Oeuvre Grave de Robert Nanteuil. Paris, 1925. p. 397. #161, II\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan\u003e: The British Museum. \u003cmeta charset=\"utf-8\"\u003e1864,1114.519.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eNational Gallery of Art, Washington, D.C.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":41072868524197,"sku":"WOP-186\/BB-2","price":200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_4416-3.jpg?v=1636254444"},{"product_id":"nanteuil-levayer","title":"Robert Nanteuil. Portrait of François de la Mothe le Vayer. Engraving 1661.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Robert Nanteuil (1623 – 1678) was a French portrait artist: engraver, draughtsman, and pastellist to the court of Louis XIV.\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e\u003cspan\u003e: Portrait of François de la Mothe le Vayer. Le Vayer (French, 1588 –  1672), was a philosopher and a writer known as Orosius Tubero. He was the tutor of Louis XIV.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Titled, and Dated: \u003c\/strong\u003eNanteuil ad vivum delin. et sculpebat. FRANCISCUS MOTHAEUS\/UAYERIUS REGI A CONSILIIS\/FRATRIQUE EIUS UNICO\/A STUDIIS 1661.\u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: 10 3\/4\" x 7 1\/2\".\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e\u003cspan\u003e: 1661.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003eEngraving on laid paper. Watermark Fleur de Lis.\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr\u003eMat and Frame\u003c\/strong\u003e\u003cspan\u003e: Matted.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: creases to corners, and the center crease.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCatalog Raisonne\u003c\/strong\u003e\u003cspan\u003e: Robert-Dumesnil. Le peintre-graveur français. Vol. 4. Paris, 1839. p.126, #143, I (tres-rare). Ch. Petitjean \u0026amp; Ch. Wickert. Catalogue de l'Oeuvre Grave de Robert Nanteuil. Paris, 1925. p. 243, #124, I.  (Rarissime).\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan\u003e: The British Museum. 1864,1114.516.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eNote\u003c\/strong\u003e: Last known sale was in 1998.\u003c\/p\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-20\" style=\"visibility: visible; left: 106px; top: 215px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-20\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\" style=\"left: 113px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":41075821117605,"sku":"WOP-187\/BB-2","price":800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_4471-2.jpg?v=1637030612"},{"product_id":"nanteuil-1","title":"Robert Nanteuil. Portrait of Philibert-Emmanuel de Beaumanoir Lavardin. Engraving. 1660","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Robert Nanteuil (1623 – 1678) was a French portrait artist: engraver, draughtsman, and pastellist to the court of Louis XIV.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eEngraver\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Robert Nanteuil, (1623-1678).\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e\u003cspan\u003e: Portrait of Philibert-Emmanuel de Beaumanoir Lavardin, [\u003cmeta charset=\"utf-8\"\u003eBishop of Le Mans], \u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned and Dated: \u003c\/strong\u003eR. Nenteuil ad vivum faciebat 1660. Inscription in \u003cmeta charset=\"utf-8\"\u003eIron gall\u003cb data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/b\u003eink l.l. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePhilibert Emmanuel de Beaumanoir de Lavirdin, Eveque du Mans [Bishop of Le Mans]; l.r. \u003cmeta charset=\"utf-8\"\u003eRobert-Dumesnil. P-G., IV. . No. 35.65. In pencil l.c. 1st state.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: 14 3\/8\" x 19 5\/8\".\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e\u003cspan\u003e: 1660.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e engraving on laid paper. Watermark:\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003ethe Jesuit symbol IHS.\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr\u003eMat and Frame\u003c\/strong\u003e\u003cspan\u003e: matted.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: old hinges and glue residue verso\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e. \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCatalog Raisonne\u003c\/strong\u003e\u003cspan\u003e: Robert-Dumesnil. Le peintre-graveur français. Vol. 4. Paris, 1839. p. 65-66, #35, I. Ch. Petitjean \u0026amp; Ch. Wickert. Catalogue de l'Oeuvre Grave de Robert Nanteuil. Paris, 1925. p. 220-222, #101, I. \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan\u003e: The British Museum. \u003cmeta charset=\"utf-8\"\u003e1874,0711.2041.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003cspan\u003e: Coat of arms l.c.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-13\" style=\"visibility: visible; left: 45px; top: 183px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-13\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowdown\" style=\"left: 304.465px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":41076066156709,"sku":"WOP-188\/BB-2","price":800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_4425-2.jpg?v=1636942294"},{"product_id":"i-vanderbank-after-portrait-of-mrs-anastasia-robinson-mezzotint-by-i-faber-1727","title":"I. Vanderbank, after. Portrait of Mrs. Anastasia Robinson. Mezzotint by I. Faber. 1727.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e John Vanderbank, the younger (British, 1694–1739), after. John Vanderbank was a leading English portrait painter of both George I and George II reins.\u003cbr\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e\u003cspan\u003e: John Faber, the Younger (1695–1756), a \u003c\/span\u003eDutch portrait engraver, acted in London.\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e\u003cspan\u003e:  Portrait of Mrs. Anastasia Robinson seated at the harpsichord. Anastasia Robinson (British, 1692–1755) \u003cmeta charset=\"utf-8\"\u003ewas an famous English dramatic\u003c\/span\u003e\u003cspan\u003e singer, active 1714 - 1724.\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Titled, and Dated:  \u003c\/strong\u003eInscribed l.l.: I. Vanderbank Pinx. 1723; l.r.: I. Faber fec. 1727; bottom center: Mrs. Anastasia Robinson. '\u003cspan data-mce-fragment=\"1\"\u003eWhen Robinson awakes the warbling strings, And with her heavenly voice responding sings, Thw winged graces float upon the sound, Bless the sweet airs, and smiling play around.\" London, sold by J. Bowles \u0026amp; Son at the Black Horse in Cornhill.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Sheet 14 5\/8\" x 10 7\/8\".\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003ePublisher\u003c\/strong\u003e\u003cspan\u003e: John Bowles \u0026amp; Son (London).\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e\u003cspan\u003e: 1727.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e: mezzotint on paper.\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr\u003eMat and Frame\u003c\/strong\u003e\u003cspan\u003e: mounted on cardboard.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: Trimmed lower edge. One crease to l.l. corner. Tanned. Water stains on the back of the cardboard. Cardboard \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eUnexamined outside of cardboard. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCatalog Raisonne\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eJohn Chaloner Smith \u003ci data-mce-fragment=\"1\"\u003eBritish Mezzotinto Portraits [...] from the introduction of the art to the early part of the present century\u003c\/i\u003e. V. 1. London, \u003cmeta charset=\"utf-8\"\u003eHenry Sotheran \u0026amp; Company, 1878. P. 417. #\u003cspan class=\"vsuffix\" data-mce-fragment=\"1\"\u003e307 III.\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan\u003e: The British Museum 1902,1011.1841.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003cspan\u003e: As far as we know, unlike other John Faber mezzotints, this portrait wasn't auctioned for at least the last fifteen years, which indirectly speaks of its rarity. Nevertheless, we apprised it moderately to leave room for the expenses of peeling it off the cardboard.\u003c\/span\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":41080347820197,"sku":"WOP-189\/BB-2","price":200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_4496-2.jpg?v=1637089632"},{"product_id":"kneller-after-mr-pope-mezzotint-by-george-white-1732","title":"Gottfried Kneller, after. Portrait of Mr. Pope. Mezzotint by George White. 1732.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cstrong\u003e \u003c\/strong\u003eSir Godfrey Kneller, 1st Baronet (1646 – 1723), was the leading portrait painter in England during the late 17th and early 18th centuries.\u003cbr\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e\u003cspan\u003e: George White (c. 1684–1732) was an English mezzotint engraver.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e\u003cspan\u003e: Portrait of Mr. Pope. Alexander Pope (1688 –  1744) was an English poet.\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Titled, Dated, and proofed \u003c\/strong\u003ebelow the image: G. Kneller S.R.J. et Mag. Brit. Eq. Aur. et \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBaronettus pinx. 1722. Sold by S. Sympson in. Maiden Lane Covt. Garden. G. White fec. 1732.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Sheet 13 3\/4\" x 9 5\/8\".\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003ePublisher\u003c\/strong\u003e: Samuel Sympson \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ein Maiden Lane Covent Garden.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e\u003cspan\u003e: 1732.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003eMezzotint on paper laid on cardboard.\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: Cut to platemark and pasted down on cardboard. The cardboard is broken, but the engraving is not affected. The signs of aging are appropriate for the time. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eUnexamined outside of the back sheet. \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-22\" style=\"visibility: visible; left: 36px; top: 185px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-22\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowdown\" style=\"left: 43.5px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":41081460261029,"sku":"WOP-190\/BB-2","price":350.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_4484-2.jpg?v=1637089376"},{"product_id":"ant-masson-antonius-turgot-de-st-clair-1668","title":"Antoine Masson. Portrait of Antonius Turgot de St. Clair. Engraving. 1668.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: Antoine Masson (France, \u003cmeta charset=\"utf-8\"\u003e1636-1700).\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eAntoine Turgot de Saint-Clair. 1625-1713. At that time the sitter was a mid-ranking office holder of the Conseil d'Etat.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Titled, and Dated \u003c\/strong\u003ein plate \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnt. Masson ad vivum faciebat. Antonius Turgot D.D. de St. Clair libellorum suplicum in regia magister.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Sheet 14 1\/4\" x 11 1\/4\".\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e\u003cspan\u003e: 1668.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003eEngraving on laid paper. A fleur-de-lis watermark.\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e Small waviness and water spots to upper corners. Minor creases to paper. A \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003edetailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eCatalog Raisonne\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eRobert-Dumesnil. Le peintre-graveur français. V. 2. Paris, 1836. p.p. 138-139, # 66.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan\u003e: The British Museum. \u003cmeta charset=\"utf-8\"\u003e1930,0308.2.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eNote\u003c\/strong\u003e: no sales precedents are known.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv id=\"gtx-anchor\" style=\"position: absolute; visibility: hidden; left: 78.8542px; top: 282.639px; width: 198.708px; height: 16.6667px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-10\" style=\"visibility: visible; left: 163px; top: 167px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-10\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowdown\" style=\"left: 170.368px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":41083653554341,"sku":"WOP-191\/BB-2","price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_4437-2.jpg?v=1637013328"},{"product_id":"henri-gascar-after-madam-sophia-bulkely-mezzotint-by-robert-dunkarton-1814","title":"Henri Gascar, after. Portrait of Madam Sophia Bulkely. Mezzotint by Robert Dunkarton. 1814.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e: Henri Gascar (1634 or 1635-1701), after.\u003cbr\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e: Robert Dunkarton (circa 1744-circa 1815), engraver and portrait painter.\u003cbr\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: Madam Sophia Bulkely.\u003cbr\u003e\u003cstrong\u003eSigned, Proofed, Titled, and Dated\u003c\/strong\u003e: H. Gascar pinxt. R. Dunkarton \u003cmeta charset=\"utf-8\"\u003esculpt. Madam Sophia Bulkely. London, published by S. Woodburn, 1814. Label of The Lakeside Studio Lakeside Michigan pasted to the mat.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Image 4 1\/2\" x 3 5\/8\". Sheet 6 1\/2\" x 5\". Mat 20\" x 13\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eSamuel Woodburn (1785 or 1786-1853).\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: 1814.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003eMezzotint on laid paper.\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Matted. 20\" x 13\". \u003cmeta charset=\"utf-8\"\u003eThe mat bears the label of the Lakeside Studio, Lakeside, Michigan (before 1987). It can be shipped without the mat to save on shipping.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e  The Lakeside Studio. Lakeside, Michigan. \u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e- The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: good. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: National Portrait Gallery \u003cmeta charset=\"utf-8\"\u003eNPG D882.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNotes\u003c\/strong\u003e: Sophia Bulkeley (née Stuart) (active 1688) was Lady of the bedchamber to Mary of Modena, Queen of James II.\u003cbr data-mce-fragment=\"1\"\u003eThere is one more mezzotint by Dunkarton (after \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJ. M. W. Turner) \u003c\/span\u003ein our collection.\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv style=\"position: absolute; visibility: hidden; left: 128.977px; top: 283.812px; width: 61.9062px; height: 16.5px;\" id=\"gtx-anchor\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"visibility: visible; left: 145px; top: 128px; opacity: 1;\" aria-describedby=\"bubble-2\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-2\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv tabindex=\"0\" role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 151.977px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowdown\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":41773406847141,"sku":"WOP-234","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_7354-2.jpg?v=1658516087"},{"product_id":"plan-1","title":"Andries Jacobsz Stock. Portrait of Gillis van Coninxloo (II). Engraving. 1610.","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e: Andries Jacobsz Stock, \u003cmeta charset=\"utf-8\"\u003eDutch printmaker, drawer, and publisher (\u003cmeta charset=\"utf-8\"\u003ecirca 1572-1582 - after 1648).\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e Portrait of Gillis van Coninxloo (II). Gillis van Coninxloo (now also referred to as Gillis van Coninxloo II but previously referred to as Gillis van Coninxloo III) (1544 – 1607) was a Flemish painter of landscapes who played an essential role in the development of Northern landscape art at the turn of the 17th century. He spent the last 20 years abroad, first in Germany and later in the Dutch Republic.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitled and Annotated in plate\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHh.[\u003cmeta charset=\"utf-8\"\u003eHendrik Hondius I] excudit. Cum privilegio. ÆGIDIUS CONINCXLOY, ANTVERPIAN. \/ PICTOR. \/ Pingere rura, lacus, silvas, animancula, fontes \/ Cura tibi, pascunt mirifice hæc oculos. \/ Te duce nunc pingunt alii camposque acusque: \/ Te Fauni, Nymphæ, te Dryadesque canunt.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e: sheet 8 1\/2\" x 5 1\/2\". Extended backing frame sheet 11 3\/4\" x 9 1\/4\". Mat 14 5\/8\" x 11 1\/2\".\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Hendrik Hondius I (born Hendrik de Hondt; 1573 – c. 1650) was a Flemish-born trained engraver, cartographer, and publisher, who settled in the Dutch Republic in 1597.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition:\u003cspan mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003c\/b\u003ePictorum aliquot celebrium, præcipué Germaniæ Inferioris.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e1610.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e engraving on laid paper, margins extended with wove paper.\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: matted.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePart of\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Print from part 2 of the series Pictorum Aliquot Celebrium Praecipuae Germaniae Inferioris Effigies. The 72 artist portraits were made by Hendrick Hondius I, Simon Frisius, Andries Jacobsz, Stock, and Robert de Baudouin.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003c\/span\u003eRijksmuseum \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRP-P-1907-358.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Dutch School XVII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eThis entry incorporates text from Wikipedia and the catalog entry of the same item from the collection of the \u003cmeta charset=\"utf-8\"\u003eRijksmuseum.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv style=\"visibility: visible; left: 8px; top: 141px; opacity: 1;\" aria-describedby=\"bubble-8\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-8\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv tabindex=\"0\" role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 301px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowdown\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":41862192234661,"sku":"WOP-431\/MB-1","price":350.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0173-2.jpg?v=1670725455"},{"product_id":"victor-joseph-roux-champion-portrait-demile-bernard-etching","title":"Victor Joseph Roux-Champion. Portrait d'Emile Bernard. Etching. Early XX C.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Victor Joseph Roux-Champion (France, 1871 - 1953).\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e Portrait d'Emile Bernard. Émile Henri Bernard (\u003cmeta charset=\"utf-8\"\u003e1868 – 1941), a French Post-Impressionist painter and writer, had artistic friendships with Vincent van Gogh, Paul Gauguin, Eugène Boch, and at a later time, Paul Cézanne. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned and Titled in plate\u003c\/strong\u003e:\u003cspan\u003e VJRC; \u003cmeta charset=\"utf-8\"\u003eEmile Bernard.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Image\/plate 6 3\/4\" x 4 3\/4\". Sheet 13 1\/8\" x 10\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Early XX C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e etching on laid paper.\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Remnants of old hinges. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: French School XIX C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42117162991781,"sku":"WOP-411","price":150.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_9978-2.jpg?v=1669916332"},{"product_id":"david-martin-after-benjamin-franklin-engraving-by-thomas-b-welch-1835","title":"David Martin, after. Benjamin Franklin. Engraving by Thomas B Welch. 1835.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: David Martin (1737-1797), after.\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eThomas B Welch (American, \u003cmeta charset=\"utf-8\"\u003e1814-1874), painter and engraver, b. Charleston, SC, a pupil of J. B. Longacre in New York; listed as a portrait painter in Philadelphia in 1841-45.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Portrait of Benjamin Franklin.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, facsimile, and annotated in plate\u003c\/strong\u003e\u003cspan\u003e: Engraved by T. B. Welch From the portrait by Martin in possession of the American Philosophical Society. \u003cmeta charset=\"utf-8\"\u003eBenjamin Franklin. Facsimile signature.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Image 4 5\/8\" x 3 5\/8\". Sheet 11 1\/4\" x 9 1\/4\".\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e: Philadelphia, New York \u0026amp; London, Perkins, Bancroft, and Rich.\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition\u003c\/b\u003e\u003c\/span\u003e: The National Portrait Gallery of Distinguished Americans.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e1835.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e stipple and etching on laid paper.\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Right edge is rough cut from the book. Text transferred from the protection sheet. The remnants of glue. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cbr\u003e-The \u003cmeta charset=\"utf-8\"\u003eLibrary of Congress \u003c\/span\u003ecph 3a03874 \/\/hdl.loc.gov\/loc.pnp\/cph.3a03874.\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: American School XIX C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-6\" style=\"visibility: visible; left: 42px; top: 128px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-6\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\" style=\"left: 48.5px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42129857020069,"sku":"WOP-430\/MB-1","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0167-2.jpg?v=1670702690"},{"product_id":"william-platt","title":"William Platt. Portrait Lady Frances Seymour. Engraving. 1800.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: William Platt (British, 1775-after 1796), engraver.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Portrait \u003cmeta charset=\"utf-8\"\u003eFrances Lady Seymour of Trowbridge.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Titled, and Dated:\u003c\/strong\u003e\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003eFrom the Collection at Petworth; \u003cmeta charset=\"utf-8\"\u003ePlatt sc. \u003cmeta charset=\"utf-8\"\u003eFrances Lady Seymour of Trowbridge. [the line \"\u003cmeta charset=\"utf-8\"\u003ePub May 1, 1800, by Edwd Harding 98 Pall Mall\" is cut off].\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Sheet 7\" x 5 1\/2\". Mat 14\" x 11\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Edward Harding (British, 1755–1840).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition\u003c\/b\u003e: illustration of Adolphus's \"British Cabinet.\" \u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e1800.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e stipple engraving on laid paper.\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: matted.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Trimmed within the platemark. The lowest line with \u003cmeta charset=\"utf-8\"\u003ethe \u003cmeta charset=\"utf-8\"\u003epublication \u003cbr\u003einscription \"Pub May 1, 1800, by Edwd Harding 98 Pall Mall\" is cut off. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePart of\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: The British Cabinet; By John Adolphus.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003e1852,0612.287.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: British School XIX C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eThis entry incorporates text from Wikipedia and the catalog entry of the same item from the collection of The British Museum.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"visibility: visible; left: 27px; top: 70px; opacity: 1;\" aria-describedby=\"bubble-4\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-4\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 33.5px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42130417746085,"sku":"WOP-432\/MB-1","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0188-2.jpg?v=1670726202"},{"product_id":"sir-joseph-banks-k-b-engraving-by-eduard-kretzschmar-1840th","title":"Eduard Kretzschmar. Portrait of Sir Joseph Banks, K.B. Engraving. 1840th.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eEduard Kretzschmar (German, 1807-1858) engraver. \u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e Portrait of Sir Joseph Banks, K.B. [\u003cmeta charset=\"utf-8\"\u003erefer to a Knight of the Order of the Bath prior to 1815]. \u003cmeta charset=\"utf-8\"\u003eSir Joseph Banks, 1st Baronet (1743 - 1820) British explorer, naturalist, and longtime president of the Royal Society, known for his promotion of science.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned and Titled in plate\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eE. Kretzschmar sc.  Sir Joseph Banks, K.B.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Sheet 7\"x 6\". Mat 9 1\/2\" x 8 3\/4.\"\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: 1840th.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e  \u003cmeta charset=\"utf-8\"\u003ewood engraving on wove paper. Text printed verso, as issued.\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Matted.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Lower corners are cut off. Small cut through u.l. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: German School XIX C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-5\" style=\"visibility: visible; left: 27px; top: 89px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-5\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\" style=\"left: 33.5px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42130599149733,"sku":"WOP-433\/MB-1","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0196-2.jpg?v=1670730742"},{"product_id":"monogrammist-l-m-after-maximilien-i-empereur-engraving-by-rene-gaillard-1750-1777","title":"Monogrammist LM, after. Portrait of Maximilien I, Empereur. Engraving by René Gaillard. 1755 -1777.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: Monogrammist LM, after.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003eRené \u003c\/span\u003eGaillard\u003cspan\u003e (France, 1719?-1790). Graveur.\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e Portrait of Maximilien I. \u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned,  Titled, and Proofed by the publisher in plate:\u003c\/strong\u003e\u003cspan\u003e Maximilien I. Empereeur. Ne' en 1459. Mort le 12. Janvier 1519. LM Pinx; \u003cmeta charset=\"utf-8\"\u003eGaillard Sculp.; \u003cmeta charset=\"utf-8\"\u003eA Paris chez Odieuvre, M.d d'Estampes rüe Danjou Dauphine la derniere P. Cochere.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e:  Sheet 6 3\/4\" x 5\".. Backing sheet 11 3\/4 x 8 5\/8\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eMichel Odieuvre.\u003c\/span\u003e\u003cbr\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition\u003c\/b\u003e: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eJean-François Dreux du Radier (1714-1781)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e. \u003c\/span\u003eL'Europe illustre, contenant l'histoire abrégée des souverains, des princes, des prélats, des ministres, des grands capitaines, des magistrats, des savans, des artistes, \u0026amp; des dames célèbres en Europe. Vol 2. 1755. p.120.\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: 1755 1 ed -1777 2 ed. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e engraving on laid paper, pasted alongside the upper margin onto the backing sheet.\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: backing sheet.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Margins cut. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003cstrong\u003eCatalog Raisonne\u003c\/strong\u003e: Inventaire du fonds français, graveurs du XVIIIe siècle. Bibliothèque nationale, Département des estampes. Tome IX, Ferrand (François)-Gaucher (C.E.) par Edmond Pognon,... et Yves Bruand,...p.390. No. 91.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePart of\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: L'Europe illustre, contenant l'histoire abrégée des souverains, des princes... \u0026amp;amp; des dames célèbres en Europe. Dans le XVe siècle compris, jusqu'à present. Par M. Dreux du Radier,... Ouvrage enrichi de portraits, gravés par les soins du Sieur Odieuvre. \u003cmeta charset=\"utf-8\"\u003eVolume 2. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Bibliothèque nationale (France). Département des estampes et de la photographie. Inventaire des fonds français. Auteur du texte \u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003epar Edmond Pognon,… et Yves Bruand,…, 1962.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: French School XVIII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eThis entry incorporates text from Wikipedia and the BNF \u003cmeta charset=\"utf-8\"\u003ecatalog.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-6\" style=\"visibility: visible; left: -14px; top: 240px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-6\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowdown\" style=\"left: 251.859px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42131051511973,"sku":"WOP-434\/MB-1","price":120.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0199-2.jpg?v=1670731292"},{"product_id":"john-goldar-henry-1st-king-of-england-c-engraving-late-xviii-c","title":"Jabez (John) Goldar. Portrait of Henry, 1st, King of England. \u0026c. Engraving. 1787.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: Jabez (John) Goldar (1729–1795) was an English engraver.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e Portrait of \u003cmeta charset=\"utf-8\"\u003eHenry, 1st, King of England. \u0026amp;c.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Titled, and Dated:\u003c\/strong\u003e\u003cspan\u003e London; England for \u003c\/span\u003eHarrison's Edition of Rapin; \u003cmeta charset=\"utf-8\"\u003eHenry, 1st, King of England. \u0026amp;c. Goldar Sculpt. Published as the Act directs. March 21st. 1787. The inscriptions above and below either are completely cut off, and we only mention them as a reference.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Sheet 7\" x 5 3\/4\". Backing sheet 9 7\/8\" x 8 3\/4\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eThomas Harrison.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition\u003c\/b\u003e:  Rapin de Thoyras, N. Tindal. The History of England. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1785-1789.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: 1787.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e engraving on laid paper.\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Backing sheet.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Trimmed to the image. Mounted to the cardboard, can't be examined verso and through the light. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: English School XVIII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003c\/span\u003ePaul de Rapin\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e ( 1661 – 1725) was a Huguenot Historian writing under English patronage. His \u003c\/span\u003eHistory of England\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e, written and first published in French in 1724–27, was an influential exposition of the Whig view of history. \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"visibility: visible; left: 27px; top: 70px; opacity: 1;\" aria-describedby=\"bubble-2\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-2\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv tabindex=\"0\" role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 33.5px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42131281051813,"sku":"WOP-435\/MB-1","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0218-2.jpg?v=1670762811"},{"product_id":"pietro-martire-neri-after-cardinal-pietro-i-vidoni-engraving-by-albert-clouwet","title":"Pietro Martire Neri, after. Portrait of Cardinal Pietro I Vidoni. Engraving by Albert Clouwet. 1660-1676.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: Pietro Martire Neri (Italy, \u003cmeta charset=\"utf-8\"\u003e1691-1661), after.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e\u003cspan\u003e: Albert Clouwet \u003cmeta charset=\"utf-8\"\u003e(Dutch, 1636– 1679).\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e Portrait of Cardinal Pietro I Vidoni. Pietro Vidoni (1610 – 1681) was an Italian cardinal who served from 1652 to 1660 as the papal legate and nuncio to Poland.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned and Titled:\u003c\/strong\u003e\u003cspan\u003e Inscription content: Lettered within tablet with title, \"P. Martyr Neri Cremon: Pinx et deli\" and below image with production details: \"A. Clouuet Sculp\" and \"Io. Iacobus de Rubeis formis Romae ad Templum pacis cum privil S. Pontif\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Sheet 7 1\/2\" x % 5\/8\". Mat 13 3\/8\"x 11 3\/4\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Giovanni Giacomo de' Rossi (Italy, \u003cmeta charset=\"utf-8\"\u003e1627-1691). \u003cmeta charset=\"utf-8\"\u003ePublisher; son of Giuseppe; younger brother and successor in 1653 of Giovanni Domenico. He was succeeded by his own son Domenico.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e1660-1676.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e  engraving on laid paper, margins extended with wove paper.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eWatermark\u003c\/strong\u003e: yes.\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: matted.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Trimmed margins. Foxing on the extended supporting frame. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePart of\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eThis is one from a series of 68 portraits (and title) of cardinals published by Rossi (1658-1676).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003eBb,12.808.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Flemish School XVII C. Italian School XVII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eThis entry incorporates text from Wikipedia and the catalog entry of the same item from the collection of the British Museum.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-7\" style=\"visibility: visible; left: 32px; top: 148px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-7\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\" style=\"left: 297.438px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42131950338213,"sku":"WOP-437\/MB-1","price":120.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0210-2_f2c9befb-c039-4aa0-9906-a0942154c1ec.jpg?v=1670763260"},{"product_id":"andrew-geddes-barrington-pope-blachford-drypoint-1815","title":"Andrew Geddes. Portrait of  Barrington Pope Blachford. Drypoint. 1815.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: Andrew Geddes ARA (Scottish, \u003c\/span\u003e\u003cspan class=\"ngs-simple-card__value\"\u003e1783 - \u003c\/span\u003e\u003cspan class=\"ngs-simple-card__value\"\u003e1844).\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e Portrait of \u003cmeta charset=\"utf-8\"\u003e Barrington Pope Blachford (\u003cmeta charset=\"utf-8\"\u003e1783–1816), \u003cmeta charset=\"utf-8\"\u003eMP for Newtown, Isle of Wight, from 1809 until his death.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ean impression before signature, like in the British Museum and unlike in the \u003cmeta charset=\"utf-8\"\u003eMetropolitan Museum of Art.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Image 5 1\/4\" x 4 1\/4\". Mat 11\" x 9\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e1815.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003eDrypoint on paper.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Matted.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003e1853,1008.37. \u003cbr\u003e\u003c\/span\u003e- \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ethe \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMetropolitan Museum of Art \u003cmeta charset=\"utf-8\"\u003e32.5.1.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: British School XIX C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eThis entry incorporates text from Wikipedia and the catalog entry of the same item from the British Museum and the Metropolitan Museum of Art collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"visibility: visible; left: 18px; top: 226px; opacity: 1;\" aria-describedby=\"bubble-3\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-3\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv tabindex=\"0\" role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 291.094px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42131968688293,"sku":"WOP-438\/MB-1","price":120.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0244-2.jpg?v=1670874863"},{"product_id":"robert-rage-benjamin-martin-engraving","title":"Robert Rage. Portrait of Benjamin Martin. Engraving. 1815.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: Robert Rage \u003cmeta charset=\"utf-8\"\u003e1811-1832 (fl. c.)\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e Portrait of Benjamin Martin (1705-1782). Benjamin Martin was a lexicographer who compiled one of the early English dictionaries, the Lingua Britannica Reformata. He also was a lecturer on science and a maker of scientific instruments.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned and Titled in plate\u003c\/strong\u003e: Benj. Martin. \u003cspan\u003eEngraved by R. Page, For the Encyclopaedia Londinensis, 1815.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Plate 6 1\/2 x 4 1\/2\". Sheet 11\" x 8 1\/2\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: John Wilkes.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition:\u003cspan mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003c\/b\u003eEncyclopaedia londinensis; v.14. M-MED. London, 1816.\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: 1815.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e stipple and etching on wove paper.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Front part of the mat only. No backing sheet.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: A single pinhole l.m. and spots. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePart of\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: T. 14, p. 436.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003eHeal, Portraits.220.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: English School XIX C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eThis entry incorporates text from Wikipedia and the catalog entry of the same item from the collection of the \u003cmeta charset=\"utf-8\"\u003eBritish Museum.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-4\" style=\"visibility: visible; left: 198px; top: 89px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-4\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\" style=\"left: 205.391px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42132230766757,"sku":"WOP-439\/MB-1","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0237-2.jpg?v=1670875055"},{"product_id":"claudius-salmasius","title":"Nicolaes Van Negre, after. Portrait of Claudius Salmasius. Engraving by Esme de Boulonois. ca. 1682.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: Nicolaes Van Negre (Dutch, 1600 - 1663), \u003cmeta charset=\"utf-8\"\u003eafter. \u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e\u003cspan\u003e: Esme de Boulonois (French, \u003cmeta charset=\"utf-8\"\u003e1645-1681 (fl.)\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003ePortrait of Claude Saumaise (1588-1653). He was a French classical scholar.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Numbered, Titled, and Dated:\u003c\/strong\u003e\u003cspan\u003e Claudius Salmasius. \u003cmeta charset=\"utf-8\"\u003eBoulonnois fe.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Sheet 7\" x 5\". Mat 13\" x 11\".\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: François Foppens.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition:\u003cspan\u003e  \u003c\/span\u003e\u003c\/b\u003eIsaac Bullart's \"Académie des Sciences et Arts...\" (Brussels: François Foppens, 1682), vol. 2, p. 226.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: ca 1682.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e engraving on laid paper, mounted.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Matted.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Visible cracks in the plate. Trimmed within the platemark. Unexamined outside of backing. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003e1920,1211.1559.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: French School XVII C. Dutch School XVII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eThis entry incorporates text from Wikipedia and the catalog entry of the same item from the collection of the \u003cmeta charset=\"utf-8\"\u003eBritish Museum.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"visibility: visible; left: 154px; top: 210px; opacity: 1;\" aria-describedby=\"bubble-3\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-3\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 161px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42132278673573,"sku":"WOP-440\/MB-1","price":140.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/files\/IMG_0231-2.jpg?v=1779998526"},{"product_id":"hendrick-hondius-i","title":"Hendrik Hondius (I). Pieter Bruegel. Engraving. 1610.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: Hendrik Hondius (I) (Dutch, \u003cmeta charset=\"utf-8\"\u003e1573-1650). \u003cmeta charset=\"utf-8\"\u003eHendrik Hondius (I) was a Flemish-born and trained engraver, cartographer, and publisher who settled in the Dutch Republic in 1597.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003ePortrait of Pieter Bruegel. \u003cmeta charset=\"utf-8\"\u003ePieter Bruegel the Elder \u003cmeta charset=\"utf-8\"\u003e(ca. 1525–1569) was the most significant artist of Dutch and Flemish Renaissance painting, a painter and printmaker known for his landscapes and peasant scenes; he was a pioneer in making both types of subjects the focus of large paintings.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitled, and Annotated\u003c\/strong\u003e:\u003cspan\u003e PETRO BRVEGEL, PICTORI. Quis nouus hic Hieronymus Orbi \/ Boschius? ingeniosa magistri \/ Somnia peniculoque, styloque \/ Tanta imitarier arte peritus, \/ Vt superet tamen interim et illum? \/\/ Macte animo, Petre, mactus vt arte. \/ Namque tuo, veterisque magistri \/ Ridiculo, salibusque referto \/ In graphices genere inclyta laudum \/ Præmia vbique, et ab omnibus vllo \/\/ Artifice haud leuiora mereris.”; \u003cbr data-mce-fragment=\"1\"\u003eInscription translation: Latin verses translation: “To the painter Pieter Bruegel. Who is this new Hieronymus Bosch for the world, versed in imitating the master's ingenious dreams with such great skill of paintbrush and pen—so that sometimes he surpasses even him. Pieter, blessed with talent and blessed with art! For in your own and your old master's comical and quick-witted genre, you deserve glorious words of praise everywhere and from everyone—no less than any other artist.” The British Museum \u003cmeta charset=\"utf-8\"\u003e1925,1117.139.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Sheet 8 1\/2\" x 5 1\/2\". Mat 14\" x11\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Hendrick Hondius (I).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e1610.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e engraving on laid paper, \u003cmeta charset=\"utf-8\"\u003emargins extended with wove paper.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Matted.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePart of\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Series of 72 artist portraits made by Hendrick Hondius I, Simon Frisius, and Andries Jacobsz. Stock and Robert de Baudous.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: The Rijksmuseum \u003cmeta charset=\"utf-8\"\u003eRP-P-1907-352.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Dutch School XVII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eThis entry incorporates text from Wikipedia and the catalog entry of the same item from the collection of the Rijksmuseum.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"visibility: visible; left: 154px; top: 109px; opacity: 1;\" aria-describedby=\"bubble-2\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-2\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv tabindex=\"0\" role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 161px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42132324843685,"sku":"WOP-441\/MB-1","price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0226-2_44e95b49-45d2-4702-b460-b288e10cc2e8.jpg?v=1670867562"},{"product_id":"hans-holbein-the-younger-after-portrait-of-a-young-woman-portrait-of-sir-william-butts-etchings-1647-1649","title":"Hans Holbein the Younger, after. Portrait of a young woman. Sir William Butts. Etchings by Wenceslaus Hollar. 1647 - 1649.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: Hans Holbein the Younger (German, \u003cmeta charset=\"utf-8\"\u003e1497 - \u003cmeta charset=\"utf-8\"\u003e1543), after.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e: Wenceslaus Hollar (1607 - 1677) was a prolific and accomplished Bohemian graphic artist of the 17th century who spent much of his life in England.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: 1. Portrait of a young woman. 2. Portrait of \u003cmeta charset=\"utf-8\"\u003eSir William Butts.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eInscription\u003c\/strong\u003e\u003cspan\u003e: HHolbein inu: WHollar fec: A: A: Bierling excud: 1647. \u003cmeta charset=\"utf-8\"\u003eHHolbein inu: \/ WHollar fecit, 1649, \/ Adam Alexius Bierling exc.\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Sheet 1. 5 1\/8\" x 3 1\/2\". 2. 5 1\/4\" x 3 1\/2\". Backing sheet 14 1\/8\" x \u003cmeta charset=\"utf-8\"\u003e10 1\/4\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cstrong\u003ePublisher\u003c\/strong\u003e: John McCreery, English publisher and printer (1768-1832).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition:\u003cspan mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eA Collection of Original Etchings. Published by McCreery. London, 1816. The original copper plates were believed to have been destroyed after this publication.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e1816 (published).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e etchings on a thin, lightweight wove paper printed without margins. Mounted on the same paper as other McCreery prints and presumably taken from the same volume because of the same three sides’ gilded edges and matching size. \u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: adhered to backing paper at corners.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Scattered spotting, tears to margins. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003eO,7.311. \u003cmeta charset=\"utf-8\"\u003eThe Metropolitan Museum of Art \u003cmeta charset=\"utf-8\"\u003e51.501.2104.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: British School XVII C. German School XVII C.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eThis entry incorporates text from the catalog of items from the British Museum and the Metropolitan Museum of Art collections.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-3\" style=\"visibility: visible; left: 136px; top: 207px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-3\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\" style=\"left: 143.344px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42141287678117,"sku":"WOP-451\/MB-1","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0303-3.jpg?v=1671480762"},{"product_id":"le-pere-de-rembrandt","title":"Rembrandt Harmensz van Rijn, after. Le père de Rembrandt. Engraving by Pierre Louis de Surugue. 1759.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: Rembrandt Harmensz van Rijn (Dutch, 1606–1669), after.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e: Pierre Louis de Surugue \u003cmeta charset=\"utf-8\"\u003e(French, 1716–1772). \u003cmeta charset=\"utf-8\"\u003eEngraver and publisher, son of Louis, whose business he inherited. Also member of the Académie from 1747.\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan mce-data-marked=\"1\" data-mce-fragment=\"1\"\u003e:  \u003cmeta charset=\"utf-8\"\u003eLe père de Rembrandt. \u003cmeta charset=\"utf-8\"\u003eAfter the 1654 painting by Rembrandt in the Gemäldegalerie, Berlin.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eInscription\u003c\/strong\u003e\u003cspan\u003e: Lettered in lower margin with title, production details and date: \"Peint par Rembrant\" and \"Grave par Surugue fils Graveur du Roi 1759\" and \"Peint par son fils, tiré du Cabinet de Monsieur \/ le Comte de Vence\" and \"A Paris chez l'Auteur rüe des Noyers la porte Cochèr à Côté du Magazin de Papier A.P.D.R.\". \u003cmeta charset=\"utf-8\"\u003eComte de Vence's coat of arms in lower margin.\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Sheet 10 5\/8\" x 7 3\/4\". \u003cstrong\u003e\u003c\/strong\u003eBacking sheet \u003cmeta charset=\"utf-8\"\u003e14 1\/4\" x \u003cmeta charset=\"utf-8\"\u003e10 1\/8\".\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e: Pierre Louis Surugue.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan mce-data-marked=\"1\" data-mce-fragment=\"1\"\u003e: 1759 (plate).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan mce-data-marked=\"1\" data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e etchings and engraving on a thin, lightweight paper. \u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan mce-data-marked=\"1\" data-mce-fragment=\"1\"\u003e: adhered on the backing paper to the corners.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan mce-data-marked=\"1\" data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan mce-data-marked=\"1\" data-mce-fragment=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan mce-data-marked=\"1\" data-mce-fragment=\"1\"\u003e: Scattered spotting. Waviness. Spots of glue recto. Lost some extremities of the backing sheet. \u003c\/span\u003e\u003cspan mce-data-marked=\"1\" data-mce-fragment=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan mce-data-marked=\"1\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan mce-data-marked=\"1\" data-mce-fragment=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003e1861,1109.278. Philadelphia Museum of Art 1985-52-23476.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan mce-data-marked=\"1\" data-mce-fragment=\"1\"\u003e: Dutch School XVII C. French School XVIII C. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eNote\u003c\/strong\u003e: This entry incorporates text from the catalog entries of the same item from the collection of the British Museum and \u003cmeta charset=\"utf-8\"\u003ePhiladelphia Museum of Art.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-6\" style=\"visibility: visible; left: -56px; top: 50px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-6\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\" style=\"left: 216.922px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42145304051877,"sku":"WOP-457\/MB-1","price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0326-2_6efb0b6d-6102-47b4-ab09-f654bd3f87f1.jpg?v=1671664863"},{"product_id":"hans-holbein-the-younger-after-thomas-cromwell-earl-of-essex-engraved-by-jacob-houbraken-hand-colored-1739","title":"Hans Holbein the Younger, after. Portrait of Thomas Cromwell, Earl of Essex. Engraving by Jacob Houbraken. Hand-colored. 1739.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: Hans Holbein the Younger \u003cmeta charset=\"utf-8\"\u003e(c. 1497 - 1543) was a German-Swiss painter and printmaker who worked in a Northern Renaissance style and is considered one of the greatest portraitists of the 16th century.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e\u003cspan\u003e: Jacobus Houbraken (1698 - 1780) was a Dutch engraver and the son of the artist and biographer Arnold Houbraken.\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Portrait of Thomas Cromwell. Thomas Cromwell (1485 - 1540), briefly Earl of Essex, was an English lawyer and statesman who served as chief minister to King Henry VIII from 1534 to 1540 when he was beheaded on orders of the king, who later blamed false charges for the execution.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Numbered, Titled, and Dated:\u003c\/strong\u003e\u003cspan\u003e  Lettered with the title around the frame, and below image \"In the Possession of Edward Southwell Esqr,\" and production detail: \"J. Houbraken sculps Amst \/ Holben pinx \/ Impensis J \u0026amp; P Knapton Londini 1739\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Image\/platemark 14 1\/2\" x 9 1\/2\". Sheet 16 1\/2\" x 10 1\/4\". Mat 20 1\/4\" x 14 3\/4\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: John \u0026amp; Paul Knapton (active 1735-1789). From 1712 until 1719, John Knapton was apprenticed to his father, a leading London bookseller. He continued to work for his father until the latter's death in 1736, at which point John, and his brother Paul, took over the family business. Knapton was responsible for the publishing of some of the most significant works of the day including a complete edition of Alexander Pope's works and the first edition of Samuel Johnson's. (\u003cmeta charset=\"utf-8\"\u003eNational Portrait Gallery).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition:\u003cspan mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003c\/b\u003eThomas Birch.\u003cb data-mce-fragment=\"1\"\u003e\u003cspan mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003c\/b\u003eThe Heads of Illustrious Persons of Great Britain, Engraved by Mr. Houbraken and Mr. Vertue (London, 1743-1752). George Vertue FSA (1684 – 1756) was an English engraver and antiquary. Thomas Birch  (1705 – 1766) was an English historian.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: 1739.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e engraving and etching on laid paper pasted on the cardboard. Hand-colored.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Matted.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePart of\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e Series: Birch's Heads.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: The British Museum. \u003cmeta charset=\"utf-8\"\u003e1841,1211.81.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Dutch School XVIII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eThis entry incorporates text from Wikipedia and the catalog entry of the same item from The British Museum collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-3\" style=\"visibility: visible; left: 20px; top: 89px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-3\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\" style=\"left: 26.5px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42159203680421,"sku":"WOP-471\/BB-2","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0474-2.jpg?v=1672513732"},{"product_id":"fernando-de-silva-alvarez-de-toledo","title":"Anton Raphael Mengs, after. Portrait of the Duke of Alba. Engraving by Manuel Salvador Carmona. 1786.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: Anton Raphael Mengs (\u003cmeta charset=\"utf-8\"\u003e1728-1779) was a German painter, active in Dresden, Rome, and Madrid who, while painting in the Rococo period of the mid-18th century, became one of the precursors to Neoclassical painting, which replaced Rococo as the dominant painting style in Europe.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e\u003cspan\u003e: Manuel Salvador Carmona, the outstanding Spanish engraver of the second half of the eighteenth century. Sent by state to study portrait and historical engraving in Paris with Nicolas Dupuis (q.v.) (1752), there elected to the Academy (1759). Returned to Madrid (1762) and elected Academician of Merit at the Academy of San Fernando (1764). Named 'Printmaker to the Privy Chamber' (Charles III, 1783).\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Portrait of \u003cmeta charset=\"utf-8\"\u003eFernando de Silva Álvarez de Toledo. \u003cmeta charset=\"utf-8\"\u003eFernando de Silva y Álvarez de Toledo, 12th Duke of Alba, was a Spanish politician and general who was Prime Minister of Spain in 1754.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Numbered, Titled, and Dated:\u003c\/strong\u003e\u003cspan\u003e El Ex.mo S.or D. Fernando de Silva Alvarez de Toledo, XII Duque de Alba Capital General de los Reales Exercitos de S.M. TU IN EA. ET EGO PRO EA \/\/ Spiritus, et vita redit bonis — post mortem ducibus. \/ Horat. Od. 8. lib 4. Carm. \/\/ D. Ant.o Rafael Mengs le pintò. Man.l Salvador Carmòna le grabò, año 1786.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Sheet 15 1\/4\" x 10 1\/4\" (trimmed within the platemark).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e1786.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e engraving on laid paper pasted onto wove paper.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Matted.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Remnants of old mount verso. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003e1849,1208.106. Museo Nacional del Prado, Madrid G002682.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Spanish School XVIII C. German School XVIII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cstrong\u003eNote\u003c\/strong\u003e: This entry incorporates text from Wikipedia and the catalog entries of the same item from The British Museum and \u003cmeta charset=\"utf-8\"\u003eMuseo Nacional del Prado collections.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"position: absolute; visibility: hidden; left: 115.453px; top: 81.7812px; width: 238.75px; height: 17px;\" id=\"gtx-anchor\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"visibility: visible; left: -39px; top: 109px; opacity: 1;\" aria-describedby=\"bubble-2\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-2\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv tabindex=\"0\" role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 226.953px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42159307161765,"sku":"WOP-472\/BB-2","price":300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0478-2.jpg?v=1672513587"},{"product_id":"portrait-of-william-temple-engraving-by-jacob-houbraken-1738","title":"Peter Lely, after. Portrait of William Temple. Engraving by Jacob Houbraken. 1738.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: Sir Peter Lely (Dutch, \u003cmeta charset=\"utf-8\"\u003e1618-1680), painter and collector, born Pieter van der Faes; trained Haarlem under Grebber; to London by 1647. Court painter to Charles II between 1660\/80; collaborating with Hendrick Danckerts, Willem van de Velde II, and Prosper Lankrink.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e\u003cspan\u003e: Jacobus Houbraken (1698 - 1780) was a Dutch engraver and the son of the artist and biographer Arnold Houbraken.\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Portrait of William Temple. Sir William Temple, 1st Baronet (1628 – 1699) was an English diplomat, statesman, and essayist.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eInscription\u003c\/strong\u003e content: Lettered around portrait: \"Sr. WILLIAM TEMPLE.\" Lettered in lower margin: \"J. Houbraken sculps. Amst.\" and \"P. Lely Pinxit.\" and \"In the Collection of John Temple Esqr.\" and \"Impensis J \u0026amp; P Knapton Londini 1738\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Image\/plate 14 3\/4\" x 9 1\/4. Sheet 21\" x 14 1\/4\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: John \u0026amp; Paul Knapton (active 1735-1789). From 1712 until 1719, John Knapton was apprenticed to his father, a leading London bookseller. He continued to work for his father until the latter's death in 1736, at which point John, and his brother Paul, took over the family business. Knapton was responsible for the publishing of some of the most significant works of the day including a complete edition of Alexander Pope's works and the first edition of Samuel Johnson's. (National Portrait Gallery).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition:\u003cspan mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003c\/b\u003eThomas Birch. The Heads of Illustrious Persons of Great Britain, Engraved by Mr. Houbraken and Mr. Vertue (London, 1743-1752). George Vertue FSA (1684 – 1756) was an English engraver and antiquary. Thomas Birch (1705 – 1766) was an English historian.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: 1838.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e engraving and etching on laid paper.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePart of\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"vprefix\" data-mce-fragment=\"1\"\u003eSeries:\u003c\/span\u003e Birch's Heads.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003e1841,1211.120.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Dutch School XVIII C. British School XVIII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003cspan\u003e: This entry incorporates text from Wikipedia and the catalog entry of the same item from The British Museum collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"visibility: visible; left: -77px; top: 187px; opacity: 1;\" aria-describedby=\"bubble-3\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-3\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 447.328px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42159442526373,"sku":"WOP-473\/BB-2","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0494-2.jpg?v=1672601386"},{"product_id":"robert-white","title":"Robert White. Portrait of Elizabeth I, Queen of England. Engraving. 1681.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: Robert White (\u003cmeta charset=\"utf-8\"\u003e1645-1703), engraver, the foremost pupil of Loggan, and inherited his position as the leading line engraver for the print trade. His earliest print was made in 1666, and his last was in 1702. His output was huge and has never been fully cataloged.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Effigies Elizabethæ Reginæ Angliæ ets.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eInscription\u003c\/strong\u003e content: Lettered with the title around the oval and descriptive text below. Lettered with production details: 'R. White sculp:' and 'Printed for Richard Chiswell at the Rose and Crowne in St. Pauls Church yard.' In upper margin: 'Vol: 2d.' and 'Pag: 373'.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Image\/plate 9 5\/8\" x 6 3\/8\".  Sheet 11 1\/2 x 7 1\/4\". Mat 18\" x 12 1\/2\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Richard Chiswell (\u003cmeta charset=\"utf-8\"\u003e1639-1711), eminent bookseller and publisher. According to Dunton he 'well deserves the title of Metropolitan Bookseller of England, if not of all the world. His name at the bottom of a title page does sufficiently recommend the book.'\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition:\u003cspan mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003c\/b\u003eGilbert Burnet. History of the Reformation. London, 1681. (\u003cmeta charset=\"utf-8\"\u003eillustration). Gilbert Burnet (1643 – 1715) was a Scottish philosopher and historian, and Bishop of Salisbury. He was fluent in Dutch, French, Latin, Greek, and Hebrew. Burnet was highly respected as a cleric, a preacher, an academic, a writer, and a historian.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: 1681.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e engraving on laid paper.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eWatermark\u003c\/strong\u003e\u003cspan\u003e: yes.\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: matted.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: torn from a book unevenly. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePart of\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Vol. 2d, pag. 393.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003e1873,0510.916.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: English School XVII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003cspan\u003e: This entry incorporates text from Wikipedia and the catalog entry of the same item from The British Museum collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-7\" style=\"visibility: visible; left: 58px; top: 302px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-7\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowdown\" style=\"left: 64.5px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42159502262437,"sku":"WOP-474\/BB-2","price":300.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0503-2_2dc6b84c-36a2-4098-82fe-7b22b54394c4.jpg?v=1672601475"},{"product_id":"portrait-of-general-thomas-dalyell-1685","title":"David Paton, after. Portrait of General Thomas Dalyell. Engraving by Peter Vandrebanc. 1685.","description":"\u003cp\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: David Paton was a Scottish artist active between 1660–1700. He is known for his high-quality Portrait miniatures and is considered one of the best draughtsmen in late seventeenth-century Britain... A portrait of General Tam Dalyell of the Binns was also ascribed to Paton. (Wikipedia).\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e\u003cspan\u003e: Peter Vandrebanc. \u003cmeta charset=\"utf-8\"\u003eEngraver. Vandrebanc (\u003cmeta charset=\"utf-8\"\u003e1649-1697) was a Frenchman and always signs his plates with this spelling. George Vertue FSA wrote: 'Peter van der Bank from Paris came to London 1674 or thereabouts. His works were much admired when he first came. Indeed, England had never any so large and great works engraved, especially heads which are very masterly done, especially the large head of King Charles'.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e\u003cspan\u003e: Generall Thomas Dalyell. Sir Thomas Dalyell of The Binns, 1st Baronet (1615–1685) was a Scottish Royalist general in the Wars of the Three Kingdoms, also known by the soubriquets \"Bluidy Tam\" and \"The Muscovite De'il.\" He was present at the Battle of Worcester (3 September 1651), where his men surrendered, and he himself was captured and imprisoned in the Tower of London. In May he escaped abroad and, in 1654, took part in the Highland rebellion and was exempted from Cromwell's Act of Grace, a reward of 200 guineas being offered for his capture, dead or alive. (Wikipedia). \u003c\/span\u003e\u003cspan\u003eDalyell evaded capture and fled to Russia. There, he entered the service of Tsar Alexis I and distinguished himself as general in the wars against the Turks and Tatars as well as in the Russo-Polish War (1654–1667).\u003cbr\u003e\u003cstrong\u003eSigned, Numbered, Titled, and Dated:\u003c\/strong\u003e\u003cspan\u003e Lettered below image 'D. Patton delin' 'P. Vanderbrac sculp' and with a short biographical text.\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Image\/sheet 12 1\/4 x 9\". Mat 20 x 16\".\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eDate\u003c\/strong\u003e\u003cspan\u003e: \u003cmeta charset=\"utf-8\"\u003e1685.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cspan\u003e engraving on laid paper.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eWatermark\u003c\/strong\u003e\u003cspan\u003e: yes.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMat and Frame\u003c\/strong\u003e\u003cspan\u003e: matted (removable).\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cspan\u003e The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cspan\u003e: Laid down. Trimmed within the platemark. \u003c\/span\u003e\u003cspan\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003cstrong\u003eCatalog Raisonne\u003c\/strong\u003e:  O'Donoghue 1908-25 \/ Catalogue of Engraved British Portraits preserved in the Department of Prints and Drawings in the British Museum. Vol. 2. D-K. p. 5.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003e1848,0911.407.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan\u003e: British School XVII C.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003cspan\u003e: This entry incorporates text from Wikipedia and the catalog entry of the same item from The British Museum collection.\u003cbr\u003e- D. A. Rovinskiĭ. Podrobnyĭ slovarʹ russkikhʺ gravirovannykhʺ portretovʺ. [Descriptive dictionary of Russian engraved portraits ...] Vol. 1. p. 548. №1. \"extremely rare.\" it is hard not to notice the great resemblance between Dmitry \u003cmeta charset=\"utf-8\"\u003eRovinskiĭ and \u003cmeta charset=\"utf-8\"\u003eGeneral Thomas Dalyell.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e- Sir Walter Scott depicted Tam Dalyell of the Binns in the novel \"Old Mortality.\"\u003cbr\u003e- The original painting by \u003cmeta charset=\"utf-8\"\u003ePaton was sold at Christie's on Feb. 9, 1990.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eAcknowledgement\u003c\/strong\u003e: This entry incorporates text from Wikipedia and the catalog entry of a similar item from the \u003cmeta charset=\"utf-8\"\u003eBritish Museum collection.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"visibility: visible; left: 21px; top: 342px; opacity: 1;\" aria-describedby=\"bubble-5\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-5\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"left: 27.5px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowdown\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42161035542693,"sku":"WOP-475\/BB-2","price":5000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0534-2.jpg?v=1672768189"},{"product_id":"george-vertue-portrait-of-king-edward-vi-engraving-1732-1736","title":"George Vertue. Portrait of King Edward VI. Engraving. 1732-1736.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: George Vertue (\u003cmeta charset=\"utf-8\"\u003e1684-1756), engraver and historian of British art.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eKing Edward VI.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Numbered, Titled, and Dated:\u003c\/strong\u003e\u003cspan\u003e Inscribed on pedestal: \"Edward 6th\", and: \"From an original in Kensington Palace \/ G Vertue sculp.\"\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Image\/sheet 11 1\/2\" x 7 1\/8\". Mat 20\" x 16\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e1732-1736.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e engraving and etching on laid paper.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eWatermark\u003c\/strong\u003e\u003cspan\u003e: yes.\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Matted, removable.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Laid down. Restored corners. Waviness. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003cstrong\u003eCatalog Raisonne\u003c\/strong\u003e: O'Donoghue 1908-25 \/ Catalogue of Engraved British Portraits preserved in the Department of Prints and Drawings in the British Museum. Vol. 2. D-K. p. 126. No. 35.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePart of\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eillustration to Paul de Rapin-Thoyras, 'The History of England' (1732).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003eO,7.61.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: British School XVIII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003cspan\u003e: This entry incorporates text from Wikipedia and the catalog entry of the same item from The British Museum collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"visibility: visible; left: 28px; top: 70px; opacity: 1;\" aria-describedby=\"bubble-2\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-2\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv tabindex=\"0\" role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 35px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42161145741477,"sku":"WOP-476\/BB-2","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0520-2.jpg?v=1672768242"},{"product_id":"portrait-of-louis-xiv","title":"Anselm van Hulle, after. Portrait of Louis XIV. Engraving. C. 1697.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: Anselm van Hulle, after. \u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eAnselm van Hulle (1601 - 1674) or Anselmus van Hulle was a Flemish painter mainly of portraits whose works were highly prized at the Northern European Courts. He was a court painter to the Prince of Orange and was one of the few portrait painters who attended the peace negotiations for the Peace of Münster in 1648.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e\u003cspan\u003e: anonymous engraver.\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Portrait of Louis XIV. Louis XIV (1638 – 1715), also known as Louis the Great (Louis le Grand) or the Sun King (le Roi Soleil), was King of France from 1643 until his death in 1715. \u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNumbered and Titled \u003c\/strong\u003ein plate: [No.] 3.  LVDOVICVS. XIV. D. G. FRANCIÆ. ET. NAVARRÆ REX. CHRISTIANISSIMVS.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Image\/plate 14 1\/8\" x 10 1\/4\". Sheet 22\" x 13\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Typis Petri vander Slaart, bibliopolae ad insigne Ciceronis.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition\u003c\/b\u003e: Pacificatores orbis Christiani, sive Icones principum, ducum, et legatorum, qui Monasterii atque Osnabrugæ pacem Europæ reconciliarunt. Rotterdam, 1697. Sheet 3.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: C. 1697.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e engraving on laid paper.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Folded margins, tears along edges, \u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003ewell away from image, stains, remnants of old hinges recto. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Münster, LWL-Landesmuseum für Kunst und Kulturgeschichte, Inv. Nr. K 66-92 LM. \u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Royal Collection Trust \u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eRCIN 616966; \u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eRCIN 809174.c.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Dutch School XVII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003cspan\u003e: This entry incorporates text from Wikipedia and the catalog entry of the same item from Münster, LWL-Landesmuseum für Kunst und Kulturgeschichte collection through westfaelische-geschichte\/portal.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"visibility: visible; left: 4px; top: 168px; opacity: 1;\" aria-describedby=\"bubble-2\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-2\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" tabindex=\"0\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 214px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42164126515365,"sku":"WOP-477\/BB-2","price":400.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0539-2.jpg?v=1672947675"},{"product_id":"hieronymus-wierix-after-william-the-first-prince-of-orange-charles-turner-1814","title":"Hieronymus Wierix, after. Portrait of William the First, Prince of Orange. Etching and mezzotint by Charles Turner. 1814.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: Hieronymus Wierix (\u003cmeta charset=\"utf-8\"\u003eFlemish, \u003cmeta charset=\"utf-8\"\u003e1553-1619), after. \u003cmeta charset=\"utf-8\"\u003eOne of three brothers, all engravers. Child prodigy. Master in Antwerp in 1572, where he remained for the rest of his life.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e\u003cspan\u003e: Charles Turner (British, \u003cmeta charset=\"utf-8\"\u003e1774-1857), mezzotinter, acted as the publisher of much of his work.\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Portrait of William the First, Prince of Orange. William the Silent (1533 – 1584), also known as William the Taciturn or William of Orange, was the main leader of the Dutch Revolt against the Spanish Habsburgs that set off the Eighty Years' War (1568–1648) and resulted in the formal independence of the United Provinces in 1648.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Numbered, Titled, and Dated:\u003c\/strong\u003e\u003cspan\u003e William the First, Prince of Orange, \u0026amp;c, \u0026amp;c. Shot with a pistol at Delft, July 10th, 1584, by Balthazar Gerards \/ Engraved by Charles Turner from an original by J. Weirix. \/ London: Pubd. 1814 by S. Woodburn, 112 St. Martin's Lane. PROOF.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Plate mark 14 1\/2\" x 10 1\/2\". Sheet 19\" x 13 1\/2\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Samuel Woodburn (British, \u003cmeta charset=\"utf-8\"\u003e1783-1853). \u003cmeta charset=\"utf-8\"\u003eOne of four brothers who worked respectively in printselling, bookselling, picture dealing, and frame-making. Samuel specialized in prints and drawings.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eEdition:\u003cspan mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003c\/b\u003ePortraits of Royal Personnages.\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: 1814.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e mezzotint, etching on laid paper.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: lost corner, foxing, mainly to margins. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePart of\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: From a series of 15 copies of early engravings of British persons by Turner, Earlom, and Dunkarton, issued by Samuel Woodburn in book form in 1816.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003e1857,0214.374.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: British School XVIII C. Flemish School XVI C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003cspan\u003e: This entry incorporates text from Wikipedia and the catalog entry of the same item from The British Museum collection.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e- Alfred Whitman in his book \u003c\/span\u003e\u003cspan\u003eCharles Turner.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eLondon: G. Bell \u0026amp; sons, 1907 doesn't mention a \"proof\" state. In general, the \"proof\" is considered the most sought-after kind of impression.\u003c\/p\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-5\" style=\"visibility: visible; left: 36px; top: 227px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-5\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\" style=\"left: 42.5px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42165495595173,"sku":"WOP-478\/BB-2","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0575-2.jpg?v=1672964765"},{"product_id":"portrait-of-laudomina-iacobi-acciaiuoli","title":"Giuseppe Zocchi, after. Portrait of: Laudomia Acciaiuoli. Engraving by Francesco Allegrini. 1750-1760 (circa).","description":"\u003cp\u003e\u003cstrong\u003eIntermediary draughtsman\u003c\/strong\u003e: Giuseppe Zocchi (Italy, \u003cmeta charset=\"utf-8\"\u003e1717 (or 1711?)-1767), draughtsman and etcher in Florence, after.\u003cbr\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e\u003cspan\u003e: Francesco Allegrini (Italy, \u003cmeta charset=\"utf-8\"\u003e1729-c. 1770), an engraver in Florence.\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Portrait of \u003cmeta charset=\"utf-8\"\u003eLaudomina Iacobi Acciaiuolii, \u003cmeta charset=\"utf-8\"\u003ewife of Pierfrancesco de' Medici.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Numbered, Titled, and Dated:\u003c\/strong\u003e\u003cspan\u003e Lettered in tablet 'Laudomina Iacobi Acciaiuolii, et Tan \/ ciæ de Bardis F. Petri Franc. Med. Uxor' and lettered in garland 'Forma Nisi In Veras Non Cardit Illa Deas'; with production details 'J.Z. del.', 'F.A. Sc.' and 'Ex Mus. Senat. Equit. March. Ant. Franc. Acciaiuoli Toriglioni \/ ap. Ios. Allegrini. Floren.'\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Plate mark 14\" x 10 1\/4\". Sheet 16 3\/4\" x 13 1\/2\". (folded edges).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Giuseppe Allegrini (Italy, \u003cmeta charset=\"utf-8\"\u003e1744-1778 (fl), publisher, printer, and engraver in Florence.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: 1750-1760 (circa).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e engraving and etching on laid paper.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: margins are folded. Remnants of mounting paper recto, creases, soiling. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand. \u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePart of\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eseries of portraits of the Medici family published by Allegrini to supplement those in the earlier series engraved by Adrian Haelwegh.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003e1871,1209.1186.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Italian School XVIII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003cspan\u003e: This entry incorporates text from Wikipedia and the catalog entry of the same item from The British Museum collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-5\" style=\"visibility: visible; left: 36px; top: 305px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-5\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\" style=\"left: 42.5px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42165850603685,"sku":"WOP-479\/BB-2","price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0568-2.jpg?v=1672950438"},{"product_id":"jean-baptiste-santerre-after-portrait-of-nicolas-malebranche-engraving-by-nicolas-etienne-edelinck-1715-1767","title":"Jean-Baptiste Santerre, after. Portrait of Nicolas Malebranche. Engraving by Nicolas Etienne Edelinck. 1715 - 1767.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: Jean-Baptiste Santerre (1651 -1717) was a French painter and draughtsman of the Style Louis XIV, known for his history paintings, portraits, and portrait-like genre subjects\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e\u003cspan\u003e: Nicolas-Étienne Edelinck (1681 -1767) was a French engraver born to a family of engravers in Paris, the eighth son of Gérard Edelinck. \u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003eNicolas Malebranche 1638 - 1715. French cleric and savant.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Titled, and Dated:\u003c\/strong\u003e\u003cspan\u003e J. B. Santerre pinxit 1713. N. Edelink Sculpsit rue St. Jacques vis avis \u003cmeta charset=\"utf-8\"\u003eSt. Yves. \u003cmeta charset=\"utf-8\"\u003eNicolas Malebranche. Prêtre de l'Oratoire de l'Académie Royale des Sciences décédé le 13 octobre 1715 âgé de 77 and. In graphite verso: Not in Le Blanc. See R.-D. [Robert-Dumesnil] vol. 7 . p.173, # 19-I. dupl.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Sheet 8 3\/8\" x 6 1\/4\".\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e1715 - 1767.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e engraving on laid paper.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Matted. \u003cmeta charset=\"utf-8\"\u003eMounted in photo corners, removable, and, therefore, may be shipped as a loose sheet in order to optimize the shipping cost.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Laid down. Trimmed margins. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003cstrong\u003eCatalog Raisonne\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eLe peintre-graveur français, vol. 7, p. 173, no. 19.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: The Rijksmuseum \u003cmeta charset=\"utf-8\"\u003eRP-P-OB-50.193.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: French School XVII C. French School XVIII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003cspan\u003e: This entry incorporates text from Wikipedia and the catalog entry of the same item from The \u003cmeta charset=\"utf-8\"\u003eRijksmuseum collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"visibility: visible; left: 142px; top: 70px; opacity: 1;\" aria-describedby=\"bubble-2\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-2\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 148.992px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42166039216293,"sku":"WOP-480\/BB-2","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0561-2.jpg?v=1672950486"},{"product_id":"anthony-van-dyck-after-portrait-of-gerardo-seghers-engraving-by-lucas-vorsterman-i-1645-1655","title":"Anthony van Dyck, after. Portrait of Gerardo Seghers. Engraving by Lucas Vorsterman I. 1645-1655.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: Anthony van Dyck (\u003cmeta charset=\"utf-8\"\u003e1599-1641), painter, the pupil of Rubens; in Italy (1621-26) then from 1632 mainly in England where he was knighted by Charles I.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e\u003cspan\u003e: Lucas Vorsterman I (\u003cmeta charset=\"utf-8\"\u003e1595-1675), engraver, etcher, draughtsman, and publisher, the finest in Rubens school; broke with Rubens mid-1622 and left the latter's studio after a row. Came to London in 1624, returned to Antwerp via Paris in 1630, and went blind in the 1650s. \u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eGerard Seghers \u003cmeta charset=\"utf-8\"\u003e(1591 – 1651) was a Flemish painter, art collector, and art dealer. After a period of study and residence in Italy, he returned to Flanders where he became one of the leading representatives of the Flemish Caravaggisti movement.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Numbered, Titled, and Dated:\u003c\/strong\u003e\u003cspan\u003e Ant van Dyck pinxit; M: vanden Enden exc. \u003cmeta charset=\"utf-8\"\u003eD. Gerardo Seghers Pictori Antverpiano \/ Quod Tabulis Sacris Pietatem Viuam veramque spirantibus tota Europa vulgatis, \/ apud Principes, Reges, Caesares plausum et donatiua meruit : \/ Quod, liberorum bene educatorum copia, quod, nouæ domus admiranda architectura, \/ Palriam auxit, ornauit: amicitiæ ergo. \u003cmeta charset=\"utf-8\"\u003eL. Vorsterman L.M.D.C.Q. \u003cmeta charset=\"utf-8\"\u003eNumbered on the right of the lower margin in graphite: \"41\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Sheet 9 3\/8\" x 6 1\/8\".\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cspan mce-data-marked=\"1\"\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Maarten van den Enden (Dutch, \u003cmeta charset=\"utf-8\"\u003e1605-1673) print publisher. In 1630 he became a member of the Guild of Antwerp. The first publisher of Van Dyck's Iconography. He was an important figure in Antwerp until the mid-1650s.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e1645-1655.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e engraving on laid paper.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eWatermark\u003c\/strong\u003e\u003cspan\u003e: yes.\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Matted (removable).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: laid down. Trimmed. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePart of\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eIcones Principum Virorum.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003e1856,0913.301.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Flemish School XVII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003cspan\u003e: This entry incorporates text from Wikipedia and the catalog entry of the same item from The British Museum collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-3\" style=\"visibility: visible; left: 28px; top: 305px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-3\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\" style=\"left: 35px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42167615848613,"sku":"WOP-481\/BB-2","price":200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0554-2.jpg?v=1672947724"},{"product_id":"portrait-of-lady-margaret-butts","title":"Hans Holbein the Younger, after. Portrait of Lady Margaret Butts. Etching by Wenceslaus Hollar. 1649.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: Hans Holbein the Younger \u003cmeta charset=\"utf-8\"\u003e(German-Swiss 1497\/8 -  1543) was a German-Swiss painter and printmaker who worked in a Northern Renaissance style and is considered one of the greatest portraitists of the 16th century.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e\u003cspan\u003e: Wenceslaus Hollar (1607 - 1677) was a prolific and accomplished Bohemian graphic artist of the 17th century who spent much of his life in England. He is particularly noted for his engravings and etchings.\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e Portrait of Lady Margaret Butts \u003cmeta charset=\"utf-8\"\u003e(c.1485-1545), \u003cmeta charset=\"utf-8\"\u003emarried the physician Sir William Butts. \u003cmeta charset=\"utf-8\"\u003eShe served as a lady-in-waiting to Princess Mary.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Numbered, and Dated:\u003c\/strong\u003e\u003cspan\u003e Lettered below image 'HHolbein inu: \/ WHollar fecit 1649, \/ Adam Alexius Bierling exc:' and numbered '7' in the lower right corner.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: 5 1\/2\" X 3 3\/4\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Adam Alexius Bierling (\u003cmeta charset=\"utf-8\"\u003e1625-1675) \u003cmeta charset=\"utf-8\"\u003eDraughtsman and art dealer, active in Antwerp in the mid-17th century; Wenceslaus Hollar engraved prints after his designs; Bierling also published many prints by W. Hollar.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: 1649.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e etching on laid paper.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Matted (removable).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Trimmed margins. Old hinges verso. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003cstrong\u003eCatalog Raisonne\u003c\/strong\u003e: Catalogue of engraved British portraits preserved in the Department of Prints and Drawings in the British Museum \/\u003cbr data-mce-fragment=\"1\"\u003eby Freeman O'Donoghue. \u003cmeta charset=\"utf-8\"\u003eLondon: Printed by order of the Trustees, 1908-25. p. 310. \u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003e1875,0710.721.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: British School XVII C. Bohemian School \u003cmeta charset=\"utf-8\"\u003eXVII C. \u003cbr\u003eGerman School XVII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003cspan\u003e: This entry incorporates text from Wikipedia and the catalog entry of the same item from The British Museum collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"visibility: visible; left: 154px; top: 109px; opacity: 1;\" aria-describedby=\"bubble-2\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-2\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 161.148px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42168063787173,"sku":"WOP-482\/BB-2","price":400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0595-2.jpg?v=1673130372"},{"product_id":"portrait-of-jan-van-den-wouwer","title":"Portrait of Jan van den Wouwer. Engraving by Anthony van Dyck, Paulus Pontius, Lucas Vorsterman I. 1630-1641.","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: Anthony van Dyck (\u003cmeta charset=\"utf-8\"\u003eFlemish; British, \u003cmeta charset=\"utf-8\"\u003e1599-1641) painter, a pupil of Rubens; in Italy (1621-26) then from 1632 mainly in England where he was knighted by Charles I.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eEtcher\u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003eAnthony van Dyck.\u003cbr\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e\u003cspan\u003e: Paulus Pontius (\u003cmeta charset=\"utf-8\"\u003eFlemish, \u003cmeta charset=\"utf-8\"\u003e1603-1658) engraver. Pupil of Lucas Vorsterman the elder; worked in Antwerp with Rubens and van Dyck. Succeeded Vorsterman in Rubens' studio in 1624.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eEtcher and engraver\u003c\/strong\u003e: Lucas Vorsterman I (\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFlemish,\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1595-1675), e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003engraver, etcher, draughtsman, and publisher, the finest in Rubens school; broke with Rubens mid-1622 and left the latter's studio after a row. Came to London in 1624, returned to Antwerp via Paris in 1630, and went blind in the 1650s. Teacher of Paulus Pontius.\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Joannes Vanden Wouwer. Joannes Woverius (1576-1636), the Latinized name of Jan van den Wouwer, was a civic and royal office-holder in the Spanish Netherlands.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Numbered, Titled, and Dated:\u003c\/strong\u003e\u003cspan\u003e Lettered below the portrait, in three lines of Latin: \"Dominvs Ioannes Vanden Wovwer \/ Eq. Toparcha Quenastæ Regi Catholico Belli, et \/ Supremi Ærarii in Belgio a Consiliis.\" Lettered in lower margin with production details: \"Anton. van Dÿck pinxit\" and \"Paul Pontius sculpsit.\". Lettered within the image at the top right: \"Ætatis suæ LVIII. \/ Ao M.DC. XXXII.\"\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Platemark 9 3\/8\" x 6 1\/4\" Sheet 15\" x 9 1\/2.\"\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e1630-1641.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e engraving and etching on laid paper.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eWatermark\u003c\/strong\u003e\u003cspan\u003e: yes \u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Matted (removable). Foxing to the mat.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: horizontal crease (smoothed out). \u003cmeta charset=\"utf-8\"\u003eWide margins, cleaned, white paper. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePart of\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cspan class=\"vprefix\" data-mce-fragment=\"1\"\u003eSeries:\u003c\/span\u003e Icones Principum Virorum.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003e1888,0612.4.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Flemish School XVII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003cspan\u003e: This entry incorporates text from Wikipedia and the catalog entry of the same item from The British Museum collection.\u003cbr\u003e- The portrait is based on Van Dyck's painting, now kept in the \u003c\/span\u003ePushkin\u003cspan\u003e\u003cstrong\u003e \u003c\/strong\u003eMuseum of Art in Moscow.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"visibility: visible; left: 30px; top: 103px; opacity: 1;\" aria-describedby=\"bubble-7\" role=\"alertdialog\" class=\"jfk-bubble gtx-bubble\"\u003e\n\u003cdiv id=\"bubble-7\" class=\"jfk-bubble-content-id\"\u003e\n\u003cdiv style=\"min-width: 200px; max-width: 400px;\" id=\"gtx-host\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv role=\"button\" aria-label=\"Close\" class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"left: 37px;\" class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowdown\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42171316207781,"sku":"WOP-483\/BB-2","price":1200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0585-2.jpg?v=1673130434"},{"product_id":"anselmus-van-hulle","title":"Anselmus Van Hulle, after. Portrait of Matthäus Wesenbeck. Engraving by Pieter de Bailliu. 1649..","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist\u003c\/strong\u003e\u003cspan\u003e: Anselmus Van Hulle. (\u003cmeta charset=\"utf-8\"\u003eFlemish, \u003cmeta charset=\"utf-8\"\u003e1594\/1601-1665). \u003cmeta charset=\"utf-8\"\u003ePainter, mainly working in Ghent.\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eEngraver\u003c\/strong\u003e\u003cspan\u003e: Pieter de Bailliu (\u003cmeta charset=\"utf-8\"\u003eFlemish, \u003cmeta charset=\"utf-8\"\u003e1613-1660), engraver; b. and worked in Antwerp, except for a period in Rome (1631-37).\u003c\/span\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTitle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Portrait of Matthäus Wesenbeck (\u003cmeta charset=\"utf-8\"\u003e1531 – 1586).\u003cmeta charset=\"utf-8\"\u003e Wesenbeck was a Protestant writer widely known and cited during his time. He taught at Jena and Wittenberg. \u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSigned, Numbered, Titled, and Dated:\u003c\/strong\u003e\u003cspan\u003e Lettered around the image with: \"Expedit firmare animvm constantibvs exemplis\" and below the image with: \"MATTHAEVS, \/ Matthaei Iuris Consti Sen è filio nepos, \/ WESENBECIVS Iunior. \/ Serenissimi Electoris Brandenburgici Consiliarius \/ intimus eiusdemq ad Pacis Universalis Tractatus \/ in Westphalia Legatus. \/ aetat 48\", and production detail: \"Anselmus van Hulle pinxit. Pet. Baillieu scul\", \"Cum priuilegio Regum et Hollandiae Ordinum\", \"1649\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDimensions\u003c\/strong\u003e\u003cspan\u003e: Sheet 12 1\/4\" x 8 1\/4\". Mat 20\" x 13\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDate\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003e1649.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMaterials and Techniques\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan\u003e engraving on laid paper affixed at the upper corners.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMat and Frame\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Matted. The mat bears the label of the Lakeside Studio, Lakeside, Michigan (before 1987).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProvenance\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e  \u003cmeta charset=\"utf-8\"\u003eLakeside Studio, Lakeside, Michigan (before 1987).\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e- The Estate of George \"Yorgo\" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCondition\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eThe signs of aging are appropriate for the time.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eA detailed condition report is available on demand.\u003cbr\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMuseums and Libraries\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: The British Museum \u003cmeta charset=\"utf-8\"\u003e1871,1111.747.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArt Movements, Periods \u0026amp; Schools\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e: Flemish School XVII C.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003cspan\u003e: This entry incorporates text from Wikipedia and the catalog entry of the same item from The British Museum collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"jfk-bubble gtx-bubble\" role=\"alertdialog\" aria-describedby=\"bubble-3\" style=\"visibility: visible; left: 30px; top: 286px; opacity: 1;\"\u003e\n\u003cdiv class=\"jfk-bubble-content-id\" id=\"bubble-3\"\u003e\n\u003cdiv id=\"gtx-host\" style=\"min-width: 200px; max-width: 400px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-closebtn-id jfk-bubble-closebtn\" aria-label=\"Close\" role=\"button\" tabindex=\"0\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrow-id jfk-bubble-arrow jfk-bubble-arrowup\" style=\"left: 37px;\"\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplbefore\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"jfk-bubble-arrowimplafter\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Goldin Fine Art","offers":[{"title":"Default Title","offer_id":42171495219365,"sku":"WOP-484\/BB-2","price":200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/products\/IMG_0603-2_318643f0-d545-483b-89ee-1f405eaf31b1.jpg?v=1673474385"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0435\/0944\/8869\/collections\/IMG_4387.jpg?v=1658517237","url":"https:\/\/www.goldinfineart.com\/collections\/portrets\/balthasar-moncornet.oembed","provider":"Goldin Fine Art","version":"1.0","type":"link"}