Illman Brothers, attributed to. Mind your Step. Steel engraving, likely from The Ladies' Repository, Cincinnati, Ohio. 6" x 4 1/4".
Prof. Carl Joseph Begas (1794 – 1884) pinx, after. Mädchen auf dem Berge (Girl on the Mountain), Timothy Stansfield Engleheart (1803-1879), porcelain artist, sculp. 4 1/2" x 5 3/8".
Philip Francis Stephanoff, after. Greece. Engraved by W. Finden. Engraving on chine collé laid down on wove paper. 12 1/2" x 9 1/4".
Henry Hall Pickersgill, after. Forgotten Days. Etching and engraving by Henry Richard Cook. 1834-1848 (circa)(circa). 10 3/4" x 8 1/2".
Sir William Charles Ross, after. The Morn of Life. (Henrietta A.T. Vyner). Stipple and etching by Henry Richard Cook. 1841. 10 3/4" x 8 1/2".
William Barclay, after. The Parting Word. (Right Honble Lady Radstock). Stipple and etching by Henry Brett. circa 1845. 10 3/4" x 8 1/2".
Benjamin West, after. Alfred dividing his last loaf with the Pilgrim. Engraving by John Rogers. circa 1845. 8 1/2" x 10 3/4".
Jean Victor Schnetz, after. [The Mother's Vow]. Engraving and etching by John Rogers. Proof before title and publication line. The original painting 'Vow to Our Lady' by Jean Victor Schnetz dated 1826 is now in the Hermitage Museum, St. Petersburg. 12 1/2" x 9 1/4".
Henry Campotosto, after. The Dead Lamb. Etching and engraving by Thomas Brown. 1872. 12 1/2" x 9 1/4".
John Callcott Horsley, after. The Pride of the Village. Etching and engraving by George Austen Periam. 1851. 12 1/2" x 9".
Henry Wallis, after. Back from Marston Moor. Etching and engraving by William Ridgway. 1886. 12 1/2" x 9".
Sheet size is indicated throughout.
British School XIX C.