Claude Lorrain, after. Ulisse. Etching by Dominique Barrière. 1664.
Claude Lorrain, after. Ulisse. Etching by Dominique Barrière. 1664.
Claude Lorrain, after. Ulisse. Etching by Dominique Barrière. 1664.
Claude Lorrain, after. Ulisse. Etching by Dominique Barrière. 1664.
Claude Lorrain, after. Ulisse. Etching by Dominique Barrière. 1664.
  • Load image into Gallery viewer, Claude Lorrain, after. Ulisse. Etching by Dominique Barrière. 1664.
  • Load image into Gallery viewer, Claude Lorrain, after. Ulisse. Etching by Dominique Barrière. 1664.
  • Load image into Gallery viewer, Claude Lorrain, after. Ulisse. Etching by Dominique Barrière. 1664.
  • Load image into Gallery viewer, Claude Lorrain, after. Ulisse. Etching by Dominique Barrière. 1664.
  • Load image into Gallery viewer, Claude Lorrain, after. Ulisse. Etching by Dominique Barrière. 1664.

Claude Lorrain, after. Ulisse. Etching by Dominique Barrière. 1664.

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Artist: Claude Lorrain (1600 - 1682) was a French painter, draughtsman, and etcher of the Baroque era. He spent most of his life in Italy and is one of the earliest influential artists, apart from his contemporaries in Dutch Golden Age painting, to concentrate on landscape painting, after.
Engraver:  Dominique Barrière (French, 1610–1678).
TitleUlisse rende Criseide a Crise sacerdote d'Apollo (Ulysses Returning Criesis to Her Father).
Signed in plate: Ulisse rende Criseide a Crise sarerdote d'Apollo. Libro p.mo d'Homero. Claudio Gillee inuen. in Roma 1664. Con licenza de superiori. D. B. sculp.
Dimensions: Sheet 7 3/4" x 10". Backing sheet 10 1/8" x 14 1/8".
PublisherJohn McCreery, English publisher and printer (1768-1832).
Edition: A Collection of Original Etchings. Published by McCreery. London, 1816. The original copper plates were believed to be destroyed after this publication.
Date1816 (published).
Materials and Techniques: etching on a thin, lightweight wove paper printed without margins. Mounted on the same paper as other McCreery prints and presumably taken from the same volume because of the same three sides' gilded edges and matching size. 
Mat and Frame: adhered to backing paper at corners.
Provenance:  The Estate of George "Yorgo" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.
Conditionscattered spotting, tears to margins. The signs of aging are appropriate for the time. A detailed condition report is available on demand.
Art Movements, Periods & Schools: French School XVII C.