Francis Barlow. XC. The Fowler and Partridge. From Aesop's Fables. Etching. 1666.
Francis Barlow. XC. The Fowler and Partridge. From Aesop's Fables. Etching. 1666.
Francis Barlow. XC. The Fowler and Partridge. From Aesop's Fables. Etching. 1666.
Francis Barlow. XC. The Fowler and Partridge. From Aesop's Fables. Etching. 1666.
  • Load image into Gallery viewer, Francis Barlow. XC. The Fowler and Partridge. From Aesop's Fables. Etching. 1666.
  • Load image into Gallery viewer, Francis Barlow. XC. The Fowler and Partridge. From Aesop's Fables. Etching. 1666.
  • Load image into Gallery viewer, Francis Barlow. XC. The Fowler and Partridge. From Aesop's Fables. Etching. 1666.
  • Load image into Gallery viewer, Francis Barlow. XC. The Fowler and Partridge. From Aesop's Fables. Etching. 1666.

Francis Barlow. XC. The Fowler and Partridge. From Aesop's Fables. Etching. 1666.

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Artist: Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.
Title: The Fowler and Partridge.  Illustration from Aesop's Fables.
Dimensions: Image 5" x 6 1/4". Sheet 8 1/8" x 7 1/2". 
Publisher:  William Godbid, the person involved in the 17th-century publishing trade.
Edition:  Aesop's Fables with his life in English, French & Latin. The English by Tho. Philpott Esq. The French and Latin by Rob. Codrington MA. Illustrated with one hundred and twelve sculptures by Francis Barlow. (1st edition).
Date: 1666.
Materials and Techniques: etching and letterpress.
Provenance:  The Estate of George "Yorgo" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.
Condition: Wear to edges, and creases. Cropped. The signs of aging are appropriate for the time. A detailed condition report is available on demand.
Part of: Fable XC, p. 181.
Museums and Libraries: The British Museum 2005,0331.9.
Art Movements, Periods & Schools: English School XVII C.
Note: This entry incorporates text from fablesofaesop.com and the description of the same item from the collection of the British Museum.
- The first edition was largely destroyed in the Great Fire of London of 1666.
- The Partridge begged for life from the hunter by saying he would deliver many of his fellows instead. The hunter would have nothing of this betrayal.
A traitor undermines the foundations of society.