Andrea Meldolla, called Schiavone, after. Jupiter et Io. Etching by Pierre Aveline. 1742.
Andrea Meldolla, called Schiavone, after. Jupiter et Io. Etching by Pierre Aveline. 1742.
Andrea Meldolla, called Schiavone, after. Jupiter et Io. Etching by Pierre Aveline. 1742.
Andrea Meldolla, called Schiavone, after. Jupiter et Io. Etching by Pierre Aveline. 1742.
Andrea Meldolla, called Schiavone, after. Jupiter et Io. Etching by Pierre Aveline. 1742.
Andrea Meldolla, called Schiavone, after. Jupiter et Io. Etching by Pierre Aveline. 1742.
Andrea Meldolla, called Schiavone, after. Jupiter et Io. Etching by Pierre Aveline. 1742.
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  • Load image into Gallery viewer, Andrea Meldolla, called Schiavone, after. Jupiter et Io. Etching by Pierre Aveline. 1742.
  • Load image into Gallery viewer, Andrea Meldolla, called Schiavone, after. Jupiter et Io. Etching by Pierre Aveline. 1742.
  • Load image into Gallery viewer, Andrea Meldolla, called Schiavone, after. Jupiter et Io. Etching by Pierre Aveline. 1742.
  • Load image into Gallery viewer, Andrea Meldolla, called Schiavone, after. Jupiter et Io. Etching by Pierre Aveline. 1742.
  • Load image into Gallery viewer, Andrea Meldolla, called Schiavone, after. Jupiter et Io. Etching by Pierre Aveline. 1742.
  • Load image into Gallery viewer, Andrea Meldolla, called Schiavone, after. Jupiter et Io. Etching by Pierre Aveline. 1742.

Andrea Meldolla, called Schiavone, after. Jupiter et Io. Etching by Pierre Aveline. 1742.

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Artist: Andrea Meldolla, called Andrea Schiavone (Italian, c.1510/15-1563), painter and etcher, formerly attributed to.
Artist: Lambert Sustris (Italian, c.1515-c.1591), painter, born and trained in Amsterdam, current attribution, after.
Engraver: Pierre Aveline (French, 1702-1760), printmaker.
Title: Jupiter et Io [Jupiter and Io].
Titled, Dated, and Signed in plate: Jupiter et Io. Tableau d'André Schiavon du Cabinet de Mr Crozat. Peint sur toille haut de six pieds deux pouces, large de huit pieds quatre pouces, gravé par Pierre Aveline.
Dimensions: Platemark 16 1/2" x 19 7/8". Sheet  21 1/8" x 29".  
Edition: Joseph Antoine de Crozat, Marquis de Tugny. Recueil d'Estampes d'après les plus beaux Tableaux et d'après les plus beaux Desseins qui sont en France dans le Cabinet du Roy, dans celuy de Monseigneur le Duc d'Orléans, & dans d'autres Cabinets, Tome Second. Paris, 1742.
Date: 1742.
Materials and Techniques: Etching on laid paper.
Watermark: yes.
Provenance:  The Estate of George "Yorgo" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.
Condition: Wear to edges. Stains to top margin. Folded, a strip of paper is glued to the back of the engraving for binding. The signs of aging are appropriate for the time. A detailed condition report is available on demand.
Part of: [Known as the Cabinet de Crozat or Recueil de Crozat, Volume 2].
Museums and Libraries: The British Museum 1855,0609.252.
Art Movements, Periods & Schools: French School XVIII C. Italian School XVI C.
Notes:
- After the painting by Sustris in the Hermitage Museum, St Petersburg; formerly attributed to Schiavone.
- This entry incorporates text from Wikipedia and the catalog entry of a similar item from the British Museum collection.