Annibale Carracci, after. Assumption of the Virgin. Etching by Giuseppe Maria Mitelli. 1679.
Annibale Carracci, after. Assumption of the Virgin. Etching by Giuseppe Maria Mitelli. 1679.
Annibale Carracci, after. Assumption of the Virgin. Etching by Giuseppe Maria Mitelli. 1679.
Annibale Carracci, after. Assumption of the Virgin. Etching by Giuseppe Maria Mitelli. 1679.
Annibale Carracci, after. Assumption of the Virgin. Etching by Giuseppe Maria Mitelli. 1679.
  • Load image into Gallery viewer, Annibale Carracci, after. Assumption of the Virgin. Etching by Giuseppe Maria Mitelli. 1679.
  • Load image into Gallery viewer, Annibale Carracci, after. Assumption of the Virgin. Etching by Giuseppe Maria Mitelli. 1679.
  • Load image into Gallery viewer, Annibale Carracci, after. Assumption of the Virgin. Etching by Giuseppe Maria Mitelli. 1679.
  • Load image into Gallery viewer, Annibale Carracci, after. Assumption of the Virgin. Etching by Giuseppe Maria Mitelli. 1679.
  • Load image into Gallery viewer, Annibale Carracci, after. Assumption of the Virgin. Etching by Giuseppe Maria Mitelli. 1679.

Annibale Carracci, after. Assumption of the Virgin. Etching by Giuseppe Maria Mitelli. 1679.

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Artist: Annibale Carracci (Italian, 1560–1609). 
Engraver: Giuseppe Maria Mitelli (Italian, 1634–1718).
Title: The Assumption of the Virgin. The painting is now in the Pinacoteca in Bologna.
Signed in plate: Joseph Ma Mitellus del et inc. Numbered top right: [Plate] 3. Lettered with title in bottom margin: Anibal Caraccius Bononiensis in ecclesia D.Francisci Bononiae pinxit.

Publisher: Gioseffo Longhi (Italian, 1620–1691).
Date: 1679.
Materials and Techniques: etching on laid paper.
Watermark: yes.
Provenance:  The Estate of George "Yorgo" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.
Condition: Trimmed to the image. Horizontal fold in the middle, multiple patches verso, holes. The signs of aging are appropriate for the time. A detailed condition report is available on demand.
Catalog Raisonne: A. Bartsch. Le Peintre graveur... T. XIX. p. 277. No. 17.

Part of: Bononiensium pictorum celebriores gloriae quaedam sacrae icones ...  [Plate 3 from 12].
Museums and Libraries: The British Museum 1877,0310.103.
Art Movements, Periods & Schools:  Italian School XVII C.
Note: This entry incorporates text from the catalog entry and uses the catalog description of the same item from the collection of the British Museum.