Claude Lorrain, after. Christ and Mary Magdalene. Etching by Richard Earlom. Hand-colored. 1777.
Claude Lorrain, after. Christ and Mary Magdalene. Etching by Richard Earlom. Hand-colored. 1777.
Claude Lorrain, after. Christ and Mary Magdalene. Etching by Richard Earlom. Hand-colored. 1777.
Claude Lorrain, after. Christ and Mary Magdalene. Etching by Richard Earlom. Hand-colored. 1777.
Claude Lorrain, after. Christ and Mary Magdalene. Etching by Richard Earlom. Hand-colored. 1777.
  • Load image into Gallery viewer, Claude Lorrain, after. Christ and Mary Magdalene. Etching by Richard Earlom. Hand-colored. 1777.
  • Load image into Gallery viewer, Claude Lorrain, after. Christ and Mary Magdalene. Etching by Richard Earlom. Hand-colored. 1777.
  • Load image into Gallery viewer, Claude Lorrain, after. Christ and Mary Magdalene. Etching by Richard Earlom. Hand-colored. 1777.
  • Load image into Gallery viewer, Claude Lorrain, after. Christ and Mary Magdalene. Etching by Richard Earlom. Hand-colored. 1777.
  • Load image into Gallery viewer, Claude Lorrain, after. Christ and Mary Magdalene. Etching by Richard Earlom. Hand-colored. 1777.

Claude Lorrain, after. Christ and Mary Magdalene. Etching by Richard Earlom. Hand-colored. 1777.

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Artist: Claude Lorrain (c. 1600 - 1682) was a famous French painter, who lived and worked in Italy.
EngraverRichard Earlom (1743 – 1822) was an English mezzotinter.
Title (as is in the descriptive catalog): [Vol.II]. No.194. A Landscape, with Christ’s appearance in the Garden, and a View of Jerusalem and Mount Calvary. (1777 ed.).  No. 194. Christ appearing to Mary in the Garden. The scene exhibits on one side Mount Cavalry with the Three Crosses,
and at some distance off is seen the City of Jerusalem. (1819 ed.).
The Possessors of the Drawings:  From the Original Drawing, in the Collection of the Duke of Devonshire.

Signed, Numbered, and Dated in the plate in italicClaude le Lorrain delint. E. Earlom fecit. No. 194. 1777.
Dimensions Image 8" x 10". Sheet 10" x 12".
Publisher: Published Mar. 1st. 1777 by John Boydell Engraver in Cheapside. More about John Boydell in our blog "The Enlightenment man". More about Boydell's Shakespeare Gallery in our blog Shakespeare Gallery.
Date: 1777.
Materials and Techniques:  Etching with mezzotint on paper laid on cardboard. Hand-colored and matted.
Condition: Trimmed margins. A detailed condition report is available on demand.
Part of Liber Veritatis. Vol. II. London, 1777 - 1819.
Museums and LibrariesFive Colleges and Historic Deerfield Museum Consortium. No. SC 1953.91.194.
Note: More about Liber Veritatis by Claude Lorrain in our blog Claude Lorrain. Liber Veritatis.