Domenico Fetti, after. Portrait of actor Francesco Andreini. Engraving by Nicolas de Larmessin III. 1742.
Domenico Fetti, after. Portrait of actor Francesco Andreini. Engraving by Nicolas de Larmessin III. 1742.
Domenico Fetti, after. Portrait of actor Francesco Andreini. Engraving by Nicolas de Larmessin III. 1742.
Domenico Fetti, after. Portrait of actor Francesco Andreini. Engraving by Nicolas de Larmessin III. 1742.
  • Load image into Gallery viewer, Domenico Fetti, after. Portrait of actor Francesco Andreini. Engraving by Nicolas de Larmessin III. 1742.
  • Load image into Gallery viewer, Domenico Fetti, after. Portrait of actor Francesco Andreini. Engraving by Nicolas de Larmessin III. 1742.
  • Load image into Gallery viewer, Domenico Fetti, after. Portrait of actor Francesco Andreini. Engraving by Nicolas de Larmessin III. 1742.
  • Load image into Gallery viewer, Domenico Fetti, after. Portrait of actor Francesco Andreini. Engraving by Nicolas de Larmessin III. 1742.

Domenico Fetti, after. Portrait of actor Francesco Andreini. Engraving by Nicolas de Larmessin III. 1742.

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ArtistDomenico Fetti (Italian, 1589-1623), painter. Fetti or Feti, after.
Engraver: Nicolas de Larmessin III (French, 1684-1755).
Title: Portrait of actor [Francesco Andreini (Italian actor, c.1548-1624)].
Titled, Dated, and Signed in plate: Portrait de comédien. Tableau de Dominique Feti, qui est dans le Cabinet de Mr Crozat. Peint sur toile, haut de 37 pouces, large de 30, gravé par Nicolas de Larmessin [numbered on plate, lower right] '109'. 
Dimensions: Platemark 12 5/8" x 9 1/2", Sheet  21 1/8" x 16".  
EditionJoseph Antoine de Crozat, Marquis de Tugny. Recueil d'Estampes d'après les plus beaux Tableaux et d'après les plus beaux Desseins qui sont en France dans le Cabinet du Roy, dans celuy de Monseigneur le Duc d'Orléans, & dans d'autres Cabinets, Tome Second. Paris, 1742.
Date: 1742.

Materials and Techniques: Etching and engraving on laid paper.
Watermark: yes.
Provenance:  The Estate of George "Yorgo" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.
ConditionLeft edge has cuts and holes from a binding cord. Wear to edges. The signs of aging are appropriate for the time. A detailed condition report is available on demand.
Part of[Known as the Cabinet de Crozat or Recueil de Crozat, Volume 2, No. 109].
Museums and Libraries: The British Museum 1855,0609.190.
Art Movements, Periods & SchoolsFrench School XVIII C. Italian School XVII C.

Note:
The painting is in the Hermitage, St Petersburg.
- This entry incorporates text from Wikipedia and the catalog entry of a similar item from the 
British Museum collection.