Innocenzo Da Imola, after. [Francesco Rosaspina, after]. Enthroned Madonna and Child, and saints Michael, Peter, and Benedictus. Etching in the early intermediate state, artist's proof by Antonio Marchi. 1830.
Innocenzo Da Imola, after. [Francesco Rosaspina, after]. Enthroned Madonna and Child, and saints Michael, Peter, and Benedictus. Etching in the early intermediate state, artist's proof by Antonio Marchi. 1830.
Innocenzo Da Imola, after. [Francesco Rosaspina, after]. Enthroned Madonna and Child, and saints Michael, Peter, and Benedictus. Etching in the early intermediate state, artist's proof by Antonio Marchi. 1830.
Innocenzo Da Imola, after. [Francesco Rosaspina, after]. Enthroned Madonna and Child, and saints Michael, Peter, and Benedictus. Etching in the early intermediate state, artist's proof by Antonio Marchi. 1830.
Innocenzo Da Imola, after. [Francesco Rosaspina, after]. Enthroned Madonna and Child, and saints Michael, Peter, and Benedictus. Etching in the early intermediate state, artist's proof by Antonio Marchi. 1830.
Innocenzo Da Imola, after. [Francesco Rosaspina, after]. Enthroned Madonna and Child, and saints Michael, Peter, and Benedictus. Etching in the early intermediate state, artist's proof by Antonio Marchi. 1830.
Innocenzo Da Imola, after. [Francesco Rosaspina, after]. Enthroned Madonna and Child, and saints Michael, Peter, and Benedictus. Etching in the early intermediate state, artist's proof by Antonio Marchi. 1830.
Innocenzo Da Imola, after. [Francesco Rosaspina, after]. Enthroned Madonna and Child, and saints Michael, Peter, and Benedictus. Etching in the early intermediate state, artist's proof by Antonio Marchi. 1830.
Innocenzo Da Imola, after. [Francesco Rosaspina, after]. Enthroned Madonna and Child, and saints Michael, Peter, and Benedictus. Etching in the early intermediate state, artist's proof by Antonio Marchi. 1830.
Innocenzo Da Imola, after. [Francesco Rosaspina, after]. Enthroned Madonna and Child, and saints Michael, Peter, and Benedictus. Etching in the early intermediate state, artist's proof by Antonio Marchi. 1830.
Innocenzo Da Imola, after. [Francesco Rosaspina, after]. Enthroned Madonna and Child, and saints Michael, Peter, and Benedictus. Etching in the early intermediate state, artist's proof by Antonio Marchi. 1830.
Innocenzo Da Imola, after. [Francesco Rosaspina, after]. Enthroned Madonna and Child, and saints Michael, Peter, and Benedictus. Etching in the early intermediate state, artist's proof by Antonio Marchi. 1830.
Innocenzo Da Imola, after. [Francesco Rosaspina, after]. Enthroned Madonna and Child, and saints Michael, Peter, and Benedictus. Etching in the early intermediate state, artist's proof by Antonio Marchi. 1830.
Innocenzo Da Imola, after. [Francesco Rosaspina, after]. Enthroned Madonna and Child, and saints Michael, Peter, and Benedictus. Etching in the early intermediate state, artist's proof by Antonio Marchi. 1830.
Innocenzo Da Imola, after. [Francesco Rosaspina, after]. Enthroned Madonna and Child, and saints Michael, Peter, and Benedictus. Etching in the early intermediate state, artist's proof by Antonio Marchi. 1830.
  • Load image into Gallery viewer, Innocenzo Da Imola, after. [Francesco Rosaspina, after]. Enthroned Madonna and Child, and saints Michael, Peter, and Benedictus. Etching in the early intermediate state, artist's proof by Antonio Marchi. 1830.
  • Load image into Gallery viewer, Innocenzo Da Imola, after. [Francesco Rosaspina, after]. Enthroned Madonna and Child, and saints Michael, Peter, and Benedictus. Etching in the early intermediate state, artist's proof by Antonio Marchi. 1830.
  • Load image into Gallery viewer, Innocenzo Da Imola, after. [Francesco Rosaspina, after]. Enthroned Madonna and Child, and saints Michael, Peter, and Benedictus. Etching in the early intermediate state, artist's proof by Antonio Marchi. 1830.
  • Load image into Gallery viewer, Innocenzo Da Imola, after. [Francesco Rosaspina, after]. Enthroned Madonna and Child, and saints Michael, Peter, and Benedictus. Etching in the early intermediate state, artist's proof by Antonio Marchi. 1830.
  • Load image into Gallery viewer, Innocenzo Da Imola, after. [Francesco Rosaspina, after]. Enthroned Madonna and Child, and saints Michael, Peter, and Benedictus. Etching in the early intermediate state, artist's proof by Antonio Marchi. 1830.
  • Load image into Gallery viewer, Innocenzo Da Imola, after. [Francesco Rosaspina, after]. Enthroned Madonna and Child, and saints Michael, Peter, and Benedictus. Etching in the early intermediate state, artist's proof by Antonio Marchi. 1830.
  • Load image into Gallery viewer, Innocenzo Da Imola, after. [Francesco Rosaspina, after]. Enthroned Madonna and Child, and saints Michael, Peter, and Benedictus. Etching in the early intermediate state, artist's proof by Antonio Marchi. 1830.
  • Load image into Gallery viewer, Innocenzo Da Imola, after. [Francesco Rosaspina, after]. Enthroned Madonna and Child, and saints Michael, Peter, and Benedictus. Etching in the early intermediate state, artist's proof by Antonio Marchi. 1830.
  • Load image into Gallery viewer, Innocenzo Da Imola, after. [Francesco Rosaspina, after]. Enthroned Madonna and Child, and saints Michael, Peter, and Benedictus. Etching in the early intermediate state, artist's proof by Antonio Marchi. 1830.
  • Load image into Gallery viewer, Innocenzo Da Imola, after. [Francesco Rosaspina, after]. Enthroned Madonna and Child, and saints Michael, Peter, and Benedictus. Etching in the early intermediate state, artist's proof by Antonio Marchi. 1830.
  • Load image into Gallery viewer, Innocenzo Da Imola, after. [Francesco Rosaspina, after]. Enthroned Madonna and Child, and saints Michael, Peter, and Benedictus. Etching in the early intermediate state, artist's proof by Antonio Marchi. 1830.
  • Load image into Gallery viewer, Innocenzo Da Imola, after. [Francesco Rosaspina, after]. Enthroned Madonna and Child, and saints Michael, Peter, and Benedictus. Etching in the early intermediate state, artist's proof by Antonio Marchi. 1830.
  • Load image into Gallery viewer, Innocenzo Da Imola, after. [Francesco Rosaspina, after]. Enthroned Madonna and Child, and saints Michael, Peter, and Benedictus. Etching in the early intermediate state, artist's proof by Antonio Marchi. 1830.
  • Load image into Gallery viewer, Innocenzo Da Imola, after. [Francesco Rosaspina, after]. Enthroned Madonna and Child, and saints Michael, Peter, and Benedictus. Etching in the early intermediate state, artist's proof by Antonio Marchi. 1830.
  • Load image into Gallery viewer, Innocenzo Da Imola, after. [Francesco Rosaspina, after]. Enthroned Madonna and Child, and saints Michael, Peter, and Benedictus. Etching in the early intermediate state, artist's proof by Antonio Marchi. 1830.

Innocenzo Da Imola, after. [Francesco Rosaspina, after]. Enthroned Madonna and Child, and saints Michael, Peter, and Benedictus. Etching in the early intermediate state, artist's proof by Antonio Marchi. 1830.

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Artist: Francucci Innocenzo Detto Innocenzo Da Imola (Italy, 1490 ca./ 1545 ca).
Intermediary draughtsman:  Francesco Rosaspina (Italy, 1762 - 1841), a fundamental figure in the constitution of the Pontifical Academy, began in 1818 to engrave the paintings of the art gallery on copper. The work ended in 1829 with a volume consisting of 72 prints.  (see Pinacoteca Nazionale Bologna, 1967, p. 28) The artist has refined technique:  his engravings show those effects of soft modeling and chiaroscuro usually achieved by painting.
Engraver:  Antonio Marchi, Italy. Work period 1833 – 1853. 
Title: Beata Vergine col Bambino in gloria tra gl'angeli l'Arcangelo Michele vincitore di Lucifiero, S. Pietro, e S. Benedetto.
Signed and Titled in plate:  Innocenzo Francuci Detto da Imola. Antonio Marchi inc.  Beata Vergine col Bambino in gloria tra gl'angeli l'Arcangelo Michele vincitore di Lucifiero, S. Pietro, e S. Benedetto.
Dimensions: Image 9 3/8" x 7 1/4". Platemark 12 1/4"  x  8 1/8".  Sheet 19" x 13".
Publisher: Presso L'Autore.
Edition:  La Pinacoteca della Pontificia Accademia delle Belle Arti in Bologna pubblicata da Francesco Rosaspina, Professore nell'Accademia suddetta. Bologna.
Date: c. 1830.
Materials and Techniques: etching on wove paper.
Provenance:  The Estate of George "Yorgo" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.
Condition: The print is taken from a discarded book, as evidenced by bumps and small holes along the left edge. Wear to edges, foxing, and soiling. The signs of aging are appropriate for the time. A detailed condition report is available on demand.
Part of: From a complete set of 72 original drawings by Rosaspina for 'La Pinacoteca,' a book of engravings featuring works from the Academy of Fine Arts in Bologna.
Museums and Libraries: Catalogo generale dei Beni Culturali 0300205377.
Art Movements, Periods & Schools: Italian School XVI C. Italian School XIX C.
Note: This entry incorporates text from the catalog entry and uses the catalog description of the same item from the collection of Beni Culturali.
- Unique impression in the early intermediate state, artist's proof by Antonio Marchi before adding on the sky, before shading, with handwritten lettering.  This attribution is confirmed by the fact that there is a printer's ink stain left by the engraver on the margin. See Cotignola. The Virgin Mary with the Christ Child...from our collection.