Giovanni Francesco Romanelli, after. The Striking of the Rock. Engraving by Jean Baptiste Haussard. 1742.
Giovanni Francesco Romanelli, after. The Striking of the Rock. Engraving by Jean Baptiste Haussard. 1742.
Giovanni Francesco Romanelli, after. The Striking of the Rock. Engraving by Jean Baptiste Haussard. 1742.
Giovanni Francesco Romanelli, after. The Striking of the Rock. Engraving by Jean Baptiste Haussard. 1742.
Giovanni Francesco Romanelli, after. The Striking of the Rock. Engraving by Jean Baptiste Haussard. 1742.
Giovanni Francesco Romanelli, after. The Striking of the Rock. Engraving by Jean Baptiste Haussard. 1742.
  • Load image into Gallery viewer, Giovanni Francesco Romanelli, after. The Striking of the Rock. Engraving by Jean Baptiste Haussard. 1742.
  • Load image into Gallery viewer, Giovanni Francesco Romanelli, after. The Striking of the Rock. Engraving by Jean Baptiste Haussard. 1742.
  • Load image into Gallery viewer, Giovanni Francesco Romanelli, after. The Striking of the Rock. Engraving by Jean Baptiste Haussard. 1742.
  • Load image into Gallery viewer, Giovanni Francesco Romanelli, after. The Striking of the Rock. Engraving by Jean Baptiste Haussard. 1742.
  • Load image into Gallery viewer, Giovanni Francesco Romanelli, after. The Striking of the Rock. Engraving by Jean Baptiste Haussard. 1742.
  • Load image into Gallery viewer, Giovanni Francesco Romanelli, after. The Striking of the Rock. Engraving by Jean Baptiste Haussard. 1742.

Giovanni Francesco Romanelli, after. The Striking of the Rock. Engraving by Jean Baptiste Haussard. 1742.

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Artist: Giovanni Francesco Romanelli (Italian, c.1610-1662), painter and tapestry designer, worked in Rome, after.
Engraver: Jean Baptiste Haussard (French, 1680-1749), printmaker.
Title: Le Frappement du Rocher (The Striking of the Rock).
Titled, Dated, and Signed in plateLe Frapement du Rocher. Tableau de Jean François Romanelle, qui est dans l'apartement de la Reine, au vieux Louvre. Peint sur toile, haut de 6 pieds, large de 4 pieds 2 pouces, gravé par Jean Haussart. [numbered on plate, lower right] '99'. 
Dimensions: Platemark 17 1/2" x 11 1/2". Sheet 21 1/4" x 16". 
Edition: Joseph Antoine de Crozat, Marquis de Tugny. Recueil d'Estampes d'après les plus beaux Tableaux et d'après les plus beaux Desseins qui sont en France dans le Cabinet du Roy, dans celuy de Monseigneur le Duc d'Orléans, & dans d'autres Cabinets, Tome Second. Paris, 1742.
Materials and TechniquesEtching and engraving on laid paper.
Provenance:  The Estate of George "Yorgo" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.
Watermark: yes.
Condition: Left edge has cuts and holes from a binding cord. Wear to edges. Clean, bright impression. The signs of aging are appropriate for the time. A detailed condition report is available on demand.
Part of[Known as the Cabinet de Crozat or Recueil de Crozat, Volume 2, No. 99].
Date: 1742.
Museums and Libraries: The British Museum 1855,0609.180.
Art Movements, Periods & Schools: French School XVIII C. Italian School XVII C.

Note: This entry incorporates text from Wikipedia and the catalog entry of a similar item from the British Museum collection.