Luigi Garzi, after. St Philippe de Néry. Engraving by Anne Claude de Caylus. 1742.
Luigi Garzi, after. St Philippe de Néry. Engraving by Anne Claude de Caylus. 1742.
Luigi Garzi, after. St Philippe de Néry. Engraving by Anne Claude de Caylus. 1742.
Luigi Garzi, after. St Philippe de Néry. Engraving by Anne Claude de Caylus. 1742.
Luigi Garzi, after. St Philippe de Néry. Engraving by Anne Claude de Caylus. 1742.
Luigi Garzi, after. St Philippe de Néry. Engraving by Anne Claude de Caylus. 1742.
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Luigi Garzi, after. St Philippe de Néry. Engraving by Anne Claude de Caylus. 1742.

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Artist: Luigi Garzi (Italian, 1638-1721), painter.
EngraverAnne Claude de Tubières-Grimoard de Pestels de Lévis, comte de Caylus, marquis d'Esternay, baron de Bransac. (France, 1692 - 1765), (etching).
Engraver: Nicolas Lesueur (French, 1690-1764), draughtsman and printmaker. Chiaroscuro woodcuts, with blocks printed over woodcut or etched base. Worked for Recueil Crozat.
Title: St Philippe de Néry (St Philip Neri), (1515 – 1595), known as the "Second Apostle of Rome", after Saint Peter.
Titled, Dated, and Signed in plate: St Philippe de Néry. D'après le dessein de Louis Garzi, qui est dans le cabinet de Mr. Crozat. Gravé à l'eau forte par Mr. le C... de C... et en bois sous sa conduite par Nicolas le Sueur
[numbered on plate, lower right] '133'.
Dimensions: Platemark 15": x 10". Sheet 21 1/4" x 16". 
Edition: Joseph Antoine de Crozat, Marquis de Tugny. Recueil d'estampes d'après les plus beaux Tableaux et d'après les plus beaux Desseins qui sont en France dans le Cabinet du Roy, dans celuy de Monseigneur le Duc d'Orléans, & dans d'autres Cabinets, Tome Second. Paris, 1742.
Materials and Techniques: etching and chiaroscuro woodcut, printed on laid paper in green.
Provenance:  The Estate of George "Yorgo" Demetrakopoulos; p
rofessor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.
Watermark: yes.
ConditionLeft edge has cuts and holes from a binding cord. Wear to edges. The signs of aging are appropriate for the time. A detailed condition report is available on demand.
Catalog Raisonné Inventaire du fonds français, graveurs du XVIIIe siècle. Bibliothèque nationale, Département des estampes. Tome quatrième... par Marcel Roux... p. 97, No. 272. Pl. terminée sur bois, avec la lettre... tirées en vert.
Part of[Known as the Cabinet de Crozat or Recueil de Crozat, Volume 2, No. 133].
Dateca. 1742.
Museums and Libraries: The British Museum 2006,0609.917.
Art Movements, Periods & Schools: French School XVIII C. Italian School XVII C.

NotesThis entry incorporates text from Wikipedia and the catalog entry of a similar item from the British Museum collection.