Jacques Callot, after. Male figure "Man Wrapped in His Mantle". Etching. Early 18th century.
Jacques Callot, after. Male figure "Man Wrapped in His Mantle". Etching. Early 18th century.
Jacques Callot, after. Male figure "Man Wrapped in His Mantle". Etching. Early 18th century.
Jacques Callot, after. Male figure "Man Wrapped in His Mantle". Etching. Early 18th century.
Jacques Callot, after. Male figure "Man Wrapped in His Mantle". Etching. Early 18th century.
Jacques Callot, after. Male figure "Man Wrapped in His Mantle". Etching. Early 18th century.
  • Load image into Gallery viewer, Jacques Callot, after. Male figure "Man Wrapped in His Mantle". Etching. Early 18th century.
  • Load image into Gallery viewer, Jacques Callot, after. Male figure "Man Wrapped in His Mantle". Etching. Early 18th century.
  • Load image into Gallery viewer, Jacques Callot, after. Male figure "Man Wrapped in His Mantle". Etching. Early 18th century.
  • Load image into Gallery viewer, Jacques Callot, after. Male figure "Man Wrapped in His Mantle". Etching. Early 18th century.
  • Load image into Gallery viewer, Jacques Callot, after. Male figure "Man Wrapped in His Mantle". Etching. Early 18th century.
  • Load image into Gallery viewer, Jacques Callot, after. Male figure "Man Wrapped in His Mantle". Etching. Early 18th century.

Jacques Callot, after. Male figure "Man Wrapped in His Mantle". Etching. Early 18th century.

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Artist: Jacques Callot (France 1592 - 1635), after.
Title: Male figure "Man Wrapped in His Mantle".
Numbered: 13 in the plate.
Dimensions: Image/plate 2 5/16" x 3 3/8". Mounting sheet 8 1/8" x 11".
Publisher, Edition: Likely the early 18th-century edition after Callot's second state of Nancy set by Jacques Fagnani, who added numbers to the plates. (Veronica Maria White. The Capricci of Callot).
Materials and Techniques: etching on paper mounted on thick paper.
Provenance: The Joshua B. Kind Trust. Joshua B. Kind was a Professor of Art History at Northern Illinois University, Northwestern University, and The School of the Art Institute of Chicago.
Condition: Good. A detailed condition report is available on demand.
Part of: Capricci (Nancy series).
Note: Bearing Inventory number 1856, dated 1797, stated that the print was in the collection of print dealer G[iuseppe] Storch [Storck] (1766-1836), Mailand [Milan].
Likely the early 18th-century edition after Callot's second state of Nancy set by Jacques Fagnani, who added numbers to the plates. Some researchers have paid special attention to paired male figures as a drawing tutorial (Veronica Maria White. The Capricci of Callot).