Michelangelo da Caravaggio, after. Death of the Virgin. Engraving by Simon Vallée. 1742.
Michelangelo da Caravaggio, after. Death of the Virgin. Engraving by Simon Vallée. 1742.
Michelangelo da Caravaggio, after. Death of the Virgin. Engraving by Simon Vallée. 1742.
Michelangelo da Caravaggio, after. Death of the Virgin. Engraving by Simon Vallée. 1742.
Michelangelo da Caravaggio, after. Death of the Virgin. Engraving by Simon Vallée. 1742.
  • Load image into Gallery viewer, Michelangelo da Caravaggio, after. Death of the Virgin. Engraving by Simon Vallée. 1742.
  • Load image into Gallery viewer, Michelangelo da Caravaggio, after. Death of the Virgin. Engraving by Simon Vallée. 1742.
  • Load image into Gallery viewer, Michelangelo da Caravaggio, after. Death of the Virgin. Engraving by Simon Vallée. 1742.
  • Load image into Gallery viewer, Michelangelo da Caravaggio, after. Death of the Virgin. Engraving by Simon Vallée. 1742.
  • Load image into Gallery viewer, Michelangelo da Caravaggio, after. Death of the Virgin. Engraving by Simon Vallée. 1742.

Michelangelo da Caravaggio, after. Death of the Virgin. Engraving by Simon Vallée. 1742.

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Artist:  Michelangelo da Caravaggio (Italian, 1571-1610). Best known for his dramatic effects of light and dark in his paintings. 
Engraver: Simon Vallée (French, 1680-1730), engraver, pupil of Pierre Drevet.
Title: Mort de la Sainte Vierge (Death of the Blessed Virgin).
Titled, Dated, and Signed in plate: Mort de la Sainte Vierge. Tableau de Michel-Ange Merigi, dit le Caravage, qui est dans le Cabinet du Roy. Peint sur toile, haut de 11 pieds 3 pouces, large de 7 pieds, gravé par Simon Vallée [numbered on plate, lower right] '91'. 
Dimensions: Platemark 18 3/4" x 11 3/4". Sheet 21 1/4" x 16". 
Edition: Joseph Antoine de Crozat, Marquis de Tugny. Recueil d'Estampes d'après les plus beaux Tableaux et d'après les plus beaux Desseins qui sont en France dans le Cabinet du Roy, dans celuy de Monseigneur le Duc d'Orléans, & dans d'autres Cabinets, Tome Second. Paris, 1742.
Materials and TechniquesEtching and engraving on laid paper.
Provenance:  The Estate of George "Yorgo" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.
Watermark: yes.
Condition: The left edge has cuts and holes from a binding cord. Wear to edges. Clean, bright impression.  The signs of aging are appropriate for the time. A detailed condition report is available on demand.
Part of[Known as the Cabinet de Crozat or Recueil de Crozat, Volume 2, No. 91].
Date: 1742.
Museums and Libraries:  The British Museum  1855,0609.169.
Art Movements, Periods & Schools: French School XVIII C. Italian School XVI C.

Note:
- The painting was initially commissioned for the church of Santa Maria della Scala in Trastevere, Rome, and now in the Louvre, Paris; engraved in reverse.
- This entry incorporates text from Wikipedia and the catalog entry of a similar item from the British Museum collection.