Parmigianino, after. Four Cupids; Apollo and Daphne in the Background. Engraved by Anonymous, Italian, 16th to early 17th century.
Parmigianino, after. Four Cupids; Apollo and Daphne in the Background. Engraved by Anonymous, Italian, 16th to early 17th century.
Parmigianino, after. Four Cupids; Apollo and Daphne in the Background. Engraved by Anonymous, Italian, 16th to early 17th century.
Parmigianino, after. Four Cupids; Apollo and Daphne in the Background. Engraved by Anonymous, Italian, 16th to early 17th century.
Parmigianino, after. Four Cupids; Apollo and Daphne in the Background. Engraved by Anonymous, Italian, 16th to early 17th century.
Parmigianino, after. Four Cupids; Apollo and Daphne in the Background. Engraved by Anonymous, Italian, 16th to early 17th century.
Parmigianino, after. Four Cupids; Apollo and Daphne in the Background. Engraved by Anonymous, Italian, 16th to early 17th century.
Parmigianino, after. Four Cupids; Apollo and Daphne in the Background. Engraved by Anonymous, Italian, 16th to early 17th century.
Parmigianino, after. Four Cupids; Apollo and Daphne in the Background. Engraved by Anonymous, Italian, 16th to early 17th century.
  • Load image into Gallery viewer, Parmigianino, after. Four Cupids; Apollo and Daphne in the Background. Engraved by Anonymous, Italian, 16th to early 17th century.
  • Load image into Gallery viewer, Parmigianino, after. Four Cupids; Apollo and Daphne in the Background. Engraved by Anonymous, Italian, 16th to early 17th century.
  • Load image into Gallery viewer, Parmigianino, after. Four Cupids; Apollo and Daphne in the Background. Engraved by Anonymous, Italian, 16th to early 17th century.
  • Load image into Gallery viewer, Parmigianino, after. Four Cupids; Apollo and Daphne in the Background. Engraved by Anonymous, Italian, 16th to early 17th century.
  • Load image into Gallery viewer, Parmigianino, after. Four Cupids; Apollo and Daphne in the Background. Engraved by Anonymous, Italian, 16th to early 17th century.
  • Load image into Gallery viewer, Parmigianino, after. Four Cupids; Apollo and Daphne in the Background. Engraved by Anonymous, Italian, 16th to early 17th century.
  • Load image into Gallery viewer, Parmigianino, after. Four Cupids; Apollo and Daphne in the Background. Engraved by Anonymous, Italian, 16th to early 17th century.
  • Load image into Gallery viewer, Parmigianino, after. Four Cupids; Apollo and Daphne in the Background. Engraved by Anonymous, Italian, 16th to early 17th century.
  • Load image into Gallery viewer, Parmigianino, after. Four Cupids; Apollo and Daphne in the Background. Engraved by Anonymous, Italian, 16th to early 17th century.

Parmigianino, after. Four Cupids; Apollo and Daphne in the Background. Engraved by Anonymous, Italian, 16th to early 17th century.

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Artist: Girolamo Francesco Maria Mazzola, also known as Francesco Mazzola or, more commonly, Parmigianino, was an Italian Mannerist painter and printmaker active in Florence, Rome, Bologna, and his native city of Parma (1503-1540), after.
EngraverAnonymous, Italian.
Title: Four Cupids; Apollo and Daphne in the Background.
Signed: Originally, there was a signature on the extremity of the plate in the lower right corner. This part of our print is trimmed. We provide the image of the missing piece taken from The British Museum site for reference only. There are three different inscriptions verso in Iron gall ink and pencil.

Dimensions: Sheet 10 1/2" x 8 1/2".
Date: 16th to early 17th century.
Materials and Techniques: etching on laid paper mounted on another laid paper.
Watermark
: yes.
Provenance:  The Estate of George "Yorgo" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.
Condition: Fair. Multiple losses, especially to the u.l. corner, abrasions, trimmed image, and remnants of another old mount verso. We suggest a professional restoration. A detailed condition report is available on demand.
Museums and Libraries: The Metropolitan Museum of Arts. 27.78.2(178). (16th–early 17th century).
The British Museum. W,2.28. (17th century).
Art Movements, Periods & Schools:  Italian School XVI C.

Notes:
- Another copy of this magnificent engraving attributed to Enea Vico (1523 - 1567) is in the Antiquarius Gallery (Roma) catalog. (S35377_AM).
- We found one more copy in the catalog of Sotheby's sale of "Collection of Prints, the Property of the Late Mark Masterman Sykes." on 24 May 1824. No. 260, p.22.