Eneas Mackenzie, after. Tombs of Queen Phillipa and Queen Eleanor. Color aquatint by John Bluck. 1812.
Eneas Mackenzie, after. Tombs of Queen Phillipa and Queen Eleanor. Color aquatint by John Bluck. 1812.
Eneas Mackenzie, after. Tombs of Queen Phillipa and Queen Eleanor. Color aquatint by John Bluck. 1812.
Eneas Mackenzie, after. Tombs of Queen Phillipa and Queen Eleanor. Color aquatint by John Bluck. 1812.
  • Load image into Gallery viewer, Eneas Mackenzie, after. Tombs of Queen Phillipa and Queen Eleanor. Color aquatint by John Bluck. 1812.
  • Load image into Gallery viewer, Eneas Mackenzie, after. Tombs of Queen Phillipa and Queen Eleanor. Color aquatint by John Bluck. 1812.
  • Load image into Gallery viewer, Eneas Mackenzie, after. Tombs of Queen Phillipa and Queen Eleanor. Color aquatint by John Bluck. 1812.
  • Load image into Gallery viewer, Eneas Mackenzie, after. Tombs of Queen Phillipa and Queen Eleanor. Color aquatint by John Bluck. 1812.

Eneas Mackenzie, after. Tombs of Queen Phillipa and Queen Eleanor. Color aquatint by John Bluck. 1812.

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Artist: Eneas Mackenzie (1778–1832) was an English topographer.
Engraver: John Bluck (British, 1791-1832 (fl. c.) was a specialist in aquatint.
Title: Tombs of Queen Phillipa and Queen Eleanor.
Signed, Titled, Numbered, and Dated in plate: Plate 51. 119 Queen Phillipa. 120 Queen Eleanor. E. Mackenzie delt. J. Bluck sculpt. Publ June 1812. for
R. Ackermann's Westmr. Abbey, at 101 Strand. London.

Dimensions: Image 10" x 7 3/4".
Publisher: Rudolph Ackermann (1764 - 1834) was an Anglo-German bookseller, inventor, lithographer, publisher, and businessman.
Edition: The history of the Abbey Church of St. Peter's Westminster, its antiquities and monuments. In two volumes.
Date: 1812.
Materials and Techniques:  Etching, aquatint, hand-coloring on wove paper.
Provenance:  The Estate of George "Yorgo" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.
Condition: Cut unevenly. The signs of aging are appropriate for the time. A detailed condition report is available on demand.
Part of: Vol. II, Plate 51.
Museums and Libraries: The British Museum 1984,0121.42.4-83.
Art Movements, Periods & Schools: British School XIX C.
Note: This entry incorporates text from the catalog entry and uses the catalog description of the same item from the collection of the British Museum.