Raphael, after. The triumph of Galatea. Engraving by Joseph Théodore Richomme. 1820.
Raphael, after. The triumph of Galatea. Engraving by Joseph Théodore Richomme. 1820.
Raphael, after. The triumph of Galatea. Engraving by Joseph Théodore Richomme. 1820.
  • Load image into Gallery viewer, Raphael, after. The triumph of Galatea. Engraving by Joseph Théodore Richomme. 1820.
  • Load image into Gallery viewer, Raphael, after. The triumph of Galatea. Engraving by Joseph Théodore Richomme. 1820.
  • Load image into Gallery viewer, Raphael, after. The triumph of Galatea. Engraving by Joseph Théodore Richomme. 1820.

Raphael, after. The triumph of Galatea. Engraving by Joseph Théodore Richomme. 1820.

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ArtistRaffaello Sanzio da Urbino, better known as Raphael (Italy, 1483 – 1520). After a fresco painted by Raphael in the Villa Farnesina in Rome, ca. 1514
Engraver: Joseph Théodore Richomme (French, 1785-1849), reproduction engraver. Ambroise Richomme (French, 1781-1820 (fl), letter engraver.
TitleTriomphe de Galatée. 
Titled, Dated, and Signed in plate: Triomphe de Galatée, dessiné et gravé d'après la fresque de Raphaël, par J.ph T.re Richomme, ancien pensionnaire de l'Ecole des beaux Arts, à Rome. Peint à fresque par Raphaël. Dessiné et gravé par J.ph T.re Richomme, 1820. JTR. Ecrit par Amb.se Richomme. Se vend à Paris chez l'auteur, Rue des Grands Augustins no. 5. Imprime par Durand. Déposé au Bureau des Estampes. [Bears Richomme monogram JTR, bottom right, apparently stamped on the impression rather than engraved (F. Lugt, Les marques de collections de dessins & d'estampes, 1921, no. L. 1547)].
Dimensions: Image 19" x 15". Sheet 24 1/2" x 19".
Printer: Durand. (French, 1810-1831 (fl).
Date: 1820.

Materials and Techniques: engraving on laid paper.
Provenance:  The Estate of George "Yorgo" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.
Condition: Wear, foxing, tears to margins, reinforced edges verso. The signs of aging are appropriate for the time. A detailed condition report is available on demand.
Museums and Libraries: The British Museum 1842,0806.288 (diferent lettering). The Wellcome Collection 2131330i.
Art Movements, Periods & Schools: French School XIX C. Italian School XVI C.

NoteGiorgio Vasari wrote that Raphael did not mean for Galatea to resemble any one human person, but to represent ideal beauty.
Acknowledgement: This entry incorporates text from Wikipedia and the catalog entry of a similar item from the Wellcome Collection. and the 
British Museum collection.