From Stone to Print-2: Western architectural engravings XIX C.
From Stone to Print-2: Western architectural engravings XIX C.
From Stone to Print-2: Western architectural engravings XIX C.
From Stone to Print-2: Western architectural engravings XIX C.
From Stone to Print-2: Western architectural engravings XIX C.
From Stone to Print-2: Western architectural engravings XIX C.
From Stone to Print-2: Western architectural engravings XIX C.
From Stone to Print-2: Western architectural engravings XIX C.
From Stone to Print-2: Western architectural engravings XIX C.
From Stone to Print-2: Western architectural engravings XIX C.
From Stone to Print-2: Western architectural engravings XIX C.
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From Stone to Print-2: Western architectural engravings XIX C.

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1. Drawn by N. Tennant Architect. Engraved by J. Gellatly. Abbey of Holyrood. Steel engraving. From Historical Guide to the Abbey and Palace of Holyrood. 1838. Foxing on margins. Dumpstain lower margin. 11 1/4" x 7 3/4".

2. Engraved by J. C. Armytage after an anonymous drawing (for J. S. Virtue & Co.), published in London. The Albert Memorial. Steel engraving. From The Art Journal. 1876. Vertical crease through the sheet. 12 1/2" x 9 1/4".

3. Engraved by anonymous after drawing by C. Reiss. Notre Dame in Paris. Published by Aus d. Kunstanst. d. Bibliogr. Inst. in Hildbh. Steel engraving. From Meyers Universum. 1850s. Wear. 9" x 6 1/2".

4. Engraved by Bernhard Metzeroth after drawing by C. Reiss. Die Börse in Paris. Published by Aus d. Kunstanst. d. Bibliogr. Inst. in Hildbh. Steel engraving. From Meyers Universum. 1850s. Wear. 6 1/2" x 7 1/4.".

5. Engraved by Johann Georg Martini after anonymous drawing. Miletus. Published by Aus d. Kunstanst. d. Bibliogr. Inst. in Hildbh. Steel engraving. From Meyers Universum. 1850s. Wear. 6" x 7 1/2.".

6. G. Dodgson, after. Engraved by Samuel Bradshaw. The Britannia tubular Bridge over the Menai Straits. XIX C. Wear. 5 1/2" x 7 1/2".

7. W. L. Leitch, after. Engraved by J. Sands. Villa of the Prince of Buttera, Bagaria. Sicily. Published by Fisher, Son & C. 1850s. Rough edge from removal from a book.  8 1/2" x 10 3/4".

8. Anonymous. Coronation Chair in Westminster Abbey. Published by Virtue. XIX C. Rough edge from removal from a book. 10 1/2" x 7".

9. Anonymous (illegible signature). Notre Dame Cathedral of Paris. Etching. Proof. Normal wear. 6 1/2" x 9".

10. Caroline Armington, after. L'église Notre-Dame de Caudebec-en-Caux. Printed below the image in the lower margin Genuine etching. Signed in the plate with monogram LB. Wear. With a few spots on margins. 6 1/2" x 4 1/2".

11. William Mark Young. Arrival of the Players. Depicted Amiens  Cathedral. Etching. Signed. Poor condition. Deep tears. Needs restoration. 

German School XIX C. British School XIX C.

Provenance: The Estate of George "Yorgo" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.

All dimensions given are sheet sizes.